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The Concept Of Organic Unity In Music Criticism And Analysis
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Book Synopsis The Concept of Organic Unity in Music Criticism and Analysis by : Vernon L. Kliewer
Download or read book The Concept of Organic Unity in Music Criticism and Analysis written by Vernon L. Kliewer and published by . This book was released on 1961 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Topical Guide to Schenkerian Literature by : David Carson Berry
Download or read book A Topical Guide to Schenkerian Literature written by David Carson Berry and published by Pendragon Press. This book was released on 2004 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt: To the growing list of Pendragon Press publications devoted to the work of Heinrich Schenker, we wish to announce the addition of this much-needed bibliography. The author, a student of Allen Forte, has created a work useful to a wide range of researchers music theorists, musicologists, music librarians and teachers. The Guide is the largest Schenkerian reference work ever published. At nearly 600 pages, it contains 3600 entries (2200 principal, 1400 secondary) representing the work of 1475 authors. Fifteen broad groupings encompass seventy topical headings, many of which are divided and subdivided again, resulting in a total of 271 headings under which entries are collected.
Book Synopsis E.T.A. Hoffmann's Musical Aesthetics by : Abigail Chantler
Download or read book E.T.A. Hoffmann's Musical Aesthetics written by Abigail Chantler and published by Routledge. This book was released on 2017-07-05 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: Whilst E.T.A. Hoffmann (1776-1822) is most widely known as the author of fantastic tales, he was also prolific as a music critic, productive as a composer, and active as a conductor. This book examines Hoffmann's aesthetic thought within the broader context of the history of ideas of the late-eighteenth and early-nineteenth centuries, and explores the relationship between his musical aesthetics and compositional practice. The first three chapters consider his ideas about creativity and aesthetic appreciation in relation to the thought of other German romantic theorists, discussing the central tenets of his musical aesthetic - the idea of a 'religion of art', of the composer as a 'genius', and the listener as a 'passive genius'. In particular the relationship between the multifaceted thought of Hoffmann and Friedrich Schleiermacher is explored, providing some insight into the way in which diverse intellectual traditions converged in early-nineteenth-century Germany. In the second half of the book, Hoffmann's dialectical view of music history and his conception of romantic opera are discussed in relation to his activities as a composer, with reference to his instrumental music and his two mature, large-scale operas, Aurora and Undine. The author also addresses broader issues pertaining to the ideological and historical significance of Hoffmann's musical and literary oeuvre.
Download or read book Dissertation Abstracts written by and published by . This book was released on 1962 with total page 1382 pages. Available in PDF, EPUB and Kindle. Book excerpt: Abstracts of dissertations and monographs in microform.
Book Synopsis Essays on Opera, 1750-1800 by : JohnA. Rice
Download or read book Essays on Opera, 1750-1800 written by JohnA. Rice and published by Routledge. This book was released on 2017-07-05 with total page 580 pages. Available in PDF, EPUB and Kindle. Book excerpt: The study of opera in the second half of the eighteenth century has flourished during the last several decades, and our knowledge of the operas written during that period and of their aesthetic, social, and political context has vastly increased. This volume explores opera and operatic life of the years 1750-1800 through a selection of articles intended to represent the last few decades of scholarship in all its excitement and variety.
Book Synopsis Hermeneutics and Music Criticism by : Roger W. H. Savage
Download or read book Hermeneutics and Music Criticism written by Roger W. H. Savage and published by Routledge. This book was released on 2009-09-10 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hermeneutics and Music Criticism forges new perspectives on aesthetics, politics and contemporary interpretive strategies. By advancing new insights into the roles judgment and imagination play both in our experiences of music and its critical interpretation, this book reevaluates our current understandings of music’s transformative power. The engagement with critical musicologists and philosophers, including Adorno, Gadamer, and Ricoeur, provides a nuanced analysis of the crucial issues affecting the theory and practice of music criticism. By challenging musical hermeneutics’ deployment as a means of deciphering social values and meanings, Hermeneutics and Music Criticism offers an answer to the long-standing question of how music’s expression of moods and feelings affects us and our relation to the world.
Book Synopsis Science and the Arts by : Jacob Opper
Download or read book Science and the Arts written by Jacob Opper and published by Fairleigh Dickinson Univ Press. This book was released on 1973 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: Deals with the philosophical implications of natural science in the various humanistic disciplines during the 17th, 18th, and 19th centuries. Remarkable in combining and relating numerous disparate disciplines in the arts and sciences.
Book Synopsis Analytical Strategies and Musical Interpretation by : Craig Ayrey
Download or read book Analytical Strategies and Musical Interpretation written by Craig Ayrey and published by Cambridge University Press. This book was released on 2004-01-29 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: Interpretation is often considered only in theory, or as a philosophical problem, but this book demonstrates and reflects on the interpretive results of analysis.
Book Synopsis Schenker's Argument and the Claims of Music Theory by : Leslie David Blasius
Download or read book Schenker's Argument and the Claims of Music Theory written by Leslie David Blasius and published by Cambridge University Press. This book was released on 1996-10-03 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Heinrich Schenker's theoretical and analytical works claim to resubstantiate the unique artistic presence of the canonic work, and thus reject those musical disciplines such as psychoacoustics and systematic musicology which derive from the natural sciences. In this respect his writing reflects the counter-positivism endemic to the German academic discourse of the first decades of the twentieth century. The rhetoric of this stance, however, conceals a sophisticated programme wherein Schenker situates his project in relation to these sciences, arguing his reading of the musical text as a synthesis of a descriptive psychology and an explanatory historiography (which itself embeds both paleographic and philological assumptions). This book rereads Schenker's project as an attempt to reconstruct music theory as a discipline against the background of the empirical musical sciences of the later nineteenth century.
Download or read book Music Analysis written by Michael Fink and published by . This book was released on 1972 with total page 34 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Postmodern Music, Postmodern Listening by : Jonathan D. Kramer
Download or read book Postmodern Music, Postmodern Listening written by Jonathan D. Kramer and published by Bloomsbury Publishing USA. This book was released on 2016-08-11 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kramer was one of the most visionary musical thinkers of the second half of the 20th century. In his The Time of Music, he approached the idea of the many different ways that time itself is articulated musically. This book has become influential among composers, theorists, and aestheticians. Now, in his almost completed text written before his untimely death in 2004, he examines the concept of postmodernism in music. Kramer created a series of markers by which we can identify postmodern works. He suggests that the postmodern project actually creates a radically different relationship between the composer and listener. Written with wit, precision, and at times playfully subverting traditional tropes to make a very serious point about this difference, Postmodern Music, Postmodern Listening leads us to a strongly grounded intellectual basis for stylistic description and an intuitive sensibility of what postmodernism in music entails. Postmodern Music, Postmodern Listening is an examination of how musical postmodernism is not just a style or movement, but a fundamental shift in the relationship between composer and listener. The result is a multifaceted and provocative look at a critical turning point in music history, one whose implications we are only just beginning to understand.
Book Synopsis National Traditions in Nineteenth-Century Opera, Volume I by : Steven Huebner
Download or read book National Traditions in Nineteenth-Century Opera, Volume I written by Steven Huebner and published by Routledge. This book was released on 2017-03-02 with total page 465 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume covers opera in Italy, France, England and the Americas during the long nineteenth century (1789-1914). The book is divided into four sections that are thematically, rather than geographically, conceived: Places-essays centering on contexts for operatic culture; Genres and Styles-studies dealing with the question of how operas in this period were put together; Critical Studies of individual works, exemplifying particular critical trends; and Performance.
Book Synopsis Schumann's Eichendorff Liederkreis and the Genre of the Romantic Cycle by : David Ferris
Download or read book Schumann's Eichendorff Liederkreis and the Genre of the Romantic Cycle written by David Ferris and published by Oxford University Press, USA. This book was released on 2000 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new study draws on analysis, literary criticism, and source studies to propose a new conception of the nineteenth-century romantic cycle. Rather than a unified whole, the cycle is seen as a fragmentary and open-ended form, which enables Schumann to express the romantic themes of transcendence and ineffability in musical terms.
Book Synopsis Coming to Terms with Our Musical Past by : Edmund Joseph Goehring
Download or read book Coming to Terms with Our Musical Past written by Edmund Joseph Goehring and published by Boydell & Brewer. This book was released on 2018 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: A bold, restorative vision of Mozart's works, and Western art music generally, as manifestations of an idealism rooted in the sociable nature of humans. For over a generation now, many leading performers, critics, and scholars of Mozart's music have taken a rejection of transcendence as axiomatic. This essentially modernist, antiromantic orientation attempts to neutralize the sorts of aesthetic experiences that presuppose an enchantment with Mozart's art, an engagement traditionally articulated by such terms as intention, mimesis, author, and genius. And what is true of much recent Mozart interpretation isoften manifest in the interpretation of Western art music more generally. Edmund Goehring's Coming to Terms with Our Musical Past explores what gets lost when the vocabulary of enchantment is abandoned. The bookthen proceeds to offer an alternative vision of Mozart's works and of the wider canon of Western art music. A modernized poetics, Goehring argues, reduces art to mechanism or process. It sees less because it excludes a necessaryand enlarging human presence: the generative, and receiving, "I." This fascinating new book-length essay is addressed to any reader interested in the performing arts, visual arts, and literature and their relationship to the broader culture. Goehring draws on seminal thinkers in art criticism and philosophy to propose that such works as Mozart's radiate an idealism that has human sociability both as its source and its object. Edmund J. Goehring is Professor of Music History at the University of Western Ontario.
Book Synopsis Beethoven in Russia by : Frederick W. Skinner
Download or read book Beethoven in Russia written by Frederick W. Skinner and published by Indiana University Press. This book was released on 2022-11-01 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did Ludwig van Beethoven help overthrow a tsarist regime? With the establishment of the Russian Musical Society and its affiliated branches throughout the empire, Beethoven's music reached substantially larger audiences at a time of increasing political instability. In addition, leading music critics of the regime began hearing Beethoven's dramatic works as nothing less than a call to revolution. Beethoven in Russia deftly explores the interface between music and politics in Russia by examining the reception of Beethoven's works from the late 18th century to the present. In part 1, Frederick W. Skinner's clear and sweeping review examines the role of Beethoven's more dramatic works in the revolutionary struggle that culminated in the Revolution of 1917. In part 2, Skinner reveals how this same power was again harnessed to promote Stalin's campaign of rapid industrialization. The appropriation of Beethoven and his music to serve the interests of the state remained the hallmark of Soviet Beethoven reception until the end of communist rule. With interdisciplinary appeal in the areas of history, music, literature, and political thought, Beethoven in Russia shows how Beethoven's music served as a call to action for citizens and weaponized state propaganda in the great political struggles that shaped modern Russian history.
Book Synopsis The Cambridge History of Literary Criticism: Volume 9, Twentieth-Century Historical, Philosophical and Psychological Perspectives by : Christa Knellwolf
Download or read book The Cambridge History of Literary Criticism: Volume 9, Twentieth-Century Historical, Philosophical and Psychological Perspectives written by Christa Knellwolf and published by Cambridge University Press. This book was released on 1989 with total page 497 pages. Available in PDF, EPUB and Kindle. Book excerpt: This ninth volume in The Cambridge History of Literary Criticism presents a wide-ranging survey of developments in literary criticism and theory during the last century. Drawing on the combined expertise of a large team of specialist scholars, it offers an authoritative account of the various movements of thought that have made the late twentieth century such a richly productive period in the history of criticism. The aim has been to cover developments which have had greatest impact on the academic study of literature, along with background chapters that place those movements in a broader, intellectual, national and socio-cultural perspective. In comparison with Volumes Seven and Eight, also devoted to twentieth-century developments, there is marked emphasis on the rethinking of historical and philosophical approaches, which have emerged, especially during the past two decades, as among the most challenging areas of debate.
Book Synopsis Essays on the Song Cycle and on Defining the Field by :
Download or read book Essays on the Song Cycle and on Defining the Field written by and published by BRILL. This book was released on 2022-07-18 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume assembles twelve interdisciplinary essays that were originally presented at the Second International Conference on Word and Music Studies at Ann Arbor, MI, in 1999, a conference organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on two centres of interest. The first deals with general issues of literature and music relations from culturalist, historical, reception-aesthetic and cognitive points of view. It covers issues such as conceptual problems in devising transdisciplinary histories of both arts, cultural functions of opera as a means of reflecting postcolonial national identity, the problem of verbalizing musical experience in nineteenth-century aesthetics and of understanding reception processes triggered by musicalized fiction. The second centre of interest deals with a specific genre of vocal music as an obvious area of word and music interaction, namely the song cycle. As a musico-literary genre, the song cycle not only permits explorations of relations between text and music in individual songs but also raises the question if, and to what extent words and/or music contribute to creating a larger unity beyond the limits of single songs. Elucidating both of these issues with stimulating diversity the essays in this section highlight classic nineteenth- and twentieth-century song cycles by Franz Schubert, Robert Schumann, Hugo Wolf, Richard Strauss and Benjamin Britten and also include the discussion of a modern successor of the song cycle, the concept album as part of today’s popular culture.