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Toru Takemitsu
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Book Synopsis Confronting Silence by : Toru Takemitsu
Download or read book Confronting Silence written by Toru Takemitsu and published by Scarecrow Press. This book was released on 1995-01-01 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: In these writings, available here in English for the first time, the distinguished Japanese composer Toru Takemitsu reflects on his contemporaries, including John Cage, Olivier Messiaen, and Merce Cunningham; on nature, which has profoundly influenced his composition; on film and painting; on relationships between East and West; on traditional Japanese music; and on his own compositions.
Book Synopsis A Memoir of Tōru Takemitsu by : Asaka Takemitsu
Download or read book A Memoir of Tōru Takemitsu written by Asaka Takemitsu and published by . This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Toru Takemitsu (1930-1996) was the first Japanese composer to receive international recognition in the field of classical music, and is now widely regarded as one of the greatest composers of the late twentieth century. Largely self-taught, Takemitsu created his own unique sound world one that was not bound by convention. In A Memoir of Toru Takemitsu, his wife of forty-two years reveals a candid, behind-the-scenes glimpse into his fascinating life, his legendary music, and his final days. After rising to prominence in 1957 when Igor Stravinsky praised his Requiem for Strings, Takemitsu became best known in the West for his concert music, but was also a master composer of music for film, television, theater, and radio drama. Through six extensive interviews, Asaka Takemitsu reveals previously unknown information regarding the composer's compositional processes and his private life including the difficult period after the war and the subsequent post-war art movement in Japan, his bond with his friends, love of movies, and daily routine. This inspiring memoir shares an unforgettable story of how a young boy without any musical training or affluence used the power of positive thinking to make his dream of becoming a composer come true.
Book Synopsis Creative Sources for the Music of Tōru Takemitsu by : Noriko Ohtake
Download or read book Creative Sources for the Music of Tōru Takemitsu written by Noriko Ohtake and published by . This book was released on 1993 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: This dissertation comprises a study of the composer Toru Takemitsu, vis-a-vis his creative sources, for example, those extra-musical influences that inspire his compositions. The work is organized into the following categories: (1) his early years, (2) influences from composers, (3) nature, (4) his theory of dream, number and water, (5) words and music, (6) East and West, and (7) relationships with other artists including performers. The final chapter is devoted to the piano compositions by Takemitsu, including a comparative and idiomatic analysis that incorporates discussion of the specific creative influences on each work. Aspects of Takemitsu's individuality and the manifestations of his beliefs - both musical and philosophical - are discussed to discover his complex aesthetic heritage. As his own words reveal: When I decided to be a compser, I did not even know how to notate on scores. In this regard, no one has taught me. These can be learned through reading theory books. But more importantly, things that have established me as a composer are, though those [theory books] do have a little to do with it, things like a book I read, a friend I got to know, or a picture ...
Download or read book Toru Takemitsu written by James Siddons and published by Greenwood. This book was released on 2001-05-30 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Though often misunderstood in the West, the works of Toru Takemitsu (1930-1996) deserve attention beyond their native land. Although he wrote most of his music for Western instruments in international contemporary concert style, to be played by performers trained in the European musical tradition, lists and scores of his music have been difficult to obtain. Designed for use by musicians, scholars, and program directors who need compact, understandable information on Takemitsu, but who are unfamiliar with Japanese language and music, this bio-bibliography--including sections on his works, performances, films scores, recordings, and writings--will be invaluable to musicians, scholars, journalists, and music directors alike. The annotations of the entries are especially useful in determining answers to such questions as what instruments are needed to perform a piece, what should be said about a film or composition in a program note, what analysis or interpretation of a work is appropriate or has been done before, and what Takemitsu himself has said or written about each work. Siddon's fully cross-referenced volume offers information on approximately 150 compositions, 100 film scores, 250 audio recordings, and 500 bibliographical items, while the biography places the composer's life in the milieu of post-Pacific War Japan and contemporary music in Japan, Europe, and the United States.
Book Synopsis The Cambridge Companion to Film Music by : Mervyn Cooke
Download or read book The Cambridge Companion to Film Music written by Mervyn Cooke and published by Cambridge University Press. This book was released on 2016-12-08 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.
Download or read book Tōru Takemitsu written by Peter Burt and published by Routledge. This book was released on 2002 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Composing for Japanese Instruments by : Minoru Miki
Download or read book Composing for Japanese Instruments written by Minoru Miki and published by University Rochester Press. This book was released on 2008 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: The unique sounds of the biwa, shamisen, and other traditional instruments from Japan are heard more and more often in works for the concert hall and opera house. Composing for Japanese Instruments is a practical orchestration/instrumentation manual with contextual and relevant historical information for composers who wish to learn how to compose for traditional Japanese instruments. Widely regarded as the authoritative text on the subject in Japan and China, it contains hundreds of musical examples, diagrams, photographs, and fingering charts, and comes complete with two accompanying compact discs of musical examples. Its author, Minoru Miki, is a composer of international renown and is recognized in Japan as a pioneer in writing for Japanese traditional instruments. The book contains valuable appendices, one of works Miki himself has composed using Japanese traditional instruments, and one of works by other composers -- including Toru Takemitsu and Henry Cowell -- using Japanese traditional instruments. Marty Regan is Assistant Professor of Music at Texas A&M University; Philip Flavin is a Research Fellow in the School of Languages, Cultures and Linguistics at Monash University, Australia.
Book Synopsis Jazz Journeys to Japan by : William Minor
Download or read book Jazz Journeys to Japan written by William Minor and published by University of Michigan Press. This book was released on 2004 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: One author's personal odyssey through the jazz scene in Japan
Book Synopsis Radicals and Realists in the Japanese Nonverbal Arts by : Thomas R. H. Havens
Download or read book Radicals and Realists in the Japanese Nonverbal Arts written by Thomas R. H. Havens and published by University of Hawaii Press. This book was released on 2006-07-31 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Radicals and Realists is the first book in any language to discuss Japan’s avant-garde artists, their work, and the historical environment in which they produced it during the two most creative decades of the twentieth century, the 1950s and 1960s. Many of the artists were radicals, rebelling against existing canons and established authority. Yet at the same time they were realists in choosing concrete materials, sounds, and themes from everyday life for their art and in gradually adopting tactics of protest or resistance through accommodation rather than confrontation. Whatever the means of expression, the production of art was never devoid of historical context or political implication. Focusing on the nonverbal genres of painting, sculpture, dance choreography, and music composition, this work shows that generational and political differences, not artistic doctrines, largely account for the divergent stances artists took vis-a-vis modernism, the international arts community, Japan’s ties to the United States, and the alliance of corporate and bureaucratic interests that solidified in Japan during the 1960s. After surveying censorship and arts policy during the American occupation of Japan (1945–1952), the narrative divides into two chronological sections dealing with the 1950s and 1960s, bisected by the rise of an artistic underground in Shinjuku and the security treaty crisis of May 1960. The first section treats Japanese artists who studied abroad as well as the vast and varied experiments in each of the nonverbal avant-garde arts that took place within Japan during the 1950s, after long years of artistic insularity and near-stasis throughout war and occupation. Chief among the intellectuals who stimulated experimentation were the art critic Takiguchi Shuzo, the painter Okamoto Taro, and the businessman-painter Yoshihara Jiro. The second section addresses the multifront assault on formalism (confusingly known as "anti-art") led by visual artists nationwide. Likewise, composers of both Western-style and contemporary Japanese-style music increasingly chose everyday themes from folk music and the premodern musical repertoire for their new presentations. Avant-garde print makers, sculptors, and choreographers similarly moved beyond the modern—and modernism—in their work. A later chapter examines the artistic apex of the postwar period: Osaka’s 1970 world exposition, where more avant-garde music, painting, sculpture, and dance were on display than at any other point in Japan’s history, before or since. Radicals and Realists is based on extensive archival research; numerous concerts, performances, and exhibits; and exclusive interviews with more than fifty leading choreographers, composers, painters, sculptors, and critics active during those two innovative decades. Its accessible prose and lucid analysis recommend it to a wide readership, including those interested in modern Japanese art and culture as well as the history of the postwar years.
Download or read book A Way a Lone written by Hugh de Ferranti and published by . This book was released on 2002-08 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Electronic and Experimental Music by : Thom Holmes
Download or read book Electronic and Experimental Music written by Thom Holmes and published by Routledge. This book was released on 2015-10-08 with total page 1080 pages. Available in PDF, EPUB and Kindle. Book excerpt: Electronic and Experimental Music: Technology, Music, and Culture provides a comprehensive history of electronic music, covering key composers, genres, and techniques used in analog and digital synthesis. This textbook has been extensively revised with the needs of students and instructors in mind. The reader-friendly style, logical organization, and pedagogical features of the fifth edition allow easy access to key ideas, milestones, and concepts. New to this edition: • A companion website, featuring key examples of electronic music, both historical and contemporary. • Listening Guides providing a moment-by-moment annotated exploration of key works of electronic music. • A new chapter—Contemporary Practices in Composing Electronic Music. • Updated presentation of classic electronic music in the United Kingdom, Italy, Latin America, and Asia, covering the history of electronic music globally. • An expanded discussion of early experiments with jazz and electronic music, and the roots of electronic rock. • Additional accounts of the vastly under-reported contributions of women composers in the field. • More photos, scores, and illustrations throughout. The companion website features a number of student and instructor resources, such as additional Listening Guides, links to streaming audio examples and online video resources, PowerPoint slides, and interactive quizzes.
Download or read book 武満徹海へ II written by 武満徹 and published by . This book was released on 2000 with total page 38 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Schott). Alto flute, harp, and string orchestra.
Download or read book Made in Japan written by Toru Mitsui and published by Routledge. This book was released on 2014-07-17 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Made in Japan serves as a comprehensive and rigorous introduction to the history, sociology, and musicology of contemporary Japanese popular music. Each essay, written by a leading scholar of Japanese music, covers the major figures, styles, and social contexts of pop music in Japan and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music, followed by essays organized into thematic sections: Putting Japanese Popular Music in Perspective; Rockin’ Japan; and Japanese Popular Music and Visual Arts.
Book Synopsis The Book of Music and Nature by : David Rothenberg
Download or read book The Book of Music and Nature written by David Rothenberg and published by Wesleyan University Press. This book was released on 2001 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: A provocative book and CD explore the relationship of music and the natural world.
Book Synopsis Three Questions for Sixty-five Composers by : Bálint András Varga
Download or read book Three Questions for Sixty-five Composers written by Bálint András Varga and published by University Rochester Press. This book was released on 2011 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Do today's composers draw inspiration from life experiences? What has influenced recent composers? How essential is it for a composer to develop a personal style? This book reveals the spontaneous thoughts of some of the most famous composers from around the world about their own development as composers and their reactions to the outside world.
Download or read book Debussy Redux written by Matthew Brown and published by Indiana University Press. This book was released on 2012-04-09 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In a study that is both scholarly and highly entertaining, Matthew Brown explores pop culture's appropriations of Debussy's music in everything from '30s swing tunes, '40s movie scores, '50s lounge/exotica, '70s rock and animation, '80s action films, and Muzak. The book, however, is far more than a compendium of fascinating borrowings. The author uses these musical transfers to tackle some of the most fundamental aesthetic issues relevant to the music of all composers, not just Debussy." David Grayson -- Book jacket.
Download or read book The Rest Is Noise written by Alex Ross and published by Farrar, Straus and Giroux. This book was released on 2007-10-16 with total page 706 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
