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A Descriptive Catalogue Of The Works Of Rembrandt And Of His Scholars Bol Lievens And Van Vliet Compiled From The Original Etchings And From The Catalogues Of De Burgy Gersaint Helle And Glomy Marcus And Yver
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Book Synopsis A Descriptive Catalogue of the Works of Rembrandt, and of His Scholars, Bol, Livens, and Van Vliet, by : Daniel Daulby
Download or read book A Descriptive Catalogue of the Works of Rembrandt, and of His Scholars, Bol, Livens, and Van Vliet, written by Daniel Daulby and published by . This book was released on 1796 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Descriptive Catalogue of the Works of Rembrandt and of His Scholars Bol, Lievens, and Van Vliet Compiled from the Original Etchings and from the Catalogues of De Burgy, Gersaint, Helle and Glomy, Marcus, and Yver by : Daniel Daulby
Download or read book A Descriptive Catalogue of the Works of Rembrandt and of His Scholars Bol, Lievens, and Van Vliet Compiled from the Original Etchings and from the Catalogues of De Burgy, Gersaint, Helle and Glomy, Marcus, and Yver written by Daniel Daulby and published by . This book was released on 1796 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Descriptive Catalogue of the Works of Rembrandt, and of His Scholars, Bol, Livens, and Van Vliet, by : Daniel Daulby
Download or read book A Descriptive Catalogue of the Works of Rembrandt, and of His Scholars, Bol, Livens, and Van Vliet, written by Daniel Daulby and published by Palala Press. This book was released on 2015-12-13 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Book Synopsis DESCRIPTIVE CATALOGUE OF THE W by : Daniel Daulby
Download or read book DESCRIPTIVE CATALOGUE OF THE W written by Daniel Daulby and published by . This book was released on 2016-08-26 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Descriptive Catalogue of the Works of Rembrandt, and of His Scholars, Bol, Livens, and Van Vliet, by :
Download or read book A Descriptive Catalogue of the Works of Rembrandt, and of His Scholars, Bol, Livens, and Van Vliet, written by and published by . This book was released on 2020-04-16 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Rembrandt's Etchings: The text by : Arthur Mayger Hind
Download or read book Rembrandt's Etchings: The text written by Arthur Mayger Hind and published by . This book was released on 1912 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Descriptive Catalogue of the Works of Rembrandt, and of His Scholars, Bal, Livens and Van Viet, Compiled from the Orig. Etchings and from the Catalogues of De Burgy Gersaint, Helle and Glomy, Marcus and Yver by : Daniel Daulby
Download or read book A Descriptive Catalogue of the Works of Rembrandt, and of His Scholars, Bal, Livens and Van Viet, Compiled from the Orig. Etchings and from the Catalogues of De Burgy Gersaint, Helle and Glomy, Marcus and Yver written by Daniel Daulby and published by . This book was released on 1796 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Catalogue of Rembrandt's Etchings by : Arthur Mayger Hind
Download or read book A Catalogue of Rembrandt's Etchings written by Arthur Mayger Hind and published by . This book was released on 1923 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Descriptive Catalogue of the Works of Rembrandt, and of His Scholars, Bol, Livens, and Van Vliet, Compiled from the Original Etchings, and from the Catalogues of De Burgy by : Daniel Daulby
Download or read book A Descriptive Catalogue of the Works of Rembrandt, and of His Scholars, Bol, Livens, and Van Vliet, Compiled from the Original Etchings, and from the Catalogues of De Burgy written by Daniel Daulby and published by . This book was released on 1796 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis DESCRIPTIVE CATALOGUE OF THE W by : Daniel Daulby
Download or read book DESCRIPTIVE CATALOGUE OF THE W written by Daniel Daulby and published by Wentworth Press. This book was released on 2016-08-26 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Book Synopsis Rembrandt's Religious Prints by : Charles M. Rosenberg
Download or read book Rembrandt's Religious Prints written by Charles M. Rosenberg and published by Indiana University Press. This book was released on 2017-09-11 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: A stunning catalogue of the seventy religious prints from the 2017 exhibition, featuring detailed background information on each piece. Rembrandt’s stunning religious prints stand as evidence of the Dutch master’s extraordinary skill as a technician and as a testament to his genius as a teller of tales. Here, several virtually unknown etchings, collected by the Feddersen family and now preserved for the ages at the University of Notre Dame, are made widely available in a lavishly illustrated volume. Building on the contributions of earlier Rembrandt scholars, noted art historian Charles M. Rosenberg illuminates each of the seventyreligious prints through detailed background information on the artist’s career as well as the historical, religious, and artistic impulses informing their creation. Readers will enjoy an impression of the earliest work, The Circumcision (1625-26); the famous Hundred Guilder Print; the enigmatic eighth state of Christ Presented to the People; one of a handful of examples of the very rare final posthumous state of The Three Crosses; and an impression and counterproof of The Triumph of Mordecai. From the joyous epiphany of the coming of the Messiah to the anguish of the betrayal of a father (Jacob) by his children, from choirs of angels waiting to receive the Virgin into heaven to the dog who defecates in the road by an ancient inn (The Good Samaritan), Rembrandt’s etchings offer a window into the nature of faith, aspiration, and human experience, ranging from the ecstatically divine to the worldly and mundane. Ultimately, these prints—modest, intimate, fragile objects—are great works of art which, like all masterpieces, reward us with fresh insights and discoveries at each new encounter. “Despite many reliable catalogues of Rembrandt etchings, very few have focused on the religious content of these prints. The outstanding range of the Feddersen Collection offers an excellent occasion for closer examination of Rembrandt’s development—as a printmaker but also as a spiritual devout Christian, especially evident from his thoughtful return to the same subjects across his career. Charles Rosenberg and his team at the Snite Museum deserve our thanks for fresh analysis of Rembrandt’s religious prints, combined with the latest scholarship on the artist and his etchings output. Rembrandt scholars but also all lovers of the artist will want to consult this important catalogue.” —Larry Silver, author (with Shelley Perlove) of Rembrandt’s Faith: Church and Temple in the Dutch Golden Age “Rembrandt’s etchings of religious themes capture the emotional heart of their subjects through a uniquely inventive approach to both technique and content. . . . The seventy prints gathered by Jack and Alfrieda Feddersen span the full range of Rembrandt’s production and offer an outstanding resource for appreciation and research. This catalogue tells the fascinating story of how the collection was formed and brings a fresh analysis to each print. Charles Rosenberg’s extensive catalogue entries will be useful reading for anyone interested in the history of European art and one of its most talented practitioners, Rembrandt van Rijn.” —Stephanie Dickey, Queen’s University
Book Synopsis The Complete Etchings of Rembrandt by : Rembrandt
Download or read book The Complete Etchings of Rembrandt written by Rembrandt and published by Courier Dover Publications. This book was released on 2018-11-21 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rembrandt is revered not only as a painter, but as a supreme master of drawing and etching as well. His work in etching spanned most of his career and embraced the wide range of subjects he pursued in his painting: portraits, landscapes, biblical scenes, pictures with allegorical and mythological themes, and more. This comprehensive collection contains Rembrandt's complete etchings — over 300 works — most of them shown in their original size. They have been reproduced directly from a rare collection famed for its pristine condition, fresh, clean impressions, rich contrasts, and brilliant printing. Among the etchings included are: Self portrait drawing at a window (1648); Abraham's sacrifice (1655); Christ preaching ["The hundred-guilder print"] (ca. 1643–49); Christ crucified between the two thieves ["The three crosses"] (1653); The return of the prodigal son (1636); The three trees (1643); Faust (ca. 1652); Jan Six (1647); The great Jewish bride (1635); The strolling musicians (ca. 1635). The etchings are reproduced from the originals themselves rather than from reduced photographs, which can depart significantly in quality from the originals. This handsome volume is filled with information critical to fully appreciating the extraordinary images it contains. Detailed captions point out features of special interest and provide vital information such as title, signature, date, collection, Bartsch number, state of impression reproduced, and total number of states. Also included are a chronology of Rembrandt's life and etchings, a discussion of the technique of etching in his time, and an excellent bibliography. Art lovers, scholars, students of etching, and anyone with an interest in Rembrandt and his work will find in this beautiful book a rare and exciting visual experience.
Book Synopsis A Descriptive Catalogue of the Works of Rembrandt, and of His Scholars, Bol, Livens, and Van Vliet, Compiled from the Original Etchings, and from the Catalogues Of De Burgy, Gersaint, Helle and Glomy, By Daniel Daulby by : Daniel Daulby
Download or read book A Descriptive Catalogue of the Works of Rembrandt, and of His Scholars, Bol, Livens, and Van Vliet, Compiled from the Original Etchings, and from the Catalogues Of De Burgy, Gersaint, Helle and Glomy, By Daniel Daulby written by Daniel Daulby and published by . This book was released on 1796 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Corpus of Rembrandt Paintings by : J. Bruyn
Download or read book A Corpus of Rembrandt Paintings written by J. Bruyn and published by Springer Science & Business Media. This book was released on 2012-12-06 with total page 722 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the second half of the last century art historians, realizing that the image of Rembrandt’s work had become blurred with time, have attempted to redefine the artist’s significance both as a source of inspiration to other artists and as a great artist in his own right. In order to carry on the work started by previous generations, a group of leading Dutch art historians from the university and museum world joined forces in the late 1960s in order to study afresh the paintings usually ascribed to the artist. The researchers came together in the Rembrandt Research Project which was established to provide the art world with a new standard reference work which would serve the community of art historians for the nearby and long future. They examined the originals of all works attributed to Rembrandt taking full advantage of today’s sophisticated techniques including radiography, neutron activation autoradiography, dendrochronology and paint sample analysis — thereby gaining valuable insight into the genesis and condition of the paintings. The result of this meticulous research is laid down chronologically in the following Volumes: THIS VOLUME: A Corpus of Rembrandt Paintings, Volume I, which deals with works from Rembrandt’s early years in Leiden(1629-1631), published in 1982. A Corpus of Rembrandt Paintings, Volume II, covering his first years in Amsterdam (1631-1634), published in 1986. A Corpus of Rembrandt Paintings, Volume III, goes into his later years of reputation (1635-1642), published in 1990. Each Volume consists of a number of Introductory Chapters as well as the full Catalogue of all paintings from the given time period attributed to Rembrandt. In this catalogue each painting is discussed and examined in a detailed way, comprising a descriptive, an interpretative and a documentary section. For the authenticity evaluation of the paintings three different categories are used to divide the works in: A. Paintings by Rembrandt, B. Paintings of which Rembrandt’s authorship cannot be positively either accepted or rejected, and C. Paintings of which Rembrandt’s authorship cannot be accepted. This volume (Volume I) contains 730 pages, starting of with four introductory chapters and discussing 93 paintings. In clear and accessible explanatory text all different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging. In this volume the first ever works by Rembrandt are discussed, also using his etchings as comparison.
Book Synopsis A Corpus of Rembrandt Paintings V by : Ernst van de Wetering
Download or read book A Corpus of Rembrandt Paintings V written by Ernst van de Wetering and published by Springer Science & Business Media. This book was released on 2013-12-12 with total page 689 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is the fifth volume of A Corpus of Rembrandt Paintings, a project devoted to all Rembrandt’s paintings. This is the work of ‘The Rembrandt Research Project’, consisting of a group of scholars led since 1993 by Professor Ernst van de Wetering. The project began in 1968 with the aim of separating Rembrandt’s own paintings from the vast number of Rembrandtesque paintings made by his many apprentices and followers. Having opted for a chronological approach to the cataloguing of Rembrandt’s paintings (from 1625 till 1642) in the first three volumes, it was decided in 1993 to adopt a thematic approach for further volumes. This was largely to facilitate the recognition of different hands. The new approach yielded much more information not only about Rembrandt’s working methods but also about the function and meaning of his works. This expanded field of view meant that etchings and drawings with similar themes also needed to be included. In 2005 Volume IV appeared, devoted to Rembrandt’s self-portraits, in painting, etching and drawing. Volume V consists of a catalogue and analysis of the so-called small-scale history and genre paintings. That theme was chosen because this type of complex work shows a variety of full-length protagonists acting in different narrative settings. For this reason, in the 17th century, painting, etching or drawing biblical and mythological scenes was looked upon as an artist’s greatest challenge. The choice of this theme proved to be highly fruitful in several ways. Small-scale history pieces reveal Rembrandt’s artistic ambitions most clearly. They also offer the authors a much more accurate view of the daily routine in Rembrandt’s studio; his apprentices mostly copied this type of work or used it as a starting point for their own. As a result it was easier to distinguish the works by the master himself from those of his pupils. All aspects of the skills necessary to create a pictorial illusion play a part in the creation of small-figured history paintings. These aspects were referred to as ‘the basis of the noble art of painting’ in Rembrandt’s days. Two seventeenth century painter/theoreticians discussed these principles systematically in two books which up till now have only sporadically been consulted in the context of 17th century studio practice. Karel van Mander wrote his Grond der edel vry schilder-const [Basis of the Art of Painting] in 1604 and Samuel van Hoogstraten produced his Inleyding tot de hooge schoole der schilderkonst [Academy of Painting] in 1678. Van Hoogstraten was a pupil of Rembrandt between 1642 and ’48. Comparing the two books and considering them in relation to Rembrandt’s oeuvre, gradually reveals his original views on painting and how these had developed during his career. Thus, the authors of this new Volume of A Corpus have gained an unexpected and profound insight into Rembrandt’s ideas and approach to his art. The ‘basic aspects’ of painting included the following topics: function and methods of drawing; human proportions; various positions, poses and gestures of figures; ways of arranging a scene’s protagonists in a composition; facial expressions of a variety of emotions; light, shadows and reflected light; landscape and animals; draperies and articles of clothing; methods of painting, and various characteristics and uses of colours. The way these ‘basic aspects’ were selected and dealt with presumed that the more practical side to the art of painting would be learned by the apprentice in the daily routine of his master’s studio. With the development of art history in the nineteenth century the ‘basic aspects’ of the art of painting listed above acquired the vague label of ‘style’. However, the seventeenth century categorization of the ‘basic aspects’ provides a much more acute means of probing the views and criteria for judging a painting by Rembrandt and his contemporaries than the concept of ‘style’. Volume V in the series A Corpus of Rembrandt Paintings breaks new ground from the point of view of art history, not only in its approach to Rembrandt as an artist, but more particularly to his thinking about painting. Moreover, a detailed comparison of Rembrandt’s works and those by his apprentices who based their works on his, led to a profound and detailed understanding of Rembrandt’s views on pictorial quality. In art historical literature quality usually does not feature prominently since it is regarded as being too subjective. This comparative approach, together with the analysis of seventeenth century categories of thought about painting, have given the research on Rembrandt a new impetus, at the same time allowing us to see more clearly through seventeenth century eyes. That is why the new volume of the ‘Corpus’ is an important publication – not only for art historians but also for all who want to fully enjoy the numerous works of art that date back to the Dutch Golden Age, now scattered in museums around the world.
Book Synopsis A Descriptive Catalogue of the Etched Work of Rembrandt Van Rhyn by : Charles Henry Middleton-Wake
Download or read book A Descriptive Catalogue of the Etched Work of Rembrandt Van Rhyn written by Charles Henry Middleton-Wake and published by Palala Press. This book was released on 2015-08-31 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Book Synopsis A Corpus of Rembrandt Paintings by : J. Bruyn
Download or read book A Corpus of Rembrandt Paintings written by J. Bruyn and published by Springer. This book was released on 2014-10-21 with total page 4800 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection is dedicated to the painted works of Rembrandt. It presents a vast amount of meticulous research on Rembrandt’s paintings covering the early years until his later years, and with a special focus on his self-portraits and small-scale history paintings. The main aim of this project was to isolate Rembrandt’s own works from the great volume of Rembrandt-like paintings, produced by his many pupils and followers, sometimes with the involvement of the master himself. As a result, the CORPUS contains examinations of the originals of all works attributed to Rembrandt; with these examinations having taken full advantage of today’s sophisticated techniques including radiography, neutron activation autoradiography, dendrochronology and paint sample analysis. Since the second half of the last century, art historians, realizing that the image of Rembrandt’s work had become blurred with time, have attempted to redefine the artist’s significance both as a source of inspiration to other artists and as a great artist in his own right. Carrying on the work started by previous generations, a group of leading Dutch art historians from the university and museum world joined forces in the late 1960s in order to study afresh the paintings usually ascribed to Rembrandt. The researchers came together in the Rembrandt Research Project (RRP). In the course of the completion of this project and the publication of the six volumes, the composition of the group of researchers changed, and at the same time, the group’s approach changed as a result of art-historical and methodological developments. The changes and developments are reflected in the break in style between volumes III and IV. The first three volumes take a historical and chronological approach. They cover Rembrandt’s early years in Leiden (1629-1631), his first years in Amsterdam (1631-1634), and finally his later years of reputation (1635-1642). The fourth and fifth volume take a thematic approach. Dedicated to Rembrandt’s self-portraits, volume IV looks at the valuation of autograph paintings, at dress and meaning in his self-portraits, and at authenticity and function. Volume V is about the small-scale history and genre paintings, an area considered to be the most challenging assignments for an artist. The volume presents the systematic research into this hitherto little known area, revealing a rich, and often fresh understanding of Rembrandt’s own way of thinking about these basic aspects. Volume VI, the set’s last volume, revisits Rembrandt’s paintings and is both a revisionary critique of the first three volumes and an independent overview. Each volume combines a number of introductory chapters with a full catalogue of all paintings for the given period or theme. In the catalogues, each painting is discussed and examined in a detailed way, comprising a descriptive, an interpretative and a documentary section.
