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The British Avant Garde Film 1926 1995
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Book Synopsis The British Avant-garde Film, 1926-1995 by : Michael O'Pray
Download or read book The British Avant-garde Film, 1926-1995 written by Michael O'Pray and published by Indiana University Press. This book was released on 1996 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essay celebrating British avant-garde cinema's rich history draws together writings by filmmakers, theorists, critics, and curators. These individuals have been engaged over the past 70 years with film not only as a form of art practice but also as a subversive means of representing British society itself and as a personal expression of issues of memory, sexuality, and ethnicity. Included are essays from a wide range of distinguished writers--from Virginia Woolf, Lindsay Anderson, and peter Gidal to Laura Mulvey, Peter Wollen, and Malcolm Le Grice.
Book Synopsis The British Avant-Garde Film by : Michael O'Pray
Download or read book The British Avant-Garde Film written by Michael O'Pray and published by . This book was released on 1996 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis British Avant-garde Film 1926-95 by : Michael O'Pray
Download or read book British Avant-garde Film 1926-95 written by Michael O'Pray and published by . This book was released on 1996 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Avant-Garde Film by : Michael O'Pray
Download or read book Avant-Garde Film written by Michael O'Pray and published by Columbia University Press. This book was released on 2003-09-17 with total page 145 pages. Available in PDF, EPUB and Kindle. Book excerpt: Avant-Garde Film: Forms, Themes and Passions examines the variety of concerns and practices that have comprised the long history of avant-garde film at a level appropriate for undergraduate study. It covers the developments of experimental film-making since the modernist explosion in the 1920s in Europe through to the Soviet film experiments, the American Underground cinema and the French New Wave, structuralism and contemporary gallery work of the young British artists. Through in-depth case-studies, the book introduces students not only to the history of the avant-garde but also to varied analytical approaches to the films themselves - ranging from abstraction (Richter, Ruttmann) to surreal visions (Bunuel, Wyn Evans), underground subversion (Jack Smith, Warhol) to experimental narrative (Deren and Antonioni).
Book Synopsis The British Cinema Book by : Robert Murphy
Download or read book The British Cinema Book written by Robert Murphy and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 867 pages. Available in PDF, EPUB and Kindle. Book excerpt: The new edition of The British Cinema Book has been thoroughly revised and updated to provide a comprehensive introduction to the major periods, genres, studios, film-makers and debates in British cinema from the 1890s to the present. The book has five sections, addressing debates and controversies; industry, genre and representation; British cinema 1895-1939; British cinema from World War II to the 1970s, and contemporary British cinema. Within these sections, leading scholars and critics address a wide range of issues and topics, including British cinema as a 'national' cinema; its complex relationship with Hollywood; film censorship; key British genres such as horror, comedy and costume film; the work of directors including Alfred Hitchcock, Anthony Asquith, Alexander Mackendrick, Michael Powell, Lindsay Anderson, Ken Russell and Mike Leigh; studios such as Gainsborough, Ealing, Rank and Gaumont, and recent signs of hope for the British film industry, such as the rebirth of the low-budget British horror picture, and the emergence of a British Asian cinema. Discussions are illustrated with case studies of key films, many of which are new to this edition, including Piccadilly (1929) It Always Rains on Sunday (1947), The Ladykillers (1955), This Sporting Life (1963), The Devils (1971), Withnail and I (1986), Bend it Like Beckham (2002) and Control (2007), and with over 100 images from the BFI's collection. The Editor: Robert Murphy is Professor in Film Studies at De Montfort University and has written and edited a number of books on British cinema, including British Cinema and the Second World War (2000) and Directors in British and Irish Cinema (2006). The contributors: Ian Aitken, Charles Barr, Geoff Brown, William Brown, Stella Bruzzi, Jon Burrows, James Chapman, Steve Chibnall, Pamela Church Gibson, Ian Conrich, Richard Dacre, Raymond Durgnat, Allen Eyles, Christine Geraghty, Christine Gledhill, Kevin Gough-Yates, Sheldon Hall, Benjamin Halligan, Sue Harper, Erik Hedling, Andrew Hill, John Hill, Peter Hutchings, Nick James, Marcia Landy, Barbara Korte, Alan Lovell, Brian McFarlane, Martin McLoone, Andrew Moor, Robert Murphy, Lawrence Napper, Michael O'Pray, Jim Pines, Vincent Porter, Tim Pulleine, Jeffrey Richards, James C. Robertson, Tom Ryall, Justin Smith, Andrew Spicer, Claudia Sternberg, Sarah Street, Melanie Williams and Linda Wood.
Book Synopsis The Films of Joyce Wieland by : Cinematheque Ontario
Download or read book The Films of Joyce Wieland written by Cinematheque Ontario and published by Indiana University Press. This book was released on 1999-09-17 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: A visionary who consistently explored new styles and approaches in her art and films, Joyce Wieland grappled with nationalism, feminism, environmentalism and spirituality. The Films of Joyce Wieland brings together essays by Canadian and American theorists about the artists and her work. It includes a never-before-published interview between Wieland and experimental filmmaker Hollis Frampton and a comprehensive annotated bibliography of the film literature on Wieland. Published by Cinematheque Ontario. Distributed in Canada by Wilfrid Laurier University Press. Distributed outside Canada by Indiana University Press.
Download or read book Other Cinemas written by Sue Clayton and published by Bloomsbury Publishing. This book was released on 2017-06-30 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 1970s was an enormously creative period for experimental film. Its innovations and debates have had far-reaching and long-lasting influence, with a resurgence of interest in the decade revealed by new gallery events, film screenings and social networks that recognise its achievements. Professor Laura Mulvey, and writer/director Sue Clayton, bring together journalists and scholars at the cutting edge of research into 1970s radical cinema for this collection. Chapters are at once historically grounded yet fused with the current analysis of today's generation of cine-philes, to rediscover a unique moment for extraordinary film production. Other Cinemas establishes the factors that helped to shape alternative film: world cinema and internationalism, the politics of cultural policy and arts funding, new accessible technologies, avant-garde theories, and the development of a dynamic and interactive relationship between film and its audiences. Exploring and celebrating the work of The Other Cinema, the London Film-makers' Co-op and other cornerstones of today's film culture, as well as the impact of creatives such as William Raban and Stephen Dwoskin - and Mulvey and Clayton themselves - this important book takes account of a wave of socially aware film practice without which today's activist, queer, minority and feminist voices would have struggled to gather such volume.
Book Synopsis A Companion to Experimental Cinema by : Federico Windhausen
Download or read book A Companion to Experimental Cinema written by Federico Windhausen and published by John Wiley & Sons. This book was released on 2022-08-22 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of what experimental cinema was, is, and might become A Companion to Experimental Cinema is a collection of original essays organized around both theoretical and historical issues of concern to film scholars, programmers, filmmakers, and viewers. Newly-commissioned essays written by specialists in the field, along with dialogues conducted with a diverse range of practitioners, focus on core subjects to present an international array of overlapping and contrasting perspectives. This unique text not only provides detailed accounts of particular films and filmmakers, but also discusses new approaches of understanding, characterizing, and shaping experimental cinema. The Companion offers readers an accessible point of entry to the material while seeking to contribute to scholarly debates. Essays explore a wide range of topics within the realm of experimental film, including the shift from traditional biography to broader contexts, the increased attention afforded to local and transnational circuits of exchange, and the deepening of theoretical considerations regarding cultural identity and cinematic aesthetics. Key themes and concepts are inter-woven throughout the text, offering fresh perspectives on experimental cinema’s dialogues with other modes and practices of film and video, its interactions with the non-cinematic arts, its responses to changing technological landscapes, and more. An essential addition to the field, the Companion: Balances introductory summaries and scholarly dialogue with existing literature Explores how the study of experimental cinema can benefit from scholarship in other disciplines Includes numerous analyses of films that are readily available to view via digital media Discusses both canonical and obscure or neglected works Examines the effects of the growing diversification of experimental film scholarship A Companion to Experimental Cinema is a valuable resource for scholars of film studies and art history, curators and programmers, critics and bloggers, filmmakers and artists, and anyone interested in exploring experimental or avant-garde cinema.
Download or read book Women's Cinema written by Alison Butler and published by Columbia University Press. This book was released on 2019-07-25 with total page 133 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women's Cinema provides an introduction to critical debates around women's filmmaking and relates those debates to a variety of cinematic practices. Taking her cue from the groundbreaking theories of Claire Johnston, Alison Butler argues that women's cinema is a minor cinema that exists inside other cinemas, inflecting and contesting the codes and systems of the major cinematic traditions from within. Using canonical directors and less established names, ranging from Chantal Akerman to Moufida Tlatli, as examples, Butler argues that women's cinema is unified in spite of its diversity by the ways in which it reworks cinematic conventions.
Download or read book Filmosophy written by Daniel Frampton and published by Columbia University Press. This book was released on 2006-12-12 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Filmosophy is a provocative new manifesto for a radically philosophical way of understanding cinema. It coalesces twentieth-century ideas of film as thought (from Hugo Münsterberg to Gilles Deleuze) into a practical theory of "film-thinking," arguing that film style conveys poetic ideas through a constant dramatic "intent" about the characters, spaces, and events of film. Discussing contemporary filmmakers such as Béla Tarr and the Dardenne brothers, this timely contribution to the study of film and philosophy will provoke debate among audiences and filmmakers alike. FILMOSOPHY ® is a registered U.S. trademark owned by Valentin Stoilov (www.filmosophy.com) for educational services in the field of motion picture history theory and production. Mr. Stoilov is not the source or origin of this book and has not sponsored or endorsed it or its author.
Book Synopsis The Struggle for Form by : Kamila Kuc
Download or read book The Struggle for Form written by Kamila Kuc and published by Columbia University Press. This book was released on 2014-06-17 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first comprehensive English-language account of the Polish avant-garde film, from its beginnings in the early decades of the last century to the collapse of communism in 1989. Taking a broad understanding of avant-garde film, this collection includes writings on the pioneering work of the internationally-acclaimed Franciszka and Stefan Themerson; the Polish Futurists' (Jalu Kurek, Anatol Stern) engagement with film; the Thaw and animation (Jan Lenica and Walerian Borowczyk, Andrzej Pawlowski, Zbigniew Rybczynski); documentary (Natalia Brzozowska, Kazimierz Karabasz, Wojciech Wiszniewski), Polish émigré filmmakers (Roman Polanski, Jerzy Skolimowski, Andrzej Zulawski) as well as essays and documentation on the highly influential Film Form Workshop (Józef Robakowski, Ryszard Wasko, Wojciech Bruszewski). Including a mix of historical writings from early film magazines with commissioned essays, this book constitutes an important source on the rich, complex and diverse history of the Polish film avant-garde, which is presented from the perspective of both British (A. L. Rees, Jonathan Owen, Michael O'Pray) and Polish (Marcin Gizycki, Ryszard Kluszczynski, Kamila Kuc) authorities on the subject. This book is thus an indispensable introduction to the theories and practices of critically important avant-garde artists and filmmakers.
Download or read book Intermedia Zine written by COMS 274 and published by Lulu.com. This book was released on 2014-12-02 with total page 86 pages. Available in PDF, EPUB and Kindle. Book excerpt: As active and critical members of the Montreal media scene, we invite you to explore FNC as we have. Each spread in this zine was made by a team of two students, who wrote an article and designed a vectorized layout. You'll notice that each spread creates a different sense of space- even spreads, which feature the same exhibition. As interpreters and artists, we value this variety, these different perspectives, and their mosaic of creativity. Between writing, experiencing and designing, the interpretations of each team differ both aesthetically and critically, as they remix their experience into one cohesive design- into one cohesive space.
Book Synopsis The Emergence of Film Culture by : Malte Hagener
Download or read book The Emergence of Film Culture written by Malte Hagener and published by Berghahn Books. This book was released on 2014-09-01 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between the two world wars, a distinct and vibrant film culture emerged in Europe. Film festivals and schools were established; film theory and history was written that took cinema seriously as an art form; and critical writing that created the film canon flourished. This scene was decidedly transnational and creative, overcoming traditional boundaries between theory and practice, and between national and linguistic borders. This new European film culture established film as a valid form of social expression, as an art form, and as a political force to be reckoned with. By examining the extraordinarily rich and creative uses of cinema in the interwar period, we can examine the roots of film culture as we know it today.
Book Synopsis Making Images Move by : Gregory Zinman
Download or read book Making Images Move written by Gregory Zinman and published by University of California Press. This book was released on 2020-01-03 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of “handmade cinema” from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinema’s shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come.
Book Synopsis A History of 1970s Experimental Film by : P. Gaal-Holmes
Download or read book A History of 1970s Experimental Film written by P. Gaal-Holmes and published by Springer. This book was released on 2015-03-17 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive historical account demonstrates the rich diversity in 1970s British experimental filmmaking, acting as a form of reclamation for films and filmmakers marginalized within established histories. An indispensable book for practitioners, historians and critics alike, it provides new interpretations of this rich and diverse history.
Book Synopsis British Film Culture in the 1970s by : Sue Harper
Download or read book British Film Culture in the 1970s written by Sue Harper and published by Edinburgh University Press. This book was released on 2013-01-28 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume draws a map of British film culture in the 1970s and provides a wide-ranging history of the period.
Book Synopsis A History of Video Art by : Chris Meigh-Andrews
Download or read book A History of Video Art written by Chris Meigh-Andrews and published by A&C Black. This book was released on 2013-11-07 with total page 579 pages. Available in PDF, EPUB and Kindle. Book excerpt: A History of Video Art is a revised and expanded edition of the 2006 original, which extends the scope of the first edition, incorporating a wider range of artists and works from across the globe and explores and examines developments in the genre of artists' video from the mid 1990s up to the present day. In addition, the new edition expands and updates the discussion of theoretical concepts and ideas which underpin contemporary artists' video. Tracking the changing forms of video art in relation to the revolution in electronic and digital imaging that has taken place during the last 50 years, A History of Video Art orients video art in the wider art historical context, with particular reference to the shift from the structuralism of the late 1960s and early 1970s to the post-modernist concerns of the 1980s and early 1990s. The new edition also explores the implications of the internationalisation of artists' video in the period leading up to the new millennium and its concerns and preoccupations including post-colonialism, the post-medium condition and the impact and influence of the internet.
