The End of Early Music

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Publisher : Oxford University Press
ISBN 13 : 0195189876
Total Pages : 305 pages
Book Rating : 4.1/5 (951 download)

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Book Synopsis The End of Early Music by : Bruce Haynes

Download or read book The End of Early Music written by Bruce Haynes and published by Oxford University Press. This book was released on 2007-07-20 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher description

The End of Early Music

Download The End of Early Music PDF Online Free

Author :
Publisher : Oxford University Press
ISBN 13 : 0198040946
Total Pages : 305 pages
Book Rating : 4.1/5 (98 download)

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Book Synopsis The End of Early Music by : Bruce Haynes

Download or read book The End of Early Music written by Bruce Haynes and published by Oxford University Press. This book was released on 2007-07-20 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Part history, part explanation of early music, this book also plays devil's advocate, criticizing current practices and urging experimentation. Haynes, a veteran of the movement, describes a vision of the future that involves improvisation, rhetorical expression, and composition.

A History of Performing Pitch

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Publisher : Scarecrow Press
ISBN 13 : 0810841851
Total Pages : 628 pages
Book Rating : 4.8/5 (18 download)

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Book Synopsis A History of Performing Pitch by : Bruce Haynes

Download or read book A History of Performing Pitch written by Bruce Haynes and published by Scarecrow Press. This book was released on 2002-11-06 with total page 628 pages. Available in PDF, EPUB and Kindle. Book excerpt: Haynes (U. of Montreal) traces the history of musical pitch standards over the last four centuries, linking frequency values to pitch names and telling where, when, and why various pitch levels have been used. With a focus on Italy, France, Germany, the Netherlands and the Hapsburg lands, he covers the pitches of about 1,400 historical instruments and how the design and function influenced and were influenced by changes in pitch. In addition, he studies the effect of pitch differences on musical notation and choice of key. The author has also written a book on the oboe, the instrument that plays the "A" to which a symphony orchestra tunes. Annotation copyrighted by Book News, Inc., Portland, OR

Singing Early Music

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Publisher : Indiana University Press
ISBN 13 : 9780253210265
Total Pages : 326 pages
Book Rating : 4.2/5 (12 download)

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Book Synopsis Singing Early Music by : Timothy J. McGee

Download or read book Singing Early Music written by Timothy J. McGee and published by Indiana University Press. This book was released on 1996 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Accompanying CD includes readings of most of the sample texts found in the book. The CD is intended to assist in interpreting the phonetic symbols, which are truncated in IPA (International Phonetic Alphabet).

Understanding Music

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Publisher :
ISBN 13 : 9781940771335
Total Pages : 316 pages
Book Rating : 4.7/5 (713 download)

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Book Synopsis Understanding Music by : N. Alan Clark

Download or read book Understanding Music written by N. Alan Clark and published by . This book was released on 2015-12-21 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!

The Eloquent Oboe

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Publisher :
ISBN 13 : 9780198166467
Total Pages : 576 pages
Book Rating : 4.1/5 (664 download)

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Book Synopsis The Eloquent Oboe by : Bruce Haynes

Download or read book The Eloquent Oboe written by Bruce Haynes and published by . This book was released on 2001 with total page 576 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first in-depth survey of the oboe during its Golden Age, tracing the history of the instrument from its invention through its many mutations as it adapted to the changing demands of composers. The author describes in detail the instruments, players, makers, and composers, as well as how and where it was played, and who listened to it.

Early Music: A Very Short Introduction

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Publisher : Oxford University Press
ISBN 13 : 0199831890
Total Pages : 146 pages
Book Rating : 4.1/5 (998 download)

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Book Synopsis Early Music: A Very Short Introduction by : Thomas Forrest Kelly

Download or read book Early Music: A Very Short Introduction written by Thomas Forrest Kelly and published by Oxford University Press. This book was released on 2011-04-25 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Gregorian chant to Bach's Brandenburg Concerti, the music of the Medieval, Renaissance, and Baroque periods is both beautiful and intriguing, expanding our horizons as it nourishes our souls. In this Very Short Introduction, Thomas Forrest Kelly provides not only a compact overview of the music itself, but also a lively look at the many attempts over the last two centuries to revive it. Kelly shows that the early-music revival has long been grounded in the idea of spontaneity, of excitement, and of recapturing experiences otherwise lost to us--either the rediscovery of little-known repertories or the recovery of lost performing styles, with the conviction that, with the right performance, the music will come to life anew. Blending musical and social history, he shows how the Early Music movement in the 1960s took on political overtones, fueled by a rebellion against received wisdom and enforced conformity. Kelly also discusses ongoing debates about authenticity, the desirability of period instruments, and the relationship of mainstream opera companies and symphony orchestras to music that they often ignore, or play in modern fashion.

A Performer's Guide to Transcribing, Editing, and Arranging Early Music

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Publisher : Oxford University Press
ISBN 13 : 0197600654
Total Pages : 289 pages
Book Rating : 4.1/5 (976 download)

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Book Synopsis A Performer's Guide to Transcribing, Editing, and Arranging Early Music by : Alon Schab

Download or read book A Performer's Guide to Transcribing, Editing, and Arranging Early Music written by Alon Schab and published by Oxford University Press. This book was released on 2022-06-10 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides instruction on three important tasks that early music performers often undertake in order to make their work more noticeable and appealing to their audiences. First, the book provides instruction on using early sources - manuscripts, prints, and treatises - in score, parts, or tablature. It then illuminates priorities behind basic editorial decisions - determining what constitutes a 'version' of a musical piece, how to choose a version, and how to choose the source for that version. Lastly, the book offers advice about arranging both early and new music for early instruments, including how to consider instruments' ranges and various registers, how to exploit the unique characteristics of period instruments, and how to produce convincing textures of accompaniment.

The Sounds and Sights of Performance in Early Music

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Author :
Publisher : Routledge
ISBN 13 : 1351540467
Total Pages : 310 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis The Sounds and Sights of Performance in Early Music by : Maureen Epp

Download or read book The Sounds and Sights of Performance in Early Music written by Maureen Epp and published by Routledge. This book was released on 2017-07-05 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: The experience of music performance is always far more than the sum of its sounds, and evidence for playing and singing techniques is not only inscribed in music notation but can also be found in many other types of primary source materials. This volume of essays presents a cross-section of new research on performance issues in music of the Middle Ages and Renaissance. The subject is approached from a broad perspective, drawing on areas such as dance history, art history, music iconography and performance traditions from beyond Western Europe. In doing so, the volume continues some of the many lines of inquiry pursued by its dedicatee, Timothy J. McGee, over a lifetime of scholarship devoted to practical questions of playing and singing early music. Expanding the bases of inquiry to include various social, political, historical or aesthetic backgrounds both broadens our knowledge of the issues pertinent to early music performance and informs our understanding of other cultural activities within which music played an important role. The book is divided into two parts: 'Viewing the Evidence' in which visually based information is used to address particular questions of music performance; and 'Reconsidering Contexts' in which diplomatic, commercial and cultural connections to specific repertories or compositions are considered in detail. This book will be of value not only to specialists in early music but to all scholars of the Middle Ages and Renaissance whose interests intersect with the visual, aural and social aspects of music performance.

Recomposing the Past: Representations of Early Music on Stage and Screen

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Author :
Publisher : Routledge
ISBN 13 : 135197551X
Total Pages : 449 pages
Book Rating : 4.3/5 (519 download)

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Book Synopsis Recomposing the Past: Representations of Early Music on Stage and Screen by : James Cook

Download or read book Recomposing the Past: Representations of Early Music on Stage and Screen written by James Cook and published by Routledge. This book was released on 2018-02-01 with total page 449 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recomposing the Past is a book concerned with the complex but important ways in which we engage with the past in modern times. Contributors examine how media on stage and screen uses music, and in particular early music, to evoke and recompose a distant past. Culture, popular and otherwise, is awash with a stylise - sometimes contradictory - musical history. And yet for all its complexities, these representations of the past through music are integral to how our contemporary and collective imaginations understand history. More importantly, they offer a valuable insight into how we understand our musical present. Such representative strategies, the book argues, cross generic boundaries, and as such it brings together a range of multimedia discussion on the subjects of film (Lord of the Rings, Dangerous Liasions), television (Game of Thrones, The Borgias), videogame (Dragon Warrior, Gauntlet), and opera (Written on Skin, Taverner, English ‘dramatick opera’). This collection constitutes a significant, and interdisciplinary, contribution to a growing literature which is unpacking our ongoing creative dialogue with the past. Divided into three complementary sections, grouped not by genre or media but by theme, it considers: ‘Authenticity, Appropriateness, and Recomposing the Past’, ‘Music, Space, and Place: Geography as History’, and ‘Presentness and the Past: Dialogues between Old and New’. Like the musical collage that is our shared multimedia historical soundscape, it is hoped that this collection is, in its eclecticism, more than the sum of its parts.

Music Performance Issues

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Publisher :
ISBN 13 : 9781576472750
Total Pages : 348 pages
Book Rating : 4.4/5 (727 download)

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Book Synopsis Music Performance Issues by : Beverly Jerold

Download or read book Music Performance Issues written by Beverly Jerold and published by . This book was released on 2016 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Frontcover -- Contents -- Abbreviations -- Preface -- 1 Dilettante and Amateur: Our Evolving Language -- 2 Bach's Lament about Leipzig's Professional Instrumentalists -- 3 Choral Singing Before the Era of Recordings -- 4 Why Most a cappella Music Could Not Have Been Sung Unaccompanied -- 5 Fasch and the Beginning of Modern Artistic Choral Singing -- 6 What Handel's Casting Reveals About Singers of the Time -- 7 Intonation Standards and Equal Temperament -- 8 Eighteenth-Century Stringed Keyboard Instruments from a Performance Perspective -- 9 The Tromba and Corno in Bach's Time -- 10 Maelzel's Role in Beethoven's Symphonic Metronome Marks -- 11 The French Time Devices Revisited -- 12 The Notable Significance of C and (in Bach's Era -- 13 Numbers and Tempo: 1630-1800 -- 14 Overdotting in Handel's Overtures Reconsidered -- 15 Notes inégales: A Definitive New Parameter -- 16 Distinguishing Between Artificial and Natural Vibrato in Premodern Music -- 17 A Solution for Simple (secco) Theater Recitative -- 18 How Composers Viewed Performers' Additions -- 19 The Varied Reprise in Eighteenth-Century Intrumental Music-A Reappraisal

Early Music History: Volume 19

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Publisher : Cambridge University Press
ISBN 13 : 9780521790734
Total Pages : 312 pages
Book Rating : 4.7/5 (97 download)

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Book Synopsis Early Music History: Volume 19 by : Iain Fenlon

Download or read book Early Music History: Volume 19 written by Iain Fenlon and published by Cambridge University Press. This book was released on 2001-04-19 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 19 include: Ritual and Ceremony in the Spanish Royal Chapel, c. 1559-c. 1561; Urban Minstrels in Late Medieval Southern France; Mapping the Soundscapes: Church Music in English Towns 1450-1550; A New Look at Old-Roman Chant.

Cursed Questions

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Publisher : University of California Press
ISBN 13 : 0520344286
Total Pages : 461 pages
Book Rating : 4.5/5 (23 download)

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Book Synopsis Cursed Questions by : Richard Taruskin

Download or read book Cursed Questions written by Richard Taruskin and published by University of California Press. This book was released on 2020-04-21 with total page 461 pages. Available in PDF, EPUB and Kindle. Book excerpt: Richard Taruskin’s sweeping collection of essays distills a half century of professional experience, demonstrating an unparalleled insider awareness of relevant debates in all areas of music studies, including historiography and criticism, representation and aesthetics, musical and professional politics, and the sociology of taste. Cursed Questions, invoking a famous catchphrase from Russian intellectual history, grapples with questions that are never finally answered but never go away. The writings gathered here form an intellectual biography that showcases the characteristic wit, provocation, and erudition that readers have come to expect from Taruskin, making it an essential volume for anyone interested in music, politics, and the arts.

Editing Early Music

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Publisher : Oxford [England] ; Toronto : Clarendon Press
ISBN 13 :
Total Pages : 152 pages
Book Rating : 4.:/5 (41 download)

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Book Synopsis Editing Early Music by : John Caldwell

Download or read book Editing Early Music written by John Caldwell and published by Oxford [England] ; Toronto : Clarendon Press. This book was released on 1985 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since its publication in 1985, Editing Early Music has been the guide to editorial procedures suitable for music written from the Middle Ages to about 1830. For this revised edition, Caldwell has made a number of corrections, brought the bibliography up to date, and added a Postscript onstemmatics and textual criticism.

With Mornefull Musique

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Publisher : Music in Britain
ISBN 13 : 9781783273515
Total Pages : 0 pages
Book Rating : 4.2/5 (735 download)

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Book Synopsis With Mornefull Musique by : K. Dawn Grapes

Download or read book With Mornefull Musique written by K. Dawn Grapes and published by Music in Britain. This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book looks at the musical culture of death in early modern England. This book looks at the musical culture of death in early modern England. In particular, it examines musical funeral elegies and the people related to commemorative tribute - the departed, the composer, potential patrons, and friends and family of the deceased - to determine the place these musical-poetic texts held in a society in which issues of death were discussed regularly, producing a constant, pervasive shadow over everyday life. The composition of these songs reached a peak at the end of the sixteenth and the beginning of the seventeenth centuries. Thomas Weelkes and Thomas Morley both composed musical elegies, as did William Byrd, Thomas Campion, John Coprario, and many others. Like the literary genre from which these musical gems emerged, there was wide variety in form, style, length, and vocabulary used. Embedded within them are clear messages regarding the social expectations, patronage traditions, and class hierarchy of late Elizabethan and early Jacobean England. En masse, they offer a glimpse into the complex relationship that existed between those who died, those who grieved, and attitudes toward both death and life. K. DAWN GRAPES is Assistant Professor of Music History at Colorado State University.

The Pathetick Musician

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Publisher : Oxford University Press
ISBN 13 : 0199373760
Total Pages : 361 pages
Book Rating : 4.1/5 (993 download)

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Book Synopsis The Pathetick Musician by : Bruce Haynes

Download or read book The Pathetick Musician written by Bruce Haynes and published by Oxford University Press. This book was released on 2016-03-08 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is rhetorical music? In The Pathetick Musician, Bruce Haynes and Geoffrey Burgess illustrate the vital place of rhetoric and eloquent expression in the creation and performance of Baroque music. Through engaging explorations of the cantatas of J.S. Bach, the authors explode the conventional notion of historical authenticity in music, proposing adventurous new directions to reinvigorate the performance of early music in the modern setting. Along the way, Haynes and Burgess investigate intersections between music and oratory, dance, gesture, poetry, painting and sculpture, and offer insights into figural elaboration, articulation, nuance and temporality. Aimed primarily at performers of Baroque music, the book situates the study of performance practice in a broader cultural context, and as much as an invaluable resource for advanced study, it contains a wealth of information that pertains directly to anyone working in the field of early music. Based on a draft sketched by celebrated Baroque oboist and early music scholar Bruce Haynes before his death in 2011, The Pathetick Musician is the fruit of the combined wisdom of two musicians renowned equally for their contributions as performers and scholars. Drawing on an impressive array of Classical treatises on oratory, musical autographs and performance accounts, it is an essential companion to Haynes' controversial The End of Early Music. Geoffrey Burgess has taken up the broader claims of Haynes' philosophy to create a practical, accessible text that will be stimulating for all musicians interested in the rediscovery of early music. With copious musical examples, contemporaneous works of art, and a companion website with supplementary audio recordings, The Pathetick Musician is an invaluable resource for all interested in exploring new expressive possibilities in the performance and study of Baroque music.

Early Music History

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Publisher : Cambridge University Press
ISBN 13 : 9780521104333
Total Pages : 338 pages
Book Rating : 4.1/5 (43 download)

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Book Synopsis Early Music History by : Iain Fenlon

Download or read book Early Music History written by Iain Fenlon and published by Cambridge University Press. This book was released on 2009-03-19 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume six include: On the question of psalmody in the ancient synagogue; Music and grammar: imitation and analogy in Morales and the Spanish humanists; and a Florentine chansonnier of the early sixteenth century.