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Aesthetic Genesis
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Book Synopsis Essays on Aesthetic Genesis by : Charlene Elsby
Download or read book Essays on Aesthetic Genesis written by Charlene Elsby and published by UPA. This book was released on 2016-06-14 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays on Aesthetic Genesis is a collection of essays written on Jeff Mitscherling’s work in realist phenomenology, Aesthetic Genesis: The Origin of Consciousness in the Intentional Being of Nature. The authors explicate, expand, contextualize and apply the concepts of intentional being, the “New Copernican Hypothesis” (a reversal of the fundamental tenet of phenomenology that all consciousness is intentional—intentionality, rather, gives rise to consciousness), the idea of intentional structures in nature, and the foundational concepts of Aesthetic Genesis as they appear in the work of Aristotle, Ingarden and Gadamer amongst others. This book takes as its focus Mitscherling’s comprehensive phenomenological analysis of embodiment, aesthetic experience, the interpretation of texts, moral behavior, and cognition, and exemplifies subsequent work in the field of realist phenomenology being conducted by an international collection of active scholars influenced by Aesthetic Genesis.
Book Synopsis Aesthetic Genesis by : Jeff Mitscherling
Download or read book Aesthetic Genesis written by Jeff Mitscherling and published by University Press of America. This book was released on 2009-12-15 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Aesthetic Genesis, the author argues for a reversal of the most fundamental tenet of phenomenology-namely, that all consciousness is intentional (that is, directed toward an object). Mitscherling suggests, as a new 'Copernican hypothesis,' that intentionality (i.e., directionality) gives rise to consciousness. This book describes not only the origin, or 'genesis,' of human cognition in sensation, but also the genesis of sensation from intentional structures belonging to nature itself. A phenomenological examination of our experience leads to the conclusion that the two sorts of being generally recognized by contemporary science and philosophy-that is, material being and ideal being-prove ontologically inadequate to account for this experience. Mitscherling rehabilitates the pre-modern concepts of 'intentional being' and 'formal causality' and employs them in the construction of a comprehensive phenomenological analysis of embodiment, aesthetic experience, the interpretation of texts, moral behavior, and cognition in general.
Book Synopsis A Redemptive Theology of Art by : David A. Covington
Download or read book A Redemptive Theology of Art written by David A. Covington and published by Zondervan Academic. This book was released on 2018-05-01 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Redemptive Theology of Art develops a biblical, systematic, and practical theology of aesthetics. It begins with the roots and ontology of aesthetics (vs. "art") and the architecture and narrative of affection and passion, their woes and their glory. Those who would search the Bible find little support for "art" as commonly conceived in the West. The language of aesthetics, applied to the maker’s intentions, the qualities of the work, and the responses of the audience, better addresses the questions of beauty, and better suits the discussion of human actions, beliefs, and culture than the language of art does. The Bible yields more consistent and helpful answers to questions about the broader category of aesthetics than it does to questions about art; leading in turn to better questions and a more practical and theological appreciation of human affections, beauty, and delight, and the many paths by which people, including Christians, pursue them. Using the categories and definitions from Scripture, Covington gives hope and help not only for those who labor in the arts, but for everyone who cares about the passions that motivate us. We were made for God's delight, and, though sin and bondage plague our passions, God can shape our fun, feelings, desires, affections and aversions. Feelings are neither objective nor subjective; they are redeemable. Borrowing key ideas from other Christian writers on the arts or aesthetics, Covington explores the connection between orthodox Protestant theology and a responsible, respectful treatment of arts, artists, and all aesthetic fields of human work and speech.
Book Synopsis The Genesis of Art-form by : George Lansing Raymond
Download or read book The Genesis of Art-form written by George Lansing Raymond and published by . This book was released on 1893 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Genesis of The Brothers Karamazov by : Robert L. Belknap
Download or read book The Genesis of The Brothers Karamazov written by Robert L. Belknap and published by Northwestern University Press. This book was released on 1990 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Belknap (Slavic languages, Columbia U.) traces Dostoevsky's last, great novel to its sources, exploring how the author consciously transformed his experience and his readings to construct the work. It is both a lucid analysis of a complex and difficult text and an inquiry into the process of literary creation. Annotation copyright Book News, Inc. P
Book Synopsis The Genesis of Art-form by : George Lansing Raymond
Download or read book The Genesis of Art-form written by George Lansing Raymond and published by . This book was released on 1893 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis On the Genesis of the Aesthetic Categories (Classic Reprint) by : James Hayden Tufts
Download or read book On the Genesis of the Aesthetic Categories (Classic Reprint) written by James Hayden Tufts and published by Forgotten Books. This book was released on 2018-02-06 with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from On the Genesis of the Aesthetic Categories I. The aesthetic consciousness in its beginnings is connected with art rather than with nature. II. The relation of the aesthetic (appreciative) consciousness to art is not that of cause, but that of effect. Art has not arisen primarily to satisfy an already existing love of beauty. It has arisen chiefly, if-not wholly, from other springs, and has itself created the sense by which it is enjoyed. III. Art has its origins, almost without exception, in social relations' it has developed under social pressure; it has been fostered by social occasions; it has in turn served social ends in the struggle for existence. In consequence, the values attributed to aesthetic objects have social standards, and the aesthetic attitude will be determined largely by these, social antecedents. Or, in other words, the explanation of the aesthetic categories is to be sought largely in social psychology. Before considering the propositions seriatim, it will be convenient to note briefly what the characteristics of the aesthetic consciousness are. In this the aim will be, not to present an exhaustive list, but rather to indicate categories which have been generally and widely recognized as. Distinguishing the aesthetic from other values, such as the ethical, logical, or economic, or from other pleasures, such as the agreeable. And amid the seeming multiplicity of such marks or differentia which have been put forth by writers on aesthetics there is, after all, a considerable degree of uniformity.' They may be grouped under three heads. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Book Synopsis The World, the Text, and the Critic by : Edward W. Said
Download or read book The World, the Text, and the Critic written by Edward W. Said and published by Harvard University Press. This book was released on 1983 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: Said demonstrates that critical discourse has been strengthened by the writings of Derrida and Foucault and by influences like Marxism, structuralism, linguistics, and psychoanalysis. But, he argues, these forces have compelled literature to meet the requirements of a theory or system, ignoring complex affiliations binding the texts to the world.
Book Synopsis The National Element in Hermann Cohen's Philosophy and Religion by : Hartwig Wiedebach
Download or read book The National Element in Hermann Cohen's Philosophy and Religion written by Hartwig Wiedebach and published by BRILL. This book was released on 2012-07-05 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hermann Cohen was a Jewish-German thinker with a passion for philosophy. Two forms of national engagement influenced his philosophical system and his Jewish thought: a cultural-political 'Germanness' (Deutschtum) and a religious Judaism beyond the political.
Book Synopsis Roman Ingardens Aesthetics and Ontology by : Leszek Sosnowski
Download or read book Roman Ingardens Aesthetics and Ontology written by Leszek Sosnowski and published by Bloomsbury Publishing. This book was released on 2023-08-24 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the work of Polish phenomenologist Roman Ingarden (1893-1970) with respect to his ontology, epistemology and aesthetics. An outstanding student of Edmund Husserl, it offers a unique tribute to one of the most important figures in contemporary philosophy. Leszek Sosnowski and Natalia Anna Michna introduce a team of renowned scholars to present new and timely readings of Ingarden's thought, placing his philosophy in a broader historical and cultural context. In doing so, they offer a cutting edge reflection on the relevance, refinement and depth of Ingarden's theory. Chapters are not only retrospective, but also set out the present and future development of philosophy inspired by his works. Reinvigorating the debate about Ingarden's phenomenological legacy and its relevance for contemporary thought, this collection of essays guides us through his place in the history of philosophy and presents new perspectives on selected aspects of his theory.
Book Synopsis The Sociology of Art by : David Inglis
Download or read book The Sociology of Art written by David Inglis and published by Bloomsbury Publishing. This book was released on 2017-09-16 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: What can Sociology add to our understanding of art? This volume brings together a range of respected scholars in the field who demonstrate the many ways in which sociology can add to our understanding of artistic issues. Covering all the major schools of thought, and dealing with many different art forms, the book offers the reader a comprehensive and accessible guide to an often complex area. It will be an invaluable resource for students seeking to understand sociology's contributions to the study of artistic and aesthetic issues.
Book Synopsis Force:A Fundamental Concept of Aesthetic Anthropology by : Christoph Menke
Download or read book Force:A Fundamental Concept of Aesthetic Anthropology written by Christoph Menke and published by Fordham Univ Press. This book was released on 2013 with total page 129 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book aims at a new exposition of the basic idea of modern aesthetics by way of a reconstruction of its genesis in the 18th century, between Baumgarten''s Aesthetics and Kant''s Critique of Judgment. The claim is that the historical invention of aesthetics was not about expanding the range of legitimate objects of philosophical inquiry--these objects all existed before aesthetics. Rather, aesthetics, by introducing the category of the "aesthetic," fundamentally redefined these objects. But most importantly, the reconstruction of the historical genesis of aesthetics shows that the introduction of the category of the "aesthetic" required nothing less than a transformation of the fundamental terms of philosophy. What begins in--or as--aesthetics is modern philosophy. More precisely, Force shows that in--or as--aesthetics modern philosophy began twice, in two different, even opposite forms. On the one hand, Baumgarten''s Aesthetics is organized around the new concept of the "subject": the concept of the subject as the totality of faculties, as the agent defined by his capabilities; of the subject as one who is able. By conceiving sensible cognition and (re)presentation as the exercise of subjective faculties acquired in practice, Baumgarten has framed the modern conception of human practices (and of philosophy as the inquiry into the conditions that enable the success of these practices). That is why aesthetics, the reflection upon the aesthetic, is a central pillar of modern philosophy: in aesthetics, the philosophy of the subject or of the subject''s faculties assures itself of its own possibility. Yet here, in the aesthetic and the reflection on it, the aesthetics "in the Baumgartian manner" (Herder), as the theory of the sensible faculties of the subject, at once faces a different aesthetics: the aesthetics of force, which conceives the aesthetic not as sensible cognition but instead as a play of expression--propelled by a force that, rather than being exercised, like a faculty, in practices, realizes itself; a force that does not recognize or represent anything because it is "obscure" and unconscious; a force not of the subject but of man as distinct from the same man as subject. The aesthetics of force is a science of the nature of man: of his aesthetic nature as distinct from the culture, acquired by practice, of his practices. That is the hypothesis the six chapters of Force intend to unfold. The first chapter, analyzing the rationalist concept of the sensible, recollects the point of departure of aesthetics: the sensible is that which is without determinable definition or measure. The second chapter reconstructs Baumgarten''s aesthetics of sensible cognition as a theory of the subject and its faculties. The third and fourth chapters draw on writings by Herder, Sulzer, and Mendelssohn to develop the basic motifs of a counter-model, an aesthetics of force: the aesthetic, as the operation of an "obscure" force, is a performance without generality, divorced from all norm, law, and purpose--a play. And the aesthetic, as the pleasure of self-reflection, is a process of the transformation of the subject, of its faculties and practices--a process of aestheticization. The aesthetics of force founds an anthropology of difference: between force and faculty, between man and subject. The two concluding chapters explore the consequences: for the idea of philosophical aesthetics; and for ethics as the theory of the good. The fifth chapter engages Kant to show that an aesthetics conceived as an aesthetics of force is the scene of an irresolvable contention: aesthetics unfolds within philosophy the contention between philosophy and aesthetic experience. The sixth chapter draws on Nietzsche to demonstrate the ethical import of aesthetic experience as the experience of the play of force: it teaches us to distinguish between action and life; it teaches the other good of life. - "The last word of aesthetics is human freedom."
Book Synopsis The Genesis of the Theory of "art for Art's Sake" in Germany and in England P̀t. 1-2 by : Rose Frances Egan
Download or read book The Genesis of the Theory of "art for Art's Sake" in Germany and in England P̀t. 1-2 written by Rose Frances Egan and published by . This book was released on 1921 with total page 70 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Irreconcilable Differences? by : Jason C. Robinson
Download or read book Irreconcilable Differences? written by Jason C. Robinson and published by Wipf and Stock Publishers. This book was released on 2015-03-17 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: What if philosophy, theology, and science spent a little more time together? These fields often seem at odds, butting metaphysical heads. Instead of talking at, how about talking with one another? This book engages three academic disciplines--distinct yet sharing much in common--in a slice of conversation and community in which participants have aimed at validating the other and the way the other sees the world. The result is a collection of essays united by a thread that can be hard to find in academia. In bringing together a wide range of contributors on a project that at first seemed unlikely, Irreconcilable Differences? is also a testament to the spirit of cooperation and hard work--evidence that small acts and events can make a big difference, and that sometimes all you need in order to make something good happen is an idea with a little support along the way. The editors of this collection are hopeful that its contributors and readers will keep looking for ways to bridge academic, social, and political gaps. We need to forge relationships based on personal knowledge and proper confidence seeking to make meaningful claims in an increasingly complex world.
Book Synopsis Aesthetic Aesthetics by : Taylor J. Simpson
Download or read book Aesthetic Aesthetics written by Taylor J. Simpson and published by Lulu.com. This book was released on 2010-03-25 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: :: aesthetics art ballistics beauty capitalism creativity design divinity economics environment fact fiction form function green growth history hyperbole intelligence infinity ::
Book Synopsis The Genesis of Art-Form by : George Lansing Raymond
Download or read book The Genesis of Art-Form written by George Lansing Raymond and published by Westphalia Press. This book was released on 2019-04-29 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: When on July 12, 1929, George Raymond died of pneumonia at the age of 89 he had enjoyed a crowded life as a professor and popular author of esthetics. He was born into fortunate circumstances, having a father who was one of the first mayors of Chicago. In 1862, he graduated from Williams, and went on to graduate from Princeton Seminary in 1865. For 25 years he taught at Princeton University, and then he began teaching at George Washington University from 1905 to 1912.He became well-known for his writings on esthetic history. He combined psychology, history, art and biology in his theories. He also wrote on ethics, natural law, oration and poetry. His writings were so well received that he was nominated seven times for a Nobel Prize in Literature.
Book Synopsis Reforesting Faith by : Matthew Sleeth
Download or read book Reforesting Faith written by Matthew Sleeth and published by Waterbrook Press. This book was released on 2019 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Bible talks about trees more than any living creation other than people. In this groundbreaking walk through Scripture, a former physician and carpenter makes the convincing case why trees are essential to every Christian's understanding of God.
