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Theatre And Aural Attention
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Book Synopsis Theatre and Aural Attention by : George Home-Cook
Download or read book Theatre and Aural Attention written by George Home-Cook and published by Springer. This book was released on 2015-05-10 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre and Aural Attention investigates what it is to attend theatre by means of listening. Focusing on four core aural phenomena in theatre – noise, designed sound, silence, and immersion - George Home-Cook concludes that theatrical listening involves paying attention to atmospheres.
Book Synopsis Theatre Aurality by : Lynne Kendrick
Download or read book Theatre Aurality written by Lynne Kendrick and published by Springer. This book was released on 2017-11-11 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the critical field of theatre sound and the sonic phenomena of theatre. It draws together a wide range of related topics, including sound design and sonic sonographies, voice as a performance of sound, listening as auditory performance, and audience as resonance. It explores radical forms of sonic performance and our engagement in it, from the creation of sonic subjectivities to noise as a politics of sound. The introductory chapters trace the innate aurality of theatre and the history of sound effects and design, while also interrogating why the art of theatre sound was delayed and underrepresented in philosophy as well as theatre and performance theory. Subsequent chapters explore the emergence of aurally engaged theatre practice and focus on examples of contemporary sound in and as theatre, including theatre in the dark, headphone theatre and immersive theatre, amongst others, through theories of perception and philosophies of listening, vocality, sonority and noise.
Download or read book Theatre Noise written by Lynne Kendrick and published by Cambridge Scholars Publishing. This book was released on 2012-01-24 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a timely contribution to the emerging field of the aurality of theatre and looks in particular at the interrogation and problematisation of theatre sound(s). Both approaches are represented in the idea of ‘noise’ which we understand both as a concrete sonic entity and a metaphor or theoretical (sometimes even ideological) thrust. Theatre provides a unique habitat for noise. It is a place where friction can be thematised, explored playfully, even indulged in: friction between signal and receiver, between sound and meaning, between eye and ear, between silence and utterance, between hearing and listening. In an aesthetic world dominated by aesthetic redundancy and ‘aerodynamic’ signs, theatre noise recalls the aesthetic and political power of the grain of performance. ‘Theatre noise’ is a new term which captures a contemporary, agitatory acoustic aesthetic. It expresses the innate theatricality of sound design and performance, articulates the reach of auditory spaces, the art of vocality, the complexity of acts of audience, the political in produced noises. Indeed, one of the key contentions of this book is that noise, in most cases, is to be understood as a plural, as a composite of different noises, as layers or waves of noises. Facing a plethora of possible noises in performance and theatre we sought to collocate a wide range of notions of and approaches to ‘noise’ in this book – by no means an exhaustive list of possible readings and understandings, but a starting point from which scholarship, like sound, could travel in many directions.
Book Synopsis Possessed Voices by : Ruthie Abeliovich
Download or read book Possessed Voices written by Ruthie Abeliovich and published by State University of New York Press. This book was released on 2019-07-01 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analyzes audio recordings of interwar Hebrew plays, providing a new model for the use of sound in theater studies. Possessed Voices tells the intriguing story of a largely unknown collection of audio recordings, which preserve performances of modernist interwar Hebrew plays. Ruthie Abeliovich focuses on four recordings: a 1931 recording of The Eternal Jew (1919/1923), a 1965 recording of The Dybbuk (1922), a 1961 radio play of The Golem (1925), and a 1952 radio play of Yaakov and Rachel (1928). Abeliovich traces the spoken language of modernist Hebrew theater as grounded in multiple modalities of expressive practices, including spoken Hebrew, Jewish liturgical sensibilities supplemented by Yiddish intonation and other vernacular accents, and in relation to prevalent theatrical forms. The book shows how these recorded performances provided Jewish immigrants from Europe with a venue for lamenting the decline of their home communities and for connecting their memories to the present. Analyzing sonic material against the backdrop of its artistic, cultural, and ideological contexts, Abeliovich develops a critical framework for the study of sound as a discipline in its own right in theater scholarship. Ruthie Abeliovich is Lecturer in the Theatre Department at Haifa University, Israel.
Book Synopsis The Greek Sense of Theatre by : J Michael Walton
Download or read book The Greek Sense of Theatre written by J Michael Walton and published by Routledge. This book was released on 2015-05-22 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this updated and extended edition of The Greek Sense of Theatre, scholar and practitioner J.Michael Walton revises and expands his visual approach to the theatre of classical Athens. From the tragedies of Aeschylus, Sophocles and Euripides to the old and new comedies of Aristophanes and Menander, he argues that while Greek drama is seen now as a performance-based rather than a strictly literary medium, more attention should still be paid to the nature of stage image and masked acting as part of this conception.
Book Synopsis Listening to Theatre by : Elizabeth Wichmann
Download or read book Listening to Theatre written by Elizabeth Wichmann and published by University of Hawaii Press. This book was released on 1991-01-01 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: "[Wichmann's] writing has authority rarely encountered.... Not only a comprehensive study but [a] study of Beijing theater. A marvelous overview, a virtual encyclopedia." --Choice "Overall, this is a pathbreaking book in terms of contributing to our understanding of the important Chinese art form that is the Beijing opera. It is a model of production. Its wealth of detail does not prevent it from being eminently readable. The author has unparallelled mastery of knowledge, understanding, and appreciation of her subject. The book will certainly help not only to make Beijing opera better understood in the West but also to make it more widely performed and appreciated." --China Review International, Spring 1994
Author :Deutermann Allison Deutermann Publisher :Edinburgh University Press ISBN 13 :1474411274 Total Pages :208 pages Book Rating :4.4/5 (744 download)
Book Synopsis Listening for Theatrical Form in Early Modern England by : Deutermann Allison Deutermann
Download or read book Listening for Theatrical Form in Early Modern England written by Deutermann Allison Deutermann and published by Edinburgh University Press. This book was released on 2016-05-31 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the impact of hearing on the formal and generic development of early modern theatreEarly modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, they shaped the two of its most popular genres: revenge tragedy and city comedy. Simply put, theatregoers were taught to hear these plays differently. Revenge tragedies by Shakespeare and Kyd imagine sound stabbing, piercing, and slicing into listeners' bodies on and off the stage; while comedies by Jonson and Marston imagine it being sampled selectively, according to taste. Listening for Theatrical Form in Early Modern England traces the dialectical development of these two genres and auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays and to the non-dramatic literature that gives this interest in audition texture: anatomy texts, sermons, music treatises, and manuals on rhetoric and poetics.Key Features Invites new attention to the theatre as something heard, rather than as something seen, in performanceProvides a model for understanding aesthetic forms as developing in competitive response to one another in particular historical circumstancesEnriches our sense of early modern playgoers' auditory experience, and of dramatists' attempt to shape it
Download or read book Site Unscene written by Jonathan Walker and published by Northwestern University Press. This book was released on 2017-05-15 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Site Unscene: The Offstage in English Renaissance Drama explores the key role of dramatic episodes that occur offstage and beyond the knowledge-generating faculty of playgoers’ sight. Does Ophelia drown? Is Desdemona unfaithful to Othello? Does Macbeth murder Duncan in his sleep? Site Unscene considers how the drama’s nonvisible and eccentric elements embellish, alter, and subvert visible action on the stage. Jonathan Walker demonstrates that by removing scenes from visible performance, playwrights take up the nondramatic mode of storytelling in order to transcend the limits of the stage. Through this technique, they present dramatic action from the subjective, self-interested, and idiosyncratic perspectives of individual characters. By recovering these offstage elements, Walker reveals the pervasive and formative dynamic between the onstage and offstage and between the seen and unseen in Renaissance drama. Examining premodern dramatic theory, Renaissance plays, period amphitheaters, and material texts, this interdisciplinary work considers woodcuts, engravings, archaeology, architecture, rhetoric, the history of the book, as well as plays by Shakespeare, Marlowe, Kyd, Ford, Middleton, and Webster, among others. It addresses readers engaged in literary criticism, dramatic theory, theater history, and textual studies.
Download or read book Theater of the Mind written by Neil Verma and published by University of Chicago Press. This book was released on 2012-06-29 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: For generations, fans and critics have characterized classic American radio drama as a “theater of the mind.” This book unpacks that characterization by recasting the radio play as an aesthetic object within its unique historical context. In Theater of the Mind, Neil Verma applies an array of critical methods to more than six thousand recordings to produce a vivid new account of radio drama from the Depression to the Cold War. In this sweeping exploration of dramatic conventions, Verma investigates legendary dramas by the likes of Norman Corwin, Lucille Fletcher, and Wyllis Cooper on key programs ranging from The Columbia Workshop, The Mercury Theater on the Air, and Cavalcade of America to Lights Out!, Suspense, and Dragnet to reveal how these programs promoted and evolved a series of models of the imagination. With close readings of individual sound effects and charts of broad trends among formats, Verma not only gives us a new account of the most flourishing form of genre fiction in the mid-twentieth century but also presents a powerful case for the central place of the aesthetics of sound in the history of modern experience.
Book Synopsis Disordered Attention by : Claire Bishop
Download or read book Disordered Attention written by Claire Bishop and published by Verso Books. This book was released on 2024-06-11 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: How technology and the politics of attention changed the way we look at art The ways we encounter contemporary art and performance has changed. How are we expectedto engage with today's diverse practice? Is the old model of close-looking still the ideal, or has itgiven way to browsing, skimming, and sampling? Across four provocative and insightful essays, art historian and critic Claire Bishop identifies trends in contemporary practice. Charting a critical path through the last three decades, Bishop pinpoints how spectatorship and visual literacy are evolving under the pressures of digital technology. She explores how researched-based exhibitions have proliferated turning the artist into an investigator or archivist with mixed results. Spatial performance can now involve the artist, dancers, or even the audience as participants, often framed with Instagram in mind. The political event is not longer activated without an understanding of the media that will record and distribute it. The proliferation of works that use modernist architecture is noticeable; but has this become a shorthand for something else? Disordered Attention is a vital survey of 21st century art, from one of the leading art thinkers ofour times.
Book Synopsis Emerging Affinities - Possible Futures of Performative Arts by : Mateusz Borowski
Download or read book Emerging Affinities - Possible Futures of Performative Arts written by Mateusz Borowski and published by transcript Verlag. This book was released on 2019-10-31 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is a response to the growing need for new methodological approaches to the rapidly changing landscape of new forms of performative practices. The authors address a host of contemporary phenomena situated at the crossroads between science and fiction which employ various media and merge live participation with mediated hybrid experiences at both affective and cognitive level. All essays collected here move across disciplinary divisions in order to provide an account of these new tendencies, thus providing food for thought for a wide readership ranging from performative studies to the social sciences, philosophy and cultural studies.
Book Synopsis Kinesthetic Spectatorship in the Theatre by : Stanton B. Garner, Jr.
Download or read book Kinesthetic Spectatorship in the Theatre written by Stanton B. Garner, Jr. and published by Springer. This book was released on 2018-09-21 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship. Drawing upon phenomenological accounts of movement experience and the insights of cognitive science, neuroscience, acting theory, dance theory, philosophy of mind, and linguistics, it considers how we inhabit the movements of others and how these movements inhabit us. Individual chapters explore the dynamics of movement and animation, action and intentionality, kinesthetic resonance (or mirroring), language, speech, and empathy. In one of its most important contributions to the study of theatre, performance, and spectatorship, this book foregrounds otherness, divergence, and disability in its account of movement perception. The discussions of this and other issues are accompanied by detailed analysis of theatre, puppetry, and dance performances.
Book Synopsis The Provocation of the Senses in Contemporary Theatre by : Stephen Di Benedetto
Download or read book The Provocation of the Senses in Contemporary Theatre written by Stephen Di Benedetto and published by Routledge. This book was released on 2011-01-13 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: Di Benedetto considers theatrical practice through the lens of contemporary neuroscientific discoveries in this provoking study, which lays the foundation for considering the physiological basis of the power of theatre practice to affect human behavior. He presents a basic summary of the ways that the senses function in relation to cognitive science and physiology, offering an overview of dominant trends of discussion on the realm of the senses in performance. Also presented are examples of how those ideas are illustrated in recent theatrical presentations, and how the different senses form the structure of a theatrical event. Di Benedetto concludes by suggesting the possible implications these neuroscientific ideas have upon our understanding of theatrical composition, audience response, and the generation of meaning.
Book Synopsis Theatre Music and Sound at the RSC by : Millie Taylor
Download or read book Theatre Music and Sound at the RSC written by Millie Taylor and published by Springer. This book was released on 2018-10-13 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses an exciting laboratory that has been developing the practice of theatre music composition and sound design since 1961: the Royal Shakespeare Company. Musical practices have evolved as composers and musical directors inherited from the past and innovated with new technology; different interpretations of single plays in multiple iterations have provided a picture of developing styles, genres, working practices, technologies and contexts; actor musicianship has been practiced quietly and without fuss; and the role of the sound designer has appeared and transformed the theatrical soundscape. This book moves to musical theatre to evidence a continuum between its rich interdisciplinary textures and the musicodramatic world of Shakespeare’s plays, positioning the RSC as an innovative company that continually expands the creative and collaborative possibilities of the theatre.
Book Synopsis Theatre in the Dark by : Adam Alston
Download or read book Theatre in the Dark written by Adam Alston and published by Bloomsbury Publishing. This book was released on 2017-07-27 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre responds to a rising tide of experimentation in theatre practice that eliminates or obscures light. It brings together leading and emerging practitioners and researchers in a volume dedicated to exploring the phenomenon and showcasing a range of possible critical and theoretical approaches. This book considers the aesthetics and phenomenology of dark, gloomy and shadow-strewn theatre performances, as well as the historical and cultural significances of darkness, shadow and the night in theatre and performance contexts. It is concerned as much with the experiences elicited by darkness and obscured or diminished lighting as it is with the conditions that define, frame and at times re-shape what each might 'mean' and 'do'. Contributors provide surveys of relevant practice, interviews with practitioners, theoretical reflections and close critical analyses of work by key innovators in the aesthetics of light, shadow and darkness. The book has a particular focus on the work of contemporary theatre makers – including Sound&Fury, David Rosenberg and Glen Neath, Lundahl & Seitl, Extant, and Analogue – and seeks to deepen the engagement of theatre and performance studies with what might be called 'the sensory turn'. Theatre in the Dark explores ground-breaking areas that will appeal to researchers, practitioners and audiences alike.
Book Synopsis Please Come Off-Book by : Kevin Kantor
Download or read book Please Come Off-Book written by Kevin Kantor and published by SCB Distributors. This book was released on 2021-03-23 with total page 102 pages. Available in PDF, EPUB and Kindle. Book excerpt: Please Come Off-Book queers the theatrical canon we all grew up with. Kantor critiques the treatment of queer figures and imagines a braver and bolder future that allows queer voices the agency over their own stories. Drawing upon elements of the Aristotelian dramatic structure and the Hero's Journey, Please Come Off-Book is both a love letter to and a scathing critique of American culture and the lenses we choose to see ourselves through.
Book Synopsis Experiments in Listening by : Rajni Shah
Download or read book Experiments in Listening written by Rajni Shah and published by Rowman & Littlefield. This book was released on 2021-06-17 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through an exploration of both practice and theory, this book investigates the relationship between listening and the theatrical encounter in the context of Western theatre and performance. Rather than looking to the stage for a politics or ethics of performance, Rajni Shah asks what work needs to happen in order for the stage itself to appear, exploring some of the factors that might allow or prevent a group of individuals to gather together as an ‘audience’. Shah proposes that the theatrical encounter is a structure that prioritises the attentive over the declarative; each of the five chapters is an exploration of this proposition. The first two chapters propose readings for the terms ‘listening’ and ‘audience’, drawing primarily on Gemma Corradi Fiumara’s writing about the philosophy of listening and Stanley Cavell’s writing about being-in-audience. The third chapter reflects on the work of Lying Fallow, the first of two practice elements which were part of this research, asking whether and how this project aligns with the modes of listening that Shah has proposed thus far, and introducing Eve Kosofsky Sedgwick’s writing about the preposition ‘beside’ in relation to being-in-audience. In the fourth chapter, Shah examines the role of the invitation in setting up the parameters for being-in-audience, in relation to Sara Ahmed’s writing about arrival and encounter. And in the final chapter the second practice element, Experiments in Listening, operates to expand our thinking about where and how the work of being-in-audience takes place. Blending the boundaries of theoretical, creative and practice-based artistic work, this book is accompanied by a series of five zines. These describe an embodied experience of knowledge from a personal perspective, both playfully and seriously following a line of enquiry developed in each of the chapters.
