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Staging Elfriede Jelinek In Australia Poetics Ethics Politics
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Book Synopsis Staging Elfriede Jelinek in Australia by : André Bastian
Download or read book Staging Elfriede Jelinek in Australia written by André Bastian and published by . This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The study at hand ... presents the outcomes of a research project stretching over several years. They are provided in three differents parts, consisting of two written discussions on "The Aesthetics (or Poetics) of Staging a Play" ... and "The Ethics and Politics of Staging a Play" ... and two sets of recordings of the 2011 Melbourne production of Elfriede Jelinek's Princess Dramas that was an integral part of this research project in the field of Theatre Performance ... The research objective that was outlined at the beginning of the project is best summarised in the initial title: "Recovering Jelinek for the English-Speaking Stage -- Problems of Inter-Cultural Transfer and Theatrical Strategies to Fill the 'Gap of Translation'"--Page 9.
Book Synopsis Elfriede Jelinek Goes Australia by : André Bastian
Download or read book Elfriede Jelinek Goes Australia written by André Bastian and published by Australian Scholarly Publishing. This book was released on 2017-10-30 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Recovering Jelinek for the English-speaking Stage by : Andre Horst Bastian
Download or read book Recovering Jelinek for the English-speaking Stage written by Andre Horst Bastian and published by . This book was released on 2013 with total page 710 pages. Available in PDF, EPUB and Kindle. Book excerpt: ABSTRACT"Recovering Jelinek for the English-Speaking Stage - Problems of Inter-Cultural Transfer in Elfriede Jelinek's Plays and Theatrical Strategies to Fill the 'Gap of Translation'" is a research project in the field of Theatre Performance. The thesis consists of three parts. Parts I and III are a written dissertation. Part II is a production of Elfriede Jelinek's Princess Dramas: "Snow White", "Sleeping Beauty" and "Jackie" (Part II). The production took place at Red Stitch Actors Theatre in Melbourne (8 June - 2 July 2011). Footage of the production is available on two DVDs that are included in the thesis.The research project aims to understand the reasons behind the near absence of the Austrian Nobel Prize (2004) winner's plays on English-speaking stages and adopts a 'poetics of an arriving artist' as theoretical foundation for the first staging of one of Jelinek's works in Australia. The written dissertation of the project touches on issues of literary theory, inter-, multi- and transculturality and post-colonial studies, translation studies and performance theory. The thesis relies on the metaphor of the palimpsest as a hinge between its diverse parts. It uses the notion of 'palimpsesting' in order to describe a core strategy for meaning making and exploits 'the palimpsest' as a figure of thought for elaborating a series of productive theatrical strategies.The proposal of cultural bridging strategies and their realisation within the context of staging Princess Dramas in Melbourne (Australia) is one important focus of this project. It concerns mainly the area of aesthetics and artistic poetics. In addition, the project has a strong ethical and political focus. It scrutinises the ethical dangers implied in the post-structuralist foundations of its poetics and discusses the dilemma of unbound (ethical) freedom that can turn into boundless (physical) violence. It examines various scenarios where strategies of empowerment can lead to effects of disempowerment and links this discussion to the problematic essentialisms of current Australian discourses of indigeneity. Discussing the image and/or function of the artist in modernity against the background of a range of theories such as the German Romantic concept of 'Bildung', Niklas Luhmann's concept of art as a social system and several legal and political theories such as Jeremy Waldron's study on Law and Disagreement, the thesis comes up with a series of strategies that aim to ensure responsible artistic action within the parameters of a liberal democracy.Part I (Before the Staging) is dedicated to "The Aesthetics (or Poetics) of Staging a Play". It is the shorter part of the written dissertation and consists of four condensed chapters. They introduce the situation of the near absence of Elfriede Jelinek's plays on English-speaking stages and establish the idea of homesickness as a productive motor for cultural transfer. They introduce Elfriede Jelinek's complex writing strategies and name the deconstructive and mythoclast agenda behind Jelinek's work as one of the main motivations for my staging of Princess Dramas in Australia. The re-thinking of the structuralist version of the 'palimpsest' (Gérard Genette) against the background of post-structuralist theories (mainly Roland Barthes and Julia Kristeva) takes an important share of this part which also connects the theoretical discussion to some episodes of my arrival in Australia as theatre maker and researcher. The last chapter explores the productivity of terms such as 'palimpsesting', 'palimpsestic' and 'palimpsestuous' for the requirements of staging theatre plays. It proposes a dramaturgy of palimpsestic approximation in order to deal with Jelinek's overly dense work and invites to scrutinize the foundations and borderlines of national-cultural categories. Casting an Indigenous actress in the part of Jackie is suggested as a strategy of naturalising Jelinek as a meaningful Austr(al)ian author.Part II (The Production) consists of the production of Elfriede Jelinek's Princess Dramas: "Snow White", "Sleeping Beauty" and "Jackie" at Red Stitch Actors Theatre in Melbourne. The thesis comprises two DVDs that provide footage of the production. DVD 1 presents a full run of the production and DVD 2 offers additional material. The material consists of twelve extract clips that are mostly shot from a closer angle than the full shot angle of DVD 1.Part III (After the Staging) is dedicated to "The Ethics (and Politics) of Staging a Play". It presents the major share of the written dissertation and is divided into three subdivisions.Subdivision I ("Staging Jelinek's Princess Dramas in Australia - Dangerous Decisions and Multiple Circumstances") deals with a range of aspects linked to the ethics of staging Princess Dramas in Australia. The six chapters touch on issues of decision-making and artistic responsibility versus post-structural aesthetics, discuss different concepts of 'mise-en-scène'/'staging'/'Inszenierung' and 'violence' as part of the circumstance(s) of staging a play, and relate these discussions to cultural policy debates in Australia. John L. Austin's notion of 'appropriate circumstances' of an utterance is introduced and Janelle Reinelt's recent demand for embracing a new artistic responsibility in an increasingly globalising world is considered an important theoretical framework of this part of the thesis. Key issues are the relationship between theatre and 'radical democracy', (self-)censorship and 'political correctness'. The theoretical discussion is linked to our/my decisions made during the process of staging Princess Dramas in Australia and to the choice of casting an Indigenous actress for the role of Jackie. Important issues of agency, ethical responsibility and guilt are revised by comparing different conceptions of artistic processes and aesthetic products in the realm of theatre in both languages, English and German. In a similar manner, the cultural relativity of concepts of violence and a loose typology of different kinds of violence is discussed by putting a particular focus on the notion of 'structural violence' and 'violence of categories' (Maryrose Casey after Emmanuel Levinas). The last chapter of this subdivision deals with questions of art and aesthetics with regard to the material needs and/or financial dependencies of art producers and discusses concepts of 'inter-, multi- and transculturality'.Subdivision II ("'The Artist' As (Civilising) Leader or (Moral) Outlaw - My Self-Image As Theatre Maker at the Intersection of Philosophy, Law and Politics") discusses the function of the artist in society and related questions of artistic licence against the background of legal and political theories. It links the theoretical discussion to the concrete case of staging Princess Dramas in Australia. The two chapters touch on issues of artistic relevance and the social authority of artists, censorship, the concept of 'Bildung' (Franz-Josef Deiters after Friedrich Schlegel et al.), the notion of art as a social system (Niklas Luhmann) and a series of intersections between art practice and legal/political systems (Jeremy Waldron, J.M. Balkin, Sanford Levinson and others).Subdivision III ("A Conclusion and an Afterthought - Arriving as Palimpsestuous Process, Or Accepting the Artist as Phenomenon and Signifier") offers a general conclusion about the artists' rights and obligations which is based on the artists' proposed function in a liberal democracy. It also spells out the consequences that this position has for our/my staging of Princess Dramas in Australia. The ethics of artistic practice is linked to an unavoidable decision in favour of one possible belief system - in my case, liberal democracy. Being conscious of the aporias of liberal democracy, in the afterthought I formulate a challenging question that must guide the entire project: How can I act in this country that I like for its easy-going (or reckless?) celebrations of 'beach, chardonnay and sun' without pushing you, the Other (the Indigenous) - who obviously only exists as a hollow conceptual carcass - ever more to its borders? It is suggested that withstanding the contradictions between (rich) phenomena and (necessary) concepts by raising, again and again, the question of the fine line between German and non-German (or Austrian), Australian and non-Australian, and Indigenous and non-Indigenous as a first step in my quest of and for arriving in Australia be an apposite strategy to avoid an endless repetition of the 'First Step' (or arrival of the First Fleet) and its concomitant ideology of terra nullius.
Book Synopsis Contesting Performance by : J. McKenzie
Download or read book Contesting Performance written by J. McKenzie and published by Springer. This book was released on 2009-11-18 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contesting Performance is a collection of essays by international scholars that addresses the global development of performance research in the late twentieth and early twenty-first centuries. The collection functions as a critical reader on diverse approaches to studying performance that contest dominant paradigms of performance studies.
Book Synopsis The Force of Habit by : Thomas Bernhard
Download or read book The Force of Habit written by Thomas Bernhard and published by Heinemann Educational Books. This book was released on 1976 with total page 114 pages. Available in PDF, EPUB and Kindle. Book excerpt: A megalomaniacal ringmaster, Caribaldi, has a fixed idea: he must teach his troupe - a juggler, a tightrope dancer, a lion tamer, and a clown - to play Schubert's "Trout Quintet," a serene goal in the midst of a cacaphony of one-night stands, laws of gravity, fate, and the vagaries of human nature. Not one of Caribaldi's motley crew wants to play; not one is suited to his or her instrument.
Book Synopsis The World Republic of Letters by : Pascale Casanova
Download or read book The World Republic of Letters written by Pascale Casanova and published by Harvard University Press. This book was released on 2004 with total page 446 pages. Available in PDF, EPUB and Kindle. Book excerpt: The "world of letters" has always seemed a matter more of metaphor than of global reality. In this book, Pascale Casanova shows us the state of world literature behind the stylistic refinements--a world of letters relatively independent from economic and political realms, and in which language systems, aesthetic orders, and genres struggle for dominance. Rejecting facile talk of globalization, with its suggestion of a happy literary "melting pot," Casanova exposes an emerging regime of inequality in the world of letters, where minor languages and literatures are subject to the invisible but implacable violence of their dominant counterparts. Inspired by the writings of Fernand Braudel and Pierre Bourdieu, this ambitious book develops the first systematic model for understanding the production, circulation, and valuing of literature worldwide. Casanova proposes a baseline from which we might measure the newness and modernity of the world of letters--the literary equivalent of the meridian at Greenwich. She argues for the importance of literary capital and its role in giving value and legitimacy to nations in their incessant struggle for international power. Within her overarching theory, Casanova locates three main periods in the genesis of world literature--Latin, French, and German--and closely examines three towering figures in the world republic of letters--Kafka, Joyce, and Faulkner. Her work provides a rich and surprising view of the political struggles of our modern world--one framed by sites of publication, circulation, translation, and efforts at literary annexation.
Book Synopsis Midnight's Orphans by : Glenn D'Cruz
Download or read book Midnight's Orphans written by Glenn D'Cruz and published by Peter Lang. This book was released on 2006 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'This book is the first detailed study of Anglo-Indians in literature. Rather than simply dismissing the representation of Anglo-Indians in literary texts as offensive stereotypes, the book identifies the conditions for the emergence of these stereotypes through close readings of key novels, such as Bhowani Junction, Midnight's Children and The Impressionist. It also examines the work of contemporary Anglo-Indian writers such as Allan Sealy and Christopher Cyrill".
Download or read book Living as Form written by Nato Thompson and published by MIT Press. This book was released on 2012 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Living as Form' grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects selected by a 30-person curatorial advisory team; each project is documented by a selection of colour images.
Book Synopsis Aesthetics and Ideology in Contemporary Literature and Drama by : René Agostini
Download or read book Aesthetics and Ideology in Contemporary Literature and Drama written by René Agostini and published by Cambridge Scholars Publishing. This book was released on 2015-09-10 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: The conviction that the development and promotion of the arts, humanities and culture through the study of literature and the aesthetic are the fundamental constituents of any progress in society is at the heart of this volume. The essays gathered here explore the role of the imagination and aesthetic awareness in an age when the corporatization of knowledge is in the process of transforming literary studies, and political commitment is in danger of disappearing behind a supposedly post-ideological late-capitalist consensus. The main focus of the volume is the mutual implication of aesthetics and ideology and the status and value of different types of art within the political arena. Challenging issues in contemporary aesthetics are examined within the wider framework of current debates on the disappearance of the real, the crisis in representation, and the use of new media. The wide range of examples collected here, stretching from experimental poetry in post-war Germany, political commitment in twentieth-century French theatre, and countercultural Rumanian theatre under Ceaușescu, to Neo-Victorian fiction, Verbatim theatre in the UK, and political theatre for the masses in Estonia, vouchsafe unique insights into the intersection of aesthetics and ideology and the practical consequences thereof. As such, the volume opens up a space for a meaningful engagement with authentic forms of art from inside and outside the Anglosphere, and, ultimately, uses these examples as a platform from which to imagine some form of “aesthethics”, representing an ideal union of aesthetics and ideology. This concept, first coined by the French philosopher Philippe Lacoue-Labarthe, will prove to be relevant both within the parameters of the examples discussed here, but also beyond, for the contributors to this volume are unanimous in refusing to believe that aesthetics and ideology can exist one without the other, and in recognizing the centrality of ethics in any discussion of these notions.
Book Synopsis Bertolt Brecht in Context by : Stephen Brockmann
Download or read book Bertolt Brecht in Context written by Stephen Brockmann and published by Cambridge University Press. This book was released on 2021-06-10 with total page 676 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bertolt Brecht in Context examines Brecht's significance and contributions as a writer and the most influential playwright of the twentieth century. It explores the specific context from which he emerged in imperial Germany during the late nineteenth and early twentieth centuries, as well as Brecht's response to the turbulent German history of the twentieth century: World Wars One and Two, the Weimar Republic, the Nazi dictatorship, the experience of exile, and ultimately the division of Germany into two competing political blocs divided by the postwar Iron Curtain. Throughout this turbulence, and in spite of it, Brecht managed to remain extraordinarily productive, revolutionizing the theater of the twentieth century and developing a new approach to language and performance. Because of his unparalleled radicalism and influence, Brecht remains controversial to this day. This book – with a Foreword by Mark Ravenhill – lays out in clear and accessible language the shape of Brecht's contribution and the reasons for his ongoing influence.
Download or read book Lust. Fiction written by Elfriede Jelinek and published by Serpents Tail. This book was released on 1992 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In post-World War II Austria, Gerti, a woman on the verge of a breakdown due to her husband's relentless sexual attentions, wanders away from home one day and is rescued by an ambitious young man who turns out to be much like her husband.
Book Synopsis Postdramatic Theatre by : Hans-Thies Lehmann
Download or read book Postdramatic Theatre written by Hans-Thies Lehmann and published by Routledge. This book was released on 2006-09-27 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic theory and theatre history, as an inventive response to the emergence of new technologies, and as an historical shift from a text-based culture to a new media age of image and sound. Engaging with theoreticians of 'drama' from Aristotle and Brecht, to Barthes and Schechner, the book analyzes the work of recent experimental theatre practitioners such as Robert Wilson, Tadeusz Kantor, Heiner Müller, the Wooster Group, Needcompany and Societas Raffaello Sanzio. Illustrated by a wealth of practical examples, and with an introduction by Karen Jürs-Munby providing useful theoretical and artistic contexts for the book, Postdramatic Theatre is an historical survey expertly combined with a unique theoretical approach which guides the reader through this new theatre landscape.
Book Synopsis Independent Theatre in Contemporary Europe by : Manfred Brauneck
Download or read book Independent Theatre in Contemporary Europe written by Manfred Brauneck and published by transcript Verlag. This book was released on 2017-03-31 with total page 603 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the past 20 years European theatre underwent fundamental changes in terms of aesthetic focus, institutional structure and in its position in society. The impetus for these changes was provided by a new generation in the independent theatre scene. This book brings together studies on the state of independent theatre in different European countries, focusing on the fields of dance and performance, children and youth theatre, theatre and migration and post-migrant theatre. Additionally, it includes essays on experimental musical theatre and different cultural policies for independent theatre scenes in a range of European countries.
Download or read book Artificial Hells written by Claire Bishop and published by Verso Books. This book was released on 2012-07-24 with total page 483 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
Book Synopsis Postmigration by : Anna Meera Gaonkar
Download or read book Postmigration written by Anna Meera Gaonkar and published by transcript Verlag. This book was released on 2021-09-30 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: The concept of »postmigration« has recently gained importance in the context of European societies' obsession with migration and integration along with emerging new forms of exclusion and nationalisms. This book introduces ongoing debates on the developing concept of »postmigration« and how it can be applied to arts and culture. While the concept has mainly gained traction in the cultural scene in Berlin, Germany, the contributions expand the field of study by attending to cultural expressions in literature, theatre, film, and art across various European societies, such as the United Kingdom, France, Finland, Denmark, and Germany. By doing so, the contributions highlight this concept's potential and show how it can offer new perspectives on transformations caused by migration.
Book Synopsis Hell Is a Very Small Place by : Jean Casella
Download or read book Hell Is a Very Small Place written by Jean Casella and published by New Press, The. This book was released on 2014-11-11 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: “An unforgettable look at the peculiar horrors and humiliations involved in solitary confinement” from the prisoners who have survived it (New York Review of Books). On any given day, the United States holds more than eighty-thousand people in solitary confinement, a punishment that—beyond fifteen days—has been denounced as a form of cruel and degrading treatment by the UN Special Rapporteur on Torture. Now, in a book that will add a startling new dimension to the debates around human rights and prison reform, former and current prisoners describe the devastating effects of isolation on their minds and bodies, the solidarity expressed between individuals who live side by side for years without ever meeting one another face to face, the ever-present specters of madness and suicide, and the struggle to maintain hope and humanity. As Chelsea Manning wrote from her own solitary confinement cell, “The personal accounts by prisoners are some of the most disturbing that I have ever read.” These firsthand accounts are supplemented by the writing of noted experts, exploring the psychological, legal, ethical, and political dimensions of solitary confinement. “Do we really think it makes sense to lock so many people alone in tiny cells for twenty-three hours a day, for months, sometimes for years at a time? That is not going to make us safer. That’s not going to make us stronger.” —President Barack Obama “Elegant but harrowing.” —San Francisco Chronicle “A potent cry of anguish from men and women buried way down in the hole.” —Kirkus Reviews
Book Synopsis The Piano Teacher by : Elfriede Jelinek
Download or read book The Piano Teacher written by Elfriede Jelinek and published by Grove Press. This book was released on 2009 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: 38-year-old Erika Kohut, a piano teacher at the Vienna Conservatory, still lives with her domineering mother. Erika has a weakness for buying clothing that she will never actually wear, secretly visits Turkish peep shows and watches sadomasochistic films. When a handsome, self-absorbed 17-year-old student attempts to seduce Erika, she resists, but the relationship between teacher and pupil spirals rapidly out of control, and Erika becomes consumed by the ecstasy of self-destruction.