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The Locus Of Meaning In Medieval Art
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Book Synopsis The Locus of Meaning in Medieval Art by : Lena Liepe
Download or read book The Locus of Meaning in Medieval Art written by Lena Liepe and published by Medieval Institute Publications. This book was released on 2018 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book addresses the status and relevance of iconography and iconology in the contemporary scholarly study of medieval art. There is a widespread tendency among art historians today to regard the study of iconography and iconology in the tradition of Erwin Panofsky as an outmoded and trivial pursuit. Nonetheless, Panofsky's three-level interpretative model sits firmly in the methodological toolkit of art history and remains a common point of reference among adherents and adversaries alike. Iconography and iconology demand to be taken seriously as a feature of continued praxis in the discipline. The book contains a collection of essays on the validity of various approaches toward the interpretation of meaning in medieval art today. These essays either demonstrate the continued usefulness of iconography and iconology as analytical strategies, or propose alternative approaches to the investigation of meaning in the art of the Middle Ages.
Book Synopsis The Place of God in Piers Plowman and Medieval Art by : Mary Clemente Davlin
Download or read book The Place of God in Piers Plowman and Medieval Art written by Mary Clemente Davlin and published by Routledge. This book was released on 2017-03-02 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Probing spatial questions about God posed by Piers Plowman, the author of this interdisciplinary study turns to pictorial evidence-the use of religious space and relationships within such space in English art of the same period. The Place of God in Piers Plowman and Medieval Art is not only a study of the sense of God and of the relationship between God and creatures in the great religious poem, but also an analysis of art works of the high Middle Ages, especially English manuscript illuminations, in their placement of God. Such interdisciplinary analysis historicizes both literature and art, uncovering ways that medieval people imagined God and the understandings that they would have been able to bring to reading and viewing religious art.
Book Synopsis Image on the Edge by : Michael Camille
Download or read book Image on the Edge written by Michael Camille and published by Reaktion Books. This book was released on 2013-06-01 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: What do they all mean – the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protruding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished. Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive, and amazing the art of the time could be.
Download or read book Medieval Art written by Leslie D. Ross and published by Bloomsbury Publishing USA. This book was released on 1996-11-14 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: Designed as a quick-reference source to the topics, symbols, themes, and stories most frequently found in early Christian, western medieval, and Byzantine art, this work describes topics that include names and narratives drawn from the Bible and apocrypha, the lives of saints, and numerous other textual sources. Authors whose works were frequently illustrated or who were influential on the visual arts are treated, as are selected art historical terms and events of significance for the arts. Cross-references alert readers to alternate titles and related topics, and the majority of entries cite a pictorial example. These are keyed to standard texts for easy viewing access. The dictionary begins with Aaron and ends with Zoomorphic Decoration. This dictionary focuses on the medieval period and the distinctive ways in which the subjects and symbols referenced in the work evolved and developed during the Middle Ages, resulting in a unique overview of the evolution, development, popularity, and transformations that took place in medieval artistic iconography. The introduction provides chronological, thematic, and bibliographic surveys to supplement the 500 individual entries; the bibliography directs the readers to more detailed studies. The work also includes names and topics not always found in art reference sources, for example, authors whose works were frequently illustrated, or who were influential on the visual arts, and historical events of significance for the arts.
Book Synopsis Meaning in Motion by : Nino M. Zchomelidse
Download or read book Meaning in Motion written by Nino M. Zchomelidse and published by Princeton University Press. This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The nine essays collected in this volume are based on the papers presented at the Forty-second International Congress of Medieval Studies in Kalamazoo, Michigan, in 2007.
Book Synopsis Art Historiography and Iconologies Between West and East by : Wojciech Bałus
Download or read book Art Historiography and Iconologies Between West and East written by Wojciech Bałus and published by Taylor & Francis. This book was released on 2024-03-15 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores a basic question in the historiography of art: the extent to which iconology was a homogenous research method in its own immutable right. By contributing to the rejection of the universalizing narrative, these case studies argue that there were many strands of iconology. Methods that differed from the ‘canonised’ approach of Panofsky were proposed by Godefridus Johannes Hoogewerff and Hans Sedlmayr. Researchers affiliated with the Warburg Institute in London also chose to distance themselves from Panofsky’s work. Poland, in turn, was the breeding ground for yet another distinct variety of iconology. In Communist Czechoslovakia there were attempts to develop a ‘Marxist iconology’. This book, written by recognized experts in the field, examines these and other major strands of iconology, telling the tale of iconology’s reception in the countries formerly behind the Iron Curtain. Attitudes there ranged from enthusiastic acceptance in Poland, to critical reception in the Soviet Union, to reinterpretation in Czechoslovakia and the German Democratic Republic, and, finally, to outright rejection in Romania. The book will be of interest to scholars working in art history, visual studies, and historiography.
Book Synopsis Medieval Art 250-1450 by : Nancy M. Thompson
Download or read book Medieval Art 250-1450 written by Nancy M. Thompson and published by Oxford University Press, USA. This book was released on 2021-08-19 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This is an introductory textbook for students taking courses in medieval studies and art history"--
Book Synopsis Approaches to the Medieval Self by : Stefka G. Eriksen
Download or read book Approaches to the Medieval Self written by Stefka G. Eriksen and published by Walter de Gruyter GmbH & Co KG. This book was released on 2020-09-21 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: The main aim of this book is to discuss various modes of studying and defining the medieval self, based on a wide span of sources from medieval Western Scandinavia, c. 800-1500, such as archeological evidence, architecture and art, documents, literature, and runic inscriptions. The book engages with major theoretical discussions within the humanities and social sciences, such as cultural theory, practice theory, and cognitive theory. The authors investigate how the various approaches to the self influence our own scholarly mindsets and horizons, and how they condition what aspects of the medieval self are 'visible' to us. Utilizing this insight, we aim to propose a more syncretic approach towards the medieval self, not in order to substitute excellent models already in existence, but in order to foreground the flexibility and the complementarity of the current theories, when these are seen in relationship to each other. The self and how it relates to its surrounding world and history is a main concern of humanities and social sciences. Focusing on the theoretical and methodological flexibility when approaching the medieval self has the potential to raise our awareness of our own position and agency in various social spaces today.
Book Synopsis Tracing the Jerusalem Code by : Kristin B. Aavitsland
Download or read book Tracing the Jerusalem Code written by Kristin B. Aavitsland and published by Walter de Gruyter GmbH & Co KG. This book was released on 2021-04-19 with total page 805 pages. Available in PDF, EPUB and Kindle. Book excerpt: With the aim to write the history of Christianity in Scandinavia with Jerusalem as a lens, this book investigates the image – or rather the imagination – of Jerusalem in the religious, political, and artistic cultures of Scandinavia through most of the second millennium. Jerusalem is conceived as a code to Christian cultures in Scandinavia. The first volume is dealing with the different notions of Jerusalem in the Middle Ages. Tracing the Jerusalem Code in three volumes Volume 1: The Holy City Christian Cultures in Medieval Scandinavia (ca. 1100–1536) Volume 2: The Chosen People Christian Cultures in Early Modern Scandinavia (1536–ca. 1750) Volume 3: The Promised Land Christian Cultures in Modern Scandinavia (ca. 1750–ca. 1920)
Book Synopsis A Companion to Birgitta of Sweden by : Maria H. Oen
Download or read book A Companion to Birgitta of Sweden written by Maria H. Oen and published by BRILL. This book was released on 2019-06-07 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ten scholars offer a comprehensive introduction to one of the most celebrated visionaries of the Middle Ages. The essays focus on Birgitta as an author, the reception of her writings, and the history of her religious order.
Download or read book Medieval Art written by and published by . This book was released on 1979 with total page 21 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Companion to Medieval Art by : Conrad Rudolph
Download or read book A Companion to Medieval Art written by Conrad Rudolph and published by John Wiley & Sons. This book was released on 2011-09-07 with total page 624 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Medieval Art brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe. Brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe. Contains over 30 original theoretical, historical, and historiographic essays by renowned and emergent scholars. Covers the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Features an international and ambitious range - from reception, Gregory the Great, collecting, and pilgrimage art, to gender, patronage, the marginal, spolia, and manuscript illumination.
Book Synopsis How to Read Medieval Art by : Wendy A. Stein
Download or read book How to Read Medieval Art written by Wendy A. Stein and published by Metropolitan Museum of Art. This book was released on 2016-10-07 with total page 138 pages. Available in PDF, EPUB and Kindle. Book excerpt: The intensely expressive art of the Middle Ages was created to awe, educate and connect the viewer to heaven. Its power reverberates to this day, even among the secular. But experiencing the full meaning and purpose of medieval art requires an understanding of its narrative content. This volume introduces the subjects and stories most frequently depicted in medieval art, many of them drawn from the Bible and other religious literature. Included among the thirty-eight representative works are brilliant altarpieces, stained-glass windows, intricate tapestries, carved wood sculptures, delicate ivories, and captivating manuscript illuminations, all drawn from the holdings of the Metropolitan Museum, one of the world's most comprehensive collections of medieval art. Iconic masterworks such as the Merode Altarpiece, the Unicorn Tapestries, and the Belles Heures of the duc de Berry are featured along with less familiar work. Descriptions of the individual pieces highlight the context in which they were made, conveying their visual and technical nuances as well as their broader symbolic meaning. With its accessible informative discussions and superb full-color illustrations, How to Read Medieval Art explores the iconographic themes of the period, making them clearly recognizable and opening vistas onto history and literature, faith and devotion.
Book Synopsis The Mind's Eye by : Jeffrey F. Hamburger
Download or read book The Mind's Eye written by Jeffrey F. Hamburger and published by Princeton University Press. This book was released on 2006 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Mind's Eye focuses on the relationships among art, theology, exegesis, and literature--issues long central to the study of medieval art, yet ripe for reconsideration. Essays by leading scholars from many fields examine the illustration of theological commentaries, the use of images to expound or disseminate doctrine, the role of images within theological discourse, the development of doctrine in response to images, and the place of vision and the visual in theological thought. At issue are the ways in which theologians responded to the images that we call art and in which images entered into dialogue with theological discourse. In what ways could medieval art be construed as argumentative in structure as well as in function? Are any of the modes of representation in medieval art analogous to those found in texts? In what ways did images function as vehicles, not merely vessels, of meaning and signification? To what extent can exegesis and other genres of theological discourse shed light on the form, as well as the content and function, of medieval images? These are only some of the challenging questions posed by this unprecedented and interdisciplinary collection, which provides a historical framework within which to reconsider the relationship between seeing and thinking, perception and the imagination in the Middle Ages.
Book Synopsis Experiencing Medieval Art by : Herbert L. Kessler
Download or read book Experiencing Medieval Art written by Herbert L. Kessler and published by University of Toronto Press. This book was released on 2019-09-10 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Across the nine thematic chapters of Experiencing Medieval Art, renowned art historian Herbert L. Kessler considers functional objects as well as paintings and sculptures; the circumstances, processes, and materials of production; the conflictual relationship between art objects and notions of an ineffable deity; the context surrounding medieval art; and questions of apprehension, aesthetics, and modern presentation. He also introduces the exciting discoveries and revelations that have revolutionized contemporary understanding of medieval art and identifies the vexing challenges that still remain. With 16 color plates and 81 images in all—including the stained glass of Chartres Cathedral, the mosaics of San Marco, and the Utrecht Psalter, as well as newly discovered works such as the frescoes in Rome’s aula gotica and a twelfth-century aquamanile in Hildesheim—Experiencing Medieval Art makes the complex history of medieval art accessible for students of art history and scholars of medieval history, theology, and literature.
Book Synopsis Art and Violence in the Middle Ages and the Renaissance by : Robert G. Sullivan
Download or read book Art and Violence in the Middle Ages and the Renaissance written by Robert G. Sullivan and published by Cambridge Scholars Publishing. This book was released on 2020-12-03 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays explores the intersection of art and violence in the Middle Ages and the Renaissance. It will appeal primarily to students and scholars in the fields of Medieval and Renaissance Studies, and will also be of interest to readers with an interest in medieval and early modern art history.
Book Synopsis Animals and the Symbolic in Mediaeval Art and Literature by : L. A. J. R. Houwen
Download or read book Animals and the Symbolic in Mediaeval Art and Literature written by L. A. J. R. Houwen and published by . This book was released on 1997 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt:
