The Cuban Filmography

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The Cuban Filmography

Author : Alfonso J. García Osuna
Publisher : McFarland
ISBN 13 : 1476605319
Total Pages : 225 pages
Book Rating : 4.4/5 (766 download)

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Book Synopsis The Cuban Filmography by : Alfonso J. García Osuna

Download or read book The Cuban Filmography written by Alfonso J. García Osuna and published by McFarland. This book was released on 2015-08-01 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: On January 24, 1897, an event took place that would change Cuban culture forever: the first moving pictures were shown in Havana. A couple of weeks later, on February 7, the first movie was filmed on the island. Since then, cinematography and Cuba have shared peculiar and innate connections, as their beginnings roughly coincide and Cubans are living in both the age of independence and revolution and the age of film. This work is a filmography of every Cuban film (including documentaries, shorts and cartoons) released from 1897, the first year films were shown and made in Cuba, through 2001. Each entry gives the original title of the film, the English translation of it, director, production company or companies, year of release, black and white or color, total running time, writing credits if the film is based on a story or novel, animation credits if the film is a cartoon, music credits if music has been written specifically for the film, cast credits, and a synopsis and short critical evaluation. The work also provides comments on the relationship between Cuban film and history, and the changes that have taken place over the years in themes, topics, methods, and other aspects of filmmaking in Cuba.

Cuban Cinema

Author : Michael Chanan
Publisher : U of Minnesota Press
ISBN 13 : 9780816634248
Total Pages : 564 pages
Book Rating : 4.6/5 (342 download)

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Book Synopsis Cuban Cinema by : Michael Chanan

Download or read book Cuban Cinema written by Michael Chanan and published by U of Minnesota Press. This book was released on 2004 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt: New chapters express ongoing concerns about freedom of expression, the role of the Havana Film Festival in restoring Havana's central position in Latin American cinema, & the changing audience for Cuban films.

The Cinema of Cuba

Author : Ann Marie Stock
Publisher : Bloomsbury Publishing
ISBN 13 : 178673253X
Total Pages : 336 pages
Book Rating : 4.7/5 (867 download)

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Book Synopsis The Cinema of Cuba by : Ann Marie Stock

Download or read book The Cinema of Cuba written by Ann Marie Stock and published by Bloomsbury Publishing. This book was released on 2017-06-30 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary Cuba is opening up to the rest of the world. Its colonial past and the Communist revolution have left a lasting imprint on society, yet there is a tangible sense of rapid change which is reflected in the island's national cinema. New screen technologies and digital distribution media have supported the efficacy and global reach of Cuban filmmakers whose work, somewhat in lieu of adequate distribution and traditional screening facilities in Cuba itself, is often disseminated via 'flash' (USB memory sticks).Channelling an energetic DIY attitude through grassroots movements and ad-hoc resourcefulness, the new filmmakers of Cuba have inspired the editors of this book to embrace their contagious enthusiasm through essays on authentic Cuban cinema. Whilst the book provides a comprehensive overview of the history behind current practices, it also moves beyond this to examine key case studies as well as 'snapshots' of individuals working within the industry today. Chapters celebrate the shared creativity as well as diversity of Cuban cinema, including both productions of the Cuban Film Institute's (ICAIC) as well as those from the industry margins. The films discussed demonstrate a driving cinematic force through social criticism, the emphasis of debate and historical change through film, reassessments of gender relations, the use of new technologies and much more.

Cuban Image

Author : Michael Chanan
Publisher : U of Minnesota Press
ISBN 13 : 1452906920
Total Pages : 559 pages
Book Rating : 4.4/5 (529 download)

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Book Synopsis Cuban Image by : Michael Chanan

Download or read book Cuban Image written by Michael Chanan and published by U of Minnesota Press. This book was released on with total page 559 pages. Available in PDF, EPUB and Kindle. Book excerpt: New chapters express ongoing concerns about freedom of expression, the role of the Havana Film Festival in restoring Havana's central position in Latin American cinema, & the changing audience for Cuban films.

A Cuban Cinema Companion

Author : Salvador Jiménez Murguía
Publisher : Rowman & Littlefield
ISBN 13 : 1538107740
Total Pages : 411 pages
Book Rating : 4.5/5 (381 download)

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Book Synopsis A Cuban Cinema Companion by : Salvador Jiménez Murguía

Download or read book A Cuban Cinema Companion written by Salvador Jiménez Murguía and published by Rowman & Littlefield. This book was released on 2020-01-15 with total page 411 pages. Available in PDF, EPUB and Kindle. Book excerpt: With the recent shift in Cuba-US relations stemming from the relaxing of travel restrictions and an influx of American visitors, interest in Cuba and its culture has increased substantially. A new emphasis has been placed on the island country’s many cultural and artistic achievements, specifically in film. Cuban cinema is recognized around the world as having produced some of the most celebrated works originating from Latin America—such as Fresa y Chocolate and La Muerte de un Burócrata—as well as many prominent artists—including directors Tomás Gutiérrez Alea and Humberto Solás. In A Cuban Cinema Companion, editors Salvador Jimenez Murguía, Sean O’Reilly, and Amanda McMenamin have assembled a collection of essays about more than100 films across six decades, including feature films, documentaries, and animation. These entries also provide information on directors, actresses, and actors of Cuban cinema. Entries range from films like Retrato de Teresa to Buena Vista Social Club and include descriptions of each film’s plot, themes, and critical commentary, as well as comprehensive production details and brief suggestions for further reading. Beginning with the victory of the Cuban revolution—from the first ten years of what is often referred to as Cuba’s “Golden Age” of film to the present—this volume offers readers valuable insights into Cuban history, politics, and culture. An indispensable guide to one of the great world cinemas, A Cuban Cinema Companion will be of interest to students, academics, and the general public alike.

Memories of Underdevelopment

Author : Michael Myerson
Publisher : New York : Grossman Publishers
ISBN 13 :
Total Pages : 232 pages
Book Rating : 4.:/5 (321 download)

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Book Synopsis Memories of Underdevelopment by : Michael Myerson

Download or read book Memories of Underdevelopment written by Michael Myerson and published by New York : Grossman Publishers. This book was released on 1973 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Cinema of Sara Gómez

Author : Susan Lord
Publisher : Indiana University Press
ISBN 13 : 0253057078
Total Pages : 407 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis The Cinema of Sara Gómez by : Susan Lord

Download or read book The Cinema of Sara Gómez written by Susan Lord and published by Indiana University Press. This book was released on 2021-07-06 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout the 1960s until her untimely death in 1974, Afro-Cuban filmmaker Sara Gómez engaged directly and courageously with the social, political, economic, and cultural transformations promised by the Cuban Revolution. Gómez directed numerous documentary films in 10 prolific years. She also made De cierta manera (One way or another), her only feature-length film. Her films navigate complex experiences of social class, race, and gender by reframing revolutionary citizenship, cultural memory, and political value. Not only have her inventive strategies become foundational to new Cuban cinema and feminist film culture, but they also continue to inspire media artists today who deal with issues of identity and difference. The Cinema of Sara Gómez assembles history, criticism, biography, methodology, and theory of Gómez's work in scholarly writing; interviews with friends and collaborators; the film script of De cierta manera; and a detailed and complete filmography. Featuring striking images, this anthology reorients how we tell Cuban cinema history and how we think about the intersections of race, gender, and revolution. By addressing Gómez's entire body of work, The Cinema of Sara Gómez unpacks her complex life and gives weight to her groundbreaking cinema.

Screening Cuba

Author : Hector Amaya
Publisher : University of Illinois Press
ISBN 13 : 0252035593
Total Pages : 250 pages
Book Rating : 4.2/5 (52 download)

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Book Synopsis Screening Cuba by : Hector Amaya

Download or read book Screening Cuba written by Hector Amaya and published by University of Illinois Press. This book was released on 2010-09-09 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hector Amaya advances into new territory in Latin American and U.S. cinema studies in this innovative analysis of the differing critical receptions of Cuban film in Cuba and the United States during the Cold War. Synthesizing film reviews, magazine articles, and other primary documents, Screening Cuba compares Cuban and U.S. reactions to four Cuban films: Memories of Underdevelopment, Lucia, One Way or Another, and Portrait of Teresa. In examining cultural production through the lens of the Cold War, Amaya reveals how contrasting interpretations of Cuban and U.S. critics are the result of the political cultures in which they operated. While Cuban critics viewed the films as powerful symbols of the social promises of the Cuban revolution, liberal and leftist American critics found meaning in the films as representations of anti-establishment progressive values and Cold War discourses. By contrasting the hermeneutics of Cuban and U.S. culture, criticism, and citizenship, Amaya argues that critical receptions of political films constitute a kind of civic public behavior.

Cinema of Cuba

Author : Source Wikipedia
Publisher : University-Press.org
ISBN 13 : 9781230563053
Total Pages : 100 pages
Book Rating : 4.5/5 (63 download)

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Book Synopsis Cinema of Cuba by : Source Wikipedia

Download or read book Cinema of Cuba written by Source Wikipedia and published by University-Press.org. This book was released on 2013-09 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 98. Chapters: Cuban film awards, Cuban film directors, Cuban film producers, Cuban film score composers, Cuban film stubs, Cuban films, Cuban screenwriters, Films set in Cuba, Films shot in Cuba, Die Another Day, The Godfather Part II, Leo Brouwer, Original Sin, Amistad, Che, GoldenEye, Sicko, Miami Vice, Harold & Kumar Escape from Guantanamo Bay, Guys and Dolls, A Few Good Men, Thirteen Days, Bad Boys II, I Am Cuba, List of Cuban films, The Mambo Kings, The Lost City, Tomas Gutierrez Alea, Humberto Lopez y Guerra, Dirty Dancing: Havana Nights, Chico and Rita, Madagascar, Wife vs. Secretary, Pavel Giroud, Havana Film Festival, The Old Man and the Sea, Luis Moro, List of Cuban submissions for the Academy Award for Best Foreign Language Film, Viva Cuba, Juan Carlos Cremata Malberti, Buena Vista Social Club, Red Zone Cuba, We Were Strangers, Amy Serrano, Strawberry and Chocolate, Rene Munoz, Our Man in Havana, Che!, Red Cockroaches, Richard Maurice, Sergio Giral, Edesio Alejandro, Adio Kerida, Vampires in Havana, Jose Maria Vitier, Hello Hemingway, Juan Carlos Tabio, Humberto Solas, Week-End in Havana, Hemingway & Gellhorn, El Benny, Sons of Cuba, Alejandro Moya, De Cierta Manera, Habana Blues, Nicolas Guillen Landrian, Jorge Luis Sanchez, Un rey en la Habana, Santiago Alvarez, Lista de Espera, Waiting for Fidel, Miguel Coyula, Eduardo Sanchez, Jorge Molina, My 20th Century, Suite Habana, The Rough Riders, Video de Familia, A Successful Man, Memories of Underdevelopment, The Survivors, Life is to Whistle, Cecilia, Lucia, Juan Padron, Estilo Hip Hop, Alexis Valdes, Guantanamera, Havana Jam '79, The Silly Age, Octavio Cortazar, Fernando Perez, Oscuros Rinocerontes Enjaulados, Sara Gomez, Off to Havana I Go, Cuban Pete, Clase Z "Tropical," The Teacher, Libertad: The Dark Untold Story of Castro's Cuba, Juan Carlos...

The Cuban Image

Author : Michael Chanan
Publisher :
ISBN 13 :
Total Pages : 328 pages
Book Rating : 4.:/5 (5 download)

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Book Synopsis The Cuban Image by : Michael Chanan

Download or read book The Cuban Image written by Michael Chanan and published by . This book was released on 1985 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: No Marketing Blurb

National Identity in 21st-Century Cuban Cinema

Author : Dunja Fehimović
Publisher : Springer
ISBN 13 : 3319931032
Total Pages : 290 pages
Book Rating : 4.3/5 (199 download)

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Book Synopsis National Identity in 21st-Century Cuban Cinema by : Dunja Fehimović

Download or read book National Identity in 21st-Century Cuban Cinema written by Dunja Fehimović and published by Springer. This book was released on 2018-08-10 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: National Identity in 21st-Century Cuban Cinema tours early 21st-century Cuban cinema through four key figures—the monster, the child, the historic icon, and the recluse—in order to offer a new perspective on the relationship between the Revolution, culture, and national identity in contemporary Cuba. Exploring films chosen to convey a recent diversification of subject matters, genres, and approaches, it depicts a changing industrial landscape in which the national film institute (ICAIC) coexists with international co-producers and small, ‘independent’ production companies. By tracing the reappearance, reconfiguration, and recycling of national identity in recent fiction feature films, the book demonstrates that the spectre of the national haunts Cuban cinema in ways that reflect intensified transnational flows of people, capital, and culture. Moreover, it shows that the creative manifestations of this spectre screen—both hiding and revealing—a persistent anxiety around Cubanness even as national identity is transformed by connections to the outside world.

1st New York Festival of Cuban Films

Author : New York Festival of Cuban Films
Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.:/5 (611 download)

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Book Synopsis 1st New York Festival of Cuban Films by : New York Festival of Cuban Films

Download or read book 1st New York Festival of Cuban Films written by New York Festival of Cuban Films and published by . This book was released on 1972* with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Hollywood in Havana

Author : Megan Feeney
Publisher : University of Chicago Press
ISBN 13 : 022659369X
Total Pages : 310 pages
Book Rating : 4.2/5 (265 download)

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Book Synopsis Hollywood in Havana by : Megan Feeney

Download or read book Hollywood in Havana written by Megan Feeney and published by University of Chicago Press. This book was released on 2019-01-04 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the turn of the twentieth century through the late 1950s, Havana was a locus for American movie stars, with glamorous visitors including Errol Flynn, John Wayne, and Marlon Brando. In fact, Hollywood was seemingly everywhere in pre-Castro Havana, with movie theaters three to a block in places, widely circulated silver screen fanzines, and terms like “cowboy” and “gangster” entering Cuban vernacular speech. Hollywood in Havana uses this historical backdrop as the catalyst for a startling question: Did exposure to half a century of Hollywood pave the way for the Cuban Revolution of 1959? Megan Feeney argues that the freedom fighting extolled in American World War II dramas and the rebellious values and behaviors seen in postwar film noir helped condition Cuban audiences to expect and even demand purer forms of Cuban democracy and national sovereignty. At the same time, influential Cuban intellectuals worked to translate Hollywood ethics into revolutionary rhetoric—which, ironically, led to pointed critiques and subversions of the US presence in Cuba. Hollywood in Havana not only expands our notions of how American cinema was internalized around the world—it also broadens our view of the ongoing history of US-Cuban interactions, both cultural and political.

Hollywood in Havana

Author : Megan Feeney
Publisher : University of Chicago Press
ISBN 13 : 022659372X
Total Pages : 310 pages
Book Rating : 4.2/5 (265 download)

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Book Synopsis Hollywood in Havana by : Megan Feeney

Download or read book Hollywood in Havana written by Megan Feeney and published by University of Chicago Press. This book was released on 2019-01-11 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the turn of the twentieth century through the late 1950s, Havana was a locus for American movie stars, with glamorous visitors including Errol Flynn, John Wayne, and Marlon Brando. In fact, Hollywood was seemingly everywhere in pre-Castro Havana, with movie theaters three to a block in places, widely circulated silver screen fanzines, and terms like “cowboy” and “gangster” entering Cuban vernacular speech. Hollywood in Havana uses this historical backdrop as the catalyst for a startling question: Did exposure to half a century of Hollywood pave the way for the Cuban Revolution of 1959? Megan Feeney argues that the freedom fighting extolled in American World War II dramas and the rebellious values and behaviors seen in postwar film noir helped condition Cuban audiences to expect and even demand purer forms of Cuban democracy and national sovereignty. At the same time, influential Cuban intellectuals worked to translate Hollywood ethics into revolutionary rhetoric—which, ironically, led to pointed critiques and subversions of the US presence in Cuba. Hollywood in Havana not only expands our notions of how American cinema was internalized around the world—it also broadens our view of the ongoing history of US-Cuban interactions, both cultural and political.

Viewing Political Selves in Film

Author : Héctor Amayo
Publisher :
ISBN 13 :
Total Pages : 564 pages
Book Rating : 4.:/5 (11 download)

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Book Synopsis Viewing Political Selves in Film by : Héctor Amayo

Download or read book Viewing Political Selves in Film written by Héctor Amayo and published by . This book was released on 2007 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Cuban Cinema After the Cold War

Author : Enrique García
Publisher : McFarland
ISBN 13 : 1476620601
Total Pages : 229 pages
Book Rating : 4.4/5 (766 download)

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Book Synopsis Cuban Cinema After the Cold War by : Enrique García

Download or read book Cuban Cinema After the Cold War written by Enrique García and published by McFarland. This book was released on 2015-10-14 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: The changes Cuba experienced following the collapse of the Soviet Union compelled Cuban filmmakers to rethink the values developed after the 1959 Castro revolution. Long-forgotten genres re-emerged, established auteurs incorporated new aesthetics into their films and an influx of foreign capital led to the repackaging of revolutionary ideology into more visually attractive narratives. Films such as Alice in Wondertown (1991), Strawberry and Chocolate (1993) and Juan of the Dead (2011) stirred controversy, criticized revolutionary discourse and helped establish new models that allowed post-Castro cinema to find global audiences on an unprecedented scale. This book offers a detailed analysis of key post-Cold War Cuban films. Recurrent sociopolitical tropes are examined to reveal how Cuban cinema reflects the turbulent changes in the island.

Afro-Cuban Identity in Post-Revolutionary Novel and Film

Author : Andrea Easley Morris
Publisher : Lexington Books
ISBN 13 : 1611484235
Total Pages : 205 pages
Book Rating : 4.6/5 (114 download)

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Book Synopsis Afro-Cuban Identity in Post-Revolutionary Novel and Film by : Andrea Easley Morris

Download or read book Afro-Cuban Identity in Post-Revolutionary Novel and Film written by Andrea Easley Morris and published by Lexington Books. This book was released on 2011-11-25 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: Afro-Cuban Identity in Post-Revolutionary Novel and Film examines the changing discourse on race as portrayed in Cuban novels and films produced after 1959. Andrea Easley Morris analyzes the artists’ participation in and questioning of the revolutionary government’s revision of national identity to include the unique experience and contributions of Cuban men and women of African descent. While the Cuban revolution brought sweeping changes that vastly improved the material condition of many Afro-Cubans, at the time overrepresented among Cuba’s poor and marginalized, the government’s official position was that racial inequities had been resolved as early as 1962. Although a more open dialogue on race was cut short, the work of several novelists and film directors from the late 1960s and 70s expresses the need to explore what was gained and lost by Afro-Cubans in the early years of the revolution, among them Manuel Granados, Miguel Barnet, Nivaria Tejera, Sara Gómez, César Leante, Tomás Gutiérrez Alea, Sergio Giral, and Manuel Cofiño. Their works participate in the process of redefining Cuban national identity that took place after the revolution and, more specifically, they explore the place of Afro-Cuban identity within a broader notion of revolutionary “Cubanness.” This occurs through an emphasis on Afro-Cuban cultural practices that have constituted forms of resistance to colonial and neo-colonial oppression. This book examines the identity conflicts portrayed in these works and takes into account the artists’ negotiation of their own status within the revolutionary context by looking at the narrative strategies used to address racial issues within the constraints placed on cultural production in Cuba after 1962.