The Aesthetics of Horror Films

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Author :
Publisher : Springer Nature
ISBN 13 : 3030843467
Total Pages : 137 pages
Book Rating : 4.0/5 (38 download)

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Book Synopsis The Aesthetics of Horror Films by : Forrest Adam Sopuck

Download or read book The Aesthetics of Horror Films written by Forrest Adam Sopuck and published by Springer Nature. This book was released on 2021-09-24 with total page 137 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book analyzes the nature and functions of horror films from the vantage of a theoretical reconstruction of George Santayana’s account of beauty. This neo-Santayanan framework forms the conceptual backdrop for a new model of horror’s aesthetic enjoyment, the nature of which is detailed through the examination of plot, cinematic, and visual devices distinctive of the popular genre. According to this model, the audience derives pleasure from the films through confronting the aversive scenarios they communicate and rationalizing a denial of their personal applicability. The films then come to embody these acts of self-assertion and intellectual overcoming and become objects of pride. How horror films can acquire necropolitical functions within the context of abusive systems of power is also clarified. These functions, which exploit the power of anti-tragedy, downward social comparison, or vicarious emotion, work to remediate aggressive, ascetic, or revolutionary impulses in ways that are not injurious to the status quo. This book champions horror as a source of self-empowerment and unmitigated beauty, but also attests to the potential social harms of the genre.

The Horror Film

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Author :
Publisher : Rutgers University Press
ISBN 13 : 081354257X
Total Pages : 281 pages
Book Rating : 4.8/5 (135 download)

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Book Synopsis The Horror Film by : Stephen Prince

Download or read book The Horror Film written by Stephen Prince and published by Rutgers University Press. This book was released on 2004-02-09 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror. Part One features essays on the silent and classical Hollywood eras. Part Two covers the postWorld War II era and discusses the historical, aesthetic, and psychological characteristics of contemporary horror films. In contrast to horror during the classical Hollywood period, contemporary horror features more graphic and prolonged visualizations of disturbing and horrific imagery, as well as other distinguishing characteristics. Princes introduction provides an overview of the genre, contextualizing the readings that follow. Stephen Prince is professor of communications at Virginia Tech. He has written many film books, including Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 19301968, and has edited Screening Violence, also in the Depth of Field Series.

Horror Film Aesthetics

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Author :
Publisher : McFarland
ISBN 13 : 0786458348
Total Pages : 289 pages
Book Rating : 4.7/5 (864 download)

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Book Synopsis Horror Film Aesthetics by : Thomas M. Sipos

Download or read book Horror Film Aesthetics written by Thomas M. Sipos and published by McFarland. This book was released on 2014-01-10 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: This richly informed study analyzes how various cinematic tools and techniques have been used to create horror on screen--the aesthetic elements, sometimes not consciously noticed, that help to unnerve, frighten, shock or entertain an audience. The first two chapters define the genre and describe the use of pragmatic aesthetics (when filmmakers put technical and budgetary compromises to artistic effect). Subsequent chapters cover mise-en-scene, framing, photography, lighting, editing and sound, and a final chapter is devoted to the aesthetic appeals of horror cinema. Instructors considering this book for use in a course may request an examination copy here.

The Philosophy of Horror

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Publisher : Routledge
ISBN 13 : 113596503X
Total Pages : 502 pages
Book Rating : 4.1/5 (359 download)

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Book Synopsis The Philosophy of Horror by : Noel Carroll

Download or read book The Philosophy of Horror written by Noel Carroll and published by Routledge. This book was released on 2003-09-02 with total page 502 pages. Available in PDF, EPUB and Kindle. Book excerpt: Noel Carroll, film scholar and philosopher, offers the first serious look at the aesthetics of horror. In this book he discusses the nature and narrative structures of the genre, dealing with horror as a "transmedia" phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces. Working from a philosophical perspective, he tries to account for how people can find pleasure in having their wits scared out of them. What, after all, are those "paradoxes of the heart" that make us want to be horrified?

Baroque Aesthetics in Contemporary American Horror

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Publisher : Springer Nature
ISBN 13 : 3030882519
Total Pages : 184 pages
Book Rating : 4.0/5 (38 download)

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Book Synopsis Baroque Aesthetics in Contemporary American Horror by : Gabriel Eljaiek-Rodríguez

Download or read book Baroque Aesthetics in Contemporary American Horror written by Gabriel Eljaiek-Rodríguez and published by Springer Nature. This book was released on 2021-12-10 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces a trend that has emerged in recent years within the modern panorama of American horror film and television, the concurrent—and often overwhelming—use of multiple stock characters, themes and tropes taken from classics of the genre. American Horror Story, Insidious and The Conjuring are examples of a filmic tendency to address a series of topics and themes so vast that at first glance each taken separately would seem to suffice for individual films or shows. This book explores this trend in its visible connections with American Horror, but also with cultural and artistic movements from outside the US, namely Baroque art and architecture, Asian Horror, and European Horror. It analyzes how these hybrid products are constructed and discusses the socio-political issues that they raise. The repeated and excessive barrage of images, tropes and scenarios from distinct subgenres of iconic horror films come together to make up an aesthetic that is referred to in this book as Baroque Horror. In many ways similar to the reactions provoked by the artistic movement of the same name that flourished in the XVII century, these productions induce shock, awe, fear, and surprise. Eljaiek-Rodríguez details how American directors and filmmakers construct these narratives using different and sometimes disparate elements that come together to function as a whole, terrifying the audience through their frenetic accumulation of images, tropes and plot twists. The book also addresses some of the effects that these complex films and series have produced both in the panorama of contemporary horror, as well as in how we understand politics in a divisive world that pushes for ideological homogenizations.

Horror Film and Otherness

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Publisher : Columbia University Press
ISBN 13 : 0231556152
Total Pages : 172 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis Horror Film and Otherness by : Adam Lowenstein

Download or read book Horror Film and Otherness written by Adam Lowenstein and published by Columbia University Press. This book was released on 2022-07-19 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes. Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience—and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined. Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.

Cutting Edge

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Publisher : U of Minnesota Press
ISBN 13 : 9780816634132
Total Pages : 296 pages
Book Rating : 4.6/5 (341 download)

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Book Synopsis Cutting Edge by : Joan Hawkins

Download or read book Cutting Edge written by Joan Hawkins and published by U of Minnesota Press. This book was released on 2000 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Even before Jean-Luc Godard and other members of the French New Wave championed Hollywood B movies, aesthetes and cineasts relished the raw emotions of genre films. This contradiction has been particularly true of horror cinema, in which the same images and themes found in exploitation and splatter movies are also found in avant-garde and experimental films, blurring boundaries of taste and calling into question traditional distinctions between high and low culture. In Cutting Edge, Joan Hawkins offers an original and provocative discussion of taste, trash aesthetics, and avant-garde culture of the 1960s and 1970s to reveal horror's subversiveness as a genre. In her treatment of what she terms "art-horror" films, Hawkins examines home viewing, video collection catalogs, and fanzines for insights into what draws audiences to transgressive films. Cutting Edged provides the first extended political critique of Yoko Ono's rarely seen Rape and shows how a film such as Franju's Eyes without a Face can work simultaneously as an art, political, and splatter film. The rediscovery of Tod Browning's Freaks as an art film, the "eurotrash" cinema of Jess Franco, camp cults like the one around Maria Montez, and the "cross-over" reception of Andy Warhol's Frankenstein are all studied for what they reveal about cultural hierarchies. Looking at the low aspects of high culture and the high aspects of low culture, Hawkins scrutinizes the privilege habitually accorded "high" art -- a tendency, she argues, that lets highbrow culture off the hook and removes it from the kinds of ethical and critical social discussions that have plagued horror and porn. Full of unexpected insights, Cutting Edge calls fora rethinking of high/low distinctions -- and a reassigning of labels at the video store.

Deleuze and Horror Film

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Publisher : Edinburgh University Press
ISBN 13 : 0748628789
Total Pages : 240 pages
Book Rating : 4.7/5 (486 download)

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Book Synopsis Deleuze and Horror Film by : Anna Powell

Download or read book Deleuze and Horror Film written by Anna Powell and published by Edinburgh University Press. This book was released on 2005-03-24 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using Deleuze's work on art and film, Anna Powell argues that film viewing is a form of 'altered consciousness' and the experience of viewing horror film an 'embodied event'. The book begins with a critical introduction to the key terms in Deleuzian philosophy and aesthetics.

A Century of Weird Fiction, 1832-1937

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Publisher : University of Wales Press
ISBN 13 : 1786835452
Total Pages : 254 pages
Book Rating : 4.7/5 (868 download)

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Book Synopsis A Century of Weird Fiction, 1832-1937 by : Jonathan Newell

Download or read book A Century of Weird Fiction, 1832-1937 written by Jonathan Newell and published by University of Wales Press. This book was released on 2020-03-15 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offers a new critical perspective on the weird that combines two ways of looking at weird and cosmic horror. Mingling of nausea and knowledge, this book connects pulp horror with metaphysical insight, offering an innovative approach aesthetics and metaphysics. Combines recent speculative philosophy and affect theory.

Cinematic Emotion in Horror Films and Thrillers

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Publisher :
ISBN 13 : 0415871395
Total Pages : 301 pages
Book Rating : 4.4/5 (158 download)

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Book Synopsis Cinematic Emotion in Horror Films and Thrillers by : Julian Hanich

Download or read book Cinematic Emotion in Horror Films and Thrillers written by Julian Hanich and published by . This book was released on 2010 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why can fear be pleasurable? Why do we sometimes enjoy an emotion we otherwise desperately wish to avoid? And why are the movies the predominant place for this paradoxical experience? These are the central questions of Julian Hanichâe(tm)s path-breaking book, in which he takes a detailed look at the various aesthetic strategies of fear as well as the viewerâe(tm)s frightened experience. By drawing on prototypical scenes from horror films and thrillers like Rosemaryâe(tm)s Baby, The Silence of the Lambs, Seven and The Blair Witch Project, Hanich identifies five types of fear at the movies and thus provides a much more nuanced classification than previously at hand in film studies. His descriptions of how the five types of fear differ according to their bodily, temporal and social experience inside the auditorium entail a forceful plea for relying more strongly on phenomenology in the study of cinematic emotions. In so doing, this book opens up new ways of dealing with these emotions. Hanichâe(tm)s study does not stop at the level of fear in the movie theater, however, but puts the strong cinematic emotion against the backdrop of some of the most crucial developments of our modern world: disembodiment, acceleration and the loosening of social bonds. Hanich argues that the strong affective, temporal, and social experiences of frightening movies can be particularly pleasurable precisely because they help to counterbalance these ambivalent changes of modernity.

The Thing

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Publisher : John Hunt Publishing
ISBN 13 : 1782790764
Total Pages : 151 pages
Book Rating : 4.7/5 (827 download)

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Book Synopsis The Thing by : Dylan Trigg

Download or read book The Thing written by Dylan Trigg and published by John Hunt Publishing. This book was released on 2014-08-29 with total page 151 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the human body? Both the most familiar and unfamiliar of things, the body is the centre of experience but also the site of a prehistory anterior to any experience. Alien and uncanny, this other side of the body has all too often been overlooked by phenomenology. In confronting this oversight, Dylan Trigg’s The Thing redefines phenomenology as a species of realism, which he terms unhuman phenomenology. Far from being the vehicle of a human voice, this unhuman phenomenology gives expression to the alien materiality at the limit of experience. By fusing the philosophies of Merleau-Ponty, Husserl, and Levinas with the horrors of John Carpenter, David Cronenberg, and H.P. Lovecraft, Trigg explores the ways in which an unhuman phenomenology positions the body out of time. At once a challenge to traditional notions of phenomenology, The Thing is also a timely rejoinder to contemporary philosophies of realism. The result is nothing less than a rebirth of phenomenology as redefined through the lens of horror.

Handbook of Research on Aestheticization of Violence, Horror, and Power

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Publisher : IGI Global
ISBN 13 : 1799846563
Total Pages : 696 pages
Book Rating : 4.7/5 (998 download)

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Book Synopsis Handbook of Research on Aestheticization of Violence, Horror, and Power by : Erdem, M. Nur

Download or read book Handbook of Research on Aestheticization of Violence, Horror, and Power written by Erdem, M. Nur and published by IGI Global. This book was released on 2020-10-02 with total page 696 pages. Available in PDF, EPUB and Kindle. Book excerpt: Individuals seek ways to repress the sense of violence within themselves and often resort to medial channels. The hunger of the individual for violence is a trigger for the generation of violent content by media, owners of political power, owners of religious power, etc. However, this content is produced considering the individual’s sensitivities. Thus, violence is aestheticized. Aesthetics of violence appear in different fields and in different forms. In order to analyze it, an interdisciplinary perspective is required. The Handbook of Research on Aestheticization of Violence, Horror, and Power brings together two different concepts that seem incompatible—aesthetics and violence—and focuses on the basic motives of aestheticizing and presenting violence in different fields and genres, as well as the role of audience reception. Seeking to reveal this togetherness with different methods, research, analyses, and findings in different fields that include media, urban design, art, and mythology, the book covers the aestheticization of fear, power, and violence in such mediums as public relations, digital games, and performance art. This comprehensive reference is an ideal source for researchers, academicians, and students working in the fields of media, culture, art, politics, architecture, aesthetics, history, cultural anthropology, and more.

Horror

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Publisher : Routledge
ISBN 13 : 1134049390
Total Pages : 251 pages
Book Rating : 4.1/5 (34 download)

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Book Synopsis Horror by : Brigid Cherry

Download or read book Horror written by Brigid Cherry and published by Routledge. This book was released on 2009-02-09 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this Routledge Film Guidebook, audience researcher and film scholar Brigid Cherry provides a comprehensive overview of the horror film and explores how the genre works. Examining the way horror films create images of gore and the uncanny through film technology and effects, Cherry provides an account of the way cinematic and stylistic devices create responses of terror and disgust in the viewer.

Horrorism

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Publisher : Columbia University Press
ISBN 13 : 0231144571
Total Pages : 168 pages
Book Rating : 4.2/5 (311 download)

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Book Synopsis Horrorism by : Adriana Cavarero

Download or read book Horrorism written by Adriana Cavarero and published by Columbia University Press. This book was released on 2009 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: Words like 'terrorism' and 'war' are no longer capable of encompassing the scope of cntemporary violence. With this book, Cavarero effectively renders such terms obsolete. She introduces a new word, 'horrorism', to capture the experience of violence.

The Art of Arkham Horror

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Publisher : Dark Horse Comics
ISBN 13 : 1506724388
Total Pages : 200 pages
Book Rating : 4.5/5 (67 download)

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Book Synopsis The Art of Arkham Horror by : Asmodee

Download or read book The Art of Arkham Horror written by Asmodee and published by Dark Horse Comics. This book was released on 2021-07-20 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explore the witch-cursed, legend-haunted world of Arkham Horror with an expansive tome that showcases material from the hit tabletop games and each of their expansions! Inspired by the works of H.P. Lovecraft, the bizarre and terrifying town of Arkham, Massachusetts, is peopled with courageous townsfolk, wise mystics, and curious academics who seek to understand the unknowable ancient entities that dwell at the edge of our reality. This full color hardcover collection showcases dynamic illustrations of the investigators and their allies, as well as the monsters directly inspired by the Cthulhu Mythos—even the Ancient Ones themselves! Alongside the eldritch creatures and intrepid investigators, each brooding location is beautifully rendered in a large, lush format so that readers can examine every amazing detail. Dark Horse Books and Asmodee join forces to present The Art of Arkham Horror! This volume is a must-have for any fan of table-top gaming or H.P. Lovecraft lore!

A Companion to the Horror Film

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Publisher : John Wiley & Sons
ISBN 13 : 1119335019
Total Pages : 613 pages
Book Rating : 4.1/5 (193 download)

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Book Synopsis A Companion to the Horror Film by : Harry M. Benshoff

Download or read book A Companion to the Horror Film written by Harry M. Benshoff and published by John Wiley & Sons. This book was released on 2017-01-17 with total page 613 pages. Available in PDF, EPUB and Kindle. Book excerpt: This cutting-edge collection features original essays by eminent scholars on one of cinema's most dynamic and enduringly popular genres, covering everything from the history of horror movies to the latest critical approaches. Contributors include many of the finest academics working in the field, as well as exciting younger scholars Varied and comprehensive coverage, from the history of horror to broader issues of censorship, gender, and sexuality Covers both English-language and non-English horror film traditions Key topics include horror film aesthetics, theoretical approaches, distribution, art house cinema, ethnographic surrealism, and horror's relation to documentary film practice A thorough treatment of this dynamic film genre suited to scholars and enthusiasts alike

Introduction to Japanese Horror Film

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Author :
Publisher : Edinburgh University Press
ISBN 13 : 0748630597
Total Pages : 232 pages
Book Rating : 4.7/5 (486 download)

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Book Synopsis Introduction to Japanese Horror Film by : Colette Balmain

Download or read book Introduction to Japanese Horror Film written by Colette Balmain and published by Edinburgh University Press. This book was released on 2008-10-14 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a major historical and cultural overview of an increasingly popular genre. Starting with the cultural phenomenon of Godzilla, it explores the evolution of Japanese horror from the 1950s through to contemporary classics of Japanese horror cinema such as Ringu and Ju-On: The Grudge. Divided thematically, the book explores key motifs such as the vengeful virgin, the demonic child, the doomed lovers and the supernatural serial killer, situating them within traditional Japanese mythology and folk-tales. The book also considers the aesthetics of the Japanese horror film, and the mechanisms through which horror is expressed at a visceral level through the use of setting, lighting, music and mise-en-scene. It concludes by considering the impact of Japanese horror on contemporary American cinema by examining the remakes of Ringu, Dark Water and Ju-On: The Grudge.The emphasis is on accessibility, and whilst the book is primarily marketed towards film and media students, it will also be of interest to anyone interested in Japanese horror film, cultural mythology and folk-tales, cinematic aesthetics and film theory.