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The Genius Of Venice 1500 1600
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Book Synopsis The Genius of Venice, 1500-1600 by : Jane Martineau
Download or read book The Genius of Venice, 1500-1600 written by Jane Martineau and published by ABRAMS. This book was released on 1984 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Genius of Venice, 1500-1600 by : Jane Martineau
Download or read book The Genius of Venice, 1500-1600 written by Jane Martineau and published by . This book was released on 1983 with total page 413 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting by : David Alan Brown
Download or read book Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting written by David Alan Brown and published by Yale University Press. This book was released on 2006-01-01 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a survey of sixty Venetian Renaissance paintings of the calibre of Bellini and Titian's "Feast of the Gods" in Washington and Giorgione's "Laura and Three Philosophers" in Vienna.
Book Synopsis Albrecht Dürer and the Venetian Renaissance by : Katherine Crawford Luber
Download or read book Albrecht Dürer and the Venetian Renaissance written by Katherine Crawford Luber and published by Cambridge University Press. This book was released on 2005-05-30 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description
Book Synopsis Art of Renaissance Venice, 1400 1600 by : Loren Partridge
Download or read book Art of Renaissance Venice, 1400 1600 written by Loren Partridge and published by Univ of California Press. This book was released on 2015-03-14 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A comprehensive and richly illustrated survey of Venetian Renaissance architecture, sculpture, and painting created between 1400 and 1600 addressed to students, travellers, and the general public. The works of art are analysed within Venice's cultural circumstances--political, economic, intellectual, and religious--and in terms of function, style, iconography, patronage, classical sources, gender, art theories, and artist's innovations, rivalries, and social status. The text has been divided into two parts--the fifteenth century and the sixteenth century--each part preceded by an introduction that recounts the history of Venice to 1500 and to 1600 respectively, including the city's founding, ideology, territorial expansion, social classes, governmental structure, economy, and religion. The twenty-six chapters have been organized to lead readers systematically through the major artistic developments within the three principal categories of art--governmental, ecclesiastic, and domestic--and have been arranged sequentially as follows: civic architecture and urbanism, churches, church decoration (ducal tombs and altarpieces), refectories and refectory decoration (section two only), confraternities (architecture and decoration), palaces, palace decoration (devotional works, portraits, secular painting, and halls of state), villas, and villa decoration. The conclusion offers an overview of the major types of Venetian art and architectural patronage and their funding sources"--Provided by publisher.
Book Synopsis War, Culture and Society in Renaissance Venice by : John Rigby Hale
Download or read book War, Culture and Society in Renaissance Venice written by John Rigby Hale and published by A&C Black. This book was released on 1993-01-01 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: While the majority of these essays are about wars fought against Venice's enemies or on the building and defence of Venetian and other fortifications, there are also essays on other aspects of Venetian life and art: on Giorgione's earliest work; on the career of a Venetian pope; on the building of the Ca' d'Oro; and on the Diarii of Marino Sanuto.
Book Synopsis The Intellectual Life of the Early Renaissance Artist by : Francis Ames-Lewis
Download or read book The Intellectual Life of the Early Renaissance Artist written by Francis Ames-Lewis and published by Yale University Press. This book was released on 2002-01-01 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the beginning of the fifteenth century, painters and sculptors were seldom regarded as more than artisans and craftsmen, but within little more than a hundred years they had risen to the status of "artist." This book explores how early Renaissance artists gained recognition for the intellectual foundations of their activities and achieved artistic autonomy from enlightened patrons. A leading authority on Renaissance art, Francis Ames-Lewis traces the ways in which the social and intellectual concerns of painters and sculptors brought about the acceptance of their work as a liberal art, alongside other arts like poetry. He charts the development of the idea of the artist as a creative genius with a distinct identity and individuality. Ames-Lewis examines the various ways that Renaissance artists like Mantegna, Leonardo da Vinci, Raphael, and Dürer, as well as many other less well known painters and sculptors, pressed for intellectual independence. By writing treatises, biographies, poetry, and other literary works, by seeking contacts with humanists and literary men, and by investigating the arts of the classical past, Renaissance artists honed their social graces and broadened their intellectual horizons. They also experienced a growing creative confidence and self-awareness that was expressed in novel self-portraits, works created solely to demonstrate pictorial skills, and monuments to commemorate themselves after death.
Book Synopsis Gay and Lesbian Studies in Art History by : Whitney Davis
Download or read book Gay and Lesbian Studies in Art History written by Whitney Davis and published by Routledge. This book was released on 2013-11-19 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: Find original research and interpretive studies of the relations between homosexuality and the visual arts. Evidence for the role of homosexuality in artistic creation has often not survived, in part because the direct expression of homosexuality has often been condemned in Western societies. Gay and Lesbian Studies in Art History presents examples of contemporary art historical research on homoeroticism and homosexuality in the visual arts (chiefly painting and sculpture) of the Western tradition from the ancient to the modern periods. Chapters explore the dynamic interrelation of sexuality and visual art and emphasize problems of historical evidence and interpretation and the need to reconstruct social and cultural realities sometimes quite different from our own.Gay and Lesbian Studies in Art History addresses contemporary art historians’interest in studying sexuality in the visual arts, examining such questions as: What are some of the present-day reasons for, and problems of, this research? How is it related to other research areas within art history and to wider public debates about the meaning, value, and propriety of works of art? While the book examines a variety of research problems and theoretical perspectives, most chapters focus on the historical interpretation of a particular work of art, artist, or visual convention. Chapters present new documentation of the importance of homosexuality in the production and reception of artworks in the Western tradition, develop models for approaching the question of how sexuality and visual creation are related, and explore researchers’experiences and obligations in working in the area of gay and lesbian studies in art history today.Contributing authors stress problems of historical evidence and reconstruction; the social and cultural construction of homosexuality; and the active role of visual conventions in shaping perceptions of homosexuals, homosexuality, and homosexual desire. They discuss both the biography of artists and the significance of individual works of art and the social reception and circulation of works of art in the context of wider religious, legal, medical, political, and economic relations. The book may revise readers’beliefs about the significance and value of a number of works of art hitherto forgotten, neglected, under-appreciated, or misinterpreted. Gay and Lesbian Studies in Art History is an enlightening and informative book for art historians, museum professionals, scholars in the field of lesbian and gay studies, and art history students and professors.
Book Synopsis Aretino's Satyr by : Raymond B. Waddington
Download or read book Aretino's Satyr written by Raymond B. Waddington and published by University of Toronto Press. This book was released on 2004-01-01 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino's carefully cultivated scandalous persona - a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts. In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino's own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer. Arguing that Aretino's deployment of an artistic network for self-promotional ends was so successful that for a period his face was possibly the most famous in Western Europe, Waddington also defends Aretino, describing his involvement in the larger sphere of the production and promotion of the visual arts of the period. Aretino's Satyr is richly illustrated with examples of the visual media used by the writer to create his persona. These include portraits by major artists, and arti minori: engravings, portrait medals and woodcuts.
Book Synopsis Reactions to the Master by : Francis Ames-Lewis
Download or read book Reactions to the Master written by Francis Ames-Lewis and published by Routledge. This book was released on 2017-09-29 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: The immense effect that Michelangelo had on many artists working in the sixteenth century is widely acknowledged by historians of Italian Renaissance art. Yet until recently greater stress has been placed on the individuality of these artists' styles and interpretation rather than on the elucidation of their debts to others. There has been little direct focus on the ways in which later sixteenth-century artists actually confronted Michelangelo, or how those areas or aspects of their artistic production that are most closely related to his reveal their attitudes and responses to Michelangelo's work. Reactions to the Master presents the first coherent study of the influence exerted by Michelangelo's work in painting and sculpture on artists of the late-Renaissance period including Alessandro Allori, Agnolo Bronzino, Battista Franco, Francesco Parmigianino, Jacopo Pontormo, Francesco Salviati, Raphael, Giorgio Vasari, Marcello Venusti, and Alessandro Vittoria. The essays focus on the direct relations, such as copies and borrowings, previously underrated by art historians, but which here form significant keys to understanding the aesthetic attitudes and broader issues of theory advanced at the time.
Book Synopsis The Art of Renaissance Venice by : Norbert Huse
Download or read book The Art of Renaissance Venice written by Norbert Huse and published by University of Chicago Press. This book was released on 1993-10-30 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: Norbert Huse and Wolfgang Wolters provide the first contemporary single-volume survey of the three arts of Venice -- painting, sculpture, and architecture. They offer an important counterbalance to the traditional orientation toward painting as the city's preeminent art by focusing on architecture as the essential Venetian artistic medium. In the process, they define the distinctly Venetian terms by which the city and culture should be understood. Huse and Wolters begin their study with 1460, when Venice was one of the key powers of Italy, and end their discussion with the death of Tintoretto in 1594, a period of waning international power. Wolfgang Wolters outlines the city's development and present a typological survey of Venetian architecture. A review of sculptors and their works follows. Norbert Huse opens the next section, on painting, by describing the changed situation of painters at the end of the fifteenth century. He explores the different forms and functions of Venetian paintings in three distinct periods. With over three hundred illustrations and an exhaustive bibliography, this volume successfully fills a gap in art historical scholarship. -- From publisher's description.
Book Synopsis Painters of Reality by : Andrea Bayer
Download or read book Painters of Reality written by Andrea Bayer and published by Metropolitan Museum of Art. This book was released on 2004 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Largely as a result of Leonardo's innovative work for the Sforza court in Milan, a rich vein of naturalism developed in North Italian art during the late fifteenth century. Questioning the strongly classicizing, idealized style dominant in areas south of the Apennines, artists in the region of Lombardy turned to an investigation of the natural world based on direct observation and adherence to strict visual truth. This heritage of realism continued to be of key importance for more than two hundred years, finding its greatest expression in the art of Caravaggio and eventually influencing the course of Baroque painting throughout Europe. Religious scenes, portraits, and landscapes were all transformed by this new naturalism, which also spurred an interest in still lifes and genre scenes as subjects for paintings. Painters of Reality, titled after an influential exhibition held in Milan more than fifty years ago, is the first study in English of this major aspect of Italian art. Reexamining the subject in light of copious subsequent scholarship, the authors of this volume contribute major essays that define and discuss naturalism as it appeared in both Lombard paintings and drawings. There is also a fresh consideration of the Northern Italian predecessors whose influence is apparent, either directly or indirectly, in the paintings of Caravaggio. More detailed discussions of the subject center on the precise elements that constituted Leonardo's "hypernaturalism"; the important schools of painting that arose in Brescia, Bergamo, Cremona, and Milan; and Caravaggio's most notable successors in northern Italy, who kept Lombard realism alive into the eighteenth century. Map, artists' biographies, bibliography, and index are also included" -- Metropolitan Museum of Art website.
Book Synopsis "Titian, Colonna and the Renaissance Science of Procreation " by : Anthony Colantuono
Download or read book "Titian, Colonna and the Renaissance Science of Procreation " written by Anthony Colantuono and published by Routledge. This book was released on 2017-07-05 with total page 582 pages. Available in PDF, EPUB and Kindle. Book excerpt: Titian, Colonna and the Renaissance Science of Procreation demonstrates that two major monuments of Italian Renaissance culture - Bellini's and Titian's famous series of mytho-poetical paintings for the camerino of Duke Alfonso d'Este of Ferrara, and Francesco Colonna's Hypnerotomachia Poliphili - were conceived as mnemonic or pedagogical devices aimed at educating the reader/beholder in the medical science of reproductive physiology and the maintenance of sexual health. It is further argued that the learned courtier Mario Equicola, who conceived the pictorial program of Duke Alfonso's camerino, had read Colonna's text and was extensively inspired by its prior literary argument. The study is organized in two parts, intimately interrelated. The first part is a study of Alfonso d'Este's camerino, with a general introduction, individual chapters on each of Bellini's and Titian's four pictorial "bacchanals," and a conclusion proposing a new and more accurate reconstruction of the layout of the room, also including a completely new way of interpreting the ensemble. The second part of the study concerns Colonna's Hypnerotomachia Poliphili, again beginning with its own introductory essay and advancing a completely new interpretation of the text. The brief conclusion brings the insights of the two sections together, clarifying the historical relationship between the pictorial and literary works and explaining their larger cultural significance. Emphasizing Equicola's use of the Hypnerotomachia as a model for pictorial invention, the author reveals how Titian's remarkably sensuous paintings and Colonna's erotically-charged romance are related by their common reference to the neo-Aristotelian medical theory of the "libidinal seasons," and by corollary themes of marriage and sexual consummation. This peculiar intersection of cultural themes came to prominence in the context of a courtly world in which medical science was increasingly brought to bear on the problem of dy
Book Synopsis The Late Paintings of Vel?uez by : Giles Knox
Download or read book The Late Paintings of Vel?uez written by Giles Knox and published by Routledge. This book was released on 2017-07-05 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: The startling conclusion of The Late Paintings of Vel?uez is that Diego Vel?uez painted two of his most famous works, The Spinners and Las Meninas, as theoretically informed manifestos of painterly brushwork. As a pair, Giles Knox argues, the two paintings form a learned retort to the prevailing critical disdain for the painterly. Knox presents a Vel?uez who was much more aware of the art theory of his era than previously acknowledged, leading him to reinterpret Las Meninas and The Spinners as representing together a polemically charged celebration of the "handedness" of painting. Knox removes Vel?uez from his Iberian isolation and seeks to recover his highly self-conscious attempt to carve out a place for himself within the history of European painting as a whole. The Late Paintings of Vel?uez presents an artist who, like Annibale Carracci, Poussin, Rembrandt, and Vermeer was not only aware of contemporary theoretical writings on art, but also able to translate that knowledge and understanding into a distinctive and personal theory of painting. In Las Meninas and The Spinners, Vel?uez propounded this theory with paint, not words. Knox's rethinking of the dynamic relationship between text and image presents a case, not of writing influencing painting, or vice versa, but of the two realms being inextricably bound together. Painterly brushwork presented a challenge to writers on art not just because it was connected too intimately with the base actions of the hand; it was also devilishly hard to describe. By reading Vel?uez's painterly performance as text, Knox deciphers how Vel?uez was able to craft theoretical arguments more compelling and more vivid than any written counterparts.
Book Synopsis Dearest Squirrel...' by : John Osborne
Download or read book Dearest Squirrel...' written by John Osborne and published by Bloomsbury Publishing. This book was released on 2018-04-01 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: A completely fresh insight into the mind of one of the UK's greatest playwrights, the letters between John Osborne and his first wife, actress Pamela Lane, are also a love letter to a now defunct system of repertory theatre, and life in post-war Britain. As these letters reveal, soon after their divorce, Osborne and Lane began a mutually supportive, loyal, frequently stormy and sometimes sexually intimate alliance lasting thirty years until Osborne's death. By the mid-1980s, they had become closer and more trusting than they had been since their earliest years together. 'You are for me what you always were,' Pamela told him, 'I am in love with you still.' It is, he declared, 'my fortune to have loved someone for a lifetime.' Acerbic, witty, candid and heartbreaking, they reveal a unique relationship, troubled, tender and enduring.
Book Synopsis Painting Music in the Sixteenth Century by : H. Colin Slim
Download or read book Painting Music in the Sixteenth Century written by H. Colin Slim and published by Taylor & Francis. This book was released on 2024-10-28 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: Professor Slim deals here with the several roles that music can play in the artworks of the Renaissance, looking in particular at Italian painting of the 16th century. For understandable reasons, art historians sometimes neglect the role of music and, especially, that of musical notation when studying works of art. These studies not only identify musical compositions, wholly or partially inscribed in paintings - and tapestries, ceramics, prints as well - but also seek reasons why these particular musical compositions were included and analyse their relevance to the scene depicted. Furthermore, as many of these studies show, identifying a musical composition, especially if it has a text, leads to the formation of ideas about iconographical functions and thus augments interpretations of the visual art.
Book Synopsis Companion to Historiography by : Michael Bentley
Download or read book Companion to Historiography written by Michael Bentley and published by Routledge. This book was released on 2006-02-27 with total page 1004 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Companion to Historiography is an original analysis of the moods and trends in historical writing throughout its phases of development and explores the assumptions and procedures that have formed the creation of historical perspectives. Contributed by a distinguished panel of academics, each essay conveys in direct, jargon-free language a genuinely international, wide-angled view of the ideas, traditions and institutions that lie behind the contemporary urgency of world history.