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Time And Gender On The Shakespearean Stage
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Book Synopsis Time and Gender on the Shakespearean Stage by : Sarah Lewis
Download or read book Time and Gender on the Shakespearean Stage written by Sarah Lewis and published by Cambridge University Press. This book was released on 2020-09-24 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: An original study of the ways in which temporal concepts and gendered identities intersect in early modern theatre and culture.
Book Synopsis The Cambridge Companion to Shakespeare on Stage by : Stanley Wells
Download or read book The Cambridge Companion to Shakespeare on Stage written by Stanley Wells and published by Cambridge University Press. This book was released on 2002-05-30 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: This 2002 Companion is designed for readers interested in past and present productions of Shakespeare's plays, both in and beyond Britain. The first six chapters describe aspects of the British performing tradition in chronological sequence, from the early staging of Shakespeare's own time, through to the present day. Each relates Shakespearean developments to broader cultural concerns and adopts an individual approach and focus, on textual adaptation, acting, stages, scenery or theatre management. These are followed by three explorations of acting: tragic and comic actors and women performers of Shakespeare roles. A section on international performance includes chapters on interculturalism, on touring companies and on political theatre, with separate accounts of the performing traditions of North America, Asia and Africa. Over forty pictures illustrate peformers and productions of Shakespeare from around the world. An amalgamated list of items for further reading completes the book.
Book Synopsis Shakespeare and Gender in Practice by : Terri Power
Download or read book Shakespeare and Gender in Practice written by Terri Power and published by Bloomsbury Publishing. This book was released on 2015-12-01 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cross-gender performance was an integral part of Shakespearean theatre: from boys portraying his female characters, to those characters disguising themselves as men within the story. This book examines contemporary trends in staging cross-gender performances of Shakespeare in the UK and USA. Terri Power surveys the field of gender in performance through an intersectional feminist and queer theoretical lens. In depth discussions of key productions reveal processes adapted by companies for their performances. The book also looks at how contemporary performance responds to new cultural politics of gender and creates a critical language for understanding that within Shakespeare. This book features: - First-hand interviews with professional artists - Case studies of individual performances - A practical workshop section with innovative exercises
Book Synopsis Occult Knowledge, Science, and Gender on the Shakespearean Stage by : Mary Floyd-Wilson
Download or read book Occult Knowledge, Science, and Gender on the Shakespearean Stage written by Mary Floyd-Wilson and published by Cambridge University Press. This book was released on 2013-07-11 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Belief in spirits, demons and the occult was commonplace in the early modern period, as was the view that these forces could be used to manipulate nature and produce new knowledge. In this groundbreaking study, Mary Floyd-Wilson explores these beliefs in relation to women and scientific knowledge, arguing that the early modern English understood their emotions and behavior to be influenced by hidden sympathies and antipathies in the natural world. Focusing on Twelfth Night, Arden of Faversham, A Warning for Fair Women, All's Well That Ends Well, The Changeling and The Duchess of Malfi, she demonstrates how these plays stage questions about whether women have privileged access to nature's secrets and whether their bodies possess hidden occult qualities. Discussing the relationship between scientific discourse and the occult, she goes on to argue that as experiential evidence gained scientific ground, women's presumed intimacy with nature's secrets was either diminished or demonized.
Book Synopsis Gender in Play on the Shakespearean Stage by : Michael Shapiro
Download or read book Gender in Play on the Shakespearean Stage written by Michael Shapiro and published by University of Michigan Press. This book was released on 1994 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cross-dressing in Shakespeare: a context for Elizabethan gender studies
Book Synopsis Greek Tragic Women on Shakespearean Stages by : Tanya Pollard
Download or read book Greek Tragic Women on Shakespearean Stages written by Tanya Pollard and published by Oxford University Press. This book was released on 2017 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The book argues that rediscovered ancient Greek plays exerted a powerful and uncharted influence on sixteenth-century England's dramatic landscape, not only in academic and aristocratic settings, but also at the heart of the developing commercial theaters."--Introduction, p. 2.
Book Synopsis The Diva's Gift to the Shakespearean Stage by : Pamela Allen Brown
Download or read book The Diva's Gift to the Shakespearean Stage written by Pamela Allen Brown and published by Oxford University Press. This book was released on 2021 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Diva's Gift to the Shakespearean Stage traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress whoradically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters. By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in allgenres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat tours in France and Spain.Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the typemore engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new model full of promise. Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, andShakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici's materials and methods to piece together pastoral, comic, andtragicomic plays from mobile theatergrams - plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figuredthem as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva's prodigious theatricality and alien glamour. Rightly perceived, the diva's celebrity and her acclaimed skills posed a radicalchallenge that pushed English playwrights to break with the past in enormously generative and provocative ways.
Book Synopsis The Cambridge Companion to Shakespearean Comedy by : Alexander Leggatt
Download or read book The Cambridge Companion to Shakespearean Comedy written by Alexander Leggatt and published by Cambridge University Press. This book was released on 2002 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: An accessible, wide-ranging and informed introduction to Shakespeare's comedies, dark comedies and romances, first published in 2001.
Book Synopsis Humoring the Body by : Gail Kern Paster
Download or read book Humoring the Body written by Gail Kern Paster and published by University of Chicago Press. This book was released on 2010-11-15 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: Though modern readers no longer believe in the four humors of Galenic naturalism—blood, choler, melancholy, and phlegm—early modern thought found in these bodily fluids key to explaining human emotions and behavior. In Humoring the Body, Gail Kern Paster proposes a new way to read the emotions of the early modern stage so that contemporary readers may recover some of the historical particularity in early modern expressions of emotional self-experience. Using notions drawn from humoral medical theory to untangle passages from important moral treatises, medical texts, natural histories, and major plays of Shakespeare and his contemporaries, Paster identifies a historical phenomenology in the language of affect by reconciling the significance of the four humors as the language of embodied emotion. She urges modern readers to resist the influence of post-Cartesian abstraction and the disembodiment of human psychology lest they miss the body-mind connection that still existed for Shakespeare and his contemporaries and constrained them to think differently about how their emotions were embodied in a premodern world.
Book Synopsis As You Like it by : William Shakespeare
Download or read book As You Like it written by William Shakespeare and published by . This book was released on 1810 with total page 122 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The First English Actresses by : Elizabeth Howe
Download or read book The First English Actresses written by Elizabeth Howe and published by Cambridge University Press. This book was released on 1992-06-04 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book describes how and why women were permitted to act on the public stage after 1660 in England.
Book Synopsis Mutability and Division on Shakespeare's Stage by : Yu Jin Ko
Download or read book Mutability and Division on Shakespeare's Stage written by Yu Jin Ko and published by University of Delaware Press. This book was released on 2004 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The book is at the same time rooted in the theater, and thus relates the theatrical conventions of Shakespeare's time to the thematic matter of the book. In particular, Ko demonstrates how the divisions explored in the plays are related to stage practices like the use of boy-actors and the volatile interplay of illusionistic and non-illusionistic modes of acting. In this context, Ko introduces a new term - charactor - that combines the fictional character and the stage actor and enables a new, nuanced exploration of stage personae."--Jacket.
Download or read book The Whip written by Juliet Gilkes Romero and published by Bloomsbury Publishing. This book was released on 2020-02-01 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the 2020 Alfred Fagon Award. As the 19th Century dawns in London, politicians of all parties gather to abolish the slave trade once and for all. But the price of freedom turns out to be a multi-billion pound bailout for slave owners rather than those enslaved. As morality and cunning compete amongst men thirsty for power, two women navigate their way to the true seat of political influence, challenging members of parliament who dare deny them their say. In this provocative new play by Juliet Gilkes Romero, the personal collides with the political to ask, what is the right thing to do and how much must it cost?
Book Synopsis Shakespearean Tragedy and Gender by : Shirley Nelson Garner
Download or read book Shakespearean Tragedy and Gender written by Shirley Nelson Garner and published by Indiana University Press. This book was released on 1996-02-22 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: While considering Shakespeare's earliest attempts at tragedy in Richard III and Titus Andronicus, this volume covers the major tragic period, giving special attention to Othello.
Book Synopsis Shakespeare / Space by : Isabel Karremann
Download or read book Shakespeare / Space written by Isabel Karremann and published by Bloomsbury Publishing. This book was released on 2024-02-22 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare / Space explores new approaches to the enactment of 'space' in and through Shakespeare's plays, as well as to the material, cognitive and virtual spaces in which they are enacted. With contributions from 14 leading and emergent experts in their fields, the collection forges innovative connections between spatial studies and cultural geography, cognitive studies, memory studies, phenomenology and the history of the emotions, gender and race studies, rhetoric and language, translation studies, theatre history and performance studies. Each chapter offers methodological reflections on intersections such as space/mobility, space/emotion, space/supernatural, space/language, space/race and space/digital, whose critical purchase is demonstrated in close readings of plays like King Lear, The Comedy of Errors, Othello and Shakespeare's history plays. They testify to the importance of space for our understanding of Shakespeare's creative and theatrical practice, and at the same time enlarge our understanding of space as a critical concept in the humanities. It will prove useful to students, scholars, teachers and theatre practitioners of Shakespeare and early modern studies.
Book Synopsis Women and Race in Early Modern Texts by : Joyce Green MacDonald
Download or read book Women and Race in Early Modern Texts written by Joyce Green MacDonald and published by Cambridge University Press. This book was released on 2002-05-30 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: Joyce Green MacDonald discusses the links between women's racial, sexual, and civic identities in early modern texts. She examines the scarcity of African women in English plays of the sixteenth and seventeenth centuries, the racial identity of the women in the drama and also that of the women who watched and sometimes wrote the plays. The coverage also includes texts from the late fourteenth to the early eighteenth centuries, by, among others, Shakespeare, Jonson, Davenant, the Countess of Pembroke, and Aphra Behn. MacDonald articulates many of her discussions of early modern women's races through a comparative method, using insights drawn from critical race theory, women's history, and contemporary disputes over canonicity, multiculturalism, and Afrocentrism. Seeing women as identified by their race and social standing as well as by their sex, this book will add depth and dimension to discussions of women's writing and of gender in Renaissance literature.
Book Synopsis Costuming the Shakespearean Stage by : Robert I. Lublin
Download or read book Costuming the Shakespearean Stage written by Robert I. Lublin and published by Routledge. This book was released on 2016-05-13 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although scholars have long considered the material conditions surrounding the production of early modern drama, until now, no book-length examination has sought to explain what was worn on the period's stages and, more importantly, how articles of apparel were understood when seen by contemporary audiences. Robert Lublin's new study considers royal proclamations, religious writings, paintings, woodcuts, plays, historical accounts, sermons, and legal documents to investigate what Shakespearean actors actually wore in production and what cultural information those costumes conveyed. Four of the chapters of Costuming the Shakespearean Stage address 'categories of seeing': visually based semiotic systems according to which costumes constructed and conveyed information on the early modern stage. The four categories include gender, social station, nationality, and religion. The fifth chapter examines one play, Thomas Middleton's A Game at Chess, to show how costumes signified across the categories of seeing to establish a play's distinctive semiotics and visual aesthetic.
