The Musicology Of Record Production

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The Art of Record Production

Author : Simon Zagorski-Thomas
Publisher : Routledge
ISBN 13 : 1315467631
Total Pages : 359 pages
Book Rating : 4.3/5 (154 download)

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Book Synopsis The Art of Record Production by : Simon Zagorski-Thomas

Download or read book The Art of Record Production written by Simon Zagorski-Thomas and published by Routledge. This book was released on 2019-07-01 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but also musical aesthetics more generally. Record production can, indeed, be treated as part of the creative process of composition. At the same time, training in the use of these forms of technology has moved from an apprentice-based system into university education. Musical education and music research are thus intersecting to produce a new academic field: the history and analysis of the production of recorded music. This book is designed as a general introductory reader, a text book for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals. This collection gives students and scholars a broad overview of the way in which academics from the analytical and practice-based areas of the university system can be brought together with industry professionals to explore the ways in which this new academic field should progress.

The Musicology of Record Production

Author : Simon Zagorski-Thomas
Publisher : Cambridge University Press
ISBN 13 : 1139993518
Total Pages : 279 pages
Book Rating : 4.1/5 (399 download)

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Book Synopsis The Musicology of Record Production by : Simon Zagorski-Thomas

Download or read book The Musicology of Record Production written by Simon Zagorski-Thomas and published by Cambridge University Press. This book was released on 2014-08-14 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. He combines ideas from the ecological approach to perception, embodied cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production. A wide range of examples from Zagorski-Thomas's professional experience reveal these ideas in action.

The Musicology of Record Production

Author : Simon Zagorski-Thomas
Publisher : Cambridge University Press
ISBN 13 : 1107075645
Total Pages : 279 pages
Book Rating : 4.1/5 (7 download)

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Book Synopsis The Musicology of Record Production by : Simon Zagorski-Thomas

Download or read book The Musicology of Record Production written by Simon Zagorski-Thomas and published by Cambridge University Press. This book was released on 2014-08-14 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: Simon Zagorski-Thomas sets out a framework for the study of record production using current ideas from psychology and sociology.

The Art of Record Production

Author : Richard James Burgess
Publisher : Omnibus Press
ISBN 13 :
Total Pages : 250 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis The Art of Record Production by : Richard James Burgess

Download or read book The Art of Record Production written by Richard James Burgess and published by Omnibus Press. This book was released on 1997 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: What kind of producer do you want to be? - How do you get started? - What's the job description? - Will they still love you tomorrow - Producer managers - How do you deal with the artist, the record company and the artist's manager? - Lawyers - Difficulties and pitfalls - Success and money - What are the timeless ingredients in a hit record? - Frequently asked questions - Is classical, jazz and country production any different from rock, pop and R & B? - Technology rules - The final cut.

The Cambridge Companion to Recorded Music

Author : Nicholas Cook
Publisher : Cambridge University Press
ISBN 13 : 0521865824
Total Pages : 381 pages
Book Rating : 4.5/5 (218 download)

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Book Synopsis The Cambridge Companion to Recorded Music by : Nicholas Cook

Download or read book The Cambridge Companion to Recorded Music written by Nicholas Cook and published by Cambridge University Press. This book was released on 2009-11-26 with total page 381 pages. Available in PDF, EPUB and Kindle. Book excerpt: Featuring fascinating accounts from practitioners, this Companion examines how developments in recording have transformed musical culture.

Gender in Music Production

Author : Russ Hepworth-Sawyer
Publisher : CRC Press
ISBN 13 : 0429875851
Total Pages : 276 pages
Book Rating : 4.4/5 (298 download)

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Book Synopsis Gender in Music Production by : Russ Hepworth-Sawyer

Download or read book Gender in Music Production written by Russ Hepworth-Sawyer and published by CRC Press. This book was released on 2020-04-07 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: The field of music production has for many years been regarded as male-dominated. Despite growing acknowledgement of this fact, and some evidence of diversification, it is clear that gender representation on the whole remains quite unbalanced. Gender in Music Production brings together industry leaders, practitioners, and academics to present and analyze the situation of gender within the wider context of music production as well as to propose potential directions for the future of the field. This much-anticipated volume explores a wide range of topics, covering historical and contextual perspectives on women in the industry, interviews, case studies, individual position pieces, as well as informed analysis of current challenges and opportunities for change. Ground-breaking in its synthesis of perspectives, Gender in Music Production offers a broadly considered and thought-provoking resource for professionals, students, and researchers working in the field of music production today.

Producing Music

Author : Russ Hepworth-Sawyer
Publisher : Routledge
ISBN 13 : 1351815091
Total Pages : 352 pages
Book Rating : 4.3/5 (518 download)

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Book Synopsis Producing Music by : Russ Hepworth-Sawyer

Download or read book Producing Music written by Russ Hepworth-Sawyer and published by Routledge. This book was released on 2019-03-28 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the last two decades, the field of music production has attracted considerable interest from the academic community, more recently becoming established as an important and flourishing research discipline in its own right. Producing Music presents cutting-edge research across topics that both strengthen and broaden the range of the discipline as it currently stands. Bringing together the academic study of music production and practical techniques, this book illustrates the latest research on producing music. Focusing on areas such as genre, technology, concepts, and contexts of production, Hepworth-Sawyer, Hodgson, and Marrington have compiled key research from practitioners and academics to present a comprehensive view of how music production has established itself and changed over the years.

Recording Analysis

Author : William Moylan
Publisher : CRC Press
ISBN 13 : 1317207157
Total Pages : 864 pages
Book Rating : 4.3/5 (172 download)

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Book Synopsis Recording Analysis by : William Moylan

Download or read book Recording Analysis written by William Moylan and published by CRC Press. This book was released on 2020-02-14 with total page 864 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recording Analysis: How the Record Shapes the Song identifies and explains how the sounds imparted by recording processes enhance the artistry and expression of recorded songs. Moylan investigates how the process of recording a song transforms it into a richer experience and articulates how the unique elements of recorded sound provide essential substance and expression to recorded music. This book explores a broad array of records, evaluating the music, lyrics, social context, literary content and meaning, and offers detailed analyses of recording elements as they appear in a wide variety of tracks. Accompanied by a range of online resources, Recording Analysis is an essential read for students and academics, as well as practitioners, in the fields of record production, song-writing and popular music.

The Art of Record Production

Author : Dr Simon Zagorski-Thomas
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1409483592
Total Pages : 329 pages
Book Rating : 4.4/5 (94 download)

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Book Synopsis The Art of Record Production by : Dr Simon Zagorski-Thomas

Download or read book The Art of Record Production written by Dr Simon Zagorski-Thomas and published by Ashgate Publishing, Ltd.. This book was released on 2012-10-28 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but also musical aesthetics more generally. Record production can, indeed, be treated as part of the creative process of composition. At the same time, training in the use of these forms of technology has moved from an apprentice-based system into university education. Musical education and music research are thus intersecting to produce a new academic field: the history and analysis of the production of recorded music. This book is designed as a general introductory reader, a text book for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals. This collection gives students and scholars a broad overview of the way in which academics from the analytical and practice-based areas of the university system can be brought together with industry professionals to explore the ways in which this new academic field should progress.

Push

Author : Mike D'Errico
Publisher : Oxford University Press
ISBN 13 : 0190943300
Total Pages : 337 pages
Book Rating : 4.1/5 (99 download)

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Book Synopsis Push by : Mike D'Errico

Download or read book Push written by Mike D'Errico and published by Oxford University Press. This book was released on 2022 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Push: Software Design and the Cultural Politics of Music Production shows how changes in the design of music software in the first decades of the twenty-first century shaped the production techniques and performance practices of artists working across media, from hip-hop and electronic dance music to video games and mobile apps. Emerging alongside developments in digital music distribution such as peer-to-peer file sharing and the MP3 format, digital audio workstations like FL Studio and Ableton Live introduced design affordances that encouraged rapid music creation workflows through flashy, user-friendly interfaces. Meanwhile, software such as Avid's Pro Tools attempted to protect its status as the industry standard, professional DAW of choice by incorporating design elements from pre-digital music technologies. Other software, like Cycling 74's Max, asserted its alterity to commercial DAWs by presenting users with nothing but a blank screen. These are more than just aesthetic design choices. Push examines the social, cultural, and political values designed into music software, and how those values become embodied by musical communities through production and performance. It reveals ties between the maximalist design of FL Studio, skeuomorphic design in Pro Tools, and gender inequity in the music products industry. It connects the computational thinking required by Max, as well as iZotope's innovations in artificial intelligence, with the cultural politics of Silicon Valley's design thinking. Finally, it thinks through what happens when software becomes hardware, and users externalize their screens through the use of MIDI controllers, mobile media, and video game controllers. Amidst the perpetual upgrade culture of music technology, Push provides a model for understanding software as a microcosm for the increasing convergence of globalization, neoliberal capitalism, and techno-utopianism that has come to define our digital lives.

Critical Approaches to the Production of Music and Sound

Author : Samantha Bennett
Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501332066
Total Pages : 291 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis Critical Approaches to the Production of Music and Sound by : Samantha Bennett

Download or read book Critical Approaches to the Production of Music and Sound written by Samantha Bennett and published by Bloomsbury Publishing USA. This book was released on 2018-01-11 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: Who produces sound and music? And in what spaces, localities and contexts? As the production of sound and music in the 21st Century converges with multimedia, these questions are critically addressed in this new edited collection by Samantha Bennett and Eliot Bates. Critical Approaches to the Production of Music and Sound features 16 brand new articles by leading thinkers from the fields of music, audio engineering, anthropology and media. Innovative and timely, this collection represents scholars from around the world, revisiting established themes such as record production and the construction of genre with new perspectives, as well as exploring issues in cultural and virtual production.

Making Sense of Recordings

Author : Mads Hansen
Publisher :
ISBN 13 : 0197533906
Total Pages : 161 pages
Book Rating : 4.1/5 (975 download)

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Book Synopsis Making Sense of Recordings by : Mads Hansen

Download or read book Making Sense of Recordings written by Mads Hansen and published by . This book was released on 2020 with total page 161 pages. Available in PDF, EPUB and Kindle. Book excerpt: Building on ideas from cognitive metaphor theory, Making Sense of Recordings offers a new perspective on record production, music perception, and the aesthetics of recorded sound. It shows how the language about sound is intimately connected to sense-making - both as a reflection of our internal cognitive capacities and as a component of our extended cognitive system. In doing so, the book provides the foundation for a broader understanding of the history of listening, discourses of sound quality, and artistic practices in the age of recorded music. The book will be of interest to anyone who asks how recorded music sounds and why it sounds as it does, and it will be a valuable resource for musicology students and researchers interested in the analysis of sound and the history of listening and record production. Additionally, sound engineers and laptop musicians will benefit from the book's exploration of the connection between embodied experiences and our cognitively processed experiences of recorded sound. The tools provided will be useful to these and other musicians who wish to intuitively interact with recorded or synthesized sound in a manner that more closely resembles the way they think and that makes sense of what they do.

Capturing Sound

Author : Mark Katz
Publisher : Univ of California Press
ISBN 13 : 0520261054
Total Pages : 336 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis Capturing Sound by : Mark Katz

Download or read book Capturing Sound written by Mark Katz and published by Univ of California Press. This book was released on 2010-10-07 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fully revised and updated, this text adds coverage of mashups and auto-tune, explores recent developments in file sharing, and includes an expanded conclusion and bibliography.

Song Means: Analysing and Interpreting Recorded Popular Song

Author : Allan F. Moore
Publisher : Routledge
ISBN 13 : 131705265X
Total Pages : 463 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis Song Means: Analysing and Interpreting Recorded Popular Song by : Allan F. Moore

Download or read book Song Means: Analysing and Interpreting Recorded Popular Song written by Allan F. Moore and published by Routledge. This book was released on 2016-04-01 with total page 463 pages. Available in PDF, EPUB and Kindle. Book excerpt: The musicological study of popular music has developed, particularly over the past twenty years, into an established aspect of the discipline. The academic community is now well placed to discuss exactly what is going on in any example of popular music and the theoretical foundation for such analytical work has also been laid, although there is as yet no general agreement over all the details of popular music theory. However, this focus on the what of musical detail has left largely untouched the larger question - so what? What are the consequences of such theorization and analysis? Scholars from outside musicology have often argued that too close a focus on musicological detail has left untouched what they consider to be more urgent questions related to reception and meaning. Scholars from inside musicology have responded by importing into musicological discussion various aspects of cultural theory. It is in that tradition that this book lies, although its focus is slightly different. What is missing from the field, at present, is a coherent development of the what into the so what of music theory and analysis into questions of interpretation and hermeneutics. It is that fundamental gap that this book seeks to fill. Allan F. Moore presents a study of recorded popular song, from the recordings of the 1920s through to the present day. Analysis and interpretation are treated as separable but interdependent approaches to song. Analytical theory is revisited, covering conventional domains such as harmony, melody and rhythm, but does not privilege these at the expense of domains such as texture, the soundbox, vocal tone, and lyrics. These latter areas are highly significant in the experience of many listeners, but are frequently ignored or poorly treated in analytical work. Moore continues by developing a range of hermeneutic strategies largely drawn from outside the field (strategies originating, in the most part, within psychology and philosophy) but still deeply r

Nashville Cats

Author : Travis D. Stimeling
Publisher :
ISBN 13 : 0197502814
Total Pages : 347 pages
Book Rating : 4.1/5 (975 download)

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Book Synopsis Nashville Cats by : Travis D. Stimeling

Download or read book Nashville Cats written by Travis D. Stimeling and published by . This book was released on 2020 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: The "Nashville Cats" were a group of session musicians who bounced from studio to studio along Nashville's "Music Row," providing the instrumental backing tracks for countless recordings in the mid-20th century. Including music industry titans like Chet Atkins, Anita Kerr, and Charlie McCoy, these versatile Cats not only established the city as a well-known hub for recording popular music, but also defined the era of country music known as the "Nashville Sound."Drawing upon a rich array of previously unexplored primary sources and original oral histories, Nashville Cats: Record Production in Music City, 1945-1975 is the first account of the role that these musicians, along with recording engineers and record producers, played in shaping the sounds of country music during one of its most definitive periods. This era produced some of the genre's most celebrated recording artists, including Country Music Hall of Fame inductees Patsy Cline, Jim Reeves, and Floyd Cramer. The Nashville Sound attracted musicians like Bob Dylan and Leonard Cohen to the city's studios, and marked the establishment of a recording industry that has come to define the city of Nashville in the national and international consciousness. Author Travis D. Stimeling explores how the Nashville system came to be, how musicians functioned within it, and how the desires of an ever-growing and diversifying audience affected record production practices. Through interviews with key players of the period and close analysis of hit songs, Nashville Cats provides an exciting look into this prolific era of music history.

Understanding the Music Industries

Author : Chris Anderton
Publisher : SAGE
ISBN 13 : 1446290794
Total Pages : 250 pages
Book Rating : 4.4/5 (462 download)

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Book Synopsis Understanding the Music Industries by : Chris Anderton

Download or read book Understanding the Music Industries written by Chris Anderton and published by SAGE. This book was released on 2012-12-14 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Everyone knows music is big business, but do you really understand how ideas and inspiration become songs, products, downloads, concerts and careers? This textbook guides students to a full understanding of the processes that drive the music industries. More than just an expose or ′how to′ guide, this book gives students the tools to make sense of technological change, socio-cultural processes, and the constantly shifting music business environment, putting them in the front line of innovation and entrepreneurship in the future. Packed with case studies, this book: • Takes the reader on a journey from Glastonbury and the X-Factor to house concerts and crowd-funded releases; • Demystifies management, publishing and recording contracts, and the world of copyright, intellectual property and music piracy; • Explains how digital technologies have changed almost all aspects of music making, performing, promotion and consumption; • Explores all levels of the music industries, from micro-independent businesses to corporate conglomerates; • Enables students to meet the challenge of the transforming music industries. This is the must-have primer for understanding and getting ahead in the music industries. It is essential reading for students of popular music in media studies, sociology and musicology.

The Producer as Composer

Author : Virgil Moorefield
Publisher : MIT Press
ISBN 13 : 0262261014
Total Pages : 164 pages
Book Rating : 4.2/5 (622 download)

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Book Synopsis The Producer as Composer by : Virgil Moorefield

Download or read book The Producer as Composer written by Virgil Moorefield and published by MIT Press. This book was released on 2010-02-26 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: The evolution of the record producer from organizer to auteur, from Phil Spector and George Martin to the rise of hip-hop and remixing. In the 1960s, rock and pop music recording questioned the convention that recordings should recreate the illusion of a concert hall setting. The Wall of Sound that Phil Spector built behind various artists and the intricate eclecticism of George Martin's recordings of the Beatles did not resemble live performances—in the Albert Hall or elsewhere—but instead created a new sonic world. The role of the record producer, writes Virgil Moorefield in The Producer as Composer, was evolving from that of organizer to auteur; band members became actors in what Frank Zappa called a "movie for your ears." In rock and pop, in the absence of a notated score, the recorded version of a song—created by the producer in collaboration with the musicians—became the definitive version. Moorefield, a musician and producer himself, traces this evolution with detailed discussions of works by producers and producer-musicians including Spector and Martin, Brian Eno, Bill Laswell, Trent Reznor, Quincy Jones, and the Chemical Brothers. Underlying the transformation, Moorefield writes, is technological development: new techniques—tape editing, overdubbing, compression—and, in the last ten years, inexpensive digital recording equipment that allows artists to become their own producers. What began when rock and pop producers reinvented themselves in the 1960s has continued; Moorefield describes the importance of disco, hip-hop, remixing, and other forms of electronic music production in shaping the sound of contemporary pop. He discusses the making of Pet Sounds and the production of tracks by Public Enemy with equal discernment, drawing on his own years of studio experience. Much has been written about rock and pop in the last 35 years, but hardly any of it deals with what is actually heard in a given pop song. The Producer as Composer tries to unravel the mystery of good pop: why does it sound the way it does?