The Musicalization of Fiction

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Author :
Publisher : Rodopi
ISBN 13 : 9789042004573
Total Pages : 292 pages
Book Rating : 4.0/5 (45 download)

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Book Synopsis The Musicalization of Fiction by : Werner Wolf

Download or read book The Musicalization of Fiction written by Werner Wolf and published by Rodopi. This book was released on 1999 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is a pioneering study in the theory and history of the imitation of music in fiction and constitutes an important contribution to current intermediality research. Starting with a comparison of basic similarities and differences between literature and music, the study goes on to provide outlines of a general theory of intermediality and its fundamental forms, in which a more specialized theory of the musicalization of (narrative) literature based on contemporary narratology and a typology of the forms of musico-literary intermediality are embedded. It also addresses the question of how to recognize a musicalized fiction when reading one and why Sterne's Tristram Shandy, contrary to what has been previously said, is not to be regarded as a musicalized fiction. In its historical part, the study explores forms and functions of experiments with the musicalization of fiction in English literature. After a survey of the major preconditions for musicalization - the increasing appreciation of music in 18th and 19th-century aesthetics and its main causes - exemplary fictional texts from romanticism to postmodernism are analyzed. Authors interpreted are De Quincey, Joyce, Woolf, A. Huxley, Beckett, Burgess and Josipovici. Whilst the limitations of a transposition of music into fiction remain apparent, experiments in this field yield valuable insights into mainly a-mimetic and formalist aesthetic tendencies in the development of more recent fiction as a whole and also show to what extent traditional conceptions of music continue to influence the use of this medium in literature. The volume is of relevance for students and scholars of English, comparative and general literature as well as for readers who take an interest in intermediality or interart research.

The Musicalization of Fiction

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Author :
Publisher : BRILL
ISBN 13 : 9004651195
Total Pages : 284 pages
Book Rating : 4.0/5 (46 download)

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Book Synopsis The Musicalization of Fiction by : Werner Wolf

Download or read book The Musicalization of Fiction written by Werner Wolf and published by BRILL. This book was released on 2023-12-11 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is a pioneering study in the theory and history of the imitation of music in fiction and constitutes an important contribution to current intermediality research. Starting with a comparison of basic similarities and differences between literature and music, the study goes on to provide outlines of a general theory of intermediality and its fundamental forms, in which a more specialized theory of the musicalization of (narrative) literature based on contemporary narratology and a typology of the forms of musico-literary intermediality are embedded. It also addresses the question of how to recognize a musicalized fiction when reading one and why Sterne's Tristram Shandy, contrary to what has been previously said, is not to be regarded as a musicalized fiction. In its historical part, the study explores forms and functions of experiments with the musicalization of fiction in English literature. After a survey of the major preconditions for musicalization - the increasing appreciation of music in 18th and 19th-century aesthetics and its main causes - exemplary fictional texts from romanticism to postmodernism are analyzed. Authors interpreted are De Quincey, Joyce, Woolf, A. Huxley, Beckett, Burgess and Josipovici. Whilst the limitations of a transposition of music into fiction remain apparent, experiments in this field yield valuable insights into mainly a-mimetic and formalist aesthetic tendencies in the development of more recent fiction as a whole and also show to what extent traditional conceptions of music continue to influence the use of this medium in literature. The volume is of relevance for students and scholars of English, comparative and general literature as well as for readers who take an interest in intermediality or interart research.

Handbook of Intermediality

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Author :
Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 3110393786
Total Pages : 850 pages
Book Rating : 4.1/5 (13 download)

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Book Synopsis Handbook of Intermediality by : Gabriele Rippl

Download or read book Handbook of Intermediality written by Gabriele Rippl and published by Walter de Gruyter GmbH & Co KG. This book was released on 2015-07-24 with total page 850 pages. Available in PDF, EPUB and Kindle. Book excerpt: This handbook offers students and researchers compact orientation in their study of intermedial phenomena in Anglophone literary texts and cultures by introducing them to current academic debates, theoretical concepts and methodologies. By combining theory with text analysis and contextual anchoring, it introduces students and scholars alike to a vast field of research which encompasses concepts such as intermediality, multi- and plurimediality, intermedial reference, transmediality, ekphrasis, as well as related concepts such as visual culture, remediation, adaptation, and multimodality, which are all discussed in connection with literary examples. Hence each of the 30 contributions spans both a theoretical approach and concrete analysis of literary texts from different centuries and different Anglophone cultures.

Listening in

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Publisher : U of Nebraska Press
ISBN 13 : 9780803237322
Total Pages : 348 pages
Book Rating : 4.2/5 (373 download)

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Book Synopsis Listening in by : Eric Prieto

Download or read book Listening in written by Eric Prieto and published by U of Nebraska Press. This book was released on 2002-01-01 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: What can music teach a novelist, autobiographer, or playwright about the art of telling stories? The musical play of forms and sounds seems initially to have little to do with the representational function of the traditional narrative genres. Yet throughout the modernist era, music has been invoked as a model for narrative in its specifically mimetic dimension. Although modernist writers may conceive of musical communication in widely divergent ways, they have tended to agree on one crucial point: that music can help transform narrative into a medium better adapted to the representation of consciousness. Eric Prieto studies the twentieth-century evolution of this use of music, with particular emphasis on the postwar Parisian avant-garde. For such writers as Samuel Beckett, Michel Leiris, and Robert Pinget, music provides a number of guiding metaphors for the inwardly directed mode of mimesis that Prieto calls "listening in," where the object of representation is not the outside world but the subtly modulating relations between consciousness and world. This kind of semiotic boundary crossing between music and literature is inherently metaphorical, but, as Prieto's analyses of Beckett, Leiris, and Pinget show, these interart analogies provide valuable clues for bringing to light the unspoken assumptions, obscurely understood principles, and extra-literary aspirations that gave such urgency to the modernist quest to better represent the mind in action.

Ireland in Writing

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Author :
Publisher : Rodopi
ISBN 13 : 9789042002791
Total Pages : 228 pages
Book Rating : 4.0/5 (27 download)

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Book Synopsis Ireland in Writing by : Jacqueline Hurtley

Download or read book Ireland in Writing written by Jacqueline Hurtley and published by Rodopi. This book was released on 1998 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the twentieth century draws to a close, Ireland in Writing: Interviews with Writers and Academics focuses on the textual mapping of the country over the century through the creative energies and intellectual reflections of a selection of writers and educators at the tertiary level. The volume is a collection of eleven interviews held by three university teachers and a research assistant, all resident in Spain. The interviews with both male and female writers and academics, who hail from Northern Ireland and the Republic, have been conducted over the 1990s. The writers were quizzed about their own writing: how it came into being, who or what they have looked to as inspirational and how their novels, short stories, poetry and plays relate to Ireland past and present. The academics express views on their critical theories and practices, on particular areas of interest, on English and Irish in Ireland, on contemporary writing and cultural dynamics: from Friel to Telefís Éireann, passing through Field Day, the Abbey and the question of a hybrid Irish identity.

Point Counter Point

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Publisher :
ISBN 13 :
Total Pages : 444 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Point Counter Point by : Aldous Huxley

Download or read book Point Counter Point written by Aldous Huxley and published by . This book was released on 1928 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Acoustic Self in English Modernism and Beyond

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Publisher : Routledge
ISBN 13 : 1000538478
Total Pages : 205 pages
Book Rating : 4.0/5 (5 download)

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Book Synopsis The Acoustic Self in English Modernism and Beyond by : Zoltan Varga

Download or read book The Acoustic Self in English Modernism and Beyond written by Zoltan Varga and published by Routledge. This book was released on 2022-02-17 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on the analogy between musical meaning-making and human subjectivity, this book develops the concept of the acoustic self, exploring the ways in which musical characterization and structure are related to issues of subject-representation in the modernist English novel. The volume is framed around three musical topics—the fugue, absolute music, and Gesamtkunstwerk—arguing that these three modes of musicalization address modernist dilemmas around selfhood and identity. Varga reflects on the manifestations of the acoustic self in examples from the works of E.M. Forster, Aldous Huxley, and Virginia Woolf, and such musicians as Bach, Beethoven, Handel, and Wagner. An additional chapter on jazz and electronic music supplements these inquiries, pursuing the acoustic self beyond modernism and thereby inciting further discussion and theorization of musical intermediality, as well as recent sonic practices. Probing the analogies in the complex interrelationship between music, representation, and language in fictional texts and the nature of human subjectivity, this book will appeal to students and scholars interested in the interface of language and music, in such areas as intermediality, multimodality, literary studies, critical theory, and modernist studies.

Unforeseeable Americas

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Publisher : Rodopi
ISBN 13 : 9789042006584
Total Pages : 356 pages
Book Rating : 4.0/5 (65 download)

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Book Synopsis Unforeseeable Americas by : Rita de Grandis

Download or read book Unforeseeable Americas written by Rita de Grandis and published by Rodopi. This book was released on 2000 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Word and Music Studies: Defining the Field

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Author :
Publisher : BRILL
ISBN 13 : 9004649212
Total Pages : 368 pages
Book Rating : 4.0/5 (46 download)

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Book Synopsis Word and Music Studies: Defining the Field by :

Download or read book Word and Music Studies: Defining the Field written by and published by BRILL. This book was released on 1999 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: The nineteen interdisciplinary essays assembled in WORD AND MUSIC STUDIES I were first presented in 1997 at the founding conference of the International Association for Word and Music Studies (WMA) in Graz, Austria. Diverse in subject matter, theoretical orientation, critical approach, and interpretive strategy, they share a keen scholarly interest in contemporary word-music reflection. Registering the impact of cultural studies on word-music relations, as manifested in the 'new musicology' and other 'historicist' approaches, the volume aims to assess the entire field of word and music studies, to define its subject, objectives, and methodology and to describe the field's state of the art. Within the broader context of generic, structural, performative, and ideological considerations concerning the manifold interrelations between literature and music, contributors explore wide-ranging topics, such as the vexing question of terminology (e.g. 'word and music', 'melopoetics', 'interart', 'intermedial', 'transmedial'); inquiry into the meaning, narrative potential, and verbalization of music; analysis of texted music (the Lied and opera) and instrumental music; and discussion of individual issues (e.g. 'ekphrasis', 'musicalization of fiction', 'word music', and 'verbal music') and interart loanwords (e.g. 'narrativity', 'counterpoint', and 'leitmotif').

Handbook of Diachronic Narratology

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Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 3110616645
Total Pages : 1033 pages
Book Rating : 4.1/5 (16 download)

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Book Synopsis Handbook of Diachronic Narratology by : Peter Hühn

Download or read book Handbook of Diachronic Narratology written by Peter Hühn and published by Walter de Gruyter GmbH & Co KG. This book was released on 2023-07-24 with total page 1033 pages. Available in PDF, EPUB and Kindle. Book excerpt: This handbook brings together 42 contributions by leading narratologists devoted to the study of narrative devices in European literatures from antiquity to the present. Each entry examines the use of a specific narrative device in one or two national literatures across the ages, whether in successive or distant periods of time. Through the analysis of representative texts in a range of European languages, the authors compellingly trace the continuities and evolution of storytelling devices, as well as their culture-specific manifestations. In response to Monika Fludernik’s 2003 call for a "diachronization of narratology," this new handbook complements existing synchronic approaches that tend to be ahistorical in their outlook, and departs from postclassical narratologies that often prioritize thematic and ideological concerns. A new direction in narrative theory, diachronic narratology explores previously overlooked questions, from the evolution of free indirect speech from the Middle Ages to the present, to how changes in narrative sequence encoded the shift from a sacred to a secular worldview in early modern Romance literatures. An invaluable new resource for literary theorists, historians, comparatists, discourse analysts, and linguists.

Selected Essays on Intermediality by Werner Wolf (1992–2014)

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Author :
Publisher : BRILL
ISBN 13 : 9004346643
Total Pages : 691 pages
Book Rating : 4.0/5 (43 download)

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Book Synopsis Selected Essays on Intermediality by Werner Wolf (1992–2014) by : Werner Wolf

Download or read book Selected Essays on Intermediality by Werner Wolf (1992–2014) written by Werner Wolf and published by BRILL. This book was released on 2017-11-13 with total page 691 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume collects twenty-two major essays by Werner Wolf published between 1992 and 2014, all of them revised but retaining the original argument. They form the core of those seminal writings which have contributed to establishing 'intermediality' as an internationally recognized research field, besides providing a by now widely accepted typology of the field and opening intermedial perspectives on areas as varied as narratology, metareferentiality and iconicity. The essays are presented chronologically under the headings of “Theory and Typology”, “Literature–Music Relations”, “Transmedial Narratology”, and “Miscellaneous Transmedial Phenomena” and cover a wide spectrum of topics of both historical and contemporary relevance, ranging from J.S. Bach, Mozart, Schubert and Gulda through Sterne, Hardy, Woolf and Beckett to Jan Steen, Hogarth, Magritte and comics. The volume should be essential reading for scholars of literature, music and art history with an interdisciplinary orientation as well as general readers interested in the fascinating interaction of the arts.

Cultural Functions of Intermedial Exploration

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Publisher : BRILL
ISBN 13 : 9004490159
Total Pages : 302 pages
Book Rating : 4.0/5 (44 download)

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Book Synopsis Cultural Functions of Intermedial Exploration by :

Download or read book Cultural Functions of Intermedial Exploration written by and published by BRILL. This book was released on 2021-11-08 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of 19 essays is the first one devoted to function-oriented analyses of intermedial interrelationships in literature, art, music, and film. The contributors — among others, Werner Wolf, James Heffernan, Walter Bernhart, Siglind Bruhn, Claus Clüver, Valerie Robillard, and Tamar Yacobi — are leading international scholars in the field of intermediality. The common basis of the essays in this volume — ranging from intermedial studies of medieval liturgical practices, early cinema, modernist art, ekphrasis, music and literature, art and literature, film and literature, hymns, and pop music, to the musical and technological aspects of Concrete poetry — is the ambition to pay attention to the cultural contexts that enhance the significance of these intermedial works and trends under examination. Since the contributions cover different types of intermedial endeavours from various periods and times, a kind of historicizing perspective is outlined. So, in pursuit of a still lacking coherent historical survey of cultural functions of intermediality, this volume might be recognized as a step towards such a Funktionsgeschichte for intermedial exploration.

Popular Music and the Poetics of Self in Fiction

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Author :
Publisher : BRILL
ISBN 13 : 9004500685
Total Pages : 368 pages
Book Rating : 4.0/5 (45 download)

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Book Synopsis Popular Music and the Poetics of Self in Fiction by :

Download or read book Popular Music and the Poetics of Self in Fiction written by and published by BRILL. This book was released on 2021-11-29 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volume explores the various intersections and interconnections of the self and popular music in fiction; it examines questions of musical taste and identity construction across decades, spaces, social groups, and cultural contexts, covering a wide range of literary and musical genres.

Translating Jazz Into Poetry

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Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 3110339013
Total Pages : 318 pages
Book Rating : 4.1/5 (13 download)

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Book Synopsis Translating Jazz Into Poetry by : Erik Redling

Download or read book Translating Jazz Into Poetry written by Erik Redling and published by Walter de Gruyter GmbH & Co KG. This book was released on 2017-02-20 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Anglia Book Series (ANGB) offers a selection of high quality work on all areas and aspects of English philology. It publishes book-length studies and essay collections on English language and linguistics, on English and American literature and culture from the Middle Ages to the present, on the new English literatures, as well as on general and comparative literary studies, including aspects of cultural and literary theory.

Samuel Beckett, Repetition and Modern Music

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Publisher : Routledge
ISBN 13 : 1317059646
Total Pages : 283 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis Samuel Beckett, Repetition and Modern Music by : John McGrath

Download or read book Samuel Beckett, Repetition and Modern Music written by John McGrath and published by Routledge. This book was released on 2017-11-13 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music abounds in twentieth- century Irish literature. Whether it be the "thought-tormented" music of Joyce’s "The Dead", the folk tunes and opera that resound throughout Ulysses, or the four- part threnody in Beckett’s Watt, it is clear that the influence of music on the written word in Ireland is deeply significant. Samuel Beckett arguably went further than any other writer in the incorporation of musical ideas into his work. Musical quotations inhabit his texts, and structural devices such as the da capo are metaphorically employed. Perhaps most striking is the erosion of explicit meaning in Beckett’s later prose brought about through an extensive use of repetition, influenced by his reading of Schopenhauer’s philosophy of music. Exploring this notion of "semantic fluidity", John McGrath discusses the ways in which Beckett utilised extreme repetition to create texts that operate and are received more like music. Beckett’s writing has attracted the attention of numerous contemporary composers and an investigation into how this Beckettian "musicalized fiction" has been retranslated into contemporary music forms the second half of the book. Close analyses of the Beckett- inspired music of experimental composer Morton Feldman and the structured improvisations of avantjazz guitarist Scott Fields illustrate the cross- genre appeal of Beckett to musicians, but also demonstrate how repetition operates in diverse ways. Through the examination of the pivotal role of repetition in both music and literature of the twentieth century and beyond, John McGrath’s book is a significant contribution to the field of Word and Music Studies.

From Sign to Signing

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Publisher : John Benjamins Publishing
ISBN 13 : 9789027225931
Total Pages : 464 pages
Book Rating : 4.2/5 (259 download)

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Book Synopsis From Sign to Signing by : Wolfgang G. Müller

Download or read book From Sign to Signing written by Wolfgang G. Müller and published by John Benjamins Publishing. This book was released on 2003 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume, a sequel to Form Miming Meaning (1999) and The Motivated Sign (2001), offers a selection of papers given at the Third International Symposium on Iconicity in Language and Literature (Jena 2001). The studies collected here present a number of new departures. Special consideration is given to the way non-linguistic visual and auditory signs (such as gestures and bird sounds) are represented in language, and more specifically in 'signed' language, and how such signs influence semantic conceptualization. Other studies examine more closely how visual signs and representations of time and space are incorporated or reflected in literary language, in fiction as well as (experimental) poetry. A further new approach concerns intermedial iconicity, which emerges in art when its medium is changed or another medium is imitated. A more abstract, diagrammatic type of iconicity is again investigated, with reference to both language and literature: some essays focus on the device of reduplication, isomorphic tendencies in word formation and on creative iconic patterns in syntax, while others explore numerical design in Dante and geometrical patterning in Dylan Thomas. A number of theoretically-oriented papers pursue post-Peircean approaches, such as the application of reader-response theory and of systems theory to iconicity.

Music Into Fiction

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Author :
Publisher : Boydell & Brewer
ISBN 13 : 1571139737
Total Pages : 262 pages
Book Rating : 4.5/5 (711 download)

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Book Synopsis Music Into Fiction by : Theodore Ziolkowski

Download or read book Music Into Fiction written by Theodore Ziolkowski and published by Boydell & Brewer. This book was released on 2017 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Illuminates unexplored dimensions of the music-literature relationship and the sometimes unrecognized talents of certain famous writers and composers. This book deals with three aspects that have been neglected in the burgeoning field of music and literature. The "First Movement" of the book considers writers from German Romanticism to the present who, like Robert Schumann, first saw themselves as writers before they turned to composition, or, like E. T. A. Hoffmann and Anthony Burgess, sought careers in music before becoming writers. It also considers the few operatic composers, such as Richard Wagner and Arnold Schoenberg, who wrote their own libretti. The "Second Movement" turns to literary works based specifically on musical compositions. This group includes, first and more generally, prose works whose author chose a specificmusical form such as sonata or fugue as an organizational model. And second, it includes novels based structurally or thematically on specific compositions, such as Bach's Goldberg Variations. The "Finale" concludes with aunique case: efforts by modern composers to render musically the compositions described in detail by Thomas Mann in his novel Doktor Faustus. This book, which addresses itself to readers interested generally in music and literature and is written in a reader-friendly style, draws attention to unexplored dimensions of the music-literature relationship and to the sometimes unrecognized talents of certain writers and composers. Theodore Ziolkowski is Professor Emeritus of German and Comparative Literature, Princeton University.