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A Delineation Of Oboe Reed Styles Related To The Properties Of Timbre And Tone Production With Its Technical Aspects And Pedagogical Implications
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Book Synopsis A Delineation of Oboe Reed Styles Related to the Properties of Timbre and Tone Production with Its Technical Aspects and Pedagogical Implications by : David Ledet
Download or read book A Delineation of Oboe Reed Styles Related to the Properties of Timbre and Tone Production with Its Technical Aspects and Pedagogical Implications written by David Ledet and published by . This book was released on 1960 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Woodwind Research Guide by : Lyle Merriman
Download or read book Woodwind Research Guide written by Lyle Merriman and published by . This book was released on 1978 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Doctoral Dissertations in Music and Music Education by : Music Educators National Conference (U.S.)
Download or read book Doctoral Dissertations in Music and Music Education written by Music Educators National Conference (U.S.) and published by . This book was released on 1964 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Journal by : International Double Reed Society
Download or read book Journal written by International Double Reed Society and published by . This book was released on 1998 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Doctoral Dissertations in Music and Music Education, 1957-1963 by : Music Educators National Conference (U.S.)
Download or read book Doctoral Dissertations in Music and Music Education, 1957-1963 written by Music Educators National Conference (U.S.) and published by . This book was released on 1964 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Woodwind Anthology written by and published by . This book was released on 1983 with total page 612 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Oboe Reed Styles written by David Ledet and published by Bloomington : Indiana University Press. This book was released on 1981 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: The reed is possibly the most crucial link in the chain of acoustical elements needed to produce an oboe sound. For the nearly 300 years since the appearance of the French oboe, players have painstakingly evolved this highly individualized skill. But because of their fragile nature, original historical examples of oboe reeds are practically nonexistent. David Ledet has produced a unique study of techniques for styling oboe reeds by analyzing in detail 168 examples of reeds by 81 artists from 14 countries. Each reed is strikingly photographed both in reflected light and in silhoutte, thus clearly illustrating the relative thickness and shaping of the various sections of the reed. The precise dimensions of each example are compiled in an elaborate table. As background to his reed survey, Ledet discusses the various aspects of tone production (respiration, articulation, embouchure, and acoustics), gives a brief history of the instrument, and offers valuable advice about pedagogical techniques. The artists' reflections on their reedmaking techniques and brief biographical sketches introduce the photographs. Ledet often refers the reader to readily available phonographic recordings that either convey the essence of an oboist's sound or suggest the singularity of a national reed style. Ledet concludes that reed styles can be classified into five major regional categories: French, American, English, Dutch, and Viennese. The book documents examples of reedmaking by such world-renowned musicians as Robert Bloom (Bach Aria Group), Henri de Busscher (1880-1978, Los Angeles Philharmonic), Janet Craxton (Royal Opera House, London), Peter Graeme (Melos Ensemble), Harold Gomberg (New YorkPhilharmonic), John Mack (Cleveland Orchestra), Ronald Roseman (New York Woodwind Quintet and Juilliard School of Music), Ray Still (Chicago Symphony Orchestra), and the celebrated Marcel Tabuteau (1887-1966, Philadelphia Orchestra and the Curtis Institute of Music), who has exerted a greater influence on oboe playing in America than any other musician. Ledet has been compiling data for over thirty years and notes when a player's ideas have changed over time. Since some of the artists included are now deceased, Oboe Reed Styles will be a valuable historical as well as technical record, essential for teachers, performers, and students of all ages and abilities.
Book Synopsis Woodwind Anthology: Clarinet, Saxophone, Oboe, Bassoon by :
Download or read book Woodwind Anthology: Clarinet, Saxophone, Oboe, Bassoon written by and published by . This book was released on 1992 with total page 878 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Oboe Reed Styles by : David A. Ledet
Download or read book Oboe Reed Styles written by David A. Ledet and published by . This book was released on 2000 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Oboe reed styles by : David A. Ledet
Download or read book Oboe reed styles written by David A. Ledet and published by . This book was released on 1981 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Evolution of Music by : Leonid Perlovsky
Download or read book The Evolution of Music written by Leonid Perlovsky and published by Frontiers Media SA. This book was released on 2020-12-28 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: This eBook is a collection of articles from a Frontiers Research Topic. Frontiers Research Topics are very popular trademarks of the Frontiers Journals Series: they are collections of at least ten articles, all centered on a particular subject. With their unique mix of varied contributions from Original Research to Review Articles, Frontiers Research Topics unify the most influential researchers, the latest key findings and historical advances in a hot research area! Find out more on how to host your own Frontiers Research Topic or contribute to one as an author by contacting the Frontiers Editorial Office: frontiersin.org/about/contact.
Book Synopsis The Philadelphia Influence on the Art of Reed Making by : Reid Gerard Messich
Download or read book The Philadelphia Influence on the Art of Reed Making written by Reid Gerard Messich and published by . This book was released on 2012 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: ABSTRACT: The oboe reed is both a blessing and a curse--the bane and the delight of every oboist. There is nothing greater than the satisfaction of creating an amazing reed that will do everything an oboist requires. A great reed allows one to play for hours and not grow exhausted. It helps produce easier articulation and response from the instrument, as well as a better musical line to help the oboist sound more fluid in his phrasing. A bad reed, however, will cause a lot of stress in the life of an oboist, forcing him to spend countless hours behind a reed desk. Due to the uniqueness of each reed and each oboist, no two players will ever produce an identical tone on the oboe. This is true even if two players use the same oboe with the exact same reed. The whole purpose behind reed making is not to create another level of difficulty for the oboist, but to uniquely bring out the best qualities of the oboe and the oboist's individuality. Reed making, while stressful in the early stages of learning, eventually becomes a very personal endeavor for each oboist. The more knowledge gained in the reed-making process, the greater the strive to perfect it. In reality, there is no such thing as a perfect reed. An oboist's goal, when making reeds, is to strive for response, correct pitch, stability, and a tone that is unwavering in beauty. The tone should not be so strident and shrill that it lacks depth, yet also not be so dark that the flexibility of the tone is hindered. As the majority of reed making taught today is based on the American style of reed making, few students get the opportunity to learn about reed making from the Philadelphia point of view. Most do not even realize the school of reed making they learn from is derived from the Philadelphia style. There are many guides already published and available for oboists today, but none refer to the oboe reed through the Philadelphia influence. This paper is not meant to state the Philadelphia reed-making process is the only correct way to make a reed. It is intended to enlighten young and professional oboists and to tweak their interest in experimenting with their own reeds to create an even better product. It is the goal of this project to present ideas of reed making to both amateur and professional oboists, who have not had the opportunity to study within the aforementioned Philadelphia music schools. It will allow them to take a look at their current reed-making skills and apply new ideas. One of the most beautiful aspects of reed making is that it is constantly changing. It is my hope that the information provided in this document, and supplied from other oboists influenced by the Philadelphia style, will open new reed-making ideas to many oboists. This document will contain all information I have accumulated in the years of study in Philadelphia and present the knowledge of reed making through my eyes. It will follow the process of reed making from raw materials through the finished reed, and discuss each detail that goes into creating the Philadelphia reed. Surveys on reed making, from other graduates from the Philadelphia area, are included in this study to serve as reinforcement to the ideals and principles that still hold true in the Philadelphia area today. Reed making has always been one of my strongest passions as an oboist and it is my wish to share the knowledge I have obtained throughout my years of study.
Book Synopsis The Oxford Handbook of Timbre by : Emily I. Dolan
Download or read book The Oxford Handbook of Timbre written by Emily I. Dolan and published by Oxford University Press. This book was released on 2021-09-15 with total page 740 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite its importance as a central feature of musical sounds, timbre has rarely stood in the limelight. First defined in the eighteenth century, denigrated during the nineteenth, the concept of timbre came into its own during the twentieth century and its fascination with synthesizers and electronic music-or so the story goes. But in fact, timbre cuts across all the boundaries that make up musical thought-combining scientific and artistic approaches to music, material and philosophical aspects, and historical and theoretical perspectives. Timbre challenges us to fundamentally reorganize the way we think about music. The twenty-five essays that make up this collection offer a variety of engagements with music from the perspective of timbre. The boundaries are set as broad as possible: from ancient Homeric sounds to contemporary sound installations, from birdsong to cochlear implants, from Tuvan overtone singing to the tv show The Voice, from violin mutes to Moog synthesizers. What unifies the essays across this vast diversity is the material starting point of the sounding object. This focus on the listening experience is radical departure from the musical work that has traditionally dominated musical discourse since its academic inception in late-nineteenth-century Europe. Timbre remains a slippery concept that has continuously demanded more, be it more precise vocabulary, a more systematic theory, or more rigorous analysis. Rooted in the psychology of listening, timbre consistently resists pinning complete down. This collection of essays provides an invitation for further engagement with the range of fascinating questions that timbre opens up.
Book Synopsis Instruments for New Music by : Thomas Patteson
Download or read book Instruments for New Music written by Thomas Patteson and published by Univ of California Press. This book was released on 2016 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: Listening to instruments -- "The joy of precision" : mechanical instruments and the aesthetics of automation -- "The alchemy of tone" : Jörg Mager and electric music -- "Sonic handwriting" : media instruments and musical inscription -- "A new, perfect musical instrument" : the trautonium and electric music in the 1930s -- The expanding instrumentarium
Book Synopsis The Physics of Musical Instruments by : Neville H. Fletcher
Download or read book The Physics of Musical Instruments written by Neville H. Fletcher and published by Springer Science & Business Media. This book was released on 2013-11-09 with total page 763 pages. Available in PDF, EPUB and Kindle. Book excerpt: While the history of musical instruments is nearly as old as civilisation itself, the science of acoustics is quite recent. By understanding the physical basis of how instruments are used to make music, one hopes ultimately to be able to give physical criteria to distinguish a fine instrument from a mediocre one. At that point science may be able to come to the aid of art in improving the design and performance of musical instruments. As yet, many of the subtleties in musical sounds of which instrument makers and musicians are aware remain beyond the reach of modern acoustic measurements. This book describes the results of such acoustical investigations - fascinating intellectual and practical exercises. Addressed to readers with a reasonable grasp of physics who are not put off by a little mathematics, this book discusses most of the traditional instruments currently in use in Western music. A guide for all who have an interest in music and how it is produced, as well as serving as a comprehensive reference for those undertaking research in the field.
Book Synopsis Practical Research by : Paul D. Leedy
Download or read book Practical Research written by Paul D. Leedy and published by . This book was released on 2013-07-30 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: For undergraduate or graduate courses that include planning, conducting, and evaluating research. A do-it-yourself, understand-it-yourself manual designed to help students understand the fundamental structure of research and the methodical process that leads to valid, reliable results. Written in uncommonly engaging and elegant prose, this text guides the reader, step-by-step, from the selection of a problem, through the process of conducting authentic research, to the preparation of a completed report, with practical suggestions based on a solid theoretical framework and sound pedagogy. Suitable as the core text in any introductory research course or even for self-instruction, this text will show students two things: 1) that quality research demands planning and design; and, 2) how their own research projects can be executed effectively and professionally.
Book Synopsis Composing for the Cinema by : Ennio Morricone
Download or read book Composing for the Cinema written by Ennio Morricone and published by Scarecrow Press. This book was released on 2013-10-10 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.
