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Trio V In G Major
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Book Synopsis Trio V in G Major, K. 564, for Piano, Violin and Violoncello by : Wolfgang Amadeus Mozart
Download or read book Trio V in G Major, K. 564, for Piano, Violin and Violoncello written by Wolfgang Amadeus Mozart and published by . This book was released on 1920 with total page 30 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Trio V in G Major by : Wolfgang Amadeus Mozart
Download or read book Trio V in G Major written by Wolfgang Amadeus Mozart and published by . This book was released on 1920 with total page 24 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Piano Trio No. 11 Opus 121a in G Major by : Ludwig van Beethoven
Download or read book Piano Trio No. 11 Opus 121a in G Major written by Ludwig van Beethoven and published by Alfred Music. This book was released on 1998-08-06 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt: For violin, cello and piano.
Book Synopsis Trio I, in G Major, K.496 by : Wolfgang Amadeus Mozart
Download or read book Trio I, in G Major, K.496 written by Wolfgang Amadeus Mozart and published by . This book was released on 1920 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Piano Trio No. 2 - Opus 1, No. 2 in G Major by : Ludwig van Beethoven
Download or read book Piano Trio No. 2 - Opus 1, No. 2 in G Major written by Ludwig van Beethoven and published by Alfred Music. This book was released on 1999-08-26 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt: A trio for Violin, Cello, and Piano expertly composed by Ludwig van Beethoven.
Book Synopsis Trio in G Major by : Ludwig van Beethoven
Download or read book Trio in G Major written by Ludwig van Beethoven and published by . This book was released on 1945 with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Trio I in G Major, K. 496, for Piano, Violin and Violoncello by : Wolfgang Amadeus Mozart
Download or read book Trio I in G Major, K. 496, for Piano, Violin and Violoncello written by Wolfgang Amadeus Mozart and published by . This book was released on 1920 with total page 60 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Trio no. 3 in G major, for flute, clarinet and piano or flute (violin), viola, and piano by : Carl Philipp Emanuel Bach
Download or read book Trio no. 3 in G major, for flute, clarinet and piano or flute (violin), viola, and piano written by Carl Philipp Emanuel Bach and published by . This book was released on 1958 with total page 36 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Trio no. 1 in G major for violin, cello and piano by : Wolfgang Amadeus Mozart
Download or read book Trio no. 1 in G major for violin, cello and piano written by Wolfgang Amadeus Mozart and published by . This book was released on 1983 with total page 50 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Descriptive Catalogue of the Music Collection at Burghley House, Stamford by : Gerald Gifford
Download or read book A Descriptive Catalogue of the Music Collection at Burghley House, Stamford written by Gerald Gifford and published by Routledge. This book was released on 2017-11-01 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title was first published in 2002: Burghley House, Stamford, was built between 1555 and 1587 for William Cecil, Lord Burghley, the Lord High Treasurer to Queen Elizabeth I. The library there contains an extensive collection of manuscript and printed music dating from about 1650 to 1850, substantially formed during the latter part of the 18th century by the Ninth Earl of Exeter. The collection is given particular significance by the inclusion of several rare and in some cases apparently unique volumes. This catalogue examines the Burghley House music collection in the light of contemporary documentary evidence. The opening section describes the people who added to the collection and their musical enthusiasms. This approach brings the collection to life and also enables us to appreciate emergent trends in British music history of the period. With each entry fully described and the printed music referenced to RISM or CPM, this catalogue should form a valuable reference source for all scholars of British music from the 17th to the 19th century.
Book Synopsis Trio in Three Movements in G Major for Piano, Violin, and Violoncello by : Jonathan Andrew Howe
Download or read book Trio in Three Movements in G Major for Piano, Violin, and Violoncello written by Jonathan Andrew Howe and published by . This book was released on 2001 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Piano Trio No. 5, Opus 70 No. 1 in D Major by : Ludwig van Beethoven
Download or read book Piano Trio No. 5, Opus 70 No. 1 in D Major written by Ludwig van Beethoven and published by Alfred Music. This book was released on 1999-08-26 with total page 60 pages. Available in PDF, EPUB and Kindle. Book excerpt: A trio for Violin, Cello, and Piano expertly composed by Ludwig van Beethoven.
Book Synopsis An Encyclopedia of the Violin by : Alberto Bachmann
Download or read book An Encyclopedia of the Violin written by Alberto Bachmann and published by Courier Corporation. This book was released on 2013-07-24 with total page 498 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1925, this renowned reference remains unsurpassed as a source of essential information, from construction and evolution to repertoire and technique. Includes a glossary and 73 illustrations.
Book Synopsis Trio in G Major by : Ludwig van Beethoven
Download or read book Trio in G Major written by Ludwig van Beethoven and published by . This book was released on 1945 with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Compleat Conductor by : Gunther Schuller
Download or read book The Compleat Conductor written by Gunther Schuller and published by Oxford University Press. This book was released on 1998-12-10 with total page 585 pages. Available in PDF, EPUB and Kindle. Book excerpt: A world-renowned conductor and composer who has lead most of the major orchestras in North America and Europe, a talented musician who has played under the batons of such luminaries as Toscanini and Walter, and an esteemed arranger, scholar, author, and educator, Gunther Schuller is without doubt a major figure in the music world. Now, in The Compleat Conductor, Schuller has penned a highly provocative critique of modern conducting, one that is certain to stir controversy. Indeed, in these pages he castigates many of this century's most venerated conductors for using the podium to indulge their own interpretive idiosyncrasies rather than devote themselves to reproducing the composer's stated and often painstakingly detailed intentions. Contrary to the average concert-goer's notion (all too often shared by the musicians as well) that conducting is an easily learned skill, Schuller argues here that conducting is "the most demanding, musically all embracing, and complex" task in the field of music performance. Conducting demands profound musical sense, agonizing hours of study, and unbending integrity. Most important, a conductor's overriding concern must be to present a composer's work faithfully and accurately, scrupulously following the score including especially dynamics and tempo markings with utmost respect and care. Alas, Schuller finds, rare is the conductor who faithfully adheres to a composer's wishes. To document this, Schuller painstakingly compares hundreds of performances and recordings with the original scores of eight major compositions: Beethoven's fifth and seventh symphonies, Schumann's second (last movement only), Brahms's first and fourth, Tchaikovsky's sixth, Strauss's "Till Eulenspiegel" and Ravel's "Daphnis et Chloe, Second Suite." Illustrating his points with numerous musical examples, Schuller reveals exactly where conductors have done well and where they have mangled the composer's work. As he does so, he also illuminates the interpretive styles of many of our most celebrated conductors, offering pithy observations that range from blistering criticism of Leonard Bernstein ("one of the world's most histrionic and exhibitionist conductors") to effusive praise of Carlos Kleiber (who "is so unique, so remarkable, so outstanding that one can only describe him as a phenomenon"). Along the way, he debunks many of the music world's most enduring myths (such as the notion that most of Beethoven's metronome markings were "wrong" or "unplayable," or that Schumann was a poor orchestrator) and takes on the "cultish clan" of period instrument performers, observing that many of their claims are "totally spurious and chimeric." In his epilogue, Schuller sets forth clear guidelines for conductors that he believes will help steer them away from self indulgence towards the correct realization of great art. Courageous, eloquent, and brilliantly insightful, The Compleat Conductor throws down the gauntlet to conductors worldwide. It is a controversial book that the music world will be debating for many years to come.
Book Synopsis The French Symphony at the Fin de Siècle by : Andrew Deruchie
Download or read book The French Symphony at the Fin de Siècle written by Andrew Deruchie and published by Boydell & Brewer. This book was released on 2013 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this first full-length study of the symphony in late nineteenth- and early twentieth-century France, Andrew Deruchie provides extended critical discussion of seven of the most influential and frequently performed works of the era, by Camille Saint-Sa ns, C sar Franck, douard Lalo, Vincent d'Indy, and Paul Dukas. The volume explores how these symphonists modernized the art form yet preserved many of the formal and rhetorical conventions of the canon, reconciling, in particular, Beethoven's symphonic legacy with the musical culture, intellectual environment, and political milieu of fin-de-si cle France. Drawing on contemporary criticism, music histories, composers' prose, and unpublished sketches, Deruchie's readings offer fresh insights on issues of musical form and technique, and also move beyond the notes to consider questions of meaning. Andrew Deruchie is a lecturer in musicology at the University of Otago (New Zealand).
Book Synopsis Stravinsky and the Russian Traditions, Volume Two by : Richard Taruskin
Download or read book Stravinsky and the Russian Traditions, Volume Two written by Richard Taruskin and published by Univ of California Press. This book was released on 2016-04-27 with total page 798 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturityÑPetrushka, The Rite of Spring, and Les Noces. Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"Ñthe professional appropriation of motifs and style characteristics from folk artÑand how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.