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Author : A. Richard Oliver
Publisher : New York : Columbia University Press
ISBN 13 :
Total Pages : 248 pages
Book Rating : 4.3/5 (91 download)
Download or read book The Encyclopedists as Critics of Music written by A. Richard Oliver and published by New York : Columbia University Press. This book was released on 1947 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : A. Richard Oliver
Publisher :
ISBN 13 :
Total Pages : 248 pages
Book Rating : 4.X/5 (1 download)
Download or read book The Encyclopedists as Critics of Music written by A. Richard Oliver and published by . This book was released on 1966 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Alfred Richard Oliver
Publisher :
ISBN 13 :
Total Pages : 227 pages
Book Rating : 4.:/5 (66 download)
Download or read book The Encyclopedists as Critics of Music written by Alfred Richard Oliver and published by . This book was released on 1966 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Alfred Richard OLIVER
Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.:/5 (563 download)
Download or read book The Encyclopedists as Critics of Music, Etc written by Alfred Richard OLIVER and published by . This book was released on 1947 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Alphons Silbermann
Publisher : Psychology Press
ISBN 13 : 9780415175999
Total Pages : 230 pages
Book Rating : 4.1/5 (759 download)
Download or read book The Sociology of Music written by Alphons Silbermann and published by Psychology Press. This book was released on 1998 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author : Enrico Fubini
Publisher : University of Chicago Press
ISBN 13 : 9780226267326
Total Pages : 436 pages
Book Rating : 4.2/5 (673 download)
Download or read book Music and Culture in Eighteenth-Century Europe written by Enrico Fubini and published by University of Chicago Press. This book was released on 1994-08-15 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book collects key writings about eighteenth century music . It brings together for the first time in one place, a wide selection of essential documents not only about music theory and practice, but about the historical, philosophical, aesthetic, ideological, and literary debates which held sway during a century when musical thought and criticism gained a privileged position in the culture of Europe. Enrico Fubini offers a sampling of English, French, German, and Italian writings on topics ranging from Enlightenment rationalism and the theories of harmony to German musical culture and the polemics on J. S. Bach. Organized by topic and historical period these selections go beyond writings dealing exclusively with specific musical works to larger issues of theory and the reception of musical ideas in the culture at large. The selections are from books, journals, newspapers, pamphlets, and letters; the contributors include Diderot, Rousseau, Voltaire, Grimm, Alfieri, Rameau, Quantz, Gluck, Tartini, Leopold and W. A. Mozart, and C. P .E. Bach. Many are translated here for the first time. With general and chapter introductions, restored footnotes, and other valuable annotations, and a biographical appendix, this anthology will interest music scholars, students, and teachers.
Author : H. B. Nisbet
Publisher : Cambridge University Press
ISBN 13 : 9780521317207
Total Pages : 978 pages
Book Rating : 4.3/5 (172 download)
Download or read book The Cambridge History of Literary Criticism: Volume 4, The Eighteenth Century written by H. B. Nisbet and published by Cambridge University Press. This book was released on 2005-12-08 with total page 978 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a comprehensive 1997 account of the history of literary criticism in Britain and Europe between 1660 and 1800. Unlike previous histories, it is not just a chronological survey of critical writing, but a multidisciplinary investigation of how the understanding of literature and its various genres was transformed, at the start of the modern era, by developments in philosophy, psychology, the natural sciences, linguistics, and other disciplines, as well as in society at large. In the process, modern literary theory - at first often implicit in literary texts themselves - emancipated itself from classical poetics and rhetoric, and literary criticism emerged as a full-time professional activity catering for an expanding literate public. The volume is international both in coverage and in authorship. Extensive bibliographies provide guidance for further specialised study.
Author : George Alexander Kennedy
Publisher : Cambridge University Press
ISBN 13 : 9780521300094
Total Pages : 978 pages
Book Rating : 4.3/5 ( download)
Download or read book The Cambridge History of Literary Criticism: Volume 4, The Eighteenth Century written by George Alexander Kennedy and published by Cambridge University Press. This book was released on 1989 with total page 978 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive 1997 account of eighteenth-century literary criticism is now available in paperback.
Author : Robert Donington
Publisher : Yale University Press
ISBN 13 : 9780300056617
Total Pages : 260 pages
Book Rating : 4.0/5 (566 download)
Download or read book Opera and Its Symbols written by Robert Donington and published by Yale University Press. This book was released on 1990-01-01 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explains the use of symbolism in opera, interprets scenes from Monteverdi, Mozart, Verdi, Wagner, Stravinsky, and Britten, and stresses the importance of staging an opera in accord with the composer's intended use of symbols
Author : R.J. Arnold
Publisher : Taylor & Francis
ISBN 13 : 1134803699
Total Pages : 245 pages
Book Rating : 4.1/5 (348 download)
Download or read book Grétry's Operas and the French Public written by R.J. Arnold and published by Taylor & Francis. This book was released on 2017-07-05 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why, in the dying days of the Napoleonic Empire, did half of Paris turn out for the funeral of a composer? The death of André Ernest Modeste Grétry in 1813 was one of the sensations of the age, setting off months of tear-stained commemorations, reminiscences and revivals of his work. To understand this singular event, this interdisciplinary study looks back to Grétry’s earliest encounters with the French public during the 1760s and 1770s, seeking the roots of his reputation in the reactions of his listeners. The result is not simply an exploration of the relationship between a musician and his audiences, but of developments in musical thought and discursive culture, and of the formation of public opinion over a period of intense social and political change. The core of Grétry’s appeal was his mastery of song. Distinctive, direct and memorable, his melodies were exported out of the opera house into every corner of French life, serving as folkloristic tokens of celebration and solidarity, longing and regret. Grétry’s attention to the subjectivity of his audiences had a profound effect on operatic culture, forging a new sense of democratic collaboration between composer and listener. This study provides a reassessment of Grétry’s work and musical thought, positioning him as a major figure who linked the culture of feeling and the culture of reason - and who paved the way for Romantic notions of spectatorial absorption and the power of music.
Author : Denis Hollier
Publisher : Harvard University Press
ISBN 13 : 0674254619
Total Pages : 1202 pages
Book Rating : 4.6/5 (742 download)
Download or read book A New History of French Literature written by Denis Hollier and published by Harvard University Press. This book was released on 1998-08-19 with total page 1202 pages. Available in PDF, EPUB and Kindle. Book excerpt: Designed for the general reader, this splendid introduction to French literature from 842 A.D.—the date of the earliest surviving document in any Romance language—to the present decade is the most compact and imaginative single-volume guide available in English to the French literary tradition. In fact, no comparable work exists in either language. It is not the customary inventory of authors and titles but rather a collection of wide-angled views of historical and cultural phenomena. It sets before us writers, public figures, criminals, saints, and monarchs, as well as religious, cultural, and social revolutions. It gives us books, paintings, public monuments, even TV shows. Written by 164 American and European specialists, the essays are introduced by date and arranged in chronological order, but here ends the book’s resemblance to the usual history of literature. Each date is followed by a headline evoking an event that indicates the chronological point of departure. Usually the event is literary—the publication of an original work, a journal, a translation, the first performance of a play, the death of an author—but some events are literary only in terms of their repercussions and resonances. Essays devoted to a genre exist alongside essays devoted to one book, institutions are presented side by side with literary movements, and large surveys appear next to detailed discussions of specific landmarks. No article is limited to the “life and works” of a single author. Proust, for example, appears through various lenses: fleetingly, in 1701, apropos of Antoine Galland’s translation of The Thousand and One Nights; in 1898, in connection with the Dreyfus Affair; in 1905, on the occasion of the law on the separation of church and state; in 1911, in relation to Gide and their different treatments of homosexuality; and at his death in 1922. Without attempting to cover every author, work, and cultural development since the Serments de Strasbourg in 842, this history succeeds in being both informative and critical about the more than 1,000 years it describes. The contributors offer us a chance to appreciate not only French culture but also the major critical positions in literary studies today. A New History of French Literature will be essential reading for all engaged in the study of French culture and for all who are interested in it. It is an authoritative, lively, and readable volume.
Author : David Charlton
Publisher : Taylor & Francis
ISBN 13 : 104023190X
Total Pages : 390 pages
Book Rating : 4.0/5 (42 download)
Download or read book French Opera 1730-1830: Meaning and Media written by David Charlton and published by Taylor & Francis. This book was released on 2024-10-28 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: The majority of these collected essays date from 1992 onwards, three of them having been specially expanded for this volume. Drawing on recent archival research and new musicological theory, they investigate distinctive qualities in French opera from early opéra comique to early grand opera. ’Media’ is interpreted in terms of both narrative systems and practical theatre resources. One group of essays identifies narrative systems in ’minuet-scenes’, in the diegetic romance, and in special uses of musical motives. Another group concerns the theory and æsthetics of opera, in which uses of metaphor help us interpret audience reception. A third group focuses on orchestral and staging practices, brought together in a new theory of the 'melodrama model’ linking various genres from the 1780s with the world of the 1820s. French opera’s relation with literature and politics is a continuing theme, explored in writings on prison scenes, Ossian, and public-private dramaturgy in grand opera. David Charlton has written widely on French music and opera topics for over 25 years. The selection of his articles presented here focuses on the period 1730-1830 when Paris was a hotbed of influential ideas in music and music theatre, with many of these ideas taken up by foreign composers. This volume assesses the French contribution to the development of Classical and Romantic styles and genres which has hitherto not received the attention it deserves.
Author : Downing A. Thomas
Publisher : Cambridge University Press
ISBN 13 : 0521473071
Total Pages : 211 pages
Book Rating : 4.5/5 (214 download)
Download or read book Music and the Origins of Language written by Downing A. Thomas and published by Cambridge University Press. This book was released on 1995-06-15 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study analyses reflections on music and considers ways in which it facilitates links between language and meaning.
Author : Mark Carroll
Publisher : Routledge
ISBN 13 : 135155770X
Total Pages : 638 pages
Book Rating : 4.3/5 (515 download)
Download or read book Music and Ideology written by Mark Carroll and published by Routledge. This book was released on 2017-07-05 with total page 638 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume gathers together a cross-section of essays and book chapters dealing with the ways in which musicians and their music have been pressed into the service of political, nationalist and racial ideologies. Arranged chronologically according to their subject matter, the selections cover Western and non-Western musics, as well as art and popular musics, from the eighteenth century to the present day. The introduction features detailed commentaries on sources beyond those included in the volume, and as such provides an invaluable and comprehensive reading list for researchers and educators alike. The volume brings together for the first time seminal articles written by leading scholars, and presents them in such a way as to contribute significantly to our understanding of the use and abuse of music for ideological ends.
Author : William S. Newman
Publisher : UNC Press Books
ISBN 13 : 1469643723
Total Pages : 482 pages
Book Rating : 4.4/5 (696 download)
Download or read book A History of the Sonata Idea written by William S. Newman and published by UNC Press Books. This book was released on 2018-01-01 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume provides a full and careful history of what sonata meant and how the word was used from its first appearance as an instrumental title in the sixteenth century to the near end of the thorough-bass practice around 1750. The revised edition includes nearly three hundred new studies, editions, and other pertinent information. Originally published in 1966. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author : Thomas Tolley
Publisher : Routledge
ISBN 13 : 1351555251
Total Pages : 531 pages
Book Rating : 4.3/5 (515 download)
Download or read book Painting the Cannon's Roar written by Thomas Tolley and published by Routledge. This book was released on 2017-07-05 with total page 531 pages. Available in PDF, EPUB and Kindle. Book excerpt: From c.1750 to c.1810 the paths of music history and the history of painting converged with lasting consequences. The publication of Newton's Opticks at the start of the eighteenth century gave a 'scientific' basis to the analogy between sight and sound, allowing music and the visual arts to be defined more closely in relation to one another. This was also a period which witnessed the emergence of a larger and increasingly receptive audience for both music and the visual arts - an audience which potentially included all social strata. The development of this growing public and the commercial potential that it signified meant that for the first time it became possible for a contemporary artist to enjoy an international reputation. Nowhere is this better illustrated than in the career of Joseph Haydn. Although this phenomenon defies conventional modes of study, the book shows how musical pictorialism became a major creative force in popular culture. Haydn, the most popular living cultural personality of the period, proved to be the key figure in advancing the new relationship. The connections between the composer and his audiences and leading contemporary artists (including Tiepolo, Mengs, Kauffman, Goya, David, Messerschmidt, Loutherbourg, Canova, Copley, Fuseli, Reynolds, Gillray and West) are examined here for the first time. By the early nineteenth century, populism was beginning to be regarded with scepticism and disdain. Mozart was the modern Raphael, Beethoven the modern Michelangelo. Haydn, however, had no clear parallel in the accepted canon of Renaissance art. Yet his recognition that ordinary people had a desire to experience simultaneous aural and visual stimulation was not altogether lost, finding future exponents in Wagner and later still in the cinematic arts.
Author : Patricia Howard
Publisher : Routledge
ISBN 13 : 1351565354
Total Pages : 421 pages
Book Rating : 4.3/5 (515 download)
Download or read book Gluck written by Patricia Howard and published by Routledge. This book was released on 2017-07-05 with total page 421 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents a collection of essays by leading Gluck scholars which highlight the best of recent and classic contributions to Gluck scholarship, many of which are now difficult to access. Tracing Gluck?s life, career and legacy, the essays offer a variety of approaches to the major issues and controversies surrounding the composer and his works and range from the degree to which reform elements are apparent in his early operas to his contribution to changing perceptions of Hellenism. The introduction identifies the major topics investigated and highlights the innovatory nature of many of the approaches, particularly those which address perceptions of the composer in the nineteenth and twentieth centuries. This volume, which focuses on one of the most fascinating and influential composers of his era, provides an indispensable resource for academics, scholars and libraries.
