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Acting Theory And The English Stage 1700 1830 Volume 1
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Book Synopsis Acting Theory and the English Stage, 1700-1830 Volume 1 by : Lisa Zunshine
Download or read book Acting Theory and the English Stage, 1700-1830 Volume 1 written by Lisa Zunshine and published by Routledge. This book was released on 2017-07-28 with total page 691 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.
Book Synopsis Acting Theory and the English Stage, 1700-1830 Volume 3 by : Lisa Zunshine
Download or read book Acting Theory and the English Stage, 1700-1830 Volume 3 written by Lisa Zunshine and published by Routledge. This book was released on 2017-07-05 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.
Book Synopsis Acting Theory and the English Stage, 1700-1830 Volume 2 by : Lisa Zunshine
Download or read book Acting Theory and the English Stage, 1700-1830 Volume 2 written by Lisa Zunshine and published by Routledge. This book was released on 2017-07-28 with total page 621 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.
Book Synopsis Acting Theory and the English Stage, 1700-1830 Volume 4 by : Lisa Zunshine
Download or read book Acting Theory and the English Stage, 1700-1830 Volume 4 written by Lisa Zunshine and published by Routledge. This book was released on 2017-07-28 with total page 572 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.
Book Synopsis Acting Theory and the English Stage, 1700-1830 Volume 5 by : Lisa Zunshine
Download or read book Acting Theory and the English Stage, 1700-1830 Volume 5 written by Lisa Zunshine and published by Routledge. This book was released on 2017-07-28 with total page 606 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.
Book Synopsis ""Acting Theory and the English Stage, 1700-1830 Volume 1 "" by : Lisa Zunshine
Download or read book ""Acting Theory and the English Stage, 1700-1830 Volume 1 "" written by Lisa Zunshine and published by . This book was released on 2008 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Crime, Courtrooms and the Public Sphere in Britain, 1700-1850 by : David Lemmings
Download or read book Crime, Courtrooms and the Public Sphere in Britain, 1700-1850 written by David Lemmings and published by Routledge. This book was released on 2016-05-13 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modern criminal courts are characteristically the domain of lawyers, with trials conducted in an environment of formality and solemnity, where facts are found and legal rules are impartially applied to administer justice. Recent historical scholarship has shown that in England lawyers only began to appear in ordinary criminal trials during the eighteenth century, however, and earlier trials often took place in an atmosphere of noise and disorder, where the behaviour of the crowd - significant body language, meaningful looks, and audible comment - could influence decisively the decisions of jurors and judges. This collection of essays considers this transition from early scenes of popular participation to the much more orderly and professional legal proceedings typical of the nineteenth century, and links this with another important shift, the mushroom growth of popular news and comment about trials and punishments which occurred from the later seventeenth century. It hypothesizes that the popular participation which had been a feature of courtroom proceedings before the mid-eighteenth century was not stifled by ’lawyerization’, but rather partly relocated to the ’public sphere’ of the press, partly because of some changes connected with the work of the lawyers. Ranging from the early 1700s to the mid-nineteenth century, and taking account of criminal justice proceedings in Scotland, as well as England, the essays consider whether pamphlets, newspapers, ballads and crime fiction provided material for critical perceptions of criminal justice proceedings, or alternatively helped to convey the official ’majesty’ intended to legitimize the law. In so doing the volume opens up fascinating vistas upon the cultural history of Britain’s legal system over the ’long eighteenth century'.
Book Synopsis The Elizabethan Top Ten by : Emma Smith
Download or read book The Elizabethan Top Ten written by Emma Smith and published by Routledge. This book was released on 2016-03-23 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Engaging with histories of the book and of reading, as well as with studies of material culture, this volume explores ’popularity’ in early modern English writings. Is ’popular’ best described as a theoretical or an empirical category in this period? How can we account for the gap between modern canonicity and early modern print popularity? How might we weight the evidence of popularity from citations, serial editions, print runs, reworkings, or extant copies? Is something that sells a lot always popular, even where the readership for print is only a small proportion of the population, or does popular need to carry something of its etymological sense of the public, the people? Four initial chapters sketch out the conceptual and evidential issues, while the second part of the book consists of ten short chapters-a ’hit parade’- in which eminent scholars take a genre or a single exemplar - play, romance, sermon, or almanac, among other categories-as a means to articulate more general issues. Throughout, the aim is to unpack and interrogate assumptions about the popular, and to decentre canonical narratives about, for example, the sermons of Donne or Andrewes over Smith, or the plays of Shakespeare over Mucedorus. Revisiting Elizabethan literary culture through the lenses of popularity, this collection allows us to view the subject from an unfamiliar angle-in which almanacs are more popular than sonnets and proclamations more numerous than plays, and in which authors familiar to us are displaced by names now often forgotten.
Download or read book Performing Animals written by Karen Raber and published by Penn State Press. This book was released on 2017-08-18 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: From bears on the Renaissance stage to the equine pageantry of the nineteenth-century hunt, animals have been used in human-orchestrated entertainments throughout history. The essays in this volume present an array of case studies that inspire new ways of interpreting animal performance and the role of animal agency in the performing relationship. In exploring the human-animal relationship from the early modern period to the nineteenth century, Performing Animals questions what it means for an animal to “perform,” examines how conceptions of this relationship have evolved over time, and explores whether and how human understanding of performance is changed by an animal’s presence. The contributors discuss the role of animals in venues as varied as medieval plays, natural histories, dissections, and banquets, and they raise provocative questions about animals’ agency. In so doing, they demonstrate the innovative potential of thinking beyond the boundaries of the present in order to dismantle the barriers that have traditionally divided human from animal. From fleas to warhorses to animals that “perform” even after death, this delightfully varied volume brings together examples of animals made to “act” in ways that challenge obvious notions of performance. The result is an eye-opening exploration of human-animal relationships and identity that will appeal greatly to scholars and students of animal studies, performance studies, and posthuman studies. In addition to the editors, the contributors are Todd Andrew Borlik, Pia F. Cuneo, Kim Marra, Richard Nash, Sarah E. Parker, Rob Wakeman, Kari Weil, and Jessica Wolfe.
Book Synopsis Fictions of Presence by : Rosalind Ballaster
Download or read book Fictions of Presence written by Rosalind Ballaster and published by Boydell & Brewer. This book was released on 2020 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: An absorbing study of the contested embodiment of the idea of presence in the plays and novels of the eighteenth century.
Book Synopsis The Oxford Handbook of the Georgian Theatre 1737-1832 by : Julia Swindells
Download or read book The Oxford Handbook of the Georgian Theatre 1737-1832 written by Julia Swindells and published by Oxford Handbooks. This book was released on 2014 with total page 786 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of the Georgian Theatre 1737-1832 provides a comprehensive guide to theatre of the Georgian era across the range of dramatic forms.
Book Synopsis The Cambridge Companion to Literature and Disability by : Clare Barker
Download or read book The Cambridge Companion to Literature and Disability written by Clare Barker and published by Cambridge University Press. This book was released on 2018 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: Working across time periods and critical contexts, this volume provides the most comprehensive overview of literary representations of disability.
Book Synopsis "Acting Theory and the English Stage, 1700-1830 Volume 3 ". by : Lisa Zunshine
Download or read book "Acting Theory and the English Stage, 1700-1830 Volume 3 ". written by Lisa Zunshine and published by . This book was released on 2017 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: "During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination."--Provided by publisher.
Book Synopsis The New Cambridge Bibliography of English Literature: Volume 2, 1660-1800 by : George Watson
Download or read book The New Cambridge Bibliography of English Literature: Volume 2, 1660-1800 written by George Watson and published by Cambridge University Press. This book was released on 1971-07-02 with total page 1698 pages. Available in PDF, EPUB and Kindle. Book excerpt: More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Book Synopsis The Gothic Novel and the Stage by : Francesca Saggini
Download or read book The Gothic Novel and the Stage written by Francesca Saggini and published by Routledge. This book was released on 2015-08-12 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this ground-breaking study Saggini explores the relationship between the late eighteenth-century novel and the theatre, arguing that the implicit theatricality of the Gothic novel made it an obvious source from which dramatists could take ideas. Similarly, elements of the theatre provided inspiration to novelists.
Download or read book The Writers Directory written by and published by . This book was released on 2013 with total page 778 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Strange Concepts and the Stories They Make Possible by : Lisa Zunshine
Download or read book Strange Concepts and the Stories They Make Possible written by Lisa Zunshine and published by JHU Press. This book was released on 2008-07-28 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this fresh and often playful interdisciplinary study, Lisa Zunshine presents a fluid discussion of how key concepts from cognitive science complicate our cultural interpretations of “strange” literary phenomena. From Short Circuit to I, Robot, from The Parent Trap to Big Business, fantastic tales of rebellious robots, animated artifacts, and twins mistaken for each other are a permanent fixture in popular culture and have been since antiquity. Why do these strange concepts captivate the human imagination so thoroughly? Zunshine explores how cognitive science, specifically its ideas of essentialism and functionalism, combined with historical and cultural analysis, can help us understand why we find such literary phenomena so fascinating. Drawing from research by such cognitive evolutionary anthropologists and psychologists as Scott Atran, Paul Bloom, Pascal Boyer, and Susan A. Gelman, Zunshine examines the cognitive origins of the distinction between essence and function and how unexpected tensions between these two concepts are brought into play in fictional narratives. Discussing motifs of confused identity and of twins in drama, science fiction’s use of robots, cyborgs, and androids, and nonsense poetry and surrealist art, she reveals the range and power of key concepts from science in literary interpretation and provides insight into how cognitive-evolutionary research on essentialism can be used to study fiction as well as everyday strange concepts.
