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William Holder And His Position In Seventeenth Century Philosophy And Music Theory
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Book Synopsis William Holder and His Position in Seventeenth-century Philosophy and Music Theory by : Jerome Stanley
Download or read book William Holder and His Position in Seventeenth-century Philosophy and Music Theory written by Jerome Stanley and published by Edwin Mellen Press. This book was released on 2002 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Holder's ¿7FA treatise of the natural grounds and principles of harmony" (1694) explores the mathematics and physics of music during a period which led to the birth of acoustics as a new scientific discipline. This work presents a biography of Holder.
Book Synopsis Music Education in the Middle Ages and the Renaissance by : Susan Forscher Weiss
Download or read book Music Education in the Middle Ages and the Renaissance written by Susan Forscher Weiss and published by Indiana University Press. This book was released on 2010-07-16 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: What were the methods and educational philosophies of music teachers in the Middle Ages and the Renaissance? What did students study? What were the motivations of teacher and student? Contributors to this volume address these topics and other -- including gender, social status, and the role of the Church -- to better understand the identities of music teachers and students from 650 to 1650 in Western Europe. This volume provides an expansive view of the beginnings of music pedagogy, and shows how the act of learning was embedded in the broader context of the early Western art music tradition.
Download or read book William Holder written by Jerome Stanley and published by . This book was released on 1986 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music, Nature and Divine Knowledge in England, 1650-1750 by : Tom Dixon
Download or read book Music, Nature and Divine Knowledge in England, 1650-1750 written by Tom Dixon and published by Boydell & Brewer. This book was released on 2023-05-16 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: During a period of tumultuous change in English political, religious and cultural life, music signified the unspeakable presence of the divine in the world for many. What was the role of music in the early modern subject's sensory experience of divinity? While the English intellectuals Peter Sterry (1613-72), Richard Roach (1662-1730), William Stukeley (1687-1765) and David Hartley (1705-57), have not been remembered for their 'musicking', this book explores how the musical reflections of these individuals expressed alternative and often uncustomary conceptions of God, the world, and the human psyche. Music is always potentially present in their discourse, emerging as a crucial form of mediation between states: exoteric and esoteric, material and spiritual, outer and inner, public and private, rational and mystical. Dixon shows how Sterry, Roach, Stukeley and Hartley's shared belief in truly universal salvation was articulated through a language of music, implying a feminising influence that set these male individuals apart from contemporaries who often strictly emphasised the rational-i.e. the supposedly masculine-aspects of religion. Musical discourse, instead, provided a link to a spiritual plane that brought these intellectuals closer to 'ultimate reality'. Theirs was a discourse firmly rooted in the real existence of contemporary musical practices, both in terms of the forms and styles implied in the writings under discussion and the physical circumstances in which these musical genres were created and performed. Through exploring ways in which the idea of music was employed in written transmission of elite ideas, this book challenges conventional classifications of a seventeenth-century 'Scientific Revolution' and an eighteenth-century 'Enlightenment', defending an alternative narrative of continuity and change across a number of scholarly disciplines, from seventeenth-century English intellectual history and theology, to musicology and the social history of music.
Download or read book Heinrich Schenker written by and published by Pendragon Press. This book was released on 1978 with total page 572 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
Book Synopsis Dissertation Abstracts International by :
Download or read book Dissertation Abstracts International written by and published by . This book was released on 1991 with total page 1074 pages. Available in PDF, EPUB and Kindle. Book excerpt: Abstracts of dissertations available on microfilm or as xerographic reproductions.
Book Synopsis The Cambridge History of Seventeenth-Century Music by : Tim Carter
Download or read book The Cambridge History of Seventeenth-Century Music written by Tim Carter and published by Cambridge University Press. This book was released on 2005-12-22 with total page 636 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2005, this title provides extensive knowledge on seventeenth-century music.
Book Synopsis The new Grove dictionary of music and musicians : [in twenty-nine volumes]. 16. Martín y Coll to Monn by : Stanley Sadie
Download or read book The new Grove dictionary of music and musicians : [in twenty-nine volumes]. 16. Martín y Coll to Monn written by Stanley Sadie and published by . This book was released on 2001 with total page 944 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Isis Cumulative Bibliography 1976-1985: Subjects, periods and civilizations by : History of Science Society
Download or read book Isis Cumulative Bibliography 1976-1985: Subjects, periods and civilizations written by History of Science Society and published by Burns & Oates. This book was released on 1990 with total page 934 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Theory and Composition of Percussion Music by : Geary Larrick
Download or read book Theory and Composition of Percussion Music written by Geary Larrick and published by Edwin Mellen Press. This book was released on 2004 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Larrick shares his knowledge of the theory and composition of percussion music. In the first section, more than a dozen brief entries address such topics as music education's treatment of drummers and the notation of Western music. In the second section, Larrick presents an annotated bibliography of music theory books found in the University Library at the U. of Wisconsin-Stevens Point. The third section contains bibliographical references for a wide range of materials relating to percussion. A life-long performer, Larrick is the author of a number of scholarly books on percussion. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com).
Book Synopsis Doctoral Dissertations in Musicology by : Cecil Adkins
Download or read book Doctoral Dissertations in Musicology written by Cecil Adkins and published by . This book was released on 1996 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis American Book Publishing Record by :
Download or read book American Book Publishing Record written by and published by . This book was released on 2002 with total page 2068 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Baroque Music written by John H. Baron and published by Garland Publishing. This book was released on 1993 with total page 618 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Connectionist Models of Musical Thinking by : Harold E. Fiske
Download or read book Connectionist Models of Musical Thinking written by Harold E. Fiske and published by Lewiston, N.Y. ; Queenston, Ont. : E. Mellen Press. This book was released on 2004 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: For the past decade, Fiske (music, U. of Western Ontario) has been using neural network models to test his theory that musical thinking can be described as a hierarchy of progressively more intricate pattern-comparison activity, and that the resulting musical realizations are limited to only three cognitive category types. He describes the development of his theory, several related experimental studies, and the neural network models he uses to test the theory. Neural network methodology can seem daunting, he admits, so he has tried to keep technical descriptions to a minimum in order to highlight his main goal: to describe and test a set of principles that appear to represent the foundation of musical understanding. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com).
Book Synopsis A Chronological Order for the Keyboard Sonatas of Domenico Scarlatti, 1685-1757 by : Matthew Flannery
Download or read book A Chronological Order for the Keyboard Sonatas of Domenico Scarlatti, 1685-1757 written by Matthew Flannery and published by Edwin Mellen Press. This book was released on 2004 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work proposes a solution to what is often considered the central problem facing Scarlatti scholarship, determining the chronological order of his keyboard sonatas. In the data-poor arena of Scarlatti research, this work, avoiding a primarily musicological or organological approach, analyzes large-scale patterns of musical characteristics over all (or parts) of a sonata sequence founded primarily on the Parma manuscript. As a result of an extensive application of this analytic approach to the sequence, this work notes that many sequence patterns seem to be chronologically structured, that none seem anti-chronological, and that a few mirror historical changes in the music of Scarlatti's time. These phenomena and other observations delimit something like a general history of Scarlatti's musical development enriched further by a variety of localized events. Among some 26 patterns observed in the sequence are a systematic rise in Scarlatti's use of the major mode, stepped increases in sonata compass that seem to accord with the sequential availability of larger keyboards, and both an increase in the rate at which the sonatas were combined into sets of two or three works and the use by Scarlatti of progressively complex techniques for doing so. This work also sketches a methodological background for the chronological proposal, including a discussion of why chronological order seems a superior interpretation of the sequence compared to the thought that it may have been reorganized, whether at random or by specific criteria. This study also discusses such subjects as the probable location of the 30 essercizi within the sonata sequence, the likely mis-location of several other sonatas, implications of chronological order from organology, a broadly dated window for the latter part of the sequence, the relationship between conservative and radical elements in Scarlatti's compositions, a late-sequence change in his approach to writing slow sonatas, and the interplay of structural integration and musical diversity in the later sonatas. It presents a new catalog of the sonatas that, while substantially congruent with Kirkpatrick's, proposes modifications to his ordering of the first hundred sonatas as well to a few other but smaller regions of the sequence.
Book Synopsis The Solo Vocal Music of American Composer John La Montaine by : Pearl Yeadon McGinnis
Download or read book The Solo Vocal Music of American Composer John La Montaine written by Pearl Yeadon McGinnis and published by Edwin Mellen Press. This book was released on 2004 with total page 588 pages. Available in PDF, EPUB and Kindle. Book excerpt: John La Montaine is known primarily for his Concerto for Piano and Orchestra, Opus 9, which was awarded the Pulitzer Prize for Music in 1959. In addition, he has won countless awards for composition. However, his compositions for voice and piano are not yet an established part of the vocal solo repertoire. This work illustrates La Montaine's music for voice and piano through an analysis of musical and dramatic elements that support the text and drama. A biographical study provides details about the composer's life such as musical training, personal influences, awards and goals. In addition, the issues of philosophy, creativity, methods, musical styles, and textual considerations are discussed and are the basis for the following analysis.
Download or read book Historical Abstracts written by and published by . This book was released on 1985 with total page 796 pages. Available in PDF, EPUB and Kindle. Book excerpt: