Studies In The Islamic Arts Of The Book

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Studies in the Islamic Arts of the Book

Author : Robert Hillenbrand
Publisher :
ISBN 13 : 9781904597490
Total Pages : 0 pages
Book Rating : 4.5/5 (974 download)

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Book Synopsis Studies in the Islamic Arts of the Book by : Robert Hillenbrand

Download or read book Studies in the Islamic Arts of the Book written by Robert Hillenbrand and published by . This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The studies collected in this volume, some of them rather difficult to access, date mostly from the last fifteen years and focus primarily on Persian book painting of the 14th to the early 16th centuries. In this period, Iran dominated the art of book painting in the Islamic world. The articles reprinted here examine various aspects of this, the golden age of Persian painting. They range from the period of Mongol rule, when the impact of Far Eastern themes and modes radically transformed the heritage bequeathed to Iran by Arab painting - a textbook case of the clash of civilisations - to the dawn of the modern era and the swansong of the classical style of Persian painting under the early Safavids. Yet other articles focus on the roots of book painting in the themes and styles developed in painted ceramics, on medieval Qur'anic calligraphy, on bookbinding and on the remarkably original variations played on the hitherto hackneyed theme of the figural frontispiece by Arab painters. Two major leitmotifs are explored in this selection of essays. One is provided by the constantly varying interpretations of the Shahnama (The Book of Kings), the Persian national epic, and especially the tendency of painters to interpret this familiar text in terms of contemporary politics. The other is the interplay of text and image, which highlights the tendency of painters to strike out on their own and to leave the literal text progressively further behind while they develop plots and sub-plots of their own. These enquiries are set within the context of a concerted effort to explore in detail how Persian painters achieved their most spectacular visual effects. In its combination of general surveys and closely focused analyses of individual manuscripts, this collection of articles will be of interest to specialists in book painting and in Islamic art as a whole. Contents: Preface The Uses of Space in Timurid Painting The Iconography of the Shah-nama-yi Shahi The Iskandar Cycle in the Great Mongol Shahnama Images of Muhammad in al-Biruni's Chronology of Ancient Nations The Arts of the Book in Ilkhanid Iran The paintings of Rashid al-Din's 'Universal History' at Edinburgh Mamluk and Ilkhanid Bestiaries: Convention and Experiment The Qur'an Illuminated The relationship between book painting and luxury ceramics in 13th-century Iran, The Message of Misfortune Literature and the visual arts; New Perspectives in Shahnama Iconography Erudition exalted: the double frontispiece to The Epistles of the Sincere Brethren The Shahnama and the illustrated book Islamic Bookbinding Index

Art and Architecture in the Islamic Tradition

Author : Mohammed Hamdouni Alami
Publisher : Bloomsbury Publishing
ISBN 13 : 0857731750
Total Pages : 304 pages
Book Rating : 4.8/5 (577 download)

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Book Synopsis Art and Architecture in the Islamic Tradition by : Mohammed Hamdouni Alami

Download or read book Art and Architecture in the Islamic Tradition written by Mohammed Hamdouni Alami and published by Bloomsbury Publishing. This book was released on 2013-12-20 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is 'art' in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body, and the ban on the representation of the human body in Islam, has meant that Islamic and Western art have been perceived as inherently at odds. However, the move away from this 'anthropomorphic aesthetic' in Western art movements, such as modern abstract and constructivist painting, have presented the opportunity for new ways of viewing and evaluating Islamic art and architecture. This book questions the very idea of art predicated on the anthropocentric bias of classical art, and the corollary 'exclusion' of Islamic art from the status of art. It addresses a central question in post-classical aesthetic theory, in as much as the advent of modern abstract and constructivist painting have shown that art can be other than the representation of the human body; that art is not neutral aesthetic contemplation but it is fraught with power and violence; and that the presupposition of classical art was not a universal truth but the assumption of a specific cultural and historical set of practices and vocabularies. Based on close readings of classical Islamic literature, philosophy, poetry, medicine and theology, along with contemporary Western art theory, the author uncovers a specific Islamic theoretical vision of art and architecture based on poetic practice, politics, cosmology and desire. In particular it traces the effects of decoration and architectural planning on the human soul as well as the centrality of the gaze in this poetic view - in Arabic 'nazar'- while examining its surprising similarity to modern theories of the gaze. Through this double gesture, moving critically between two traditions, the author brings Islamic thought and aesthetics back into the realm of visibility, addressing the lack of recognition in comparison with other historical periods and traditions. This is an important step toward a critical analysis of the contemporary debate around the revival of Islamic architectural identity - a debate intricately embedded within opposing Islamic political and social projects throughout the world.

What is “Islamic” Art?

Author : Wendy M. K. Shaw
Publisher : Cambridge University Press
ISBN 13 : 1108474659
Total Pages : 387 pages
Book Rating : 4.1/5 (84 download)

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Book Synopsis What is “Islamic” Art? by : Wendy M. K. Shaw

Download or read book What is “Islamic” Art? written by Wendy M. K. Shaw and published by Cambridge University Press. This book was released on 2019-10-10 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.

Modernism and the Art of Muslim South Asia

Author : Iftikhar Dadi
Publisher : Univ of North Carolina Press
ISBN 13 : 0807895962
Total Pages : 356 pages
Book Rating : 4.8/5 (78 download)

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Book Synopsis Modernism and the Art of Muslim South Asia by : Iftikhar Dadi

Download or read book Modernism and the Art of Muslim South Asia written by Iftikhar Dadi and published by Univ of North Carolina Press. This book was released on 2010-05-15 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: This pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. Art historian Iftikhar Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond. He looks at the stunningly diverse artistic production of key artists associated with Pakistan, including Abdur Rahman Chughtai, Zainul Abedin, Shakir Ali, Zubeida Agha, Sadequain, Rasheed Araeen, and Naiza Khan. Dadi shows how, beginning in the 1920s, these artists addressed the challenges of modernity by translating historical and contemporary intellectual conceptions into their work, reworking traditional approaches to the classical Islamic arts, and engaging the modernist approach towards subjective individuality in artistic expression. In the process, they dramatically reconfigured the visual arts of the region. By the 1930s, these artists had embarked on a sustained engagement with international modernism in a context of dizzying social and political change that included decolonization, the rise of mass media, and developments following the national independence of India and Pakistan in 1947. Bringing new insights to such concepts as nationalism, modernism, cosmopolitanism, and tradition, Dadi underscores the powerful impact of transnationalism during this period and highlights the artists' growing embrace of modernist and contemporary artistic practice in order to address the challenges of the present era.

Islamic Visual Culture, 1100-1800

Author : Oleg Grabar
Publisher : Taylor & Francis
ISBN 13 : 104023870X
Total Pages : 488 pages
Book Rating : 4.0/5 (42 download)

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Book Synopsis Islamic Visual Culture, 1100-1800 by : Oleg Grabar

Download or read book Islamic Visual Culture, 1100-1800 written by Oleg Grabar and published by Taylor & Francis. This book was released on 2024-08-01 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: Islamic Visual Culture, 1100-1800 is the second in a set of four volumes of studies on Islamic art by Oleg Grabar. Between them they bring together more than eighty articles, studies and essays, work spanning half a century by a master of the field. Each volume takes a particular section of the topic, the three other volumes being entitled: Early Islamic Art 650-1100; Islamic Art and Beyond; and Jerusalem. Reflecting the many incidents of a long academic life, they illustrate one scholar's attempt at making order and sense of 1400 years of artistic growth. They deal with architecture, painting, objects, iconography, theories of art, aesthetics and ornament, and they seek to integrate our knowledge of Islamic art with Islamic culture and history as well as with the global concerns of the History of Art. In addition to the articles selected, each volume contains an introduction which describes, often in highly personal ways, the context in which Grabar's scholarship developed and the people who directed and mentored his efforts. The focus of the present volume is on the key centuries - the eleventh through fourteenth - during which the main directions of traditional Islamic art were created and developed and for which classical approaches of the History of Art were adopted. Manuscript illustrations and the arts of objects dominate the selection of articles, but there are also forays into later times like Mughal India and into definitions of area and period styles, as with the Mamluks in Egypt and the Ottomans, or into parallels between Islamic and Christian medieval arts.

Studies in the Islamic Arts of the Book

Author : Robert Hillenbrand
Publisher : Pindar Press
ISBN 13 : 1915837146
Total Pages : 567 pages
Book Rating : 4.9/5 (158 download)

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Book Synopsis Studies in the Islamic Arts of the Book by : Robert Hillenbrand

Download or read book Studies in the Islamic Arts of the Book written by Robert Hillenbrand and published by Pindar Press. This book was released on 2012-12-31 with total page 567 pages. Available in PDF, EPUB and Kindle. Book excerpt: The studies collected in this volume, some of them rather difficult of access, date mostly from the last fifteen years and focus primarily on Persian book painting of the 14th to the early 16th centuries. In this period Iran dominated the art of book painting in the Islamic world. The articles reprinted here examine various aspects of this, the golden age of Persian painting. They range from the period of Mongol rule, when the impact of Far Eastern themes and modes radically transformed the heritage bequeathed to Iran by Arab painting - a textbook case of the clash of civilisations - to the dawn of the modern era and the swansong of the classical style of Persian painting under the early Safavids. Yet other articles focus on the roots of book painting in the themes and styles developed in painted ceramics, on medieval Qur'anic calligraphy, on bookbinding and on the remarkably original variations played on the hitherto hackneyed theme of the figural frontispiece by Arab painters. Two major leitmotifs are explored in this selection of essays. One is provided by the constantly varying interpretations of the Shahnama (The Book of Kings), the Persian national epic, and especially the tendency of painters to interpret this familiar text in terms of contemporary politics. The other is the interplay of text and image, which highlights the tendency of painters to strike out on their own and to leave the literal text progressively further behind while they develop plots and sub-plots of their own. These enquiries are set within the context of a concerted effort to explore in detail how Persian painters achieved their most spectacular visual effects. In its combination of general surveys and closely focused analyses of individual manuscripts, this collection of articles will be of interest to specialists in book painting and in Islamic art as a whole.

A Companion to Islamic Art and Architecture

Author : Finbarr Barry Flood
Publisher : John Wiley & Sons
ISBN 13 : 1119068576
Total Pages : 1442 pages
Book Rating : 4.1/5 (19 download)

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Book Synopsis A Companion to Islamic Art and Architecture by : Finbarr Barry Flood

Download or read book A Companion to Islamic Art and Architecture written by Finbarr Barry Flood and published by John Wiley & Sons. This book was released on 2017-06-16 with total page 1442 pages. Available in PDF, EPUB and Kindle. Book excerpt: The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)

Studies in the Islamic Decorative Arts

Author : Robert Hillenbrand
Publisher : Pindar Press
ISBN 13 : 1915837154
Total Pages : 531 pages
Book Rating : 4.9/5 (158 download)

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Book Synopsis Studies in the Islamic Decorative Arts by : Robert Hillenbrand

Download or read book Studies in the Islamic Decorative Arts written by Robert Hillenbrand and published by Pindar Press. This book was released on 2019-12-31 with total page 531 pages. Available in PDF, EPUB and Kindle. Book excerpt: Islamic artists channelled their energies not into easel painting and large-scale sculpture, but rather into what Western scholars, obeying a very different hierarchy of art forms, rather disparagingly term the decorative arts or even the minor arts. In point of fact, some of the greatest masterpieces of Islamic art are in the media of ceramics, metalwork, textiles, ivory and glass. Often the images they bear express a complex set of meanings, for Islam inherited much material from the iconographic systems of earlier civilizations, notably those of the ancient Near East and of the classical world. Islam also developed its own distinctive vocabulary of signs and symbols. Accordingly, questions of iconography and meaning bulk large among the studies gathered together in the present volume. These studies, written over a period of almost thirty years, and taken from a wide variety of published sources, deal with aspects of the decorative arts from Spain to India and from the 7th to the 17th century. They focus in turn upon ceramics and metalwork; on coins, carpets and calligraphy; and on carving in wood and ivory. They are arranged under three headings. The first comprises general surveys of the field covering the content of these arts and confronting the challenges they present, such as the Islamic approach to three-dimensional sculpture. The second deals with questions of iconography and meaning, while the third comprises a series of studies devoted to specific media such as ivory, woodwork and numismatics. This volume therefore offers not only a general introduction to some of the problems posed by Islamic art, but also readings of key objects in an attempt to explore their meaning; and finally, an in-depth focus on individual objects representing specific genres and media.

Islamic Art in the 19th Century

Author : Doris Behrens-Abouseif
Publisher : BRILL
ISBN 13 : 9004144420
Total Pages : 457 pages
Book Rating : 4.0/5 (41 download)

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Book Synopsis Islamic Art in the 19th Century by : Doris Behrens-Abouseif

Download or read book Islamic Art in the 19th Century written by Doris Behrens-Abouseif and published by BRILL. This book was released on 2006 with total page 457 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays provides a timely reassessment of nineteenth-century Islamic art and architecture. The essays demonstrate that the arts of that era were vibrant and diverse, making ingenious use of native traditions and materials or adopting imported conventions and new technologies. However, traditionalists, revivalists and modernists all referred in one way or another to an Islamic heritage, whether to reinvent, revive or reject it. Beginning with an historical introduction and an assessment of changing attitudes towards the visual arts the following essays provide case studies of architecture and art in Ottoman Turkey, Egypt, Morocco, sub-Saharan Africa, Iran, Central Asia, India and the Caribbean. They examine such issues as patronage, sources of artistic inspiration and responses to European art. The essays have a relevance and importance for our understanding of the societies and attitudes of that time, and have a direct bearing on the more general debate concerning cultural identity and the integration of modern ideas in the Muslim world. The book is richly illustrated with very many illustrations in black-and-white and in full colour.

Islamic Arts from Spain

Author : Mariam Rosser-Owen
Publisher : Victoria & Albert Museum
ISBN 13 :
Total Pages : 168 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Islamic Arts from Spain by : Mariam Rosser-Owen

Download or read book Islamic Arts from Spain written by Mariam Rosser-Owen and published by Victoria & Albert Museum. This book was released on 2010-06 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the Alhmabra to Owen Jones, Islamic Arts from Spain tells the story of the art and design produced in Spain under Islamic rule and examines the long-lasting influence of Islamic Spain on European decorative arts. The book looks first at patronage during the 'Golden Age' of the Umayyad caliphate, from the mid-tenth to the early eleventh century, before discussing the Nasrid dynasty who ruled from Granada in a territory much reduced by the resurgent Christian monarchs of northern Spain. It also explores the phenomenon of the 'Mudejar', Islamic-influenced arts produced for non-Muslim patrons in the Renaissance and the craze for the 'Alhambresque', a style promoted by European designers such as Owen Jones. Addressing the creation, suppression, rediscovery and influence of Islamic art in Spain from the eighth to the twentieth century, the book is lavishly illustrated with objects drawn from the V+A's collections, from exquisite ivory caskets,marble tombstones and capitals to architectural models, jewellery, textiles and ceramics.

Islamic Art and Architecture 650-1250

Author : Richard Ettinghausen
Publisher : Yale University Press
ISBN 13 : 9780300088694
Total Pages : 364 pages
Book Rating : 4.0/5 (886 download)

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Book Synopsis Islamic Art and Architecture 650-1250 by : Richard Ettinghausen

Download or read book Islamic Art and Architecture 650-1250 written by Richard Ettinghausen and published by Yale University Press. This book was released on 2003-07-11 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: This richly illustrated book provides an unsurpassed overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar’s original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.

Deconstructing the Myths of Islamic Art

Author : Onur Öztürk
Publisher : Routledge
ISBN 13 : 100055595X
Total Pages : 320 pages
Book Rating : 4.0/5 (5 download)

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Book Synopsis Deconstructing the Myths of Islamic Art by : Onur Öztürk

Download or read book Deconstructing the Myths of Islamic Art written by Onur Öztürk and published by Routledge. This book was released on 2022-03-20 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Deconstructing the Myths of Islamic Art addresses how researchers can challenge stereotypical notions of Islam and Islamic art while avoiding the creation of new myths and the encouragement of nationalistic and ethnic attitudes. Despite its Orientalist origins, the field of Islamic art has continued to evolve and shape our understanding of the various civilizations of Europe, Africa, Asia, and the Middle East. Situated in this field, this book addresses how universities, museums, and other educational institutions can continue to challenge stereotypical or homogeneous notions of Islam and Islamic art. It reviews subtle and overt mythologies through scholarly research, museum collections and exhibitions, classroom perspectives, and artists’ initiatives. This collaborative volume addresses a conspicuous and persistent gap in the literature, which can only be filled by recognizing and resolving persistent myths regarding Islamic art from diverse academic and professional perspectives. The book will be of interest to scholars working in art history, museum studies, visual culture, and Middle Eastern studies.

Islamic Chinoiserie

Author : Kadoi Yuka Kadoi
Publisher : Edinburgh University Press
ISBN 13 : 1474469671
Total Pages : 304 pages
Book Rating : 4.4/5 (744 download)

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Book Synopsis Islamic Chinoiserie by : Kadoi Yuka Kadoi

Download or read book Islamic Chinoiserie written by Kadoi Yuka Kadoi and published by Edinburgh University Press. This book was released on 2019-07-31 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Mongol invasion in the thirteenth century marked a new phase in the development of Islamic art. Trans-Eurasian exchanges of goods, people and ideas were encouraged on a large scale under the auspices of the Pax Mongolica. With the fascination of portable objects brought from China and Central Asia, a distinctive, hitherto unknown style - Islamic chinoiserie - was born in the art of Iran.Highly illustrated, Islamic Chinoiserie offers a fascinating glimpse into the artistic interaction between Iran and China under the Mongols. By using rich visual materials from various media of decorative and pictorial arts - textiles, ceramics, metalwork and manuscript painting - the book illustrates the process of adoption and adaptation of Chinese themes in the art of Mongol-ruled Iran in a visually compelling way. The observation of this unique artistic phenomenon serves to promote the understanding of the artistic diversity of Islamic art in the Middle Ages.Key Features*Covers various media of decorative and pictorial arts from Iran, Central Asia and China*Deals with a diverse range of issues related to the East-West artistic relationship in the Middle Ages*Features in-depth studies of style, technique and iconography in Iranian art under the Mongols*Includes 125 illustrations, 24 in colour

Islamic Art and Beyond

Author : Oleg Grabar
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 9780860789260
Total Pages : 400 pages
Book Rating : 4.7/5 (892 download)

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Book Synopsis Islamic Art and Beyond by : Oleg Grabar

Download or read book Islamic Art and Beyond written by Oleg Grabar and published by Ashgate Publishing, Ltd.. This book was released on 2006 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: The articles selected for Islamic Art and Beyond, the third in the set of four selections of articles by Oleg Grabar, illustrate how the author's study of Islamic art led him in two directions for a further understanding of the arts. One is how to define Islamic art and what impulses provided it with its own peculiar forms and dynamics of growth. The other issue is that of the meanings to be given to forms like domes, so characteristic of Islamic art, or to terms like symbol, signs, or aesthetic values in the arts, especially when one considers the contemporary world.

Islamic Art and Visual Culture

Author : D. Fairchild Ruggles
Publisher : Wiley-Blackwell
ISBN 13 : 9781405154017
Total Pages : 198 pages
Book Rating : 4.1/5 (54 download)

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Book Synopsis Islamic Art and Visual Culture by : D. Fairchild Ruggles

Download or read book Islamic Art and Visual Culture written by D. Fairchild Ruggles and published by Wiley-Blackwell. This book was released on 2011-04-25 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: Islamic Art and Visual Culture is a collection of primary sources in translation accompanied by clear and concise introductory essays that provide unique insights into the aesthetic and cultural history of one of the world's major religions. Collects essential translations from sources as diverse as the Qur'an, court chronicles, technical treatises on calligraphy and painting, imperial memoirs, and foreign travel accounts Includes clear and concise introductory essays Situates each text and explains the circumstances in which it was written--the date, place, author, and political conditions Provides a vivid window into Islamic visual culture and society An indispensable tool for teachers and students of art and visual culture

Private Collectors of Islamic Art in Late Nineteenth-Century London

Author : Isabelle Gadoin
Publisher : Routledge
ISBN 13 : 1000437000
Total Pages : 232 pages
Book Rating : 4.0/5 (4 download)

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Book Synopsis Private Collectors of Islamic Art in Late Nineteenth-Century London by : Isabelle Gadoin

Download or read book Private Collectors of Islamic Art in Late Nineteenth-Century London written by Isabelle Gadoin and published by Routledge. This book was released on 2021-09-09 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines British collectors of so-called Persian art (a broad umbrella term then covering a large portion of Islamic art) in the late 19th century, including ceramics, metalwork, carpets, textiles and woodwork. Based on a foundational event, the very first exhibition of “Persian and Arab Art” held by a London Gentlemen’s Club in 1885, this book follows one generation of men, retracing the subtle shades of difference among “amateurs,” “connoisseurs,” “experts” and “collectors,” and exploring all the mechanisms of the construction of a collective fascination for the Orient. Isabelle Gadoin uncovers some of the first “scientific” analyses of Islamic objects and of the first private notebooks or exhibition catalogues, to provide an in-depth study of the way Westerners talked about Islamic objects and began to define what would become Islamic art history. All the while, Gadoin unravels the skein of Western prejudice, Romantic fancy, sincere admiration and ruthless appropriation, in art collecting, to write a new chapter of Orientalist history. The book will be of interest to scholars working in art history, history of collecting, colonialism and postcolonialism, and Orientalism.

Islamic Art and Spirituality

Author : Seyyed Hossein Nasr
Publisher : SUNY Press
ISBN 13 : 9780887061752
Total Pages : 244 pages
Book Rating : 4.0/5 (617 download)

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Book Synopsis Islamic Art and Spirituality by : Seyyed Hossein Nasr

Download or read book Islamic Art and Spirituality written by Seyyed Hossein Nasr and published by SUNY Press. This book was released on 1987-02-12 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book in the English language to deal with the spiritual significance of Islamic art including not only the plastic arts, but also literature and music. Rather than only dealing with the history of the various arts of Islam or their description, the author relates the form, content, symbolic language, meaning, and presence of these arts to the very sources of the Islamic revelation. Relying upon his extensive knowledge of the Islamic religion in both its exoteric and esoteric dimensions as well as the various Islamic sciences, the author relates Islamic art to the inner dimensions of the Islamic revelation and the spirituality which has issued from it. He brings out the spiritual significance of the Islamic arts ranging from architecture to music as seen, heard, and experienced by one living within the universe of the Islamic tradition. In this work the reader is made to understand the meaning of Islamic art for those living within the civilization which created it.