Film Music in the Sound Era

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Author :
Publisher : Routledge
ISBN 13 : 1000091287
Total Pages : 1155 pages
Book Rating : 4.0/5 ( download)

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Book Synopsis Film Music in the Sound Era by : Jonathan Rhodes Lee

Download or read book Film Music in the Sound Era written by Jonathan Rhodes Lee and published by Routledge. This book was released on 2020-03-10 with total page 1155 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.

The Routledge Film Music Sourcebook

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Publisher :
ISBN 13 : 9780415888738
Total Pages : 0 pages
Book Rating : 4.8/5 (887 download)

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Book Synopsis The Routledge Film Music Sourcebook by : James Eugene Wierzbicki

Download or read book The Routledge Film Music Sourcebook written by James Eugene Wierzbicki and published by . This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: An annotated, thematically organized collection of approximately eighty source readings pertaining to film music dating from its beginnings to the present, from the US and other select countries around the globe.

Reeled In: Pre-existing Music in Narrative Film

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Author :
Publisher : Routledge
ISBN 13 : 1351970445
Total Pages : 262 pages
Book Rating : 4.3/5 (519 download)

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Book Synopsis Reeled In: Pre-existing Music in Narrative Film by : Jonathan Godsall

Download or read book Reeled In: Pre-existing Music in Narrative Film written by Jonathan Godsall and published by Routledge. This book was released on 2018-10-09 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: How and why is pre-existing music used in films? What effects can its use have on films and their audiences? And what lasting impact can appropriation have on the music? Reeled In is a comprehensive exploration of these questions, considering the cinematic quotation of Beethoven symphonies, Beatles songs, and Herrmann scores alike in films ranging from the early sound era to the present day, and in every role from ‘main title theme’ to ‘music playing in bar’. Incorporating a discussion of such factors as copyright and commerce alongside examination of texts and their effects, this broad study is a significant contribution to the scholarship on music in screen media, demonstrating that pre-existing music possesses unique attributes that can affect both how filmmakers construct their works and how audiences receive them, to an extent regardless of the music’s style, genre, and so on. This book also situates the reception of music by film, and by audiences experiencing that music through film, as significant processes within present-day culture, while more generally providing an illuminating case study of the kinds of borrowings, adaptations, and reinventions that characterize much of today’s art and entertainment.

Music in Epic Film

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Publisher : Routledge
ISBN 13 : 1317425863
Total Pages : 354 pages
Book Rating : 4.3/5 (174 download)

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Book Synopsis Music in Epic Film by : Stephen C. Meyer

Download or read book Music in Epic Film written by Stephen C. Meyer and published by Routledge. This book was released on 2016-09-01 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: As both a distinct genre and a particular mode of filmmaking, the idea of the epic has been central to the history of cinema. Including contributions from both established and emerging film music scholars, the ten essays in Music in Epic Film: Listening to Spectacle provide a cross-section of contemporary scholarship on the subject. They explore diverse topics, including the function of music in epic narratives, the socio-political implications of cinematic music, and the use of pre-existing music in epic films. Intended for students and scholars in film music, film appreciation, and media studies, the wide range of topics and the diversity of the films that the authors discuss make Music in Epic Film: Listening to Spectacle an ideal introduction to the field of music in epic film.

Film Music in Concert

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Publisher : Cambridge University Press
ISBN 13 : 1009007157
Total Pages : 87 pages
Book Rating : 4.0/5 (9 download)

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Book Synopsis Film Music in Concert by : Emilio Audissino

Download or read book Film Music in Concert written by Emilio Audissino and published by Cambridge University Press. This book was released on 2021-12-16 with total page 87 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Boston Pops Orchestra was the first orchestra of its kind in the USA: founded in 1885 from the ranks of the Boston Symphony Orchestra, its remit was to offer concerts of light symphonic music. Over the years, and in particular during the fifty-year tenure of its most famous conductor, Arthur Fiedler, the Pops established itself as the premier US orchestra specialising in bridging the fields of 'art music' and 'popular music'. When the Hollywood composer John Williams was assigned the conductorship of the orchestra in 1980, he energetically advocated for the inclusion of film-music repertoire, changing Fiedler's approach significantly. This Element offers a historical survey of the pioneering agency that the Boston Pops had under Williams's tenure in the legitimisation of film music as a viable repertoire for concert programmes. The case study is complemented with more general discussions on the aesthetic of film music in concert.

Contemporary Film Music

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Publisher : Springer
ISBN 13 : 1137573759
Total Pages : 280 pages
Book Rating : 4.1/5 (375 download)

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Book Synopsis Contemporary Film Music by : Lindsay Coleman

Download or read book Contemporary Film Music written by Lindsay Coleman and published by Springer. This book was released on 2017-05-30 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: The purpose of this book, through its very creation, is to strengthen the dialogue between practitioner and theorist. To that end, a film academic and musicologist have collaborated as editors on this book, which is in turn comprised of interviews with composers alongside complementary chapters that focus on a particular feature of the composer’s approach or style. These chapters are written by a fellow composer, musicologist, or film academic who specializes in that element of the composer’s output. In the interview portions of this book, six major film composers discuss their work from the early 1980s to the present day: Carter Burwell, Mychael Danna, Dario Marianelli, Rachel Portman, Zbigniew Preisner, and A.R. Rahman. The focus is on the practical considerations of film composition, the relationship each composer has with the moving image, narrative, technical considerations, personal motivations in composing, the relationships composers have with their directors, and their own creative processes. Contemporary Film Music also explores the contemporary influence of electronic music, issues surrounding the mixing of soundtracks, music theory, and the evolution of each composer’s musical voice.

Silent Films/Loud Music

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501366424
Total Pages : 249 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis Silent Films/Loud Music by : Phillip Johnston

Download or read book Silent Films/Loud Music written by Phillip Johnston and published by Bloomsbury Publishing USA. This book was released on 2021-08-12 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Silent Films/Loud Music discusses contemporary scores for silent film as a rich vehicle for experimentation in the relationship between music, image, and narrative. Johnston offers an overview of the early history of music for silent film paired with his own first-hand view of the craft of creating new original scores for historical silent films: a unique form crossing musical boundaries of classical, jazz, rock, electronic, and folk. As the first book completely devoted to the study of contemporary scores for silent film, it tells the story of the historical and creative evolution of this art form and features an extended discussion and analysis of some of the most creative works of contemporary silent film scoring. Johnston draws upon his own career in both contemporary film music (working with directors Paul Mazursky, Henry Bean, Philip Haas and Doris Dörrie, among others) and in creating new scores for silent films by Browning, Méliès, Kinugasa, Murnau & Reiniger. Through this book, Johnston presents a discussion of music for silent films that contradicts long-held assumptions about what silent film music is and must be, with thought-provoking implications for both historical and contemporary film music.

Intersecting Film, Music, and Queerness

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Publisher : Springer
ISBN 13 : 1137454210
Total Pages : 270 pages
Book Rating : 4.1/5 (374 download)

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Book Synopsis Intersecting Film, Music, and Queerness by : Jack Curtis Dubowsky

Download or read book Intersecting Film, Music, and Queerness written by Jack Curtis Dubowsky and published by Springer. This book was released on 2016-04-08 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Intersecting Film, Music, and Queerness uses musicology and queer theory to uncover meaning and message in canonical American cinema. This study considers how queer readings are reinforced or nuanced through analysis of musical score. Taking a broad approach to queerness that questions heteronormative and homonormative patriarchal structures, binary relationships, gender assumptions and anxieties, this book challenges existing interpretations of what is progressive and what is retrogressive in cinema. Examined films include Bride of Frankenstein, Louisiana Story, Rudolph the Red-Nosed Reindeer, Blazing Saddles, Edward Scissorhands, Brokeback Mountain, Boys Don't Cry, Transamerica, Thelma & Louise, Go Fish and The Living End, with special attention given to films that subvert or complicate genre. Music is analyzed with concern for composition, intertextual references, absolute musical structures, song lyrics, recording, arrangement, and performance issues. This multidisciplinary work, featuring groundbreaking research, analysis, and theory, offers new close readings and a model for future scholarship.

Music in Films on the Middle Ages

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Author :
Publisher : Routledge
ISBN 13 : 1135927693
Total Pages : 248 pages
Book Rating : 4.1/5 (359 download)

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Book Synopsis Music in Films on the Middle Ages by : John Haines

Download or read book Music in Films on the Middle Ages written by John Haines and published by Routledge. This book was released on 2013-10-30 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the role of music in the some five hundred feature-length films on the Middle Ages produced between the late 1890s and the present day. Haines focuses on the tension in these films between the surviving evidence for medieval music and the idiomatic tradition of cinematic music. The latter is taken broadly as any musical sound occurring in a film, from the clang of a bell off-screen to a minstrel singing his song. Medieval film music must be considered in the broader historical context of pre-cinematic medievalisms and of medievalist cinema’s main development in the course of the twentieth century as an American appropriation of European culture. The book treats six pervasive moments that define the genre of medieval film: the church-tower bell, the trumpet fanfare or horn call, the music of banquets and courts, the singing minstrel, performances of Gregorian chant, and the music that accompanies horse-riding knights, with each chapter visiting representative films as case studies. These six signal musical moments, that create a fundamental visual-aural core central to making a film feel medieval to modern audiences, originate in medievalist works predating cinema by some three centuries.

The Early Film Music of Dmitry Shostakovich

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Publisher : Oxford University Press
ISBN 13 : 0199315159
Total Pages : 273 pages
Book Rating : 4.1/5 (993 download)

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Book Synopsis The Early Film Music of Dmitry Shostakovich by : Joan Titus

Download or read book The Early Film Music of Dmitry Shostakovich written by Joan Titus and published by Oxford University Press. This book was released on 2016-02-15 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the late 1920s, Dmitry Shostakovich emerged as one of the first Soviet film composers. With his first score for the silent film New Babylon (1928-29) and the many sound scores that followed, he was situated to observe and participate in the changing politics of the film industry and negotiate the role of the film composer. In The Early Film Music of Dmitry Shostakovich, author Joan Titus examines the relationship between musical narration, audience, filmmaker, and composer in six of Shostakovich's early film scores, from 1928 through 1936. Titus engages with the construct of Soviet intelligibility, the filmmaking and scoring processes, and the cultural politics of scoring Soviet film music, asking how listeners hear and see Shostakovich. The discussions of the scores are enriched by the composer's own writing on film music, along with archival materials and recently discovered musical manuscripts that illuminate the collaborative processes of the film teams, studios, and composer. The Early Film Music of Dmitry Shostakovich commingles film/media studies, musicology, and Russian studies , and is sure to be of interest to a wide audience including those in music studies, film/media scholars, and Slavicists.

The Encyclopedia of Musicians and Bands on Film

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Publisher : Rowman & Littlefield
ISBN 13 : 1442269871
Total Pages : 487 pages
Book Rating : 4.4/5 (422 download)

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Book Synopsis The Encyclopedia of Musicians and Bands on Film by : Melissa U. D. Goldsmith

Download or read book The Encyclopedia of Musicians and Bands on Film written by Melissa U. D. Goldsmith and published by Rowman & Littlefield. This book was released on 2016-10-07 with total page 487 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musicians, both fictional and real, have long been subjects of cinema. From biopics of composers Beethoven and Mozart to the rise (and often fall) of imaginary bands in The Commitments and Almost Famous, music of all types has inspired hundreds of films. The Encyclopedia of Musicians and Bands on Film features the most significant productions from around the world, including straightforward biographies, rockumentaries, and even the occasional mockumentary. The wide-ranging scope of this volume allows for the inclusion of films about fictional singers and bands, with emphasis on a variety of themes: songwriter–band relationships, the rise and fall of a career, music saving the day, the promoter’s point of view, band competitions, the traveling band, and rock-based absurdity. Among the films discussed in this book are Amadeus, The Blues Brothers, The Buddy Holly Story, The Commitments, Dreamgirls, The Glenn Miller Story, A Hard Day’s Night, I’m Not There, Jailhouse Rock, A Mighty Wind, Ray, ’Round Midnight, The Runaways, School of Rock, That Thing You Do!, and Walk the Line.With entries that span the decades and highlight a variety of music genres, The Encyclopedia of Musicians and Bands on Film is a valuable resource for moviegoers and music lovers alike, as well as scholars of both film and music.

Film, Form, and Culture

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Publisher : Taylor & Francis
ISBN 13 : 1003850928
Total Pages : 490 pages
Book Rating : 4.0/5 (38 download)

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Book Synopsis Film, Form, and Culture by : Robert P. Kolker

Download or read book Film, Form, and Culture written by Robert P. Kolker and published by Taylor & Francis. This book was released on 2024-03-29 with total page 490 pages. Available in PDF, EPUB and Kindle. Book excerpt: This fifth edition of Film, Form, and Culture offers a lively introduction to both the formal and cultural aspects of film. With extensive analysis of films past and present, this textbook explores how films are constructed from part to whole: from the smallest unit of the shot to the way shots are edited together to create narrative. Robert P. Kolker and Marsha Gordon demystify the technical aspects of filmmaking and demonstrate how fiction and nonfiction films engage with culture. Over 265 images provide a visual index to the films and issues being discussed. This new edition includes: an expanded examination of digital filmmaking and distribution in the age of streaming; attention to superhero films throughout; a significantly longer chapter on global cinema with new or enlarged sections on a variety of national cinemas (including cinema from Nigeria, Senegal, Burkina Faso, South Korea, Japan, India, Belgium, and Iran); new or expanded discussions of directors, including Alice Guy-Blaché, Lois Weber, Oscar Micheaux, Agnès Varda, Spike Lee, Julie Dash, Jafar Panahi, Ava DuVernay, Jane Campion, Jean-Pierre and Luc Dardenne and Penny Lane; and new, in-depth explorations of films, including Within Our Gates (1919), Black Girl (1966), Creed (2015), Moonlight (2016), Wonder Woman (2017), Get Out (2017), Black Panther (2018), Parasite (2019), Da 5 Bloods (2020), The French Dispatch (2021), The Power of the Dog (2021), RRR (2022), and Tár (2022). This textbook is an invaluable and exciting resource for students beginning film studies at undergraduate level. Additional resources for students and teachers can be found on the eResource, which includes case studies, discussion questions, and links to useful websites.

Sound and Image

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Publisher : CRC Press
ISBN 13 : 1000069761
Total Pages : 415 pages
Book Rating : 4.0/5 ( download)

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Book Synopsis Sound and Image by : Andrew Knight-Hill

Download or read book Sound and Image written by Andrew Knight-Hill and published by CRC Press. This book was released on 2020-05-26 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sound and Image: Aesthetics and Practices brings together international artist scholars to explore diverse sound and image practices, applying critical perspectives to interrogate and evaluate both the aesthetics and practices that underpin the audiovisual. Contributions draw upon established discourses in electroacoustic music, media art history, film studies, critical theory and dance; framing and critiquing these arguments within the context of diverse audiovisual practices. The volume’s interdisciplinary perspective contributes to the rich and evolving dialogue surrounding the audiovisual, demonstrating the value and significance of practice-informed theory, and theory derived from practice. The ideas and approaches explored within this book will find application in a wide range of contexts across the whole scope of audiovisuality, from visual music and experimental film, to narrative film and documentary, to live performance, sound design and into sonic art and electroacoustic music. This book is ideal for artists, composers and researchers investigating theoretical positions and compositional practices which bring together sound and image.

Sound

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Publisher : Rutgers University Press
ISBN 13 : 0813575516
Total Pages : 345 pages
Book Rating : 4.8/5 (135 download)

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Book Synopsis Sound by : Kathryn Kalinak

Download or read book Sound written by Kathryn Kalinak and published by Rutgers University Press. This book was released on 2015-05-01 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sound has always been an integral component of the moviegoing experience. Even during the so-called “silent era,” motion pictures were regularly accompanied by live music, lectures, and sound effects. Today, whether we listen to movies in booming Dolby theaters or on tiny laptop speakers, sonic elements hold our attention and guide our emotional responses. Yet few of us are fully aware of the tremendous collaborative work, involving both artistry and technical wizardry, required to create that cinematic soundscape. Sound, the latest book in the Behind the Silver Screen series, introduces key concepts, seminal moments, and pivotal figures in the development of cinematic sound. Each of the book’s six chapters cover a different era in the history of Hollywood, from silent films to the digital age, and each is written by an expert in that period. Together, the book’s contributors are able to explore a remarkable range of past and present film industry practices, from the hiring of elocution coaches to the marketing of soundtrack records. Not only does the collection highlight the achievements of renowned sound designers and film composers like Ben Burtt and John Williams, it also honors the unsung workers whose inventions, artistry, and performances have shaped the soundscapes of many notable movies. After you read Sound, you’ll never see—or hear—movies in quite the same way. Sound is a volume in the Behind the Silver Screen series—other titles in the series include Acting; Animation; Art Direction and Production Design; Cinematography; Costume, Makeup, and Hair; Directing; Editing and Special Visual Effects; Producing; and Screenwriting.

Music, Performance, and the Realities of Film

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Author :
Publisher : Routledge
ISBN 13 : 1135022550
Total Pages : 284 pages
Book Rating : 4.1/5 (35 download)

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Book Synopsis Music, Performance, and the Realities of Film by : Ben Winters

Download or read book Music, Performance, and the Realities of Film written by Ben Winters and published by Routledge. This book was released on 2014-02-05 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the relationship between narrative film and reality, as seen through the lens of on-screen classical concert performance. By investigating these scenes, wherein the performance of music is foregrounded in the narrative, Winters uncovers how concert performance reflexively articulates music's importance to the ontology of film. The book asserts that narrative film of a variety of aesthetic approaches and traditions is no mere copy of everyday reality, but constitutes its own filmic reality, and that the music heard in a film's underscore plays an important role in distinguishing film reality from the everyday. As a result, concert scenes are examined as sites for provocative interactions between these two realities, in which real-world musicians appear in fictional narratives, and an audience’s suspension of disbelief is problematised. In blurring the musical experiences of onscreen observers and participants, these concert scenes also allegorize music’s role in creating a shared subjectivity between film audience and character, and prompt Winters to propose a radically new vision of music’s role in narrative cinema wherein musical underscore becomes part of a shared audio-visual space that may be just as accessible to the characters as the music they encounter in scenes of concert performance.

Musical Sincerity and Transcendence in Film

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Publisher : Routledge
ISBN 13 : 0429874685
Total Pages : 218 pages
Book Rating : 4.4/5 (298 download)

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Book Synopsis Musical Sincerity and Transcendence in Film by : Timothy B. Cochran

Download or read book Musical Sincerity and Transcendence in Film written by Timothy B. Cochran and published by Routledge. This book was released on 2021-08-17 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musical Sincerity and Transcendence in Film focuses on the ways filmmakers treat music reflexively—that is, draw attention to what it is and what it can do. Examining a wide range of movies from recent decades including examples from Indiewood, teen film, and blockbuster cinema, the book explores two recurring ideas about music implied by foregrounded musical activity on screen: that music can be a potent means of sincere expression and genuine human connection and that music can enable transcendence of disenchantment and the mundane. As an historical musicologist, Timothy Cochran explores these assumptions through analysis of musical style, aesthetic implications, and narrative strategy while treating the ideas as historically-grounded and culturally-situated with conceptual origins often lying outside of film. The book covers eclectic critical terrain to highlight various layers of musical sincerity and transcendence in film, including the nineteenth-century aesthetics of E.T.A. Hoffmann, David Foster Wallace’s literary resistance to irony (sometimes called the New Sincerity), strategies of self-revelation in singer-songwriter repertoires, Lionel Trilling’s distinction between sincerity and authenticity, theories of play, David Nye’s notion of the American technological sublime, and Svetlana Boym’s writings on nostalgia. These lenses reveal that film is a way of perpetuating, revising, and critiquing ideas about music and that music in film is a potent means of exploring broader social, emotional, and spiritual desires.

The Music of Counterculture Cinema

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Author :
Publisher : McFarland
ISBN 13 : 0786475420
Total Pages : 216 pages
Book Rating : 4.7/5 (864 download)

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Book Synopsis The Music of Counterculture Cinema by : Mathew J. Bartkowiak

Download or read book The Music of Counterculture Cinema written by Mathew J. Bartkowiak and published by McFarland. This book was released on 2015-06-29 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Films produced in late 1960s and early 1970s America--along with later films focusing on that period--continue to frame our understanding of the counterculture era. The popular and experimental music of the day is central to the counterculture narrative on film, from the utopian Monterey Pop (1968) to the disenchantment of Gimme Shelter (1970). But the musical side of the movement was not monolithic, and a study of contemporary film soundtracks reveals a great deal of complexity. The coinciding struggles to define collective and individual identities based on race, class, gender and generation are well documented in the music of counterculture cinema.