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Women And The Nineteenth Century Lied
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Book Synopsis Women and the Nineteenth-Century Lied by : Aisling Kenny
Download or read book Women and the Nineteenth-Century Lied written by Aisling Kenny and published by Routledge. This book was released on 2016-03-03 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book bridges a gap in existing scholarship by foregrounding the contribution of women to the nineteenth-century Lied. Building on the pioneering work of scholars in recent years, it consolidates recent research on women’s achievements in the genre, and develops an alternative narrative of the Lied that embraces an understanding of the contributions of women, and of the contexts of their engagement with German song and related genres. Lieder composers including Fanny Hensel, Clara Schumann, Pauline Viardot-Garcia and Josephine Lang are considered with a stimulating variety of analytical approaches. In addition to the focus on composers associated with history and theory of the Lied, the various chapters explore the cultural and sociological background to the Lied’s musical environment, as well as engaging with gender studies and discussing performance and pedagogical contexts. The range of subject matter reflects the interdisciplinary nature of current research in the field, and the energy it generates among scholars and performers. Women and the Nineteenth-Century Lied aims to widen readers’ perception of the genre and help promote awareness of women’s contribution to nineteenth-century musical life through critical appraisal of the cultural context of the Lied, encouraging acquaintance with the voices of women composers, and the variety of their contributions to the repertoire.
Book Synopsis Women and the Nineteenth-Century Lied by : Aisling Kenny
Download or read book Women and the Nineteenth-Century Lied written by Aisling Kenny and published by Routledge. This book was released on 2016-03-03 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book bridges a gap in existing scholarship by foregrounding the contribution of women to the nineteenth-century Lied. Building on the pioneering work of scholars in recent years, it consolidates recent research on women’s achievements in the genre, and develops an alternative narrative of the Lied that embraces an understanding of the contributions of women, and of the contexts of their engagement with German song and related genres. Lieder composers including Fanny Hensel, Clara Schumann, Pauline Viardot-Garcia and Josephine Lang are considered with a stimulating variety of analytical approaches. In addition to the focus on composers associated with history and theory of the Lied, the various chapters explore the cultural and sociological background to the Lied’s musical environment, as well as engaging with gender studies and discussing performance and pedagogical contexts. The range of subject matter reflects the interdisciplinary nature of current research in the field, and the energy it generates among scholars and performers. Women and the Nineteenth-Century Lied aims to widen readers’ perception of the genre and help promote awareness of women’s contribution to nineteenth-century musical life through critical appraisal of the cultural context of the Lied, encouraging acquaintance with the voices of women composers, and the variety of their contributions to the repertoire.
Book Synopsis The Nineteenth-Century German Lied by : Lorraine Gorrell
Download or read book The Nineteenth-Century German Lied written by Lorraine Gorrell and published by Rowman & Littlefield. This book was released on 2005-11 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: THE NINETEENTH CENTURY GERMAN LIED
Book Synopsis Intimacy, Performance, and the Lied in the Early Nineteenth Century by : Jennifer Ronyak
Download or read book Intimacy, Performance, and the Lied in the Early Nineteenth Century written by Jennifer Ronyak and published by Indiana University Press. This book was released on 2018-09-10 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: The German lied, or art song, is considered one of the most intimate of all musical genres—often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance.
Book Synopsis The Nineteenth-Century German Lied by : Lorraine Gorrell
Download or read book The Nineteenth-Century German Lied written by Lorraine Gorrell and published by Hal Leonard Corporation. This book was released on 2005 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: The development of the piano, together with changes in culture and society, led to the transformation of song into a major musical genre. This study of the great lieder of 19th-century composers Schubert, Schumann, Brahms, and Hugo Wolf also includes lesser-known composers, such as Louis Spohr and Robert Franz, plus significant contributions from women composers and performers.
Book Synopsis Woman in the Nineteenth Century by : Margaret Fuller
Download or read book Woman in the Nineteenth Century written by Margaret Fuller and published by . This book was released on 1845 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Clara Schumann Studies by : Joe Davies
Download or read book Clara Schumann Studies written by Joe Davies and published by Cambridge University Press. This book was released on 2021-12-02 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Develops a holistic and gender-aware understanding of Clara Schumann as pianist, composer and teacher in nineteenth-century Germany.
Book Synopsis Women and Music in Ireland by : Laura Watson
Download or read book Women and Music in Ireland written by Laura Watson and published by Boydell & Brewer. This book was released on 2022-12-13 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the world of women's professional and amateur musical activity as it developed on and beyond the island of Ireland.
Download or read book Augusta Browne written by Bonny H. Miller and published by Eastman Studies in Music. This book was released on 2020 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive biography of any American woman musician born before the Civil War brings to life a composer whose story is both old-fashioned and strikingly modern.
Book Synopsis Woman in the nineteenth century by : Sarah Margaret Ossoli (march.)
Download or read book Woman in the nineteenth century written by Sarah Margaret Ossoli (march.) and published by . This book was released on 1845 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Mechanical Song by : Felicia Miller-Frank
Download or read book The Mechanical Song written by Felicia Miller-Frank and published by Stanford University Press. This book was released on 1995-09-01 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining the privileged relation of women to the singing voice in nineteenth-century literary works, the author argues for an emerging identification between women and artifice in the period. Beginning with texts by Rousseau and Proust that show a link between nostalgia for the maternal voice and the writer's self, the book then turns to the psychoanalytic literature on the role of the voice in the formation of the psyche. In the process, it analyses feminist polemics on the maternal voice to show how voice and rhythm together form the matrices of the subject. The voice of the soprano occupied a special place in nineteenth-century operatic history, replacing the castrato voice as a sexless, angelic, ethereal source of pleasure for the opera-goer. The author shows how these qualities are identified with women's voices in literary texts by Sand, Balzac, du Maurier and Nerval.
Book Synopsis Women Making Music by : Jane M. Bowers
Download or read book Women Making Music written by Jane M. Bowers and published by University of Illinois Press. This book was released on 1986 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Do look after my music!" Irene Wienawska Polowski exclaimed before her death in 1932. And from the urgency of that sentiment the authors here have taken their cue to reveal and "look after" the previously neglected contributions of women throughout the history of Western art music. The first work of its kind, Women Making Music presents biographies of outstanding performers and composers, as well as analyses of women musicians as a class, and provides examples of music from all periods including medieval chant, Renaissance song, Baroque opera, German lieder, and twentieth-century composition. Unlike most standard historical surveys, the book not only sheds light upon the musical achievements of women, it also illuminates the historical contexts that shaped and defined those achievements.
Book Synopsis The Songs of Clara Schumann by : Stephen Rodgers
Download or read book The Songs of Clara Schumann written by Stephen Rodgers and published by Cambridge University Press. This book was released on 2023-03-31 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on Clara Schumann's central contributions to the genre of the Lied (or German art song), this is the first book-length critical study of her songs. Although relatively few in number, they were published and reviewed favorably in the press during her lifetime, and they continue to be programmed regularly in recitals by professional and amateur performers alike. Highlighting the powerful and distinctive features of the songs, the book treats them as a prism, casting light not just on them but also through them to explore questions that foster a deeper understanding of the work of female composers. The author argues for the importance of taking Clara Schumann's music on its own terms, the intimate relationship between text and musical form, and the vital role of musical analysis in recuperating the contributions of previously understudied composers.
Book Synopsis American Women Composers Before 1870 by : Judith Tick
Download or read book American Women Composers Before 1870 written by Judith Tick and published by Ann Arbor, Mich. : UMI Research Press. This book was released on 1983 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: First study of American women composers and attitudes towards women musicians in the nineteenth century.
Book Synopsis Intimacy, Performance, and the Lied in the Early Nineteenth Century by : Jennifer Ronyak
Download or read book Intimacy, Performance, and the Lied in the Early Nineteenth Century written by Jennifer Ronyak and published by Indiana University Press. This book was released on 2018-09-10 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: The German lied, or art song, is considered one of the most intimate of all musical genres—often focused on the poetic speaker’s inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance.
Book Synopsis Woman in the Nineteenth Century, and Kindred Papers by : Margaret Fuller
Download or read book Woman in the Nineteenth Century, and Kindred Papers written by Margaret Fuller and published by . This book was released on 1970 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book New-found Voices written by Derek Hyde and published by Routledge. This book was released on 2018-12-20 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1998, this volume by Derek Hyde remedies the lack of information concerning the contribution made by women to musical life in Britain during the nineteenth century in this carefully researched survey. The book reveals the significant role played by women in the production and performance of certain genres of music, such as piano music, songs and ballads, and touches on the reasons why they were more prominent in these areas than in the male preserves of chamber and orchestral music. In particular, the pioneering work of Sarah Glover in Sol-fa notation and the part played by Mary Wakefield in establishing the Competitive Festival Movement are charted. The third edition includes a new introduction, taking into account recent research in the field of gender and music. There is also a revised chapter on the work of Ethel Smyth, the first woman composer to enjoy a measure of success in England. This book will be of interest to social historians, musicologists and those concerned with women’s history alike.
