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123 Years Of Japanese Music
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Book Synopsis 123 Years of Japanese Music by : Koh-ichi Hattori
Download or read book 123 Years of Japanese Music written by Koh-ichi Hattori and published by . This book was released on 2004 with total page 94 pages. Available in PDF, EPUB and Kindle. Book excerpt: Describing the transition of Japanese Music between 1896 and 1995. These period, traditional Japanese music had been greatly influenced by Western music, mainly classics.
Download or read book Yogaku written by Luciana Galliano and published by Scarecrow Press. This book was released on 2002-11-19 with total page 383 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book introduces us to the world of contemporary Japanese music and it guides us towards a better understanding of their world."—Luciano Berio Yogaku discusses over a century of musical activity in Japan, detailing, in particular, the music that was inspired by Western music after the Meiji Restoration in the 19th century, and its development through the end of the 20th century. The book not only examines the infiltration of Western music into Japan, but also provides insight into the aesthetic and theoretical aspects of Japanese musical thought. The word yogaku (Western music) is made up of two characters:yo, which means "ocean" (that is, "over the ocean," meaning Western or foreign) andgaku, which means "music." Divided into two parts, the text covers the period preceding World War I as well as the post-war period. The introduction provides a history of music's role in Japanese society, touching upon the differences in the functions of Japanese and Western music. Part One describes the complex process of a new musical world and the European musical ideas that penetrated Japan. Modernization through westernization is explored; the author details the differences between the traditional Japanese music and that composed under Western influence, as well as the French and German impact on Japanese musical compositions. Galliano looks at the appearance of music in schools and the first Japanese musical compositions, as well as nationalism's effect on music through propaganda and censorship. Part Two explores topics such as the post-war avant-garde, the 1960s boom in traditional music, and the closing decades of the 20th century. The next generation of Japanese composers are also considered. Japanese history and music scholars, as well as those interested in Japanese music, will want to include Yogaku in their collection.
Book Synopsis Japanese Popular Music by : Carolyn S. Stevens
Download or read book Japanese Popular Music written by Carolyn S. Stevens and published by Routledge. This book was released on 2012-08-21 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: Japanese popular culture has been steadily increasing in visibility both in Asia and beyond in recent years. This book examines Japanese popular music, exploring its historical development, technology, business and production aspects, audiences, and language and culture. Based both on extensive textual and aural analysis, and on anthropological fieldwork, it provides a wealth of detail, finding differences as well as similarities between the Japanese and Western pop music scenes. Carolyn Stevens shows how Japanese popular music has responded over time to Japan's relationship to the West in the post-war era, gradually growing in independence from the political and cultural hegemonic presence of America. Similarly, the volume explores the ways in which the Japanese artist has grown in independence vis-à-vis his/her role in the production process, and examines in detail the increasingly important role of the jimusho, or the entertainment management agency, where many individual artists and music industry professionals make decisions about how the product is delivered to the public. It also discusses the connections to Japanese television, film, print and internet, thereby providing through pop music a key to understanding much of Japanese popular culture more widely.
Book Synopsis Music Education by : Michael L. Mark
Download or read book Music Education written by Michael L. Mark and published by Routledge. This book was released on 2008 with total page 507 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is an eye opening and mind expanding collection of important writings, chosen with erudition and situating music education in the long sweep of history from Plato to the present and diverse cultures.
Book Synopsis Japanese Music & Musical Instruments by : William P. Malm
Download or read book Japanese Music & Musical Instruments written by William P. Malm and published by Tuttle Publishing. This book was released on 1990-06-15 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: This interesting and authoritative book includes essential facts about the various forms of Japanese music and musical instruments and their place in the overall history of Japan. Japanese Music and Musical Instruments has three main orientations: The history of Japanese music Construction of the instruments Analysis of the music itself. The book covers in a lucidly written text and a wealth of fascinating photographs and drawings the main forms of musical expression. Many readers will find the useful hints on purchasing instruments, records, and books especially valuable, and for those who wish to pursue the matter further there is a selected bibliography and a guide to Tokyo's somewhat hidden world of Japanese music. It will be found an invaluable aid to the understanding and appreciation of an important, but little-known, and fascinating aspect of Japanese culture.
Book Synopsis A History of Japanese Music by : Eta Harich-Schneider
Download or read book A History of Japanese Music written by Eta Harich-Schneider and published by London : Oxford University Press. This book was released on 1973 with total page 794 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study provides a chronological survey of two thousand years of musical activity in Japan. It begins with evidence discovered in prehistoric excavations, and includes discussions of surviving instruments, pictorial evidence, written records of successive periods, and the modern acceptance of Western music. Offering a comprensive view of the changes, developments, and consistencies in Japanese music-making, the author presents the social and political climate of each musical phenomena. An extensive portrayal of ancient and mysterious music, this history will interest musicologists and students of Japanese culture.
Book Synopsis The Complete Idiot's Guide to Music History by : Michael Miller
Download or read book The Complete Idiot's Guide to Music History written by Michael Miller and published by Penguin. This book was released on 2008-07-01 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: A beautifully composed journey through music history! Music history is a required course for all music students. Unfortunately, the typical music history book is dry and academic, focusing on rote memorization of important composers and works. This leads many to think that the topic is boring, but bestselling author Michael Miller proves that isn’t so. This guide makes music history interesting and fun, for both music students and older music lovers. • Covers more than Western “classical” music—also includes non-Western music and uniquely American forms such as jazz • More than just names and dates—puts musical developments in context with key historical events
Book Synopsis Tokyo Boogie-Woogie by : Hiromu Nagahara
Download or read book Tokyo Boogie-Woogie written by Hiromu Nagahara and published by Harvard University Press. This book was released on 2017-04-10 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Emerging in the 1920s, the Japanese pop scene gained a devoted following, and the soundscape of the next four decades became the audible symbol of changing times. In the first English-language history of this Japanese industry, Hiromu Nagahara connects the rise of mass entertainment with Japan’s transformation into a postwar middle-class society.
Book Synopsis Japan's Musical Tradition by : Miyuki Yoshikami
Download or read book Japan's Musical Tradition written by Miyuki Yoshikami and published by McFarland. This book was released on 2020-02-27 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: What makes Japanese music sound Japanese? Each genre of Japan's pre-Western music (hogaku) morphed from the preceding one with singing at its foundation. In ancient Shinto prayers, words of power recited in a prescribed cadence communicated veneration and community needs to the divine spirit (kami). From the prayers, Japan's word-based music evolved into increasingly more sophisticated recitations with biwa, shamisen, and koto accompaniment. This examination reveals shortcomings in the typical interpretation of Japanese music from a pitch-based Western perspective and carefully explores how the quintessential musical elements of singing, instrumental accompaniment, scale, and format were transmitted from their Shinto inception through all of Japan's music. Japan's culture, with its unique iemoto system and teaching methods, served to exactly replicate Japan's music for centuries. Considering Japan's music in the context of its own culture, logic, and sources is essential to gaining a clear understanding and appreciation of Japan's music and dissipating the mystery of the music's "Japaneseness." Greater enjoyment of the music inevitably follows.
Book Synopsis Traditional Japanese Music and Musical Instruments by : William P. Malm
Download or read book Traditional Japanese Music and Musical Instruments written by William P. Malm and published by Kodansha International. This book was released on 2000 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Malm's scholarship is impeccable... Of equal importance is the fact that he is an excellent performing musician who has studied extensively in Japan." -Choice
Book Synopsis Music and Words by : Patrick M. Patterson
Download or read book Music and Words written by Patrick M. Patterson and published by Rowman & Littlefield. This book was released on 2018-10-15 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: Composer Nakayama Shimpei (1887-1952) wrote more than 300 popular songs in his lifetime. Most are still well known and recorded regularly. An entrepreneur, he found ways to create popular songs that powered Japan’s nascent recording industry in the 1920s and 1930s. An artist, his combination of Japanese and Western musical styles and tropes appealed to Japanese sentiments in a way that not only reflected the historical and social context, but anticipated and explained those historical changes to his listeners. This book seeks to apply contextual analysis of Nakayama’s popular songs to the events that occurred in the context of Japan’s development of a record industry and popular music market between 1887 and 1952. The book evaluates Nakayama’s positions within the world of musicians, and as a bridge between intellectuals and pure artists, on the one hand, and the Japanese people on the other to understand how popular songs can enrich and deepen our understanding of the history of political and industrial development in modern Japan. The book concludes that Nakayama’s uncanny ability to make listening to Western music a comfortable experience for Japanese by adding elements from Japanese musical styles allowed him to be successful financially, and to hold respect within the artistic community as well. His skill in creating songs that spoke to large groups of people, successfully marketing those songs through an understanding of how music would sound on record, and careful communication with his audiences to understand their interests and lives made him the most popular composer of his time, and a powerful asset for Japan Victor, Inc., his record company. The ultimate goal of the book is to show how popular songs can be utilized as primary sources to help deepen our understanding of historical contexts.
Book Synopsis Tokyo Boogie-Woogie by : Hiromu Nagahara
Download or read book Tokyo Boogie-Woogie written by Hiromu Nagahara and published by Harvard University Press. This book was released on 2017-04-10 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this first English-language history of the origins and impact of the Japanese pop music industry, Hiromu Nagahara connects the rise of mass entertainment, epitomized by ryūkōka (“popular songs”), with Japan’s transformation into a middle-class society in the years after World War II. With the arrival of major international recording companies like Columbia and Victor in the 1920s, Japan’s pop music scene soon grew into a full-fledged culture industry that reached out to an avid consumer base through radio, cinema, and other media. The stream of songs that poured forth over the next four decades represented something new in the nation’s cultural landscape. Emerging during some of the most volatile decades in Japan’s history, popular songs struck a deep chord in Japanese society, gaining a devoted following but also galvanizing a vociferous band of opponents. A range of critics—intellectuals, journalists, government officials, self-appointed arbiters of taste—engaged in contentious debates on the merits of pop music. Many regarded it as a scandal, evidence of an increasingly debased and Americanized culture. For others, popular songs represented liberation from the oppressive political climate of the war years. Tokyo Boogie-Woogie is a tale of competing cultural dynamics coming to a head just as Japan’s traditionally hierarchical society was shifting toward middle-class democracy. The pop soundscape of these years became the audible symbol of changing times.
Book Synopsis Handbook of Japanese Music in the Modern Era by : Henry Johnson
Download or read book Handbook of Japanese Music in the Modern Era written by Henry Johnson and published by BRILL. This book was released on 2023-11-20 with total page 485 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring an array of captivating topics, from hybridized Buddhist music to AI singers, this book introduces Japanese music in the modern era. The twenty-five chapters show how cultural change from the late nineteenth century to the present day has had a profound impact on the Japanese musical landscape, including the recontextualization and transformation of traditional genres, and the widespread adoption of Western musical practices ranging from classical music to hip hop. The contributors offer representative case studies within the themes of Foundations, Heritage, Institutions, and Hybridities, examining both musical styles that originated in earlier times and distinctly localized or Japanized musical forms.
Book Synopsis The Music and Musical Instruments of Japan by : Francis Taylor Piggott
Download or read book The Music and Musical Instruments of Japan written by Francis Taylor Piggott and published by . This book was released on 1909 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Popular Music in Japan by : Toru Mitsui
Download or read book Popular Music in Japan written by Toru Mitsui and published by Bloomsbury Publishing USA. This book was released on 2020-07-09 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: Popular music in Japan has been under the overwhelming influence of American, Latin American and European popular music remarkably since 1945, when Japan was defeated in World War II. Beginning with gunka and enka at the turn of the century, tracing the birth of hit songs in the record industry in the years preceding the War, and ranging to the adoption of Western genres after the War--the rise of Japanese folk and rock, domestic exoticism as a new trend and J-Pop--Popular Music in Japan is a comprehensive discussion of the evolution of popular music in Japan. In eight revised and updated essays written in English by renowned Japanese scholar Toru Mitsui, this book tells the story of popular music in Japan since the late 19th century when Japan began positively embracing the West.
Download or read book Globalizing Japan written by Harumi Befu and published by Routledge. This book was released on 2003-09-02 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the social and cultural dimensions of Japan's global presence as an economic giant. Areas examined include Japanese multinational corporations, popular music and perceptions of Japan in France and Korea.
Book Synopsis The Making of European Music in the Long Eighteenth Century by : D. R. M. Irving
Download or read book The Making of European Music in the Long Eighteenth Century written by D. R. M. Irving and published by Oxford University Press. This book was released on 2024-09-03 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musical representations of Europe in myth and allegory are well known, but when and under what circumstances did the words "European" and "music" become linked together? What did the resulting term mean in music before 1800 and how did it evolve into the label "Western music," which features so prominently in pedagogical and scholarly discourses? In The Making of European Music in the Long Eighteenth Century, author D. R. M. Irving traces the emergence of such large-scale categories in Western European thought. Beginning in the 1670s, Jesuit missionaries in China began to refer to "European music," and for the next hundred years the term appeared almost exclusively in comparison with musics from other parts of the world. It entered common use from the 1770s, and in the 1830s became synonymous with a new concept of "Western music." Western European writers also associated these terms with notions of "progress" and "perfection." Meanwhile, changing ideas about "modern" Europe's cultural relationship with classical antiquity, together with theories that systematically and condescendingly racialized people from other continents, influenced the ways that these scholars imagined and interpreted musical pasts around the globe. Irving weaves his analyses throughout the book's historical examinations, suggesting that "European music" originates from self-fashioning in contexts of intercultural comparison outside the continent, rather than from the resolution of national aesthetic differences within it. He shows that "Western music" as understood today arose in line with the growth of Orientalism and increasing awareness of musics of "the East." All such reductive terms often imply homogeneity and essentialism, and Irving asks what a reassessment of their beginnings might mean for music history. Taken as a whole, the book shows how a renewed critique of primary sources can help dismantle historiographical constructs that arose within narratives of musical pasts involving Europe.
