The American Film Industry

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Publisher : Univ of Wisconsin Press
ISBN 13 : 0299098737
Total Pages : 677 pages
Book Rating : 4.2/5 (99 download)

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Book Synopsis The American Film Industry by : Tino Balio

Download or read book The American Film Industry written by Tino Balio and published by Univ of Wisconsin Press. This book was released on 1985-03-04 with total page 677 pages. Available in PDF, EPUB and Kindle. Book excerpt: Upon its original publication in 1976, The American Film Industry was welcomed by film students, scholars, and fans as the first systematic and unified history of the American movie industry. Now this indispensible anthology has been expanded and revised to include a fresh introductory overview by editor Tino Balio and ten new chapters that explore such topics as the growth of exhibition as big business, the mode of production for feature films, the star as market strategy, and the changing economics and structure of contemporary entertainment companies. The result is a unique collection of essays, more comprehensive and current than ever, that reveals how the American movie industry really worked in a century of constant change-from kinetoscopes and the coming of sound to the star system, 1950s blacklisting, and today's corporate empires.

Race in American Film [3 volumes]

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 0313398402
Total Pages : 1127 pages
Book Rating : 4.3/5 (133 download)

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Book Synopsis Race in American Film [3 volumes] by : Daniel Bernardi

Download or read book Race in American Film [3 volumes] written by Daniel Bernardi and published by Bloomsbury Publishing USA. This book was released on 2017-07-07 with total page 1127 pages. Available in PDF, EPUB and Kindle. Book excerpt: This expansive three-volume set investigates racial representation in film, providing an authoritative cross-section of the most racially significant films, actors, directors, and movements in American cinematic history. Hollywood has always reflected current American cultural norms and ideas. As such, film provides a window into attitudes about race and ethnicity over the last century. This comprehensive set provides information on hundreds of films chosen based on scholarly consensus of their importance regarding the subject, examining aspects of race and ethnicity in American film through the historical context, themes, and people involved. This three-volume set highlights the most important films and artists of the era, identifying films, actors, or characterizations that were considered racist, were tremendously popular or hugely influential, attempted to be progressive, or some combination thereof. Readers will not only learn basic information about each subject but also be able to contextualize it culturally, historically, and in terms of its reception to understand what average moviegoers thought about the subject at the time of its popularity—and grasp how the subject is perceived now through the lens of history.

American Film

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Publisher : W. W. Norton & Company
ISBN 13 : 0393979229
Total Pages : 5 pages
Book Rating : 4.3/5 (939 download)

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Book Synopsis American Film by : Jon Lewis

Download or read book American Film written by Jon Lewis and published by W. W. Norton & Company. This book was released on 2007-11-07 with total page 5 pages. Available in PDF, EPUB and Kindle. Book excerpt: A beautiful book and a brisk read, American Film is the most enjoyable and interesting overview of the history of American filmmaking available. Focused on aspects of the film business that are of perennial interest to undergraduates, this book will engage students from beginning to end.

Black American Cinema

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Publisher : Routledge
ISBN 13 : 1135216738
Total Pages : 338 pages
Book Rating : 4.1/5 (352 download)

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Book Synopsis Black American Cinema by : Manthia Diawara

Download or read book Black American Cinema written by Manthia Diawara and published by Routledge. This book was released on 2012-10-02 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first major collection of criticism on Black American cinema. From the pioneering work of Oscar Micheaux and Wallace Thurman to the Hollywood success of Spike Lee, Black American filmmakers have played a remarkable role in the development of the American film, both independent and mainstream. In this volume, the work of early Black filmmakers is given serious attention for the first time. Individual essays consider what a Black film tradition might be, the relation between Black American filmmakers and filmmakers from the diaspora, the nature of Black film aesthetics, the artist's place within the community, and the representation of a Black imaginary. Black American Cinema also uncovers the construction of Black sexuality on screen, the role of Black women in independent cinema, and the specific question of Black female spectatorship. A lively and provocative group of essays debate the place and significance of Spike Lee Of crucial importance are the ways in which the essays analyze those Black directors who worked for Hollywood and whose films are simplistically dismissed as sell-outs, to the Hollywood "master narrative," as well as those "crossover" filmmakers whose achievements entail a surreptitious infiltration of the studios. Black American Cinema demonstrates the wealth of the Black contribution to American film and the complex course that contribution has taken. Contributors: Houston Baker, Jr., Toni Cade Bambara, Amiri Baraka, Jacquie Bobo, Richard Dyer, Jane Gaines, Henry Louis Gates, Jr., Ron Green, Ed Guerrero, bell hooks, Phyllis Klotman, Ntongele Masilela, Clyde Taylor, and Michele Wallace.

The American Film Institute Desk Reference

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Author :
Publisher : DK Publishing (Dorling Kindersley)
ISBN 13 :
Total Pages : 616 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis The American Film Institute Desk Reference by : Melinda Corey

Download or read book The American Film Institute Desk Reference written by Melinda Corey and published by DK Publishing (Dorling Kindersley). This book was released on 2002 with total page 616 pages. Available in PDF, EPUB and Kindle. Book excerpt: An in-depth resource on the art of filmmaking looks at the history of film, along with information on actors, designers, directors, writers, cinematographers, sound effects, and editors.

A Panorama of American Film Noir (1941-1953)

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Publisher : City Lights Books
ISBN 13 : 9780872864122
Total Pages : 284 pages
Book Rating : 4.8/5 (641 download)

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Book Synopsis A Panorama of American Film Noir (1941-1953) by : Raymond Borde

Download or read book A Panorama of American Film Noir (1941-1953) written by Raymond Borde and published by City Lights Books. This book was released on 2002 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: This first book published on film noir established the genre--a classic, at last in translation.

Hollywood As Historian

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Publisher : University Press of Kentucky
ISBN 13 : 0813160308
Total Pages : 459 pages
Book Rating : 4.8/5 (131 download)

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Book Synopsis Hollywood As Historian by : Peter C. Rollins

Download or read book Hollywood As Historian written by Peter C. Rollins and published by University Press of Kentucky. This book was released on 2021-03-17 with total page 459 pages. Available in PDF, EPUB and Kindle. Book excerpt: “A commendably comprehensive analysis of the issue of Hollywood’s ability to shape our minds . . . invigorating reading.” ?Booklist Film has exerted a pervasive influence on the American mind, and in eras of economic instability and international conflict, the industry has not hesitated to use motion pictures for propaganda purposes. During less troubled times, citizens’ ability to deal with political and social issues may be enhanced or thwarted by images absorbed in theaters. Tracking the interaction of Americans with important movie productions, this book considers such topics as racial and sexual stereotyping; censorship of films; comedy as a tool for social criticism; the influence of “great men” and their screen images; and the use of film to interpret history. Hollywood As Historian benefits from a variety of approaches. Literary and historical influences are carefully related to The Birth of a Nation and Apocalypse Now, two highly tendentious epics of war and cultural change. How political beliefs of filmmakers affected cinematic styles is illuminated in a short survey of documentary films made during the Great Depression. Historical distance has helped analysts decode messages unintended by filmmakers in the study of The Snake Pit and Dr. Strangelove. Hollywood As Historian offers a versatile, thought-provoking text for students of popular culture, American studies, film history, or film as history. Films considered include: The Birth of a Nation (1915), The Plow that Broke the Plains (1936), The River (1937), March of Time (1935-1953), City Lights (1931), Modern Times (1936), The Great Dictator (1940), The Grapes of Wrath (1940), Native Land (1942), Wilson (1944), The Negro Soldier (1944), The Snake Pit (1948), On the Waterfront (1954), Dr. Strangelove (1964), Who’s Afraid of Virginia Woolf? (1966), and Apocalypse Now (1979). “Recommended reading for anyone concerned with the influence of popular culture on the public perception of history.” ?American Journalism

The American Midwest in Film and Literature

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Publisher : Indiana University Press
ISBN 13 : 0253046009
Total Pages : 272 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis The American Midwest in Film and Literature by : Adam R. Ochonicky

Download or read book The American Midwest in Film and Literature written by Adam R. Ochonicky and published by Indiana University Press. This book was released on 2020-02-04 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: How do works from film and literature—Sister Carrie, Native Son, Meet Me in St. Louis, Halloween, and A History of Violence, for example—imagine, reify, and reproduce Midwestern identity? And what are the repercussions of such regional narratives and images circulating in American culture? In The American Midwest in Film and Literature: Nostalgia, Violence, and Regionalism, Adam R. Ochonicky provides a critical overview of the evolution, contestation, and fragmentation of the Midwest's symbolic and often contradictory meanings. Using the frontier writings of Frederick Jackson Turner as a starting point, this book establishes a succession of Midwestern filmic and literary texts stretching from the late-19th century through the beginning of the 21st century and argues that the manifold properties of nostalgia have continually transformed popular understandings and ideological uses of the Midwest's place-identity. Ochonicky identifies three primary modes of nostalgia at play across a set of textual objects: the projection of nostalgia onto physical landscapes and into the cultural sphere (nostalgic spatiality); nostalgia as a cultural force that regulates behaviors, identities, and appearances (nostalgic violence); and the progressive potential of nostalgia to generate an acknowledgment and possible rectification of ways in which the flawed past negatively affects the present (nostalgic atonement). While developing these new conceptions of nostalgia, Ochonicky reveals how an under-examined area of regional study has received critical attention throughout the histories of American film and literature, as well as in related materials and discourses. From the closing of the Western frontier to the polarized political and cultural climate of the 21st century, this book demonstrates how film and literature have been and continue to be vital forums for illuminating the complex interplay of regionalism and nostalgia.

Shaping the Future of African American Film

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Publisher : Rutgers University Press
ISBN 13 : 0813562570
Total Pages : 296 pages
Book Rating : 4.8/5 (135 download)

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Book Synopsis Shaping the Future of African American Film by : Monica White Ndounou

Download or read book Shaping the Future of African American Film written by Monica White Ndounou and published by Rutgers University Press. This book was released on 2014-04-29 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Hollywood, we hear, it’s all about the money. It’s a ready explanation for why so few black films get made—no crossover appeal, no promise of a big payoff. But what if the money itself is color-coded? What if the economics that governs film production is so skewed that no film by, about, or for people of color will ever look like a worthy investment unless it follows specific racial or gender patterns? This, Monica Ndounou shows us, is precisely the case. In a work as revealing about the culture of filmmaking as it is about the distorted economics of African American film, Ndounou clearly traces the insidious connections between history, content, and cash in black films. How does history come into it? Hollywood’s reliance on past performance as a measure of potential success virtually guarantees that historically underrepresented, underfunded, and undersold African American films devalue the future prospects of black films. So the cycle continues as it has for nearly a century. Behind the scenes, the numbers are far from neutral. Analyzing the onscreen narratives and off-screen circumstances behind nearly two thousand films featuring African Americans in leading and supporting roles, including such recent productions as Bamboozled, Beloved, and Tyler Perry’s Diary of a Mad Black Woman, Ndounou exposes the cultural and racial constraints that limit not just the production but also the expression and creative freedom of black films. Her wide-ranging analysis reaches into questions of literature, language, speech and dialect, film images and narrative, acting, theater and film business practices, production history and financing, and organizational history. By uncovering the ideology behind profit-driven industry practices that reshape narratives by, about, and for people of color, this provocative work brings to light existing limitations—and possibilities for reworking stories and business practices in theater, literature, and film.

American Cinema in the Shadow of 9/11

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Publisher : Edinburgh University Press
ISBN 13 : 1474413838
Total Pages : 352 pages
Book Rating : 4.4/5 (744 download)

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Book Synopsis American Cinema in the Shadow of 9/11 by : Terence McSweeney

Download or read book American Cinema in the Shadow of 9/11 written by Terence McSweeney and published by Edinburgh University Press. This book was released on 2016-12-05 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.

American Documentary Film

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Publisher : Edinburgh University Press
ISBN 13 : 0748629467
Total Pages : 288 pages
Book Rating : 4.7/5 (486 download)

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Book Synopsis American Documentary Film by : Jeffrey Geiger

Download or read book American Documentary Film written by Jeffrey Geiger and published by Edinburgh University Press. This book was released on 2011-06-29 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Richard Wall Memorial Award 2012 - Finalist. What key concerns are reflected in documentaries produced in and about the United States? How have documentaries engaged with competing visions of US history, culture, politics, and national identity? This book examines how documentary films have contributed to the American public sphere - creating a kind of public space, serving as sites for community-building, public expression, and social innovation. Geiger focuses on how documentaries have been significant in forming ideas of the nation, both as an imagined space and a real place. Moving from the dawn of cinema to the present day, this is the first full-length study to focus on the extensive range and history of American non-fiction filmmaking. Combining comprehensive overviews with in-depth case studies, Geiger maps American documentary's intricate histories, examining the impact of pre- and early cinema, travelogues, the avant-garde, 1930s social documentary, propaganda, direct cinema, postmodernism, and 'new' documentary. Offering detailed close analyses and fresh insights, this book provides students and scholars with a stimulating guide to American documentary, reminding us of its important place in cinema history.

American Horror Film

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Publisher : Univ. Press of Mississippi
ISBN 13 : 9781604734546
Total Pages : 275 pages
Book Rating : 4.7/5 (345 download)

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Book Synopsis American Horror Film by : Steffen Hantke

Download or read book American Horror Film written by Steffen Hantke and published by Univ. Press of Mississippi. This book was released on 2010-06-01 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: Creatively spent and politically irrelevant, the American horror film is a mere ghost of its former self-or so goes the old saw from fans and scholars alike. Taking on this undeserved reputation, the contributors to this collection provide a comprehensive look at a decade of cinematic production, covering a wide variety of material from the last ten years with a clear critical eye. Individual essays profile the work of up-and-coming director Alexandre Aja and reassess William Malone's muchmaligned Feardotcom in the light of the torture debate at the end of President George W. Bush's administration. Other essays look at the economic, social, and formal aspects of the genre; the globalization of the U.S. film industry; the alleged escalation of cinematic violence; and the massive commercial popularity of the remake. Some essays examine specific subgenres-from the teenage horror flick to the serial killer film and the spiritual horror film-as well as the continuing relevance of classic directors such as George A. Romero, David Cronenberg, John Landis, and Stuart Gordon. Essays deliberate on the marketing of nostalgia and its concomitant aesthetic, and the curiously schizophrenic perspective of fans who happen to be scholars as well. Taken together, the contributors to this collection make a compelling case that American horror cinema is as vital, creative, and thought-provoking as it ever was.

American Cinema

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Publisher : Rizzoli International Publications
ISBN 13 :
Total Pages : 316 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis American Cinema by : Jeanine Basinger

Download or read book American Cinema written by Jeanine Basinger and published by Rizzoli International Publications. This book was released on 1994 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: This extraordinary book--published to commemorate the centennial celebration of the birth of American film and a 10-part PBS-TV series scheduled for the new year--surveys the phenomenon that is Hollywood, past and present. With more than 200 illustrations, 100 in full color, and including some never before published, this book celebrates the best of American films.

American Cinema of the 1920s

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Publisher : Rutgers University Press
ISBN 13 : 0813547156
Total Pages : 310 pages
Book Rating : 4.8/5 (135 download)

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Book Synopsis American Cinema of the 1920s by : Lucy Fischer

Download or read book American Cinema of the 1920s written by Lucy Fischer and published by Rutgers University Press. This book was released on 2009-04-15 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the 1920s, sound revolutionized the motion picture industry and cinema continued as one of the most significant and popular forms of mass entertainment in the world. Film studios were transformed into major corporations, hiring a host of craftsmen and technicians including cinematographers, editors, screenwriters, and set designers. The birth of the star system supported the meteoric rise and celebrity status of actors including Charlie Chaplin, Mary Pickford, Joan Crawford, Greta Garbo, and Rudolph Valentino while black performers (relegated to "race films") appeared infrequently in mainstream movies. The classic Hollywood film style was perfected and significant film genres were established: the melodrama, western, historical epic, and romantic comedy, along with slapstick, science fiction, and fantasy. In ten original essays, American Cinema of the 1920s examines the film industry's continued growth and prosperity while focusing on important themes of the era.

American Film History

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Publisher : John Wiley & Sons
ISBN 13 : 1118475127
Total Pages : 514 pages
Book Rating : 4.1/5 (184 download)

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Book Synopsis American Film History by : Cynthia Lucia

Download or read book American Film History written by Cynthia Lucia and published by John Wiley & Sons. This book was released on 2015-09-08 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the American underground film to the blockbuster superhero, this authoritative collection of introductory and specialized readings explores the core issues and developments in American cinematic history during the second half of the twentieth-century through the present day. Considers essential subjects that have shaped the American film industry—from the impact of television and CGI to the rise of independent and underground film; from the impact of the civil rights, feminist and LGBT movements to that of 9/11. Features a student-friendly structure dividing coverage into the periods 1960-1975, 1976-1990, and 1991 to the present day, each of which opens with an historical overview Brings together a rich and varied selection of contributions by established film scholars, combining broad historical, social, and political contexts with detailed analysis of individual films, including Midnight Cowboy, Nashville, Cat Ballou, Chicago, Back to the Future, Killer of Sheep, Daughters of the Dust, Nothing But a Man, Ali, Easy Rider, The Conversation, The Texas Chain Saw Massacre, Longtime Companion, The Matrix, The War Tapes, the Batman films, and selected avant-garde and documentary films, among many others. Additional online resources, such as sample syllabi, which include suggested readings and filmographies, for both general and specialized courses, will be available online. May be used alongside American Film History: Selected Readings, Origins to 1960 to provide an authoritative study of American cinema from its earliest days through the new millennium

An Introduction to the American Underground Film

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Publisher :
ISBN 13 :
Total Pages : 328 pages
Book Rating : 4.:/5 (321 download)

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Book Synopsis An Introduction to the American Underground Film by : Sheldon Renan

Download or read book An Introduction to the American Underground Film written by Sheldon Renan and published by . This book was released on 1967 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: On the American underground cinema

Hollywood Be Thy Name

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Publisher : Univ of California Press
ISBN 13 : 0520251008
Total Pages : 356 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis Hollywood Be Thy Name by : Judith Weisenfeld

Download or read book Hollywood Be Thy Name written by Judith Weisenfeld and published by Univ of California Press. This book was released on 2007-06-08 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This is a ground-breaking book. The text is remarkable in its use of MPAA files and studio archives; Weisenfeld uncovers all sorts of side stories that enrich the larger narrative. The writing is clear and concise, and Weisenfeld makes important theoretical interpretations without indulging in difficult jargon. She incorporates both film theory and race theory in graceful, non-obtrusive ways that deepen understanding. This is an outstanding work."—Colleen McDannell, author of Picturing Faith: Photography and the Great Depression