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The Cinema Of Adventure Romance Terror
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Book Synopsis The Cinema of Adventure, Romance & Terror by : American Society of Cinematographers
Download or read book The Cinema of Adventure, Romance & Terror written by American Society of Cinematographers and published by . This book was released on 1989 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Cinema of Adventure, Romance & Terror by : George Eugene Turner
Download or read book The Cinema of Adventure, Romance & Terror written by George Eugene Turner and published by Asc Press. This book was released on 1989 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Any true lover of movies will want to add this deluxe hardback edition to their library. Written by a dedicated group of film aficionados and assembled with consummate care by George Turner, one of Hollywood's foremost historians, this book offers twenty-five in-depth historical articles, some expanded from the pages of American Cinematographer, others researched and written especially for this book. Boasting hundreds of rare photos printed in high-quality duotone, films covered include: The Hunchback of Notre Dame, All Quiet on the Western Front, Dracula (English and Spanish versions), Rope, Tarzan, Frankenstein, The Lost Patrol, Laura, and many other classic and historic titles. Large cloth-bound edition.
Book Synopsis Terror in the Desert by : Brad Sykes
Download or read book Terror in the Desert written by Brad Sykes and published by McFarland. This book was released on 2018-04-16 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: Set in the American Southwest, "desert terror" films combine elements from horror, film noir and road movies to tell stories of isolation and violence. For more than half a century, these diverse and troubling films have eluded critical classification and analysis. Highlighting pioneering filmmakers and bizarre production stories, the author traces the genre's origins and development, from cult exploitation (The Hills Have Eyes, The Hitcher) to crowd-pleasing franchises (Tremors, From Dusk Till Dawn) to quirky auteurist fare (Natural Born Killers, Lost Highway) to more recent releases (Bone Tomahawk, Nocturnal Animals). Rare stills, promotional materials and a filmography are included.
Book Synopsis Horror Dogs by : Brian Patrick Duggan
Download or read book Horror Dogs written by Brian Patrick Duggan and published by McFarland. This book was released on 2023-08-07 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did beloved movie dogs become man-killers like Cujo and his cinematic pack-mates? For the first time, here is the fascinating history of canines in horror movies and why our best friends were (and are still) painted as malevolent. Stretching back into Classical mythology, treacherous hounds are found only sporadically in art and literature until the appearance of cinema's first horror dog, Sherlock Holmes' Hound of the Baskervilles. The story intensifies through World War II's K-9 Corps to the 1970s animal horror films, which broke social taboos about the "good dog" on screen and deliberately vilified certain breeds--sometimes even fluffy lapdogs. With behind-the-scenes insights from writers, directors, actors, and dog trainers, here are the flickering hounds of silent films through talkies and Technicolor, to the latest computer-generated brutes--the supernatural, rabid, laboratory-made, alien, feral, and trained killers. "Cave Canem (Beware the Dog)"--or as one seminal film warned, "They're not pets anymore."
Book Synopsis The Philosophy of Horror by : Thomas Fahy
Download or read book The Philosophy of Horror written by Thomas Fahy and published by University Press of Kentucky. This book was released on 2010-04-30 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sitting on pins and needles, anxiously waiting to see what will happen next, horror audiences crave the fear and exhilaration generated by a terrifying story; their anticipation is palpable. But they also breathe a sigh of relief when the action is over, when they are able to close their books or leave the movie theater. Whether serious, kitschy, frightening, or ridiculous, horror not only arouses the senses but also raises profound questions about fear, safety, justice, and suffering. From literature and urban legends to film and television, horror's ability to thrill has made it an integral part of modern entertainment. Thomas Fahy and twelve other scholars reveal the underlying themes of the genre in The Philosophy of Horror. Examining the evolving role of horror, the contributing authors investigate works such as Mary Shelley's Frankenstein (1818), horror films of the 1930s, Stephen King's novels, Stanley Kubrick's adaptation of The Shining (1980), and Alfred Hitchcock's Psycho (1960). Also examined are works that have largely been ignored in philosophical circles, including Truman Capote's In Cold Blood (1965), Patrick Süskind's Perfume (1985), and James Purdy's Narrow Rooms (2005). The analysis also extends to contemporary forms of popular horror and "torture-horror" films of the last decade, including Saw (2004), Hostel (2005), The Devil's Rejects (2005), and The Hills Have Eyes (2006), as well as the ongoing popularity of horror on the small screen. The Philosophy of Horror celebrates the strange, compelling, and disturbing elements of horror, drawing on interpretive approaches such as feminist, postcolonial, Marxist, and psychoanalytic criticism. The book invites readers to consider horror's various manifestations and transformations since the late 1700s, probing its social, cultural, and political functions in today's media-hungry society.
Download or read book White Zombie written by Gary D. Rhodes and published by McFarland. This book was released on 2015-09-03 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 1932 horror film White Zombie starring Bela Lugosi has received controversial attention from film reviewers and scholars—but it is unarguably a cult classic worthy of study. This book analyzes the film text from nearly every possible viewpoint, using both academic and popular film theories. Also supplied is an extensive intellectual history of the predecessor works to White Zombie, as well as information on the significance it carried for subsequent books and films, its theatrical release around the country, its modern cultural influence, and the attempts to restore the film to its original state. Other noteworthy features of this work include an in-depth biography of White Zombie director Victor Halperin, the first complete study of his life and career, and 244 images and photographs.
Download or read book Golden Horrors written by Bryan Senn and published by McFarland. This book was released on 2015-09-03 with total page 528 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the grindhouse oddities to major studio releases, this work details 46 horror films released during the genre’s golden era. Each entry includes cast and credits, a plot synopsis, in-depth critical analysis, contemporary reviews, time of release, brief biographies of the principal cast and crew, and a production history. Apart from the 46 main entries, 71 additional “borderline horrors” are examined and critiqued in an appendix.
Download or read book The Horror Film written by Stephen Prince and published by Rutgers University Press. This book was released on 2004 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on recent postmodern examples, this is a collection of essays reviewing the history of the horror film and the psychological reasons for its persistent appeal.
Download or read book A Year of Fear written by Bryan Senn and published by McFarland. This book was released on 2015-03-26 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt: This eclectic overview of horror cinema offers up a collection of horror films for practically any occasion and literally every day of the year. For example, the author recommends commemorating United Nations Day (October 24) with a screening of The Colossus of New York, whose startling climax takes place at the U.N. Building. Each day-by-day entry includes the movie title, production year, plot summary and critique, along with a brief explanation of how the film fits into the history of that particular day and interesting anecdotes on the film’s production.
Book Synopsis The Most Dangerous Cinema by : Bryan Senn
Download or read book The Most Dangerous Cinema written by Bryan Senn and published by McFarland. This book was released on 2013-11-12 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: People hunting people for sport--an idea both shocking and fascinating. In 1924 Richard Connell published a short story that introduced this concept to the world, where it has remained ever since--as evidenced by the many big- and small-screen adaptations and inspirations. Since its publication, Connell's award-winning "The Most Dangerous Game" has been continuously anthologized and studied in classrooms throughout America. Raising questions about the nature of violence and cruelty, and the ethics of hunting for sport, the thrilling story spawned a new cinematic subgenre, beginning with RKO's 1932 production of The Most Dangerous Game, and continuing right up to today. This book examines in-depth all the cinematic adaptations of the iconic short story. Each film chapter has a synopsis, a "How Dangerous Is It?" critique, an overall analysis, a production history, and credits. Five additional chapters address direct to video, television, game shows, and almost "dangerous" productions. Photographs, extensive notes, bibliography and index are included.
Book Synopsis Fear Itself by : Melvin E. Matthews, Jr.
Download or read book Fear Itself written by Melvin E. Matthews, Jr. and published by McFarland. This book was released on 2009-07-01 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book demonstrates how horror films of the 1930s and 1940s reflected specific events and personalities of the era, most notably the Great Depression and World War II. Beginning with Dracula and Frankenstein (1931), it relates the many ways that horror films and society intersected: Franklin D. Roosevelt's skepticism toward conventional wisdom and the public's distrust of experts was mirrored in Dr. Jekyll and Mr. Hyde and Murders in the Rue Morgue; the freaks in Tod Browning's 1932 film of the same name revolted against the powerful people of the circus, much like the Bonus Army protested the sufferings of the Depression; King Kong's rampage on New York personified the anti-New York sentiment in the nation at large; Lon Chaney Jr.'s Wolf Man symbolized the experience of his creator, Curt Siodmak, as a Jewish refugee from Nazi Germany.
Download or read book Uncanny Bodies written by Robert Spadoni and published by Univ of California Press. This book was released on 2007-09-04 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Through meticulous historical research, Spadoni in Uncanny Bodies provides a fine understanding of the aesthetic and cultural context in which the original Universal film version of Dracula appeared. Through analyses of films that came before and after, he successfully restores Dracula's strangeness for a contemporary audience, a strangeness that reflects the rapidly evolving conventions of the early sound film. A significant contribution to reception studies, Uncanny Bodies makes us see why Dracula, while holding little terror for subsequent audiences, is nevertheless both a foundational work for the horror film, and also, paradoxically, an anomaly, one effectively overshadowed by Frankenstein.”—William Paul, author of Laughing Screaming: Modern Hollywood Horror and Comedy "Uncanny Bodies is a pleasure to read. I know of no other work that has looked as closely at early sound and horror films to make a persuasive argument about horror's relation to the beginnings of sound film. Given the voluminous literature on Universal horror films, Spadoni presents some very original ideas and frames his inquiry in an interesting way."—Jan-Christopher Horak, editor of Lovers of Cinema: The First American Film Avant-Garde, 1919-1945
Download or read book After Dracula written by Alison Peirse and published by Bloomsbury Publishing. This book was released on 2013-08-28 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: After Dracula tells of films set in London music halls and Yorkshire coal mines, South Sea Islands and Hungarian modernist houses of horror, with narrators that survey the outskirts of contemporary Paris and travel back in time to ancient Egypt. Alison Peirse argues that Dracula (1931) has been canonised to the detriment of other innovative and original 1930s horror films in Europe and America. By casting out the deified vampire, she reveals a cycle of films made over the 1930s that straddle both the pre- and post-regulatory era of the Hays Production Code an stringent censorship from the British Board of Film Censors. These films are indepenedent and studio productions, literary adaptations, folktales and original screenplays, and include Werewolf of London, The Man Who Changed His Mind, Island of Lost Souls and Vampyr. The book considers the horror genre's international evolution during this period, engaging with a number of European horror films that have hitherto received cursory attention. It focuses on the interplay between Continental, British and transatlantic contexts, and particularly on the intriguing, the obscure and the underrated.
Book Synopsis The Mammoth Book of Best New Horror 11 by : Stephen Jones
Download or read book The Mammoth Book of Best New Horror 11 written by Stephen Jones and published by Robinson. This book was released on 2012-03-01 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: As usual, acclaimed horror anthologist Stephen Jones has chosen the finest short stories and novellas of supernatural and psychological fiction. With the most comprehensive review of the year, useful contact lists, and a fascinating necrology as a bonus, this is one book that every horror fan must have.
Download or read book American Cinematographer written by and published by . This book was released on 2003 with total page 690 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Global Horror Cinema Today by : Jon Towlson
Download or read book Global Horror Cinema Today written by Jon Towlson and published by McFarland. This book was released on 2021-07-22 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: The horror film is thriving worldwide. Filmmakers in countries as diverse as the USA, Australia, Israel, Spain, France, Great Britain, Iran, and South Korea are using the horror genre to address the emerging fears and anxieties of their cultures. This book investigates horror cinema around the globe with an emphasis on how the genre has developed in the past ten years. It closely examines 28 international films, including It Follows (2014), Grave (Raw, 2016), Busanhaeng (Train to Busan, 2016), and Get Out (2016), with discussions of dozens more. Each chapter focuses on a different country, analyzing what frightens the people of these various nations and the ways in which horror crosses over to international audiences.
Book Synopsis The Great War in American and British Cinema, 1918–1938 by : Ryan Copping
Download or read book The Great War in American and British Cinema, 1918–1938 written by Ryan Copping and published by Springer Nature. This book was released on 2020-11-10 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book recounts the reception of selected films about the Great War released between 1918 and 1938 in the USA and Great Britain. It discusses the role that popular cinema played in forming and reflecting public opinion about the War and its political and cultural aftermath in both countries. Although the centenary has produced a wide number of studies on the memorialisation of the Great War in Britain and to a lesser degree the USA, none of them focused on audience reception in relation to the Anglo-American ‘circulatory system’ of Trans-Atlantic culture.