Philosophy and Conceptual Art

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Author :
Publisher : Clarendon Press
ISBN 13 : 0191536547
Total Pages : 312 pages
Book Rating : 4.1/5 (915 download)

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Book Synopsis Philosophy and Conceptual Art by : Peter Goldie

Download or read book Philosophy and Conceptual Art written by Peter Goldie and published by Clarendon Press. This book was released on 2007-03-22 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fourteen prominent analytic philosophers writing here engage with the cluster of philosophical questions raised by conceptual art. They address four broad questions: What kind of art is conceptual art? What follows from the fact that conceptual art does not aim to have aesthetic value? What knowledge or understanding can we gain from conceptual art? How ought we to appreciate conceptual art? Conceptual art, broadly understood by the contributors as beginning with Marcel Duchamp's ready-mades and as continuing beyond the 1970s to include some of today's contemporary art, is grounded in the notion that the artist's 'idea' is central to art, and, contrary to tradition, that the material work is by no means essential to the art as such. To use the words of the conceptual artist Sol LeWitt, 'In conceptual art the idea of the concept is the most important aspect of the work . . . and the execution is a perfunctory affair'. Given this so-called 'dematerialization' of the art object, the emphasis on cognitive value, and the frequent appeal to philosophy by many conceptual artists, there are many questions that are raised by conceptual art that should be of interest to analytic philosophers. Why, then, has so little work been done in this area? This volume is most probably the first collection of papers by analytic Anglo-American philosophers tackling these concerns head-on. Contributors Margaret Boden, Diarmuid Costello, Gregory Currie, David Davies, Peter Goldie, Robert Hopkins, Matthew Kieran, Peter Lamarque, Dominic McIver Lopes, Derek Matravers, Elisabeth Schellekens, Kathleen Stock, Carolyn Wilde, and the 'Art & Language' group.

A LOOK AT CONCEPTUAL ART

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Author :
Publisher : Noetika Medya Yayıncılık Danışmanlık Bilişim.tur.san.ve Tic.a.ş.
ISBN 13 : 625828325X
Total Pages : 171 pages
Book Rating : 4.2/5 (582 download)

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Book Synopsis A LOOK AT CONCEPTUAL ART by : MAZLUM GÖZE

Download or read book A LOOK AT CONCEPTUAL ART written by MAZLUM GÖZE and published by Noetika Medya Yayıncılık Danışmanlık Bilişim.tur.san.ve Tic.a.ş. . This book was released on 2022-11-07 with total page 171 pages. Available in PDF, EPUB and Kindle. Book excerpt: 1.INTRODUCTION Imagine a profession that is thought to have no limits, but the job itself can set its limits. Whether the field of this profession is human and everything that belongs to human beings, you have in your hands your self and the fact that you live in the world. Let these seemingly small facts be interpreted by being shaped, and now I ask, are there not explicit or hidden symbols in the thought you have formed? Here, in Conceptual Art, he tells us that we can apply art and the symbols in the work to everything, anywhere. However, it should be known that if you are going to make Conceptual Art, your infrastructure must be ready. Where do we find the factors that make up thought that has been transformed into a form that we can apply everywhere? Isn't it the symbols that are involved in the work done voluntarily or involuntarily? The events we experience form the final state of our psychology. When the artist puts aside the "concern about where and how" and only makes form, this form will be nothing at first, but then it will turn into many things, this process can even make us someone else later on. People can find the latest state of their psychology in every action they take to get rid of the troubles of life. We can find ourselves in every movie we watch in every article we read. It's about how we look. Art does this to us, and when we go outside, it places many facts that we think are nothing. So why should the artist be stuck with dogmas during the production and transmission of his work? The artist can see his wish to transfer in a tree stump. Isn't it natural to consider the ceremony of throwing out a garbage disposal as an act of getting rid of the excess in our lives and presenting it to the audience as a work of art? Well, wouldn't the artist displaying this interpretation offer us symbols at some point? Although the artist hides this, maybe not in the first reading, but after that he will definitely give it away. Is the artist's most natural state his primitive state? Everything is hidden in primitiveness. The foundations of many formations that we consider new today are hidden in the "Cro-Magnon", the first race of the "Homo Sapiens" subspecies. Maybe it was magic, maybe it was the ingredients of the magic, maybe it was the ceremony. Regardless of how these ceremonies are, they are the factors that naturally make up the theater. Doesn't it point to the earth's art that they have made on the mountain, the stone and the soil? Of course, there are many effects. Let's take a subject, the first invention of primitive man was a needle. Let's say you make your clothes with this invention. Doesn't the position of the person that they think while making this dress affect the dress they have seen and experienced until that day? Is it not possible to place images that distinguish the owner of the relevant dress from other people? Yes, it is possible and very normal action. Now, let's fictionalize this person superficially, there is a tribe and the owner of the dress is the leader of the tribe, and the person who makes the dress is the man he loves, the father of the children he has given birth to. The only woman of the tribe who sews a dress will inevitably place images that distinguish it from the other men of the tribe. We can even find the distinguishing feature in the differences in the seams hidden in the dress. This has influenced fashion, painting and many other branches of art. He disciplined all the arts within himself. Of course, his thoughts and dreams during production are scenarios. It is fiction and he is a screenwriter himself. Dreaming is the most natural impulse and often a life support unit that cannot be inhibited. It has been scientifically proven that even animals dream. The dream is a fiction. The human being, who is more developed than the animal, knows the way of conveying this fiction. The "must have" is the type of person who sets the rules. So it is human who can lift it. Let him choose his own presentation as he constructs and shapes what he imagines. Whatever the material is, let him do it just for art, for himself or to give a message to people, without worrying about color and balance. The artist, who makes conceptual art, contains his own truth that hides all the elements, no matter where he conveys and expresses. This truth is hidden in icons. The purpose of this research is to convey the existence of this fact to the reader.

Between Modernism and Conceptual Art

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Author :
Publisher : McFarland
ISBN 13 :
Total Pages : 192 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Between Modernism and Conceptual Art by : Robert C. Morgan

Download or read book Between Modernism and Conceptual Art written by Robert C. Morgan and published by McFarland. This book was released on 1997-07-15 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art critic and artist Robert C. Morgan proposes that the Postmodernism popular in the 1980s failed to address, and even misrepresented and suppressed, conceptual art while marketing the notion of "Neo- conceptualism," a concept the author rejects as insignificant for advanced art. He argues instead that it is in the tension between Modernism and Conceptual Art that vitality in art was in the 1980s, and is still, found. Annotation copyrighted by Book News, Inc., Portland, OR

Conceptual Art

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Author :
Publisher : Tate
ISBN 13 :
Total Pages : 88 pages
Book Rating : 4.:/5 (321 download)

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Book Synopsis Conceptual Art by : Paul Wood

Download or read book Conceptual Art written by Paul Wood and published by Tate. This book was released on 2002 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt: Conceptual Art has set out to undermine two concepts associated with art - the production of objects to look at, and the act of contemplative looking itself. This introduction explores the reasons why the new avant-garde chose to produce such work.

Con Art

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Publisher :
ISBN 13 : 9781475088434
Total Pages : 44 pages
Book Rating : 4.0/5 (884 download)

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Book Synopsis Con Art by : Julian Spalding

Download or read book Con Art written by Julian Spalding and published by . This book was released on 2012 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Documents of Doubt

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Publisher : U of Minnesota Press
ISBN 13 : 1452961115
Total Pages : 378 pages
Book Rating : 4.4/5 (529 download)

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Book Synopsis Documents of Doubt by : Heather Diack

Download or read book Documents of Doubt written by Heather Diack and published by U of Minnesota Press. This book was released on 2020-06-12 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: A major reassessment of photography’s pivotal role in 1960s conceptual art Why do we continue to look to photographs for evidence despite our awareness of photography’s potential for duplicity? Documents of Doubt critically reassesses the truth claims surrounding photographs by looking at how conceptual artists creatively undermined them. Studying the unique relationship between photography and conceptual art practices in the United States during the social and political instability of the late 1960s, Heather Diack offers vital new perspectives on our “post-truth” world and the importance of suspending easy conclusions in contemporary art. Considering the work of four leading conceptual artists of the 1960s and ’70s, Diack looks at photographs as documents of doubt, pushing the form beyond commonly assumed limits. Through in-depth and thorough reevaluations of early work by noted artists Mel Bochner, Bruce Nauman, Douglas Huebler, and John Baldessari, Diack advances the powerful thesis that photography provided a means of moving away from the object and toward performative effects, playing a crucial role in the development of conceptual art as a medium of doubt and contingency. Discussing how unexpected and contradictory meanings can exist in the guise of ordinary pictures, Documents of Doubt offers evocative and original ideas on truth’s connection to photography in the United States during the late 1960s and how conceptual art from that period anticipated our current era of “alternative facts” in contemporary politics and culture.

Conceptual Art and the Politics of Publicity

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Author :
Publisher : MIT Press
ISBN 13 : 9780262511841
Total Pages : 258 pages
Book Rating : 4.5/5 (118 download)

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Book Synopsis Conceptual Art and the Politics of Publicity by : Alexander Alberro

Download or read book Conceptual Art and the Politics of Publicity written by Alexander Alberro and published by MIT Press. This book was released on 2003 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of the origins and legacy of the conceptual art movement.

Conceptual Art

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Author :
Publisher : Phaidon Press Limited
ISBN 13 :
Total Pages : 472 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Conceptual Art by : Tony Godfrey

Download or read book Conceptual Art written by Tony Godfrey and published by Phaidon Press Limited. This book was released on 1998-11-06 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is art? Must it be a unique, saleable luxury item? Can it be a concept that never takes material form? Or an idea for a work that can be repeated endlessly? Conceptual art favours an engagement with such questions. As the variety of illustrations in this book shows, it can take many forms: photographs, videos, posters, billboards, charts, plans and, especially, language itself. Tony Godfrey has written a clear, lively and informative account of this fascinating phenomenon. He traces the origins of Conceptual art to Marcel Duchamp and the anti-art gestures of Dada, and then establishes links to those artists who emerged in the 1960s and early 1970s, whose work forms the heart of this study: Joseph Kosuth, Lawrence Weiner, Victor Burgin, Marcel Broodthaers and many others.

The Ultimate Concept Art Career Guide

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Publisher : 3D TOTAL PUB
ISBN 13 : 9781909414518
Total Pages : 200 pages
Book Rating : 4.4/5 (145 download)

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Book Synopsis The Ultimate Concept Art Career Guide by : 3dtotal Publishing

Download or read book The Ultimate Concept Art Career Guide written by 3dtotal Publishing and published by 3D TOTAL PUB. This book was released on 2018-01-02 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: An extensive guide to developing an exciting concept art career featuring advice and insights from top industry professionals and studios.

Conceptual Art

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Author :
Publisher : MIT Press
ISBN 13 : 9780262511179
Total Pages : 628 pages
Book Rating : 4.5/5 (111 download)

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Book Synopsis Conceptual Art by : Alexander Alberro

Download or read book Conceptual Art written by Alexander Alberro and published by MIT Press. This book was released on 2000-08-25 with total page 628 pages. Available in PDF, EPUB and Kindle. Book excerpt: This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the conceptual art movement. Compared to other avant-garde movements that emerged in the 1960s, conceptual art has received relatively little serious attention by art historians and critics of the past twenty-five years—in part because of the difficult, intellectual nature of the art. This lack of attention is particularly striking given the tremendous influence of conceptual art on the art of the last fifteen years, on critical discussion surrounding postmodernism, and on the use of theory by artists, curators, critics, and historians. This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the movement. It also contains more recent memoirs by participants, as well as critical histories of the period by some of today's leading artists and art historians. Many of the essays and artists' statements have been translated into English specifically for this volume. A good portion of the exchange between artists, critics, and theorists took place in difficult-to-find limited-edition catalogs, small journals, and private correspondence. These influential documents are gathered here for the first time, along with a number of previously unpublished essays and interviews. Contributors Alexander Alberro, Art & Language, Terry Atkinson, Michael Baldwin, Robert Barry, Gregory Battcock, Mel Bochner, Sigmund Bode, Georges Boudaille, Marcel Broodthaers, Benjamin Buchloh, Daniel Buren, Victor Burgin, Ian Burn, Jack Burnham, Luis Camnitzer, John Chandler, Sarah Charlesworth, Michel Claura, Jean Clay, Michael Corris, Eduardo Costa, Thomas Crow, Hanne Darboven, Raúl Escari, Piero Gilardi, Dan Graham, Maria Teresa Gramuglio, Hans Haacke, Charles Harrison, Roberto Jacoby, Mary Kelly, Joseph Kosuth, Max Kozloff, Christine Kozlov, Sol LeWitt, Lucy Lippard, Lee Lozano, Kynaston McShine, Cildo Meireles, Catherine Millet, Olivier Mosset, John Murphy, Hélio Oiticica, Michel Parmentier, Adrian Piper, Yvonne Rainer, Mari Carmen Ramirez, Nicolas Rosa, Harold Rosenberg, Martha Rosler, Allan Sekula, Jeanne Siegel, Seth Siegelaub, Terry Smith, Robert Smithson, Athena Tacha Spear, Blake Stimson, Niele Toroni, Mierle Ukeles, Jeff Wall, Rolf Wedewer, Ian Wilson

An Alternative History of Art

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Author :
Publisher :
ISBN 13 :
Total Pages : 288 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis An Alternative History of Art by : Ilʹi︠a︡ Iosifovich Kabakov

Download or read book An Alternative History of Art written by Ilʹi︠a︡ Iosifovich Kabakov and published by . This book was released on 2005 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: This catalogue presents the artwork of three fictitious Russian artists, all inventions of Ilya Kabakov, and intervviews of Ilya Kabakov.

Duchamp, Man Ray, Picabia

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Publisher : Tate
ISBN 13 :
Total Pages : 252 pages
Book Rating : 4.3/5 (97 download)

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Book Synopsis Duchamp, Man Ray, Picabia by : Jennifer Mundy

Download or read book Duchamp, Man Ray, Picabia written by Jennifer Mundy and published by Tate. This book was released on 2008-03 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: "For the first time, the friendships that existed between this triumvirate are examined in depth, revealing the way their mutual admiration inspired and sustained their creative output at different stages during their careers. All three were fascinated with new technologies that evolved during their lifetimes, including photography, film, mechanisation and mass production. All three lampooned the pretensions of high art, employing humour, eroticism and word play to great effect."--Back cover.

The Third Hand

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Publisher : U of Minnesota Press
ISBN 13 : 9780816637133
Total Pages : 272 pages
Book Rating : 4.6/5 (371 download)

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Book Synopsis The Third Hand by : Charles Green

Download or read book The Third Hand written by Charles Green and published by U of Minnesota Press. This book was released on 2001 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: The lone artist is a worn cliche of art history but one that still defines how we think about the production of art. Since the 1960s, however, a number of artists have challenged this image by embarking on long-term collaborations that dramatically altered the terms of artistic identity. In The Third Hand, Charles Green offers a sustained critical examination of collaboration in international contemporary art, tracing its origins from the evolution of conceptual art in the 1960s into such stylistic labels as Earth Art, Systems Art, Body Art, and Performance Art. During this critical period, artists around the world began testing the limits of what art could be, how it might be produced, and who the artist is. Collaboration emerged as a prime way to reframe these questions. Green looks at three distinct types of collaboration: the highly bureaucratic identities created by Joseph Kosuth, Ian Burn, Mel Ramsden, and other members of Art & Language in the late 1960s; the close-knit relationships based on marriage or lifetime partnership as practiced by the Boyle Family, Anne and Patrick Poirier, Helen Mayer Harrison and Newton Harrison; and couples -- like Christo and Jeanne-Claude, Gilbert & George, or Marina Abramovic and Ulay -- who developed third identities, effacing the individual artists almost entirely. These collaborations, Green contends, resulted in new and, at times, extreme authorial models that continue to inform current thinking about artistic identity and to illuminate the origins of postmodern art, suggesting, in the process, a new genealogy for art in the twenty-first century.

The Evolution of Conceptual Art In America

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Author :
Publisher : FKM Books
ISBN 13 :
Total Pages : 120 pages
Book Rating : 4./5 ( download)

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Book Synopsis The Evolution of Conceptual Art In America by : Kempton Mooney

Download or read book The Evolution of Conceptual Art In America written by Kempton Mooney and published by FKM Books. This book was released on 2000 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Light Years

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Publisher :
ISBN 13 :
Total Pages : 270 pages
Book Rating : 4.:/5 (318 download)

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Book Synopsis Light Years by : Mark Benjamin Godfrey

Download or read book Light Years written by Mark Benjamin Godfrey and published by . This book was released on 2011 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Photography played a critical role in conceptual art of the 1960s and 1970s, as artists turned to photography as both medium and subject matter. Light Years offers the first major survey of the key artists of this period who used photography to new and inventive ends. Whereas some employed photographic images to create slide projections, photographic canvases, and artists' books, others integrated them into sculptural assemblages and multimedia installations. This book highlights the work of acclaimed international artists such as Vito Acconci, John Baldessari, Mel Bochner, Sol LeWitt, Bruce Nauman, Giuseppe Penone, and Ed Ruscha. Matthew Witkovsky's essay provides the larger context for photography within conceptual art, a theme that is further elaborated in texts by Mark Godfrey, Anne Rorimer, and Joshua Shannon. An essay by Robin Kelsey focuses on the pioneering work of John Baldessari in which he explored the element of chance, and an essay by Giuliano Sergio illuminates the lesser-known work of Arte Povera, an Italian movement that sought to dismantle established conventions in both the making and presentation of art.

The Story of Contemporary Art

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Publisher : MIT Press
ISBN 13 : 0262366045
Total Pages : 439 pages
Book Rating : 4.2/5 (623 download)

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Book Synopsis The Story of Contemporary Art by : Tony Godfrey

Download or read book The Story of Contemporary Art written by Tony Godfrey and published by MIT Press. This book was released on 2020-11-10 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: A lively introduction to the rich and diverse history of contemporary art over the past 60 years—from Modernism and minimalism to artists like Andy Warhol and Marina Abramović. Accessible and with lavish illustrations, this is the perfect gift for art history fans and anyone looking for a new, more inclusive perspective on ‘the old boys’ club.’ Encountering a work of contemporary art, a viewer might ask, "What does it mean?" "Is it really art?" and "Why does it cost so much?" These are not the questions that E. H. Gombrich set out to answer in his magisterial The Story of Art. Contemporary art seems totally unlike what came before it, departing from the road map supplied by Raphael, Dürer, Rembrandt, and other European masters. In The Story of Contemporary Art, Tony Godfrey picks up where Gombrich left off, offering a lively introduction to contemporary art that stretches from Andy Warhol’s Brillo boxes to Marina Abramović’s performance art to today’s biennale circuit and million-dollar auctions. Godfrey, a curator and writer on contemporary art, chronicles important developments in pop art, minimalism, conceptualism, installation art, performance art, and beyond.

Who's Afraid of Conceptual Art?

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Author :
Publisher : Routledge
ISBN 13 : 1135234868
Total Pages : 178 pages
Book Rating : 4.1/5 (352 download)

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Book Synopsis Who's Afraid of Conceptual Art? by : Peter Goldie

Download or read book Who's Afraid of Conceptual Art? written by Peter Goldie and published by Routledge. This book was released on 2009-10-16 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is conceptual art? Is it really a kind of art in its own right? Is it clever – or too clever? Of all the different art forms it is perhaps conceptual art which at once fascinates and infuriates the most. In this much-needed book Peter Goldie and Elisabeth Schellekens demystify conceptual art using the sharp tools of philosophy. They explain how conceptual art is driven by ideas rather than the manipulation of paint and physical materials; how it challenges the very basis of what we can know about art, as well as our received ideas of beauty; and why conceptual art requires us to rethink concepts fundamental to art and aesthetics, such as artistic interpretation and appreciation. Including helpful illustrations of the work of celebrated conceptual artists from Marcel Duchamp, Joseph Kosuth and Piero Manzoni to Dan Perjovschi and Martin Creed, Who’s Afraid of Conceptual Art? is a superb starting point for anyone intrigued but perplexed by conceptual art - and by art in general. It will be particularly helpful to students of philosophy, art and visual studies seeking an introduction not only to conceptual art but fundamental topics in art and aesthetics.