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The Harmonic Treatment Of Chinese Music In The Twentieth Century
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Book Synopsis The Harmonic Treatment of Chinese Music in the Twentieth-century by : Wen-Ching Lin
Download or read book The Harmonic Treatment of Chinese Music in the Twentieth-century written by Wen-Ching Lin and published by . This book was released on 1981 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Chinese Music in the 20th Century by : Sin-yan Shen
Download or read book Chinese Music in the 20th Century written by Sin-yan Shen and published by . This book was released on 2001 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Musical Creativity in Twentieth-century China by : Jonathan P. J. Stock
Download or read book Musical Creativity in Twentieth-century China written by Jonathan P. J. Stock and published by . This book was released on 1996 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of the life and music of the blind Chinese folk musician Abing (1893-1950), with accompanying CD.
Book Synopsis A Critical History of New Music in China by : Jingzhi Liu
Download or read book A Critical History of New Music in China written by Jingzhi Liu and published by Chinese University Press. This book was released on 2010 with total page 962 pages. Available in PDF, EPUB and Kindle. Book excerpt: By the end of the nineteenth century, Chinese culture had fallen into a stasis, and intellectuals began to go abroad for new ideas. What emerged was an exciting musical genre that C. C. Liu terms "new music." With no direct ties to traditional Chinese music, "new music" reflects the compositional techniques and musical idioms of eighteenth- and nineteenth-century European styles. Liu traces the genesis and development of "new music" throughout the twentieth century, deftly examining the social and political forces that shaped "new music" and its uses by political activists and the government.
Book Synopsis Western Influence on Chinese Music in the Early Twentieth Century by : Yongsheng Liang
Download or read book Western Influence on Chinese Music in the Early Twentieth Century written by Yongsheng Liang and published by . This book was released on 1994 with total page 606 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis New Music in China and the C.C. Liu Collection at the University of Hong Kong by : Helen Woo
Download or read book New Music in China and the C.C. Liu Collection at the University of Hong Kong written by Helen Woo and published by Hong Kong University Press. This book was released on 2005-01-01 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book comprises five invited papers, each of which touches on a topic directly or indirectly related to the music of China in the twentieth century. And it consists of the catalogue of library materials related to new music of China donated by Liu Ching-chih to the University of Hong Kong.
Author :Liu Chingchih Publisher :The Chinese University of Hong Kong Press ISBN 13 :962996970X Total Pages :960 pages Book Rating :4.6/5 (299 download)
Book Synopsis A Critical History of New Music in China by : Liu Chingchih
Download or read book A Critical History of New Music in China written by Liu Chingchih and published by The Chinese University of Hong Kong Press. This book was released on 2010-07-20 with total page 960 pages. Available in PDF, EPUB and Kindle. Book excerpt: By the end of the nineteenth century, after a long period during which the weakness of China became ever more obvious, intellectuals began to go abroad for new ideas. What emerged was a musical genre that Liu Chingchih terms "New Music." With no direct ties to traditional Chinese music, New Music reflects the compositional techniques and musical idioms of eighteenth, nineteenth and early twentieth–century European styles. Liu traces the genesis and development of New Music throughout the twentieth century, deftly examining the cultural, social, and political forces that shaped New Music and its uses by politicians and the government.
Book Synopsis Music Development in Twentieth Century China by : Marian Buck-Lew
Download or read book Music Development in Twentieth Century China written by Marian Buck-Lew and published by . This book was released on 1968 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis China and the West by : Michael Saffle
Download or read book China and the West written by Michael Saffle and published by University of Michigan Press. This book was released on 2017-05-09 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Western music reached China nearly four centuries ago, with the arrival of Christian missionaries, yet only within the last century has Chinese music absorbed its influence. As China and the West demonstrates, the emergence of “Westernized” music from China—concurrent with the technological advances that have made global culture widely accessible—has not established a prominent presence in the West. China and the West brings together essays on centuries of Sino-Western musical exchange by musicologists, ethnomusicologists, and music theorists from around the world. It opens with a look at theoretical approaches of prior studies of musical encounters and a comprehensive survey of the intercultural and cross-cultural theoretical frameworks—exoticism, orientalism, globalization, transculturation, and hybridization—that inform these essays. Part I focuses on the actual encounters between Chinese and European musicians, their instruments and institutions, and the compositions inspired by these encounters, while Part II examines theatricalized and mediated East-West cultural exchanges, which often drew on stereotypical tropes, resulting in performances more inventive than accurate. Part III looks at the musical language, sonority, and subject matters of “intercultural” compositions by Eastern and Western composers. Essays in Part IV address reception studies and consider the ways in which differences are articulated in musical discourse by actors serving different purposes, whether self-promotion, commercial marketing, or modes of nationalistic—even propagandistic—expression. The volume’s extensive bibliography of secondary sources will be invaluable to scholars of music, contemporary Chinese culture, and the globalization of culture.
Book Synopsis Four Chinese Music Demigods and Chinese Romanticism of the Twentieth Century by : Cong Sun
Download or read book Four Chinese Music Demigods and Chinese Romanticism of the Twentieth Century written by Cong Sun and published by . This book was released on 2006 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Chinese Music written by J. A. Van Aalst and published by Cambridge University Press. This book was released on 2012-03-22 with total page 101 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published to coincide with the London Health Exhibition of 1884, to which Van Aalst was sent as a lecturer, this work, best known as a source of musical material for Puccini's opera Turandot, remained the most detailed account of Chinese music in a Western language until the mid-twentieth century.
Download or read book Yellow Music written by Andrew F. Jones and published by Duke University Press. This book was released on 2001-06-19 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Yellow Music is the first history of the emergence of Chinese popular music and urban media culture in early-twentieth-century China. Andrew F. Jones focuses on the affinities between "yellow” or “pornographic" music—as critics derisively referred to the "decadent" fusion of American jazz, Hollywood film music, and Chinese folk forms—and the anticolonial mass music that challenged its commercial and ideological dominance. Jones radically revises previous understandings of race, politics, popular culture, and technology in the making of modern Chinese culture. The personal and professional histories of three musicians are central to Jones's discussions of shifting gender roles, class inequality, the politics of national salvation, and emerging media technologies: the American jazz musician Buck Clayton; Li Jinhui, the creator of "yellow music"; and leftist Nie Er, a former student of Li’s whose musical idiom grew out of virulent opposition to this Sinified jazz. As he analyzes global media cultures in the postcolonial world, Jones avoids the parochialism of media studies in the West. He teaches us to hear not only the American influence on Chinese popular music but the Chinese influence on American music as well; in so doing, he illuminates the ways in which both cultures were implicated in the unfolding of colonial modernity in the twentieth century.
Book Synopsis The Emergence and Development of Chinese Choral Music in the Twentieth Century by : Mo-ling Chan Yip
Download or read book The Emergence and Development of Chinese Choral Music in the Twentieth Century written by Mo-ling Chan Yip and published by . This book was released on 1994 with total page 540 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Master's Theses in the Arts and Social Sciences by :
Download or read book Master's Theses in the Arts and Social Sciences written by and published by . This book was released on 1981 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Chinese Political Song by : Xiaoyang Zhao
Download or read book The Chinese Political Song written by Xiaoyang Zhao and published by . This book was released on 2012 with total page 94 pages. Available in PDF, EPUB and Kindle. Book excerpt: The development of twentieth century Chinese song was closely related to changes in Chinese society. School song was the earliest Western music genre taught in early twentieth century Chinese music classes. It was imported not only as an aesthetic subject, but also as an educational tool. In the 1920s and 1930s, Western trained Chinese musicians composed the earliest modern Chinese art songs using Western compositional techniques. Chinese art songs of this period have fewer political elements compared with Chinese songs that were composed later. With the Japanese army’s invasion of Northeastern China on September 8, 1931, many patriotic Chinese composers were forced to replace the romantic poetic texts of their songs with patriotic texts. Mao Zedong’s speech Talks at the Yanan Forum on Literature and Art in 1942 greatly influenced artistic creations during the rest of the twentieth century in mainland China. Hundreds of traditional Chinese folk songs were rearranged and became political tools under his influence. The political propaganda’s influence on Chinese song composition reached its extreme during the ten years of the Cultural Revolution (1966-1976). Praise for the party, socialism, and Chairman Mao were the only proper subjects for artistic creations, and all Western music was prohibited during the period. The social environment of Chinese song composition has improved since the beginning of the Economic Reformation and Opening-Up policy in 1979, and all styles of songs have been composed and performed. However, the Communist party has never slowed down the process of political propaganda, albeit indirectly.
Book Synopsis Music of the Twentieth Century by : Ton de Leeuw
Download or read book Music of the Twentieth Century written by Ton de Leeuw and published by Amsterdam University Press. This book was released on 2005 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ton de Leeuw was a truly groundbreaking composer. As evidenced by his pioneering study of compositional methods that melded Eastern traditional music with Western musical theory, he had a profound understanding of the complex and often divisive history of twentieth-century music. Now his renowned chronicle Music of the Twentieth Century is offered here in a newly revised English-language edition. Music of the Twentieth Century goes beyond a historical survey with its lucid and impassioned discussion of the elements, structures, compositional principles, and terminologies of twentieth-century music. De Leeuw draws on his experience as a composer, teacher, and music scholar of non-European music traditions, including Indian, Indonesian, and Japanese music, to examine how musical innovations that developed during the twentieth century transformed musical theory, composition, and scholarly thought around the globe.
Book Synopsis Sizhu Instrumental Music of South China by : Alan Thrasher
Download or read book Sizhu Instrumental Music of South China written by Alan Thrasher and published by BRILL. This book was released on 2008-03-31 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: According to a reader's report, this is "one of the finest studies on (any kind of) Chinese music to emerge in recent years." Based on extensive fieldwork and a thorough knowledge of the scholarly literature, the author examines the theoretical underpinnings of the 'silk and bamboo' instrumental ensemble traditions of the Chaozhou, Hakka and Cantonese peoples of South China. Stepping back far into history, the book opens with a penetrating examination of Confucian theory, the ancient corpus of behavioral doctrine which promoted music as a means of achieving social harmony and which, together with Daoist belief, exercised unusually strong influence over common-practice music and aesthetics. This is followed by a rigorous analysis of the music itself, focusing upon linear and modal structures and performance styles which reflect a fascinating mix of ancient ideologies and more recent influences.