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The Work Of Music And The Problem Of Its Identity
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Book Synopsis The Work of Music and the Problem of Its Identity by : Roman Ingarden
Download or read book The Work of Music and the Problem of Its Identity written by Roman Ingarden and published by Univ of California Press. This book was released on 1986-01-01 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Identity and Everyday Life by : Harris M. Berger
Download or read book Identity and Everyday Life written by Harris M. Berger and published by Wesleyan University Press. This book was released on 2004-04-29 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: A critical examination of core issues in social and cultural theory.
Download or read book Fluxus Forms written by Natilee Harren and published by University of Chicago Press. This book was released on 2020-03-20 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: “PURGE the world of dead art, imitation, artificial art. . . . Promote living art, anti-art, promote NON ART REALITY to be grasped by all peoples,” writes artist George Maciunas in his Fluxus manifesto of 1963. Reacting against an elitist art world enthralled by modernist aesthetics, Fluxus encouraged playfulness, chance, irreverence, and viewer participation. The diverse collective—including George Brecht, Robert Filliou, Dick Higgins, Alison Knowles, George Maciunas, Yoko Ono, Nam June Paik, Benjamin Patterson, Takako Saito, Mieko Shiomi, Ben Vautier, and Robert Watts—embraced humble objects and everyday gestures as critical means of finding freedom and excitement beyond traditional forms of art-making. While today the Fluxus collective is recognized for its radical neo-avant-garde works of performance, publishing, and relational art and its experimental, interdisciplinary approach, it was not taken seriously in its own time. With Fluxus Forms, Natilee Harren captures the magnetic energy of Fluxus activities and collaborations that emerged at the intersections of art, music, performance, and literature. The book offers insight into the nature of art in the 1960s as it traces the international development of the collective’s unique intermedia works—including event scores and Fluxbox multiples—that irreversibly expanded the boundaries of contemporary art.
Book Synopsis The Hallelujah Effect by : Babette Babich
Download or read book The Hallelujah Effect written by Babette Babich and published by Routledge. This book was released on 2016-03-16 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book studies the working efficacy of Leonard Cohen's song Hallelujah in the context of today's network culture. Especially as recorded on YouTube, k.d. lang's interpretation(s) of Cohen's Hallelujah, embody acoustically and visually/viscerally, what Nietzsche named the 'spirit of music'. Today, the working of music is magnified and transformed by recording dynamics and mediated via Facebook exchanges, blog postings and video sites. Given the sexual/religious core of Cohen's Hallelujah, this study poses a phenomenological reading of the objectification of both men and women, raising the question of desire, including gender issues and both homosexual and heterosexual desire. A review of critical thinking about musical performance as 'currency' and consumed commodity takes up Adorno's reading of Benjamin's analysis of the work of art in the age of mechanical reproduction as applied to music/radio/sound and the persistent role of 'recording consciousness'. Ultimately, the question of what Nietzsche called the becoming-human-of-dissonance is explored in terms of both ancient tragedy and Beethoven's striking deployment of dissonance as Nietzsche analyses both as playing with suffering, discontent, and pain itself, a playing for the sake not of language or sense but musically, as joy.
Book Synopsis Virtuosity and the Musical Work by : Jim Samson
Download or read book Virtuosity and the Musical Work written by Jim Samson and published by Cambridge University Press. This book was released on 2007-04-23 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is about three sets of etudes by Liszt: the Etude en douze exercices (1826), its reworking as Douzes grandes études (1837), and their reworking as Douzes études d'exécution transcendante (1851). At the same time it is a book about nineteenth-century instrumental music in general, in that the three works invite the exploration of features characteristic of the early Romantic era in music. These include: a composer-performer culture, the concept of virtuosity, the significance of recomposition, music and the poetic, and the consolidation of a musical work-concept. A central concern is to illuminate the relationship between the work-concept and a performance- and genre-orientated musical culture. At the same time the book reflects on how we might make judgements of the 'Transcendentals', of the Symphonic Poem Mazeppa (based on the fourth etude), and of Liszt's music in general.
Book Synopsis Readying Cavalli's Operas for the Stage by : Ellen Rosand
Download or read book Readying Cavalli's Operas for the Stage written by Ellen Rosand and published by Routledge. This book was released on 2017-07-05 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: After more than three centuries of silence, the voice of Francesco Cavalli is being heard loud and clear on the operatic stages of the world. The coincidence of productions at La Scala (Milan) and Covent Garden (London) in the same month (September 2008) of two different operas signals a new stage in the recovery of these extraordinary works, confined until now to special venues committed to 'early music'-opera festivals, conservatory, and university productions. The works of the composer who is credited with having invented the genre of opera as we know it are finally enjoying a renaissance. A new edition of Cavalli's twenty-eight operas is in preparation, and the composer and his works are at the center of a great deal of new scholarship ranging from the study of sources and production issues to the cultural context of opera of this period. In the face of such burgeoning interest, this collection of essays considers the Cavalli revival from various points of view. In particular, it explores the multiple issues involved in the transformation of an operatic manuscript into a performance. Although focused on the works of Cavalli, much of this material can transfer easily to other operatic repertoires.Following an introductory part, reflecting back on four decades of Cavalli performances by some of the conductors responsible for the revival of interest in the composer, the collection is divided into four further parts: The Manuscript Scores, Giasone: Production and Interpretation, Making Librettos, and Cavalli Beyond Venice.
Book Synopsis Copyright and the Value of Performance, 1770–1911 by : Derek Miller
Download or read book Copyright and the Value of Performance, 1770–1911 written by Derek Miller and published by Cambridge University Press. This book was released on 2018-08-16 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the development of nineteenth-century performance copyright laws which shape how we define and value drama and music.
Book Synopsis Music/ideology by : Jean-François Lyotard
Download or read book Music/ideology written by Jean-François Lyotard and published by Psychology Press. This book was released on 1998 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music/Ideology is a response to the question: Must the practice of music analysis and music theory always reinscribe the ideology of aesthetic autonomy? And, if not, under what circumstances does it reinscribe that ideology? The responses to these questions should appeal not only to music and cultural theorists, but also to a larger audience engaged in critical theory. These essays serve as an introduction to the broad array of issues arising from approaches that represent the full spectrum, from music-theoretical to marxist and feminist issues. Such questions are of vital importance, and not only to those who are engaged in establishing a connection among music theory, music analysis, and aesthetic ideology. Music/Ideology presents today's most interesting critical thinkers in postmodern theory and music theory, introducing an interdisciplinary approach and covering a wide range of subjects - both by implication and explication.
Download or read book Text and Act written by Richard Taruskin and published by Oxford University Press. This book was released on 1995-09-07 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the last dozen years, the writings of Richard Taruskin have transformed the debate about "early music" and "authenticity." Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which now classics in the field. Taking a wide-ranging cultural view of the phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable and even authentic than the historical verisimilitude for which it ostensibly strives could ever be. These essays cast fresh light on many aspects of contemporary music-making and music-thinking, mixing lighthearted debunking with impassioned argumentation. Taruskin ranges from theoretical speculation to practical criticism, and covers a repertory spanning from Bach to Stravinsky. Including a newly written introduction, Text and Act collects the very best of one of our most incisive musical thinkers.
Book Synopsis Music and/as Process by : Vanessa Hawes
Download or read book Music and/as Process written by Vanessa Hawes and published by Cambridge Scholars Publishing. This book was released on 2016-08-17 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music and/as Process brings together ideas about music and the notion of process from different sub-fields within musicology and from related fields in the creative arts as a whole. These can be loosely categorised into three broad areas – composition, performance and analysis – but work in all three of these groups in the volume overlaps into the others, covers a broad range of other musicological sub-fields, and draws inspiration from, non-musicological fields. Music and/as Process comprises chapters written by a mix of scholars; some are leaders in their field and some are newer researchers, but all share an innovative and forward-thinking attitude to music research, often not well represented within ‘traditional’ musicology. Much of the work represented here started as papers or discussions at one of the Royal Musical Association (RMA) Music and/as Process Study Group Annual Conferences. The first section of the book deals with the analysis of performance and the performance of analysis. The historical nature of music and the recognition of pieces as musical ‘works’ in the traditional sense is questioned by the authors, and is a factor in the analyses which address processes in composing, performing, and listening, and the links between these, in three very different but interlinking ways. These three approaches posit new directions and territory for musical analysis. The second section builds on the first, framing performance and/as process from the individual perspectives of the authors and their experiences as practitioners. Music by Berio, de Falla, music by the authors and their collaborators, and music composed for the authors are explored through looking at processes of interpretation and risk; processes which further undermine the ontology of the musical ‘work’ as traditionally understood, and bring the practitioner as active agent to the foreground of an examination of musical discourse. The third section encounters and questions the musical ‘work’ at its inception, exploring composition and/as process through its encounters with performance, analysis, collaboration, improvisation, translation, experimentation and cross-disciplinarity. Through explorations of new music, the way in which practitioners relate to music frame a personal and reflective account of the creative process, finally looking beyond music to musicology.
Book Synopsis The Routledge Companion to Philosophy and Music by : Theodore Gracyk
Download or read book The Routledge Companion to Philosophy and Music written by Theodore Gracyk and published by Routledge. This book was released on 2011-02-14 with total page 672 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to Philosophy and Music is an outstanding guide and reference source to the key topics, subjects, thinkers and debates in philosophy and music. Essential reading for anyone interested in philosophy, music and musicology.
Book Synopsis Revisiting the Historiography of Postwar Avant-Garde Music by : Anne-Sylvie Barthel-Calvet
Download or read book Revisiting the Historiography of Postwar Avant-Garde Music written by Anne-Sylvie Barthel-Calvet and published by Taylor & Francis. This book was released on 2022-07-29 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays delves into the historiographical traditions that have dominated how the stories of European postwar avant-garde music are told, seeking to approach commonplaces of that history writing from new perspectives. The contributors revisit subjects as varied as the impact of long-playing records on the emergence of open works, Messiaen’s interest in non-European musical traditions, Xenakis’s turn to information theory, Kagel’s strategic invention of a new genre, Berio’s dependence on funding from American foundations, and the ways in which figures like Boulez, Stockhausen, Pousseur, and Nono constructed their musical ancestries. Leading experts in their respective fields, the volume’s authors have sought to rethink the historiography of European experimental music of the 1950s, 1960s, and 1970s in ways that resituate that small but influential milieu in broader historical and cultural contexts. In doing so, they suggest new directions and insights for students and specialists of twentieth-century music and music historiography.
Book Synopsis Avant-Garde on Record by : Jonathan Goldman
Download or read book Avant-Garde on Record written by Jonathan Goldman and published by Cambridge University Press. This book was released on 2023-11-09 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: An innovative contribution to music history, cultural studies, and sound studies, Avant-garde on Record revisits post-war composers and their technologically oriented brand of musical modernism. It describes how a broad range of figures (including Pierre Boulez, Karlheinz Stockhausen, Henri Pousseur, Toshirō Mayuzumi, Claire Schapira, Anthony Braxton and Gunther Schuller) engaged with avant-garde aesthetics while responding to a rapidly changing, technologically fuelled, spatialized audio culture. Jonathan Goldman focuses on how contemporary listeners understood these composers' works in the golden age of LPs and explores how this reception was mediated through consumer-oriented sound technology that formed a prism through which listeners processed the 'music of their time'. His account reveals unexpected aspects of twentieth-century audio culture: from sonic ping-pong to son et lumière shows, from Venetian choral music by Stravinsky to the soundscape of Niagara Falls, from a Buddhist Cantata to an LP box set cast as a parlour game.
Book Synopsis Space and Spatialization in Contemporary Music: History and Analysis, Ideas and Implementations by : Maria Anna Harley
Download or read book Space and Spatialization in Contemporary Music: History and Analysis, Ideas and Implementations written by Maria Anna Harley and published by Lulu.com. This book was released on 2016-06-08 with total page 483 pages. Available in PDF, EPUB and Kindle. Book excerpt: This dissertation presents the history of space in the musical thought of the 20th century (from Kurth to Clifton, from Varese to Xenakis) and outlines the development of spatialization in the theory and practice of contemporary music (after 1950). The text emphasizes perceptual and temporal aspects of musical spatiality, thus reflecting the close connection of space and time in human experience. A new definition of spatialization draws from Ingarden's notion of the musical work; a typology of spatial designs embraces music for different acoustic environments, movements of performers and audiences, various positions of musicians in space, etc. The study of spatialization includes a survey of the composers's writings (lves, Boulez, Stockhausen, Cage, etc.) and an examination of their works. The final part presents three unique approaches to spatialization: Brant's simultaneity of sound layers, Xenakis's movement of sound, and Schafer's music of ritual and soundscape.
Book Synopsis The Improvisation of Musical Dialogue by : Bruce Ellis Benson
Download or read book The Improvisation of Musical Dialogue written by Bruce Ellis Benson and published by Cambridge University Press. This book was released on 2003-02-27 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is an important contribution to the philosophy of music. Bruce Benson's concern is the phenomenology of music making as an activity. He offers a radical thesis that it is improvisation that is primary in the moment of music making.It will be a provocative read.
Download or read book Rethinking Music written by Nicholas Cook and published by Oxford University Press, USA. This book was released on 1999 with total page 594 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rethinking Music reflects the ideas of 24 distinguished musicologists as they evaluate current thinking about music, its social and ethical dimensions and the relationship between academic study and direct musical experience.
Book Synopsis The Normativity of Musical Works: A Philosophical Inquiry by : Alessandro Arbo
Download or read book The Normativity of Musical Works: A Philosophical Inquiry written by Alessandro Arbo and published by BRILL. This book was released on 2021-05-25 with total page 141 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essay advocates a theory of the musical work as a “social object” which is based on a trace informed by a normative value. Such a normativity is explored in relation to three ways of fixing the trace: orality, notation and phonography.