Understanding The Art Of Sound Organization

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Understanding the Art of Sound Organization

Author : Leigh Landy
Publisher : MIT Press
ISBN 13 : 0262260905
Total Pages : 319 pages
Book Rating : 4.2/5 (622 download)

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Book Synopsis Understanding the Art of Sound Organization by : Leigh Landy

Download or read book Understanding the Art of Sound Organization written by Leigh Landy and published by MIT Press. This book was released on 2007-08-17 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first work to propose a comprehensive musicological framework to study sound-based music, a rapidly developing body of work that includes electroacoustic art music, turntable composition, and acoustic and digital sound installations. The art of sound organization, also known as electroacoustic music, uses sounds not available to traditional music making, including prerecorded, synthesized, and processed sounds. The body of work of such sound-based music (which includes electroacoustic art music, turntable composition, computer games, and acoustic and digital sound installations) has developed more rapidly than its musicology. Understanding the Art of Sound Organization proposes the first general foundational framework for the study of the art of sound organization, defining terms, discussing relevant forms of music, categorizing works, and setting sound-based music in interdisciplinary contexts. Leigh Landy's goal in this book is not only to create a theoretical framework but also to make the work more accessible—to suggest a way to understand sound-based music, to give a listener what he terms “something to hold on to,” for example, by connecting elements in a work to everyday experience. Landy considers the difficulties of categorizing works and discusses such types of works as sonic art and electroacoustic music, pointing out where they overlap and how they are distinctive. He proposes a “sound-based music paradigm” that transcends such traditional categories as art and pop music. Landy defines patterns that suggest a general framework and places the studies of sound-based music into interdisciplinary contexts, from acoustics to semiotics, proposing a holistic research approach that considers the interconnectedness of a given work's history, theory, technological aspects, and social impact. The author's ElectroAcoustic Resource Site (EARS, www.ears.dmu.ac.uk), the architecture of which parallels this book's structure, offers updated bibliographic resource abstracts and related information.

Making Music with Sounds

Author : Leigh Landy
Publisher : Routledge
ISBN 13 : 1136322507
Total Pages : 226 pages
Book Rating : 4.1/5 (363 download)

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Book Synopsis Making Music with Sounds by : Leigh Landy

Download or read book Making Music with Sounds written by Leigh Landy and published by Routledge. This book was released on 2012-08-21 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Making Music with Sounds offers a creative introduction to the art of making sound-based music. It introduces the elements of making compositions with sounds and facilitates creativity in school age children, with the activities primarily for 11-14 year old students. It can also be used by people of all ages becoming acquainted with this music for the first time. Sound-based music is defined as the art form in which the sound, rather than the musical note, is the basic unit and is closely related to electronic music and the sonic arts. The art of sound organisation can be found in a number of forms of music--in film, television, theatre, dance, and new media. Despite this, there are few materials available currently for young people to discover how to make sound-based music. This book offers a programme of development starting from aural awareness, through the discovery and organisation of potential sounds, to the means of generating and manipulating sounds to create sequences and entire works. The book’s holistic pedagogical approach to composition also involves aspects related to musical understanding and appreciation, reinforced by the author’s online pedagogical ElectroAcoustic Resource Site (EARS II).

Loading the Silence: Australian Sound Art in the Post-Digital Age

Author : Linda Ioanna Kouvaras
Publisher : Routledge
ISBN 13 : 131710384X
Total Pages : 288 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Loading the Silence: Australian Sound Art in the Post-Digital Age by : Linda Ioanna Kouvaras

Download or read book Loading the Silence: Australian Sound Art in the Post-Digital Age written by Linda Ioanna Kouvaras and published by Routledge. This book was released on 2016-05-13 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: The experimentalist phenomenon of 'noise' as constituting 'art' in much twentieth-century music (paradoxically) reached its zenith in Cage’s (’silent’ piece) 4’33 . But much post-1970s musical endeavour with an experimentalist telos, collectively known as 'sound art', has displayed a postmodern need to ’load’ modernism’s ’degree zero’. After contextualizing experimentalism from its inception in the early twentieth century, Dr Linda Kouvaras’s Loading the Silence: Australian Sound Art in the Post-Digital Age explores the ways in which selected sound art works demonstrate creatively how sound is embedded within local, national, gendered and historical environments. Taking Australian music as its primary - but not sole - focus, the book not only covers discussions of technological advancement, but also engages with aesthetic standpoints, through numerous interviews, theoretical developments, analysis and cultural milieux for a contemporary Australian, and wider postmodern, context. Developing new methodologies for synergies between musicology and cultural studies, the book uncovers a new post-postmodern aesthetic trajectory, which Kouvaras locates as developing over the past two decades - the altermodern. Australian sound art is here put firmly on the map of international debates about contemporary music, providing a standard reference and valuable resource for practitioners in the artform, music critics, scholars and educators.

Essays on Psychogeography and the City as Performance

Author : John C Green
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1527555747
Total Pages : 247 pages
Book Rating : 4.5/5 (275 download)

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Book Synopsis Essays on Psychogeography and the City as Performance by : John C Green

Download or read book Essays on Psychogeography and the City as Performance written by John C Green and published by Cambridge Scholars Publishing. This book was released on 2024-01-26 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: With 70% of the world’s population expected to live in urban environments by 2050, cities are poised to become the most significant spaces to shape personal and communal identity. As contemporary cities become “event destinations” a dialogue is emerging between the performing arts and the urban context and social fabric. Inspired by the principles of Psychogeography, this collection of essays highlights the performative aspects of cities as landscapes of creative inspiration where curiosity, imagination, playfulness, and the energy of the street combine with contemporary performance practices to create immersive public art experiences. Written by an international cohort of scholar-artists, these essays offer arts practitioners, urban specialists, and general readers a practical guide to experiencing the cityscape as the Artscape.

The Routledge Companion to Sounding Art

Author : Marcel Cobussen
Publisher : Routledge
ISBN 13 : 1317672771
Total Pages : 503 pages
Book Rating : 4.3/5 (176 download)

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Book Synopsis The Routledge Companion to Sounding Art by : Marcel Cobussen

Download or read book The Routledge Companion to Sounding Art written by Marcel Cobussen and published by Routledge. This book was released on 2016-07-15 with total page 503 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to Sounding Art presents an overview of the issues, methods, and approaches crucial for the study of sound in artistic practice. Thirty-six essays cover a variety of interdisciplinary approaches to studying sounding art from the fields of musicology, cultural studies, sound design, auditory culture, art history, and philosophy. The companion website hosts sound examples and links to further resources. The collection is organized around six main themes: Sounding Art: The notion of sounding art, its relation to sound studies, and its evolution and possibilities. Acoustic Knowledge and Communication: How we approach, study, and analyze sound and the challenges of writing about sound. Listening and Memory: Listening from different perspectives, from the psychology of listening to embodied and technologically mediated listening. Acoustic Spaces, Identities and Communities: How humans arrange their sonic environments, how this relates to sonic identity, how music contributes to our environment, and the ethical and political implications of sound. Sonic Histories: How studying sounding art can contribute methodologically and epistemologically to historiography. Sound Technologies and Media: The impact of sonic technologies on contemporary culture, electroacoustic innovation, and how the way we make and access music has changed. With contributions from leading scholars and cutting-edge researchers, The Routledge Companion to Sounding Art is an essential resource for anyone studying the intersection of sound and art.

Music and the Generosity of God

Author : Gerald C. Liu
Publisher : Springer
ISBN 13 : 3319694936
Total Pages : 148 pages
Book Rating : 4.3/5 (196 download)

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Book Synopsis Music and the Generosity of God by : Gerald C. Liu

Download or read book Music and the Generosity of God written by Gerald C. Liu and published by Springer. This book was released on 2017-11-16 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt: What if sounds everywhere lavish divine generosity? Merging insights from Jean-Luc Marion with musical ingenuity from Pierre Boulez and John Cage’s 4’33”, Gerald C. Liu blends the phenomenological, theological, and musical to formulate a hypothesis that in all places, soundscapes instantiate divine giving without boundary. He aims to widen apprehension of holiness in the world, and privileges the ubiquity of sound as a limitless and easily accessible portal for discovering the inexhaustible magnitude of divine giving.

Sound Curriculum

Author : Walter S. Gershon
Publisher : Taylor & Francis
ISBN 13 : 131553312X
Total Pages : 225 pages
Book Rating : 4.3/5 (155 download)

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Book Synopsis Sound Curriculum by : Walter S. Gershon

Download or read book Sound Curriculum written by Walter S. Gershon and published by Taylor & Francis. This book was released on 2017-06-26 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Part of a growing group of works that addresses the burgeoning field of sound studies, this book attends not only to theoretical and empirical examinations, but also to methodological and philosophical considerations at the intersection of sound and education. Gershon theoretically advances the rapidly expanding field of sound studies and simultaneously deepens conceptualizations and educational understandings across the fields of curriculum studies and foundations of education. A feature of this work is the novel use of audio files aligned with the arguments within the book as well as the discussion and application of cutting-edge qualitative research methods.

Body, Sound and Space in Music and Beyond: Multimodal Explorations

Author : Clemens Wöllner
Publisher : Routledge
ISBN 13 : 1317173465
Total Pages : 473 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Body, Sound and Space in Music and Beyond: Multimodal Explorations by : Clemens Wöllner

Download or read book Body, Sound and Space in Music and Beyond: Multimodal Explorations written by Clemens Wöllner and published by Routledge. This book was released on 2017-04-07 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: Body and space refer to vital and interrelated dimensions in the experience of sounds and music. Sounds have an overwhelming impact on feelings of bodily presence and inform us about the space we experience. Even in situations where visual information is artificial or blurred, such as in virtual environments or certain genres of film and computer games, sounds may shape our perceptions and lead to surprising new experiences. This book discusses recent developments in a range of interdisciplinary fields, taking into account the rapidly changing ways of experiencing sounds and music, the consequences for how we engage with sonic events in daily life and the technological advancements that offer insights into state-of-the-art methods and future perspectives. Topics range from the pleasures of being locked into the beat of the music, perception–action coupling and bodily resonance, and affordances of musical instruments, to neural processing and cross-modal experiences of space and pitch. Applications of these findings are discussed for movement sonification, room acoustics, networked performance, and for the spatial coordination of movements in dance, computer gaming and interactive artistic installations.

Listening through the Noise

Author : Joanna Demers
Publisher : Oxford University Press
ISBN 13 : 0199889058
Total Pages : 212 pages
Book Rating : 4.1/5 (998 download)

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Book Synopsis Listening through the Noise by : Joanna Demers

Download or read book Listening through the Noise written by Joanna Demers and published by Oxford University Press. This book was released on 2010-07-30 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary electronic music has splintered into numerous genres and subgenres, all of which share a concern with whether sound, in itself, bears meaning. Listening through the Noise considers how the experience of listening to electronic music constitutes a departure from the expectations that have long governed music listening in the West.

The Music of Sounds and the Music of Things

Author : Leigh Landy
Publisher : Taylor & Francis
ISBN 13 : 104015218X
Total Pages : 207 pages
Book Rating : 4.0/5 (41 download)

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Book Synopsis The Music of Sounds and the Music of Things by : Leigh Landy

Download or read book The Music of Sounds and the Music of Things written by Leigh Landy and published by Taylor & Francis. This book was released on 2024-09-30 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates two areas in which the appreciation of sonic creativity can be easily acquired across diverse cultures, ages and interests: the music of sounds – making music with any sounds, part of today’s sampling culture and the music of things – and the creation of instruments using existent materials (another type of sampling?) involving the notion of ‘instrument as composition’ as part of today’s DIY (or DIT, do it together) culture. The book offers broad discussions regarding the music of things (written by John Richards) followed by the music of sounds (written by Leigh Landy). These chapters are followed by a focus on the workshop demonstrating the collaborative and inclusive potential in both areas, and a spotlight on eight artists with a broad diversity of backgrounds and approaches to sound and music who discuss their perceptions. The book’s conclusion focuses on similarities and differences between the music of sounds and the music of things, suggesting, finally, that both might form part of the 21st- century’s folk music landscape. The book is primarily aimed towards students interested in current forms of sonic creativity but will be of interest to those interested in broader issues of sampling culture, hacking and sound studies.

Experiencing Organised Sounds

Author : Leigh Landy
Publisher : Taylor & Francis
ISBN 13 : 1003814069
Total Pages : 292 pages
Book Rating : 4.0/5 (38 download)

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Book Synopsis Experiencing Organised Sounds by : Leigh Landy

Download or read book Experiencing Organised Sounds written by Leigh Landy and published by Taylor & Francis. This book was released on 2023-12-22 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Experiencing Organised Sounds investigates a wide horizon of sound-based works using a template consistently across its 16 studies. It has been written for both specialist and non-specialist readers aiming to address means of increasing appreciation and understanding related to the experience of sonic creativity (music involving any sounds, not just musical notes) across this repertoire, as well as to launch a discussion about how the reception of sonic creativity can be influenced by the circumstances of listening – in particular, regarding the qualitative difference between the in-situ as opposed to mediated experience. Although listening is the volume’s focus, complementary information from the musicians is offered to facilitate holistic work overviews. As the first composition presented was composed by a 15-year-old, the intention is to demonstrate that what might be considered a niche area of the contemporary arts is one in which both increased appreciation and participation could and should easily be achieved. The book’s work discussions are divided over three central chapters focused on fixed-medium compositions, performed and sound artworks. Experiencing Organised Sounds can be used as an undergraduate textbook, by experienced readers or those new to the area. All works discussed and related materials are available to readers online.

The Routledge Companion to Sound Studies

Author : Michael Bull
Publisher : Routledge
ISBN 13 : 131752425X
Total Pages : 677 pages
Book Rating : 4.3/5 (175 download)

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Book Synopsis The Routledge Companion to Sound Studies by : Michael Bull

Download or read book The Routledge Companion to Sound Studies written by Michael Bull and published by Routledge. This book was released on 2018-10-29 with total page 677 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to Sound Studies is an extensive volume presenting a comparative and historically informed understanding of the workings of sound in culture, while also mapping potential future directions for research in the field. Experts from a variety of disciplines within sound studies cover such diverse topics as politics, gender, media, race, literature and sport. Individual sections that consider the importance of sound in an increasingly mediated world; the role that sound media play in the construction of experience; and the ways in which sound has been theorized to produce a distinctive sensory contribution to knowledge. This wide-ranging and vibrant collection provides a rich resource for scholars and students of media and culture.

Teaching Electronic Music

Author : Blake Stevens
Publisher : Routledge
ISBN 13 : 1000417271
Total Pages : 229 pages
Book Rating : 4.0/5 (4 download)

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Book Synopsis Teaching Electronic Music by : Blake Stevens

Download or read book Teaching Electronic Music written by Blake Stevens and published by Routledge. This book was released on 2021-08-16 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: Teaching Electronic Music: Cultural, Creative, and Analytical Perspectives offers innovative and practical techniques for teaching electronic music in a wide range of classroom settings. Across a dozen essays, an array of contributors—including practitioners in musicology, art history, ethnomusicology, music theory, performance, and composition—reflect on the challenges of teaching electronic music, highlighting pedagogical strategies while addressing questions such as: What can instructors do to expand and diversify musical knowledge? Can the study of electronic music foster critical reflection on technology? What are the implications of a digital culture that allows so many to be producers of music? How can instructors engage students in creative experimentation with sound? Electronic music presents unique possibilities and challenges to instructors of music history courses, calling for careful attention to creative curricula, historiographies, repertoires, and practices. Teaching Electronic Music features practical models of instruction as well as paths for further inquiry, identifying untapped methodological directions with broad interest and wide applicability.

Sound Unseen

Author : Brian Kane
Publisher :
ISBN 13 : 0199347840
Total Pages : 337 pages
Book Rating : 4.1/5 (993 download)

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Book Synopsis Sound Unseen by : Brian Kane

Download or read book Sound Unseen written by Brian Kane and published by . This book was released on 2014 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sound coming from outside the field of vision, from somewhere beyond, holds a privileged place in the Western imagination. When separated from their source, sounds seem to manifest transcendent realms, divine powers, or supernatural forces. According to legend, the philosopher Pythagoras lectured to his disciples from behind a veil, and two thousand years later, in the age of absolute music, listeners were similarly fascinated with disembodied sounds, employing various techniques to isolate sounds from their sources. With recording and radio came spatial and temporal separation of sounds from sources, and new ways of composing music. Sound Unseen: Acousmatic Sound in Theory and Practice explores the phenomenon of acousmatic sound. An unusual and neglected word, "acousmatic" was first introduced into modern parlance in the mid-1960s by avant garde composer of musique concrète Pierre Schaeffer to describe the experience of hearing a sound without seeing its cause. Working through, and often against, Schaeffer's ideas, Brian Kane presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses. Kane investigates acousmatic sound from a number of methodological perspectives -- historical, cultural, philosophical and musical -- and provides a framework that makes sense of the many surprising and paradoxical ways that unseen sound has been understood. Finely detailed and thoroughly researched, Sound Unseen pursues unseen sounds through a stunning array of cases -- from Bayreuth to Kafka's "Burrow," Apollinaire to %Zi%zek, music and metaphysics to architecture and automata, and from Pythagoras to the present-to offer the definitive account of acousmatic sound in theory and practice. The first major study in English of Pierre Schaeffer's theory of "acousmatics," Sound Unseen is an essential text for scholars of philosophy of music, electronic music, sound studies, and the history of the senses.

The Oxford Handbook of Computer Music

Author : R. T. Dean
Publisher : OUP USA
ISBN 13 : 0195331613
Total Pages : 622 pages
Book Rating : 4.1/5 (953 download)

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Book Synopsis The Oxford Handbook of Computer Music by : R. T. Dean

Download or read book The Oxford Handbook of Computer Music written by R. T. Dean and published by OUP USA. This book was released on 2009-09-16 with total page 622 pages. Available in PDF, EPUB and Kindle. Book excerpt: This handbook provides a cross-section of the most field-defining topics and debates in the field of computer music today. From music cognition to pedagogy, it situates computer music in the broad context of its creation and performance across the full range of issues that crop up in discourse in the field.

Through the Looking Glass

Author : Richard H. Brown
Publisher :
ISBN 13 : 0190628073
Total Pages : 257 pages
Book Rating : 4.1/5 (96 download)

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Book Synopsis Through the Looking Glass by : Richard H. Brown

Download or read book Through the Looking Glass written by Richard H. Brown and published by . This book was released on 2019 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through the Looking Glass examines John Cage's interactions and collaborations with avant-garde and experimental filmmakers, and in turn seeks out the implications of the audiovisual experience for the overall aesthetic surrounding Cage's career. As the commercially dominant media form in the twentieth century, cinema transformed the way listeners were introduced to and consumed music. Cage's quest to redefine music, intentionality, and expression reflect the similar transformation of music within the larger audiovisual experience of sound film. This volume examines key moments in Cage's career where cinema either informed or transformed his position on the nature of sound, music, expression, and the ontology of the musical artwork. The examples point to moments of rupture within Cage's own consideration of the musical artwork, pointing to newfound collision points that have a significant and heretofore unacknowledged role in Cage's notions of the audiovisual experience and the medium-specific ontology of a work of art.

Composing Electronic Music

Author : Curtis Roads
Publisher : Oxford University Press
ISBN 13 : 0199911401
Total Pages : 513 pages
Book Rating : 4.1/5 (999 download)

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Book Synopsis Composing Electronic Music by : Curtis Roads

Download or read book Composing Electronic Music written by Curtis Roads and published by Oxford University Press. This book was released on 2015-06-17 with total page 513 pages. Available in PDF, EPUB and Kindle. Book excerpt: Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Opening the door to an unlimited universe of sound, it engages spatialization as an integral aspect of composition and focuses on sound transformation as a core structural strategy. In this new domain, pitch occurs as a flowing and ephemeral substance that can be bent, modulated, or dissolved into noise. Similarly, time occurs not merely as a fixed duration subdivided by ratios, but as a plastic medium that can be generated, modulated, reversed, warped, scrambled, and granulated. Envelope and waveform undulations on all time scales interweave to generate form. The power of algorithmic methods amplify the capabilities of music technology. Taken together, these constitute game-changing possibilities. This convergence of technical and aesthetic trends prompts the need for a new text focused on the opportunities of a sound oriented, multiscale approach to composition of electronic music. Sound oriented means a practice that takes place in the presence of sound. Multiscale means an approach that takes into account the perceptual and physical reality of multiple, interacting time scales-each of which can be composed. After more than a century of research and development, now is an appropriate moment to step back and reevaluate all that has changed under the ground of artistic practice. Composing Electronic Music outlines a new theory of composition based on the toolkit of electronic music techniques. The theory consists of a framework of concepts and a vocabulary of terms describing musical materials, their transformation, and their organization. Central to this discourse is the notion of narrative structure in composition-how sounds are born, interact, transform, and die. It presents a guidebook: a tour of facts, history, commentary, opinions, and pointers to interesting ideas and new possibilities to consider and explore.