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The Nineteenth Century British Novel
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Book Synopsis The Effective Protagonist in the Nineteenth-Century British Novel by : Terence Dawson
Download or read book The Effective Protagonist in the Nineteenth-Century British Novel written by Terence Dawson and published by Routledge. This book was released on 2016-03-23 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Effective Protagonist in the Nineteenth-Century British Novel is an experiment in post-Jungian literary criticism and methodology. Its primary aim is to challenge current views about the correlation between narrative structure, gender, and the governing psychological dilemma in four nineteenth-century British novels. The overarching argument is that the opening situation in a novel represents an implicit challenge facing not the obvious hero/heroine but the individual that Terence Dawson defines as the "effective protagonist." To illustrate his claim, Dawson pairs two sets of novels with unexpectedly comparable dilemmas: Ivanhoe with The Picture of Dorian Gray and Wuthering Heights with Silas Marner. In all four novels, the effective protagonist is an apparently minor figure whose crucial function in the ordering of the events has been overlooked. Rereading these well-known texts in relation to hitherto neglected characters uncovers startling new issues at their heart and demonstrates innovative ways of exploring both narrative and literary tradition.
Book Synopsis The Nineteenth-Century English Novel by : J. Kilroy
Download or read book The Nineteenth-Century English Novel written by J. Kilroy and published by Springer. This book was released on 2007-04-02 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through analysis of eight English novels of the Nineteenth century, this work explores the ways in which the novel contributes to the formation of ideology regarding the family, and, conversely, the ways in which changing attitudes toward the family shape and reshape the novel.
Download or read book Theater Figures written by Emily Allen and published by Ohio State University Press. This book was released on 2003 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why did nineteenth-century novels return, over again, to the scene of theater? Emily Allen argues that theater provided nineteenth-century novels, novelists, and critics with a generic figure that allowed them to position particular novels and novelistic genres within a complex literary field. Novel genres high and low, male and female, public and private, realistic and romantic, all came to identify themselves within a set of coordinates that included--if only for the purpose of exclusion--the spectacular figure of theater. This figure likewise provided a trope around and against which to construct images of readers and authors, images that most frequently worked to mediate between the supposedly private acts of reading and writing and the very public facts of the print market. In readings of novels by Burney, Austen, Scott, Dickens, Jewsbury, Flaubert, Braddon, and Moore, Allen shows how frequently theater appears as figure in novels of the nineteenth century, and how theater figures--actively and importantly--in what we have come to look back on as the history of the nineteenth-century novel. "Theater Figures thus offers a new model for thinking about how theater helped produce changes in the nineteenth-century literary market. While previous critics have considered theater as an enabling foil for the novel--either a constitutive opposite or constructive ally--Allen demonstrates how theater figures and tropes were used to negotiate competition among the novels and novelists eagerly seeking their share of the literary limelight.
Book Synopsis Reading the Nineteenth-century Novel by : Alison Case
Download or read book Reading the Nineteenth-century Novel written by Alison Case and published by Wiley-Blackwell. This book was released on 2008 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Jane Austen's Persuasion to George Eliot's Middlemarch, the nineteenth century marks the rise of the novel as the dominant form of Western literature. This engaging text offers readers a close analysis of novels that are uniquely representative of the time period, including the work of Austen, Eliot, Scott, Thackeray, Gaskell, Dickens, Trollope, Braddon, and the Brontë sisters. An indispensable resource for students and teachers alike, this accessible guidebook: Places strong emphasis on the distinctive perspectives and discursive practices of narrators Provides in-depth analyses of individual passages Highlights the differences between the assumptions and experiences of the era in which the novels were written and those of the modern reader Draws key distinctions between novelists Explores significant theoretical approaches such as Foucauldian, New Historicist, Postcolonial, and feminist criticism Offers an overview of the social, economic, and political change that was influenced by the fiction of the time.
Book Synopsis Missionary Cosmopolitanism in Nineteenth-Century British Literature by : Winter Jade Werner
Download or read book Missionary Cosmopolitanism in Nineteenth-Century British Literature written by Winter Jade Werner and published by . This book was released on 2023-05-08 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the missionary roots of cosmopolitanism through Romantic and Victorian literature, revealing the interconnectedness between evangelically motivated imperialisms and secularized cosmopolitanism.
Book Synopsis Space and Narrative in the Nineteenth-Century British Historical Novel by : Tom Bragg
Download or read book Space and Narrative in the Nineteenth-Century British Historical Novel written by Tom Bragg and published by Routledge. This book was released on 2016-03-31 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Demonstrating that nineteenth-century historical novelists played their rational, trustworthy narrators against shifting and untrustworthy depictions of space and place, Tom Bragg argues that the result was a flexible form of fiction that could be modified to reflect both the different historical visions of the authors and the changing aesthetic tastes of the reader. Bragg focuses on Scott, William Harrison Ainsworth, and Edward Bulwer Lytton, identifying links between spatial representation and the historical novel's multi-generic rendering of history and narrative. Even though their understanding of history and historical process could not be more different, all writers employed space and place to mirror narrative, stimulate discussion, interrogate historical inquiry, or otherwise comment beyond the rational, factual narrator's point of view. Bragg also traces how landscape depictions in all three authors' works inculcated heroic masculine values to show how a dominating theme of the genre endures even through widely differing versions of the form. In taking historical novels beyond the localized questions of political and regional context, Bragg reveals the genre's relevance to general discussions about the novel and its development. Nineteenth-century readers of the novel understood historical fiction to be epic and serious, moral and healthful, patriotic but also universal. Space and Narrative in the Nineteenth-Century British Historical Novel takes this readership at its word and acknowledges the complexity and diversity of the form by examining one of its few continuous features: a flexibly metaphorical valuation of space and place.
Book Synopsis Replotting Marriage in Nineteenth-century British Literature by : Jill Nicole Galvan
Download or read book Replotting Marriage in Nineteenth-century British Literature written by Jill Nicole Galvan and published by . This book was released on 2018-06 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Top scholars in Victorian studies reexamine questions about marriage and the marriage plot from cutting-edge perspectives.
Book Synopsis Sympathetic Realism in Nineteenth-Century British Fiction by : Rae Greiner
Download or read book Sympathetic Realism in Nineteenth-Century British Fiction written by Rae Greiner and published by JHU Press. This book was released on 2012-11-16 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rae Greiner proposes that sympathy is integral to the form of the classic nineteenth-century realist novel. Following the philosophy of Adam Smith, Greiner argues that sympathy does more than foster emotional identification with others; it is a way of thinking along with them. By abstracting emotions, feelings turn into detached figures of speech that may be shared. Sympathy in this way produces realism; it is the imaginative process through which the real is substantiated. In Sympathetic Realism in Nineteenth-Century British Fiction Greiner shows how this imaginative process of sympathy is written into three novelistic techniques regularly associated with nineteenth-century fiction: metonymy, free indirect discourse, and realist characterization. She explores the work of sentimentalist philosophers David Hume, Adam Smith, and Jeremy Bentham and realist novelists Jane Austen, Charles Dickens, George Eliot, Joseph Conrad, and Henry James. -- Adela Pinch, University of Michigan
Book Synopsis The Exotic Woman in Nineteenth-century British Fiction and Culture by : Piya Pal-Lapinski
Download or read book The Exotic Woman in Nineteenth-century British Fiction and Culture written by Piya Pal-Lapinski and published by UPNE. This book was released on 2005 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fresh and provocative approach to representations of exotic women in Victorian Britain.
Book Synopsis Romances of Free Trade by : Ayse Celikkol
Download or read book Romances of Free Trade written by Ayse Celikkol and published by Oxford University Press. This book was released on 2011-08-03 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring works by Walter Scott, Harriet Martineau, Charlotte Brontë, Charles Dickens, and their lesser-known contemporaries, Romances of Free Trade historicizes globalization as it traces the perception of dissolving borders and declining national sovereignty back into the nineteenth century. The book offers a new account of the cultural work of romance in nineteenth-century Britain. Çelikkol argues that novelists and playwrights employed this genre to represent a radically new historical formation: the emergence of a globalized free-market economy. In previous centuries, the British state had pursued an economic policy that chose domestic goods over foreign ones. Through the first half of the nineteenth century, liberal economists maintained that commodity traffic across national borders should move outside the purview of the state, a position and practice that began to take hold as the century progressed. Amid the transformation, Britons pondered the vertiginous effects of rapidly accelerating economic circulation. Would patriotic attachment to the homeland dissolve along with the preference for domestic goods? How would the nation and the empire fare if commerce became uncontrollable? The literary genre of romance, characterized by protagonists who drift in lawless spaces, played a meaningful role in addressing such pressing questions. From the figure of the smuggler to the episodic plot structure, romance elements in fiction and drama narrated and made tangible the sprawling global markets and fluid capital that were reshaping the world. In addition to clear-eyed close readings of nineteenth-century novels and plays, Çelikkol draws on the era's major economic theorists, figures like Adam Smith and Thomas Malthus, to vividly illustrate the manifold ways the romance genre engaged with these emerging financial changes.
Book Synopsis Disorienting Fiction by : James Buzard
Download or read book Disorienting Fiction written by James Buzard and published by Princeton University Press. This book was released on 2009-01-10 with total page 331 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book gives an ambitious revisionist account of the nineteenth-century British novel and its role in the complex historical process that ultimately gave rise to modern anthropology's concept of culture and its accredited researcher, the Participant Observer. Buzard reads the great nineteenth-century novels of Charles Dickens, Charlotte Brontë, George Eliot, and others as "metropolitan autoethnographies" that began to exercise and test the ethnographic imagination decades in advance of formal modern ethnography--and that did so while focusing on Western European rather than on distant Oriental subjects. Disorienting Fiction shows how English Victorian novels appropriated and anglicized an autoethnographic mode of fiction developed early in the nineteenth century by the Irish authors of the National Tale and, most influentially, by Walter Scott. Buzard demonstrates that whereas the fiction of these non-English British subjects devoted itself to describing and defending (but also inventing) the cultural autonomy of peripheral regions, the English novels that followed them worked to imagine limited and mappable versions of English or British culture in reaction against the potential evacuation of cultural distinctiveness threatened by Britain's own commercial and imperial expansion. These latter novels attempted to forestall the self-incurred liabilities of a nation whose unprecedented reach and power tempted it to universalize and export its own customs, to treat them as simply equivalent to a globally applicable civilization. For many Victorian novelists, a nation facing the prospect of being able to go and to exercise its influence just about anywhere in the world also faced the danger of turning itself into a cultural nowhere. The complex autoethnographic work of nineteenth-century British novels was thus a labor to disorient or de-globalize British national imaginings, and novelists mobilized and freighted with new significance some basic elements of prose narrative in their efforts to write British culture into being. Sure to provoke debate, this book offers a commanding reassessment of a major moment in the history of British literature.
Book Synopsis British Short Fiction in the Early Nineteenth Century by : Tim Killick
Download or read book British Short Fiction in the Early Nineteenth Century written by Tim Killick and published by Routledge. This book was released on 2016-05-23 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: In spite of the importance of the idea of the 'tale' within Romantic-era literature, short fiction of the period has received little attention from critics. Contextualizing British short fiction within the broader framework of early nineteenth-century print culture, Tim Killick argues that authors and publishers sought to present short fiction in book-length volumes as a way of competing with the novel as a legitimate and prestigious genre. Beginning with an overview of the development of short fiction through the late eighteenth century and analysis of the publishing conditions for the genre, including its appearance in magazines and annuals, Killick shows how Washington Irving's hugely popular collections set the stage for British writers. Subsequent chapters consider the stories and sketches of writers as diverse as Mary Russell Mitford and James Hogg, as well as didactic short fiction by authors such as Hannah More, Maria Edgeworth, and Amelia Opie. His book makes a convincing case for the evolution of short fiction into a self-conscious, intentionally modern form, with its own techniques and imperatives, separate from those of the novel.
Book Synopsis Populating the Novel by : Emily Steinlight
Download or read book Populating the Novel written by Emily Steinlight and published by Cornell University Press. This book was released on 2018-03-15 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the teeming streets of Dickens's London to the households of domestic fiction, nineteenth-century British writers constructed worlds crammed beyond capacity with human life. In Populating the Novel, Emily Steinlight contends that rather than simply reflecting demographic growth, such pervasive literary crowding contributed to a seismic shift in British political thought. She shows how the nineteenth-century novel in particular claimed a new cultural role as it took on the task of narrating human aggregation at a moment when the Malthusian specter of surplus population suddenly and quite unexpectedly became a central premise of modern politics. In readings of novels by Mary Shelley, Elizabeth Gaskell, Charles Dickens, Mary Braddon, Thomas Hardy, and Joseph Conrad that link fiction and biopolitics, Steinlight brings the crowds that pervade nineteenth-century fiction into the foreground. In so doing, she transforms the subject and political stakes of the Victorian novel, dislodging the longstanding idea that its central category is the individual by demonstrating how fiction is altered by its emerging concern with population. By overpopulating narrative space and imagining the human species perpetually in excess of the existing social order, she shows, fiction made it necessary to radically reimagine life in the aggregate.
Book Synopsis English Origins, Jewish Discourse, and the Nineteenth-century British Novel by : Heidi Kaufman
Download or read book English Origins, Jewish Discourse, and the Nineteenth-century British Novel written by Heidi Kaufman and published by Cambridge University Press. This book was released on 2009 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the embedding of Jewish history and culture in depictions of English racial and national identity in nineteenth-century novels.
Download or read book Sylvie and Bruno written by Lewis Carroll and published by London ; New York : Macmillan. This book was released on 1889 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1889, this novel has two main plots; one set in the real world at the time the book was published (the Victorian era), the other in the fictional world of Fairyland.
Book Synopsis Nineteenth-Century Britain: A Very Short Introduction by : Christopher Harvie
Download or read book Nineteenth-Century Britain: A Very Short Introduction written by Christopher Harvie and published by Oxford Paperbacks. This book was released on 2000-08-10 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published as part of the best-selling The Oxford Illustrated History of Britain, Christopher Harvie and Colin Matthew's Very Short Introduction to Nineteenth-Century Britain is a sharp but subtle account of remarkable economic and social change and an even more remarkable political stability. Britain in 1789 was overwhelmingly rural, agrarian, multilingual, and almost half Celtic. By 1914, when it faced its greatest test since the defeat of Napoleon, it was largely urban and English. Christopher Harvie and Colin Matthew show the forces behind Britain's rise to its imperial zenith, and the continuing tensions within the nations and classes of the 'union state'. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Book Synopsis Literature and Dance in Nineteenth-Century Britain by : Cheryl A. Wilson
Download or read book Literature and Dance in Nineteenth-Century Britain written by Cheryl A. Wilson and published by Cambridge University Press. This book was released on 2009-03-26 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first full-length study of the treatment of social dance in the literature of the nineteenth century.
