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The Poetics Of Authorship In The Later Middle Ages
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Book Synopsis The Ethical Poetic of the Later Middle Ages by : Judson Boyce Allen
Download or read book The Ethical Poetic of the Later Middle Ages written by Judson Boyce Allen and published by University of Toronto Press. This book was released on 1982-12-15 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study of the definition of literature in the late medieval period is based on manuals of writing and on literary commentary and glosses. It defines a method of reading which may now profitably explain medieval texts, and identifies new primary medieval evidence which may ground and guide new reading. Allen chooses texts whose commentary tradition provides the greatest opportunity for completeness. The most important of these is Ovid’s Metamorphoses. Medieval readings of Ovid bring into focus a number of major literary questions—the problems of fable and fiction, of unity imposed by miscellany poetry, of allegorical commentary, and of Christian use of pagan culture—all in connection with text which furnished medieval authors with more stories than any other single source except possibly the Bible. Allen also studies commentaries on the Consolation of Philosophy of Boethius, the Thebaid of Statius, the De nuptiis of Martianus Capella, the medieval Christian hymn-book, and the Poetria nova of Geoffrey of Vinsauf. Together these texts represent the range of medieval literature—a literature which, Allen concludes, was taken as direct ethical discourse, logically conducted and artfully organized within a system of language that also assimilated the natural world and sought to absorb its audience.
Book Synopsis Gender, Poetry, and the Form of Thought in Later Medieval Literature by : Jennifer Jahner
Download or read book Gender, Poetry, and the Form of Thought in Later Medieval Literature written by Jennifer Jahner and published by Rowman & Littlefield. This book was released on 2022-02-09 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the course of her career, Elizabeth Robertson has pursued innovative scholarship that investigates the overlapping domains of medieval philosophy, literature, and gender studies. This collection of essays, dedicated to her work, examines gender as a construct of language, a mode of embodiment, and a critical framework for thinking about the past. Its eleven contributors approach the figure of the gendered body in medieval English writing along several axes: poetic, philosophical, material-textual, and historical. The volume focuses on the ways that the medieval body becomes a site of inquiry and agency, whether in the form of the idealized feminine body of secular and religious lyric, the sexually permissive and permeable body of fabliau, or the intercessory body of religious devotional writing. The essays span a broad range of medieval literary works, from the lais of Marie de France to Pearl to Piers Plowman and the poetry of Geoffrey Chaucer, and a broad range of methodological approaches, from philosophy to affect and manuscript studies. Taken together, they celebrate the scholarly career of Elizabeth Robertson while also presenting a coherent and multifaceted investigation of the intersections of gender and medieval literary practice.
Book Synopsis Scribal Authorship and the Writing of History in Medieval England by : Matthew Fisher
Download or read book Scribal Authorship and the Writing of History in Medieval England written by Matthew Fisher and published by Interventions: New Studies Med. This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on new readings of some of the least-read texts by some of the best-known scribes of later medieval England, Scribal Authorship and the Writing of History in Medieval England reconceptualizes medieval scribes as authors, and the texts surviving in medieval manuscripts as authored. Culling evidence from history writing in later medieval England, Matthew Fisher concludes that we must reject the axiomatic division between scribe and author. Using the peculiarities of authority and intertextuality unique to medieval historiography, Fisher exposes the rich ambiguities of what it means for medieval scribes to "write" books. He thus frames the composition, transmission, and reception--indeed, the authorship--of some medieval texts as scribal phenomena. History writing is an inherently intertextual genre: in order to write about the past, texts must draw upon other texts. Scribal Authorship demonstrates that medieval historiography relies upon quotation, translation, and adaptation in such a way that the very idea that there is some line that divides author from scribe is an unsustainable and modern critical imposition. Given the reality that a scribe's work was far more nuanced than the simplistic binary of error and accuracy would suggest, Fisher completely overturns many of our assumptions about the processes through which manuscripts were assembled and texts (both canonical literature and the less obviously literary) were composed.
Download or read book From Song to Book written by Sylvia Huot and published by Cornell University Press. This book was released on 2019-05-15 with total page 531 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-century poetics. In this generously illustrated volume, Huot examines manuscript texts both from the performance-oriented lyric tradition of chanson courtoise, or courtly love lyric, and from the self-consciously literary tradition of Old French narrative poetry. She demonstrates that the evolution of the lyrical romance and dit, narrative poems which incorporate thematic and rhetorical elements of the lyric, was responsible for a progressive redefinition of lyric poetry as a written medium and the emergence of an explicitly written literary tradition uniting lyric and narrative poetics. Huot first investigates the nature of the vernacular book in the thirteenth and fourteenth centuries, analyzing organization, page layout, rubrication, and illumination in a series of manuscripts. She then describes the relationship between poetics and manuscript format in specific texts, including works by widely read medieval authors such as Guillaume de Lorris, Jean de Meun, and Guillaume de Machaut, as well as by lesser-known writers including Nicole de Margival and Watriquet de Couvin. Huot focuses on the writers' characteristic modifications of lyric poetics; their use of writing and performance as theme; their treatment of the poet as singer or writer; and of the lady as implied reader or listener; and the ways in which these features of the text were elaborated by scribes and illuminators. Her readings reveal how medieval poets and book-makers conceived their common project, and how they distinguished their respective roles.
Author :Burt Kimmelman Publisher :Peter Lang Incorporated, International Academic Publishers ISBN 13 : Total Pages :314 pages Book Rating :4.F/5 ( download)
Book Synopsis The Poetics of Authorship in the Later Middle Ages by : Burt Kimmelman
Download or read book The Poetics of Authorship in the Later Middle Ages written by Burt Kimmelman and published by Peter Lang Incorporated, International Academic Publishers. This book was released on 1996 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Literary individualism first manifests itself in the twelfth century in word puzzles and overt self-naming, as well as in discussions about the nature of writing and the role of the poet in the world. Guillem IX, Marcabru, Dante, Chaucer, and Langland were poets and intellectuals. This engaging study traces their claims of authorship, not to a need for what modernity views as self-promotion, but rather to their interests in contemporary philosophical debates. Yet in their creations of both history and fiction, these poets anticipated modern narrative and its literary persona.
Book Synopsis Excrement in the Late Middle Ages by : S. Morrison
Download or read book Excrement in the Late Middle Ages written by S. Morrison and published by Springer. This book was released on 2008-09-15 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: This interdisciplinary book intergrates the historical practices regarding material excrement and its symbolic representation, concluding that excrement is a moral and ethical category deserving scrutiny.
Book Synopsis Poetry, Bible and Theology from Late Antiquity to the Middle Ages by : Michele Cutino
Download or read book Poetry, Bible and Theology from Late Antiquity to the Middle Ages written by Michele Cutino and published by Walter de Gruyter GmbH & Co KG. This book was released on 2020-07-06 with total page 769 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines for the first time the most important methodological issues concerning Christian poetry – i.e. biblical and theological poetry in classical meters – from a diachronic perspective. Thus, it is possible to evaluate the doctrinal significance of these compositions and the role that they play in the development of Christian theological ideas and biblical exegesis.
Book Synopsis English Poets in the Late Middle Ages by : John A. Burrow
Download or read book English Poets in the Late Middle Ages written by John A. Burrow and published by Routledge. This book was released on 2018-02-06 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together a selection of lectures and essays in which J.A. Burrow discusses the work of English poets of the late fourteenth and early fifteenth centuries: Chaucer, Gower, Langland, and Hoccleve, as well as the anonymous authors of Pearl, Saint Erkenwald, and a pair of metrical romances. Six of the pieces address general issues, with some reference to French and Italian writings ('Autobiographical Poetry in the Middle Ages', for example, or 'The Poet and the Book'); but most of them concentrate on particular English poems, such as Chaucer's Envoy to Scogan, Gower's Confessio Amantis, Langland's Piers Plowman, and Hoccleve's Series. Although some of the essays take account of the poet's life and times ('Chaucer as Petitioner', 'Hoccleve and the 'Court''), most are mainly concerned with the meaning and structure of the poems. What, for example, does the hero of Ipomadon hope to achieve by fighting, as he always does, incognito? Why do the stories in Piers Plowman all peter out so inconclusively? And how can it be that the narrator in Chaucer's Book of the Duchess so persistently fails to understand what he is told?
Download or read book Strange Footing written by Seeta Chaganti and published by University of Chicago Press. This book was released on 2018-05-30 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: For premodern audiences, poetic form did not exist solely as meter, stanzas, or rhyme scheme. Rather, the form of a poem emerged as an experience, one generated when an audience immersed in a culture of dance encountered a poetic text. Exploring the complex relationship between medieval dance and medieval poetry, Strange Footing argues that the intersection of texts and dance produced an experience of poetic form based in disorientation, asymmetry, and even misstep. Medieval dance guided audiences to approach poetry not in terms of the body’s regular marking of time and space, but rather in the irregular and surprising forces of virtual motion around, ahead of, and behind the dancing body. Reading medieval poems through artworks, paintings, and sculptures depicting dance, Seeta Chaganti illuminates texts that have long eluded our full understanding, inviting us to inhabit their strange footings askew of conventional space and time. Strange Footing deploys the motion of dance to change how we read medieval poetry, generating a new theory of poetic form for medieval studies and beyond.
Download or read book Engaging Words written by L. Amtower and published by Springer. This book was released on 2016-04-30 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Acts of reading appear everywhere in the late Middle Ages, from the margins of Books of Hours to self-portraits of authors in their studies. What relevance did this image have for the late medieval imagination? Engaging Words is an interdisciplinary study on the conception of reading in late medieval society. Beginning with an examination of the social conditions that produced a viable reading public, the book proceeds to examine popular tastes, the interrelationship between manuscript form and content, and finally the theory and poetry of late medieval authors. By drawing on images from late medieval culture as well as from historical documents and literary texts, Engaging Words shows how reading became a cultural metaphor in the late Middle Ages that transformed the way the Western world thought about identity and social roles.
Book Synopsis The Presentation of Authorship in Medieval German Narrative Literature 1220-1290 by : Sebastian Coxon
Download or read book The Presentation of Authorship in Medieval German Narrative Literature 1220-1290 written by Sebastian Coxon and published by Clarendon Press. This book was released on 2001 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book sheds light on the complexity of medieval German literary culture as it evolved in the course of the thirteenth century (c. 1220-1920) by analysing the attitudes of narrative poets towards the issue of authorship. It describes the various ways in which vernacular writers could address the theme of their own authorship within their literary works, and explores the tensions that arose between such authorial strategies on the one hand and their subsequent manuscript transmission on the other.
Book Synopsis Vernacular Aesthetics in the Later Middle Ages by : Katharine W. Jager
Download or read book Vernacular Aesthetics in the Later Middle Ages written by Katharine W. Jager and published by Palgrave Macmillan. This book was released on 2020-08-14 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vernacular Aesthetics in the Later Middle Ages explores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval French and English cultures. This collection of essays considers the extra-literary and extra-textual methods by which vernacular forms and genres were obtained and examines the roles that performance and orality play in the reception and dissemination of those genres, arguing that late medieval vernacular forms can be used to delineate the interests and perspectives of the subaltern. Via an interdisciplinary approach, contributors use theories of multimodality, translation, manuscript studies, sound studies, gender studies, and activist New Formalism to address how and for whom popular, vernacular medieval forms were made.
Download or read book Sung Birds written by Elizabeth Eva Leach and published by Cornell University Press. This book was released on 2018-07-05 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is birdsong music? The most frequent answer to this question in the Middle Ages was resoundingly "no." In Sung Birds, Elizabeth Eva Leach traces postmedieval uses of birdsong within Western musical culture. She first explains why such melodious sound was not music for medieval thinkers and then goes on to consider the ontology of music, the significance of comparisons between singers and birds, and the relationship between art and nature as enacted by the musical performance of late-medieval poetry. If birdsong was not music, how should we interpret the musical depiction of birdsong in human music-making? What does it tell us about the singers, their listeners, and the moral status of secular polyphony? Why was it the fourteenth century that saw the beginnings of this practice, continued to this day in the music of Messiaen and others?Leach explores medieval arguments about song, language, and rationality whose basic terms survive undiminished into the present. She considers not only lyrics that have their singers voice the songs or speech of birds but also those that represent other natural, nonmusical, sounds such as human cries or the barks of dogs. The dangerous sweetness of birdsong was invoked in discussions of musical ethics, which, because of the potential slippage between irrational beast and less rational woman in comparisons with rational human masculinity, depict women's singing as less than fully human. Leach's argument comes full circle with the advent of sound recording. This technological revolution-like its medieval equivalent, the invention of the music book-once again made the relationship between music and nature an acute preoccupation of Western culture.
Author :Cristina Maria Cervone Publisher :University of Pennsylvania Press ISBN 13 :0812244516 Total Pages :322 pages Book Rating :4.8/5 (122 download)
Book Synopsis Poetics of the Incarnation by : Cristina Maria Cervone
Download or read book Poetics of the Incarnation written by Cristina Maria Cervone and published by University of Pennsylvania Press. This book was released on 2012 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author explores the work of fourteenth-century writers who discussed the intellectual implications of the religious idea of Incarnation in poetical and rhetorical forms. The book then goes on to discuss how the Incarnation of Christ allowed writers to meditate on the nature of language and form.
Book Synopsis The Medieval Poetics of the Reliquary by : S. Chaganti
Download or read book The Medieval Poetics of the Reliquary written by S. Chaganti and published by Springer. This book was released on 2008-09-29 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through interdisciplinary readings of medieval literature and devotional artifacts, The Medieval Poetics of the Reliquary shows how reliquaries shaped ideas about poetry and poetics in late-medieval England.
Book Synopsis Practicing Literary Theory in the Middle Ages by : Eleanor Johnson
Download or read book Practicing Literary Theory in the Middle Ages written by Eleanor Johnson and published by University of Chicago Press. This book was released on 2013-05-11 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Literary scholars often avoid the category of the aesthetic in discussions of ethics, believing that purely aesthetic judgments can vitiate analyses of a literary work’s sociopolitical heft and meaning. In Practicing Literary Theory in the Middle Ages, Eleanor Johnson reveals that aesthetics—the formal aspects of literary language that make it sense-perceptible—are indeed inextricable from ethics in the writing of medieval literature. Johnson brings a keen formalist eye to bear on the prosimetric form: the mixing of prose with lyrical poetry. This form descends from the writings of the sixth-century Christian philosopher Boethius—specifically his famous prison text, Consolation of Philosophy—to the late medieval English tradition. Johnson argues that Boethius’s text had a broad influence not simply on the thematic and philosophical content of subsequent literary writing, but also on the specific aesthetic construction of several vernacular traditions. She demonstrates the underlying prosimetric structures in a variety of Middle English texts—including Chaucer’s Troilus and Criseyde and portions of the Canterbury Tales, Thomas Usk’s Testament of Love, John Gower’s Confessio amantis, and Thomas Hoccleve’s autobiographical poetry—and asks how particular formal choices work, how they resonate with medieval literary-theoretical ideas, and how particular poems and prose works mediate the tricky business of modeling ethical transformation for a readership.
Download or read book Alone Together written by Henry Berlin and published by University of Toronto Press. This book was released on 2021 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alone Together reinterprets the explosion of sentimental poetry and prose in fifteenth-century Iberia.
