Read Books Online and Download eBooks, EPub, PDF, Mobi, Kindle, Text Full Free.
The Music Trade In Georgian England
Download The Music Trade In Georgian England full books in PDF, epub, and Kindle. Read online The Music Trade In Georgian England ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Book Synopsis The Music Trade in Georgian England by : Michael Kassler
Download or read book The Music Trade in Georgian England written by Michael Kassler and published by Routledge. This book was released on 2017-07-05 with total page 584 pages. Available in PDF, EPUB and Kindle. Book excerpt: In contrast to today's music industry, whose principal products are recorded songs sold to customers round the world, the music trade in Georgian England was based upon London firms that published and sold printed music and manufactured and sold instruments on which this music could be played. The destruction of business records and other primary sources has hampered investigation of this trade, but recent research into legal proceedings, apprenticeship registers, surviving correspondence and other archived documentation has enabled aspects of its workings to be reconstructed. The first part of the book deals with Longman & Broderip, arguably the foremost English music seller in the late eighteenth century, and the firm's two successors - Broderip & Wilkinson and Muzio Clementi's variously styled partnerships - who carried on after Longman & Broderip's assets were divided in 1798. The next part shows how a rival music seller, John Bland, and his successors, used textual and thematic catalogues to advertise their publications. This is followed by a comprehensive review of the development of musical copyright in this period, a report of efforts by a leading inventor, Charles 3rd Earl Stanhope, to transform the ways in which music was printed and recorded, and a study of Georg Jacob Vollweiler's endeavour to introduce music lithography into England. The book should appeal not only to music historians but also to readers interested in English business history, publishing history and legal history between 1714 and 1830.
Book Synopsis The Music Trade in Georgian England by : Michael Kassler
Download or read book The Music Trade in Georgian England written by Michael Kassler and published by Ashgate Publishing, Ltd.. This book was released on 2011 with total page 582 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recent research has enabled aspects of the workings of the music trade in Georgian England to be reconstructed. Examined here are the activities of the music seller Longman & Broderip, and the firm's two successors, together with those of their rival, John Bland. A review of the development of musical copyright in this period is included, together with an investigation into the efforts of Charles 3rd Earl Stanhope to transform the ways in which music was printed and recorded, and Georg Jacob Vollweiler's endeavours to introduce music lithography into England.
Book Synopsis The Music Profession in Britain, 1780-1920 by : Rosemary Golding
Download or read book The Music Profession in Britain, 1780-1920 written by Rosemary Golding and published by Routledge. This book was released on 2018-03-15 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Professionalisation was a key feature of the changing nature of work and society in the nineteenth century, with formal accreditation, registration and organisation becoming increasingly common. Trades and occupations sought protection and improved status via alignment with the professions: an attempt to impose order and standards amid rapid social change, urbanisation and technological development. The structures and expectations governing the music profession were no exception, and were central to changing perceptions of musicians and music itself during the long nineteenth century. The central themes of status and identity run throughout this book, charting ways in which the music profession engaged with its place in society. Contributors investigate the ways in which musicians viewed their own identities, public perceptions of the working musician, the statuses of different sectors of the profession and attempts to manipulate both status and identity. Ten chapters examine a range of sectors of the music profession, from publishers and performers to teachers and military musicians, and overall themes include class, gender and formal accreditation. The chapters demonstrate the wide range of sectors within the music profession, the different ways in which these took on status and identity, and the unique position of professional musicians both to adopt and to challenge social norms.
Book Synopsis A Social History of Amateur Music-Making and Scottish National Identity: Scotland’s Printed Music, 1880–1951 by : Karen E. McAulay
Download or read book A Social History of Amateur Music-Making and Scottish National Identity: Scotland’s Printed Music, 1880–1951 written by Karen E. McAulay and published by Taylor & Francis. This book was released on 2024-10-30 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: Late Victorian Scotland had a flourishing music publishing trade, evidenced by the survival of a plethora of vocal scores and dance tune books; and whether informing us what people actually sang and played at home, danced to, or enjoyed in choirs, or reminding us of the impact of emigration from Britain for both emigrants and their families left behind, examining this neglected repertoire provides an insight into Scottish musical culture and is a valuable addition to the broader social history of Scotland. The decline of the music trade by the mid-twentieth century is attributable to various factors, some external, but others due to the conservative and perhaps somewhat parochial nature of the publishers’ output. What survives bears witness to the importance of domestic and amateur music-making in ordinary lives between 1880 and 1950. Much of the music is now little more than a historical artefact. Nonetheless, Karen E. McAulay shows that the nature of the music, the song and fiddle tune books’ contents, the paratext around the collections, its packaging, marketing and dissemination all document the social history of an era whose everyday music has often been dismissed as not significant or, indeed, properly ‘old’ enough to merit consideration. The book will be valuable for academics as well as folk musicians and those interested in the social and musical history of Scotland and the British Isles.
Book Synopsis Muzio Clementi and British Musical Culture by : Luca Lévi Sala
Download or read book Muzio Clementi and British Musical Culture written by Luca Lévi Sala and published by Routledge. This book was released on 2018-06-14 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recent scholarship has vanquished the traditional perception of nineteenth-century Britain as a musical wasteland. In addition to attempting more balanced assessments of the achievements of British composers of this period, scholars have begun to explore the web of reciprocal relationships between the societal, economic and cultural dynamics arising from the industrial revolution, the Napoleonic wars, and the ever-changing contours of British music publishing, music consumption, concert life, instrument design, performance practice, pedagogy and composition. Muzio Clementi (1752–1832) provides an ideal case-study for continued exploration of this web of relationships. Based in London for much of his life, whilst still maintaining contact with continental developments, Clementi achieved notable success in a diversity of activities that centred mainly on the piano. The present book explores Clementi’s multivalent contribution to piano performance, pedagogy, composition and manufacture in relation to British musical life and its international dimensions. An overriding purpose is to interrogate when, how and to what extent a distinctive British musical culture emerged in the early nineteenth century. Much recent work on Clementi has centred on the Italian National Edition of his complete works (MiBACT); several chapters report on this project, whilst continuing to pursue the book’s broader themes.
Book Synopsis Music & the British Military in the Long Nineteenth Century by : Trevor Herbert
Download or read book Music & the British Military in the Long Nineteenth Century written by Trevor Herbert and published by Oxford University Press, USA. This book was released on 2013-08-15 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book to explore the contribution made by the military to British music history, Music & the British Military in the Long Nineteenth Century shows that military bands reached far beyond the official ceremonial duties they are often primarily associated with and had a significant impact on wider spheres of musical and cultural life.
Book Synopsis Research Handbook on the History of Copyright Law by : Isabella Alexander
Download or read book Research Handbook on the History of Copyright Law written by Isabella Alexander and published by Edward Elgar Publishing. This book was released on 2016-03-25 with total page 495 pages. Available in PDF, EPUB and Kindle. Book excerpt: There has been an explosion of interest in recent years regarding the origin and of intellectual property law. The study of copyright history, in particular, has grown remarkably in the last twenty years, with a flurry of activity in the last ten. Crucial to this activity has been a burgeoning focus on unpublished primary sources, enabling new and stimulating insights. This Handbook takes stock of the field of copyright history as it stands today, as well as examining potential developments in the future.
Book Synopsis Foreign Opera at the London Playhouses by : Christina Fuhrmann
Download or read book Foreign Opera at the London Playhouses written by Christina Fuhrmann and published by Cambridge University Press. This book was released on 2015-09-24 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: London operatic adaptations have been maligned, but this comprehensive study demonstrates their importance to theatre, opera and canon formation.
Book Synopsis Figures of the Imagination by : Roger Hansford
Download or read book Figures of the Imagination written by Roger Hansford and published by Routledge. This book was released on 2017-03-16 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new study of the intersection of romance novels with vocal music records a society on the cusp of modernisation, with a printing industry emerging to serve people’s growing appetites for entertainment amidst their changing views of religion and the occult. No mere diversion, fiction was integral to musical culture and together both art forms reveal key intellectual currents that circulated in the early nineteenth-century British home and were shared by many consumers. Roger Hansford explores relationships between music produced in the early 1800s for domestic consumption and the fictional genre of romance, offering a new view of romanticism in British print culture. He surveys romance novels by Ann Radcliffe, Matthew Lewis, Sir Walter Scott, James Hogg, Edward Bulwer and Charles Kingsley in the period 1790–1850, interrogating the ways that music served to create mood and atmosphere, enlivened social scenes and contributed to plot developments. He explores the connections between musical scenes in romance fiction and the domestic song literature, treating both types of source and their intersection as examples of material culture. Hansford’s intersectional reading revolves around a series of imaginative figures – including the minstrel, fairies, mermaids, ghosts, and witches, and Christians engaged both in virtue and vice – the identities of which remained consistent as influence passed between the art forms. While romance authors quoted song lyrics and included musical descriptions and characters, their novels recorded and modelled the performance of songs by the middle and upper classes, influencing the work of composers and the actions of performers who read romance fiction.
Book Synopsis Napoleon and British Song, 1797-1822 by : Oskar Cox Jensen
Download or read book Napoleon and British Song, 1797-1822 written by Oskar Cox Jensen and published by Springer. This book was released on 2015-10-12 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study offers a radical reassessment of a crucial period of political and cultural history. By looking at some 400 songs, many of which are made available to hear, and at their writers, singers, and audiences, it questions both our relationship with song, and ordinary Britons' relationship with Napoleon, the war, and the idea of Britain itself.
Book Synopsis Music in North-east England, 1500-1800 by : Stephanie Carter
Download or read book Music in North-east England, 1500-1800 written by Stephanie Carter and published by Boydell & Brewer. This book was released on 2020 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection situates the North-East within a developing nationwide account of British musical culture.
Book Synopsis Relevance and Marginalisation in Scandinavian and European Performing Arts 1770–1860 by : Randi Margrete Selvik
Download or read book Relevance and Marginalisation in Scandinavian and European Performing Arts 1770–1860 written by Randi Margrete Selvik and published by Routledge. This book was released on 2020-12-30 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: Relevance and Marginalisation in Scandinavian and European Performing Arts 1770–1860: Questioning Canons reveals how various cultural processes have influenced what has been included, and what has been marginalised from canons of European music, dance, and theatre around the turn of the nineteenth century and the following decades. This collection of essays includes discussion of the piano repertory for young ladies in England; canonisation of the French minuet; marginalisation of the popular German dramatist Kotzebue from the dramatic canon; dance repertory and social life in Christiania (Oslo); informal cultural activities in Trondheim; repertory of Norwegian musical clocks; female itinerant performers in the Nordic sphere; preconditions, dissemination, and popularity of equestrian drama; marginalisation and amateur staging of a Singspiel by the renowned Danish playwright Oehlenschläger, also with perspectives on the music and its composers; and the perceived relevance of Henrik Ibsen’s staged theatre repertory and early dramas. By questioning established notions about canon, marginalisation, and relevance within the performing arts in the period 1770–1860, this book asserts itself as an intriguing text both to the culturally interested public and to scholars and students of musicology, dance research, and theatre studies.
Book Synopsis The First Fleet Piano: Volume One by : Geoffrey Lancaster
Download or read book The First Fleet Piano: Volume One written by Geoffrey Lancaster and published by ANU Press. This book was released on 2015-11-03 with total page 919 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.
Book Synopsis Music Borrowing and Copyright Law by : Enrico Bonadio
Download or read book Music Borrowing and Copyright Law written by Enrico Bonadio and published by Bloomsbury Publishing. This book was released on 2023-10-19 with total page 485 pages. Available in PDF, EPUB and Kindle. Book excerpt: This ground-breaking book examines the multifaceted dynamics between copyright law and music borrowing within a rich diversity of music genres from across the world. It evaluates how copyright laws under different generic conventions may influence, or are influenced by, time-honoured creative borrowing practices. Leading experts from around the world scrutinise a carefully selected range of musical genres, including pop, hip-hop, jazz, blues, electronic and dance music, as well as a diversity of region-specific genres, such as Jamaican music, River Plate Tango, Irish folk music, Hungarian folk music, Flamenco, Indian traditional music, Australian indigenous music, Maori music and many others. This genre-conscious analysis builds on a theoretical section in which musicologists and lawyers offer their insights into fundamental issues concerning music genre categorisation, the typology of music borrowing and copyright law's ontological struggle with musical borrowing in theory and practice. The chapters are threaded together by a central theme, ie, that the cumulative nature of music creativity is the result of collective bargaining processes among many 'musicking' parties that have socially constructed creative music authorship under a rich mix of generic conventions.
Download or read book Music Trade Indicator written by and published by . This book was released on 1928 with total page 640 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Harp Making in Late-Georgian London by : Mike Baldwin
Download or read book Harp Making in Late-Georgian London written by Mike Baldwin and published by . This book was released on 2020-08-21 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the end of the eighteenth century, after the French Revolution, the centre of pedal-harp making moved from Paris to London. There, building on the work of its Bavarian originators and Parisian developers, mainly immigrant makers elevated the instrument to new musical, technical, and decorative heights, and placed it in the hands and salons of the British upper classes and aristocracy. Until recently, the story of harp making in England has been dominated by the Erard family who built about 7,000 of an estimated 22,000 harps made in London during the nineteenth century; some 20 other makers have been all but forgotten. This book, the story of harp making in late-Georgian England, assesses the role and consumption of the harp in society whilst describing its decorative and technical development. Forgotten makers and their innovations are identified. Through the lens of newly discovered documents and the reinterpretation of others, Jacob Erat's manufactories are reconstructed. His working methods, illustrative of those used in the wider industry, are rediscovered, and employees and suppliers are revealed anew.
Book Synopsis Musical Opinion and Music Trade Review by :
Download or read book Musical Opinion and Music Trade Review written by and published by . This book was released on 1909 with total page 918 pages. Available in PDF, EPUB and Kindle. Book excerpt: