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Stage Representation Of Shakespeares Plays
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Book Synopsis Costuming the Shakespearean Stage by : Robert I. Lublin
Download or read book Costuming the Shakespearean Stage written by Robert I. Lublin and published by Ashgate Publishing, Ltd.. This book was released on 2011 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: Robert Lublin's new study considers royal proclamations, religious writings, paintings, woodcuts, plays, historical accounts, sermons, and legal documents to investigate what Shakespearean actors actually wore in production and what cultural information those costumes conveyed.
Book Synopsis Characters of Shakespeare's Plays by : William Hazlitt
Download or read book Characters of Shakespeare's Plays written by William Hazlitt and published by . This book was released on 1845 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Place of the Stage by : Steven Mullaney
Download or read book The Place of the Stage written by Steven Mullaney and published by University of Michigan Press. This book was released on 1995 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Probes English society in the age of Shakespeare
Book Synopsis Shakespeare and Social Theory by : BRADD. SHORE
Download or read book Shakespeare and Social Theory written by BRADD. SHORE and published by Routledge. This book was released on 2021-08-23 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a bridge between Shakespeare Studies and classical social theory, opening up readings of Shakespeare to a new audience outside of literary studies and the humanities. Shakespeare has long been known as a 'great thinker' and this book reads his plays through the lens of an anthropologist, revealing new connections between Shakespeare's plays and the lives we now lead. Close readings of a selection of frequently studied plays - Hamlet, The Winter's Tale, Romeo and Juliet, A Midsummer Night's Dream, Julius Caesar and King Lear - engage with the plays in detail while connecting them with some of the biggest questions we all ask ourselves, about love, friendship, ritual, language, human interactions and the world around us. The plays are examined through various social theories including performance theory, cognitive theory, semiotics, exchange theory and structuralism. The book concludes with a consideration of how "the new astronomy" of his day and developments in optics changed the very idea of "perspective," and shaped Shakespeare's approach to embedding social theory in his dramatic texts. This accessible and engaging book will appeal to those approaching Shakespeare from outside literary studies, but will also be valuable to literature students approaching Shakespeare for the first time, or looking for a new angle on the plays.
Book Synopsis Enter The Body by : Carol Chillington Rutter
Download or read book Enter The Body written by Carol Chillington Rutter and published by Routledge. This book was released on 2002-09-11 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most provocative writers on women's performances of Shakespeare on stage and film in Britain today, Rutter speculates on how the theatre `plays' women's bodies and how audiences read them.
Book Synopsis Rewriting Shakespeare’s Plays For and By the Contemporary Stage by : Michael Dobson
Download or read book Rewriting Shakespeare’s Plays For and By the Contemporary Stage written by Michael Dobson and published by Cambridge Scholars Publishing. This book was released on 2017-06-23 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why have contemporary playwrights been obsessed by Shakespeare’s plays to such an extent that most of the canon has been rewritten by one rising dramatist or another over the last half century? Among other key figures, Edward Bond, Heiner Müller, Carmelo Bene, Arnold Wesker, Tom Stoppard, Howard Barker, Botho Strauss, Tim Crouch, Bernard Marie Koltès, and Normand Chaurette have all put their radical originality into the service of adapting four-century-old classics. The resulting works provide food for thought on issues such as Shakespearean role-playing, narrative and structural re-shuffling. Across the world, new writers have questioned the political implications and cultural stakes of repeating Shakespeare with and without a difference, finding inspiration in their own national experiences and in the different ordeals they have undergone. How have our contemporaries carried out their rewritings, and with what aims? Can we still play Hamlet, for instance, as Dieter Lesage asks in his book bearing this title, or do we have to “kill Shakespeare” as Normand Chaurette implies in a work where his own creative process is detailed? What do these rewritings really share with their sources? Are they meaningful only because of Shakespeare’s shadow haunting them? Where do we draw the lines between “interpretation,” “adaptation” and “rewriting”? The contributors to this collection of essays examine modern rewritings of Shakespeare from both theoretical and pragmatic standpoints. Key questions include: can a rewriting be meaningful without the reader’s or spectator’s already knowing Shakespeare? Do modern rewritings supplant Shakespeare’s texts or curate them? Does the survival of Shakespeare in the theatrical repertory actually depend on the continued dramatization of our difficult encounters with these potentially obsolete scripts represented by rewriting?
Book Synopsis Shakespeare / Play by : Emma Whipday
Download or read book Shakespeare / Play written by Emma Whipday and published by Bloomsbury Publishing. This book was released on 2024-07-11 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is (a) play? How do Shakespeare's plays engage with and represent early modern modes of play – from jests and games to music, spectacle, movement, animal-baiting and dance? How have we played with Shakespeare in the centuries since? And how does the structure of the plays experienced in the early modern playhouse shape our understanding of Shakespeare plays today? Shakespeare / Play brings together established and emerging scholars to respond to these questions, using approaches spanning theatre and dance history, cultural history, critical race studies, performance studies, disability studies, archaeology, affect studies, music history, material history and literary and dramaturgical analysis. Ranging across Shakespeare's dramatic oeuvre as well as early modern lost plays, dance notation, conduct books, jest books and contemporary theatre and film, it includes consideration of Measure for Measure, A Midsummer Night's Dream, Macbeth, Titus Andronicus, Merchant of Venice, Twelfth Night, Romeo and Juliet, Othello, King Lear and The Merry Wives of Windsor, among others. The subject of this volume is reflected in its structure: Shakespeare / Play features substantial new essays across 5 'acts', interwoven with 7 shorter, playful pieces (a 'prologue', 4 'act breaks', a 'jig' and a 'curtain call'), to offer new directions for research on Shakespearean playing, playmaking and performance. In so doing, this volume interrogates the conceptions of playing of/in Shakespeare that shape how we perform, read, teach and analyze Shakespeare today.
Book Synopsis Shakespeare On Stage and Off by : Kenneth Graham
Download or read book Shakespeare On Stage and Off written by Kenneth Graham and published by McGill-Queen's Press - MQUP. This book was released on 2019-12-19 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today, debates about the cultural role of the humanities and the arts are roiling. Responding to renewed calls to reassess the prominence of canonical writers, Shakespeare On Stage and Off introduces new perspectives on why and how William Shakespeare still matters. Lively and accessible, the book considers what it means to play, work, and live with Shakespeare in the twenty-first century. Contributors - including Antoni Cimolino, artistic director of the Stratford Festival - engage with contemporary stagings of the plays, from a Trump-like Julius Caesar in New York City to a black Iago in Stratford-upon-Avon and a female Hamlet on the Toronto stage, and explore the effect of performance practices on understandings of identity, death, love, race, gender, class, and culture. Providing an original approach to thinking about Shakespeare, some essays ask how the knowledge and skills associated with working lives can illuminate the playwright's works. Other essays look at ways of interacting with Shakespeare in the digital age, from Shakespearean resonances in Star Trek and Indian films to live broadcasts of theatre performances, social media, and online instructional tools. Together, the essays in this volume speak to how Shakespeare continues to enrich contemporary culture. A timely guide to the ongoing importance of Shakespearean drama, Shakespeare On Stage and Off surveys recent developments in performance, adaptation, popular culture, and education. Contributors include Russell J. Bodi (Owens State Community College), Christie Carson (Royal Holloway University of London), Brandon Christopher (University of Winnipeg), Antoni Cimolino (Stratford Festival), Jacob Claflin (College of Eastern Idaho), Lauren Eriks Cline (University of Michigan), David B. Goldstein (York University), Gina Hausknecht (Coe College), Peter Holland (University of Notre Dame), R.W. Jones (University of Texas), Christina Luckyj (Dalhousie University), Julia Reinhard Lupton (University of California, Irvine), Linda McJannet (Bentley University), Roderick H. McKeown (University of Toronto), Hayley O'Malley (University of Michigan), Amrita Sen (University of Calcutta), Eric Spencer (The College of Idaho), Lisa S. Starks (University of South Florida St Petersburg), and Jeffrey R. Wilson (Harvard University).
Book Synopsis The Seven Ages of Man by : William Shakespeare
Download or read book The Seven Ages of Man written by William Shakespeare and published by . This book was released on 1885 with total page 46 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Shakespeare, Technicity, Theatre by : W. B. Worthen
Download or read book Shakespeare, Technicity, Theatre written by W. B. Worthen and published by Cambridge University Press. This book was released on 2022-08-18 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This urgent and provocative study explores contemporary Shakespeare performance to bring a sense of theatre as technology into view. Rather than merely using technologies, the theatre's distinctively intermedial character is essential to its complex technicity; the changing function of gesture and costume, of written documents in the making of performance, of light and sound, and of the interplay of live and recorded acting complicate the sense of theatre as a medium. In a series of probing discussions, Worthen interrogates the interaction of live and mediated acting onstage, the impact of written media from the handwritten scroll to the small-screen app in acting as a technē, the work of Original Practices as an interactive modern theatre technology, the economies of theatrical immersion, and the consequences of an emerging algorithmic theatre, providing a richly theoretical reading of the stakes of theatre as an always-emerging technology.
Book Synopsis Shakespeare in the Theatre by : William Poel
Download or read book Shakespeare in the Theatre written by William Poel and published by . This book was released on 1913 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Shakespeare and the Political by : Rita Banerjee
Download or read book Shakespeare and the Political written by Rita Banerjee and published by Bloomsbury Publishing. This book was released on 2024-05-30 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare and the Political: Elizabethan Politics and Asian Exigencies is a collection of essays which show how selected Shakespearean plays and later adaptations engage with the political situations of the Elizabethan period as well as contemporary Asian societies. The various interpretations of the original plays focus on the institutions of family and honour, patriarchy, kingship and dynasty, and the emergent ideologies of the nation and cosmopolitanism, adopting a variety of approaches like historicism, presentism, psychoanalysis, feminism and close reading. The volume also looks at Shakespearean adaptations in Asia – Taiwanese, Japanese, Chinese and Indian. Using Douglas Lanier's concept of the 'rhizomatic' approach, it seeks to examine how Asian Shakespearean adaptations, films and stage performances, appropriate and reproduce originals often 'unfaithfully' in different social and temporal contexts to produce independent works of art.
Book Synopsis The Shakespearean Stage Space by : Mariko Ichikawa
Download or read book The Shakespearean Stage Space written by Mariko Ichikawa and published by Cambridge University Press. This book was released on 2013 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Shakespearean Stage Space explores the original staging of plays by Shakespeare and his contemporaries in Renaissance playhouses.
Download or read book King Lear written by Jeffrey Kahan and published by Routledge. This book was released on 2008-04-18 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
Book Synopsis Folger Library, Two Decades of Growth by : Louis B. Wright
Download or read book Folger Library, Two Decades of Growth written by Louis B. Wright and published by Associated University Presse. This book was released on 1978-07 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Shakespeare in the Theater by : William Poel
Download or read book Shakespeare in the Theater written by William Poel and published by . This book was released on 1913 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Typographies of Performance in Early Modern England by : Claire M. L. Bourne
Download or read book Typographies of Performance in Early Modern England written by Claire M. L. Bourne and published by Oxford University Press. This book was released on 2020-06-05 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: Typographies of Performance in Early Modern England is the first book-length study of early modern English playbook typography. It tells a new history of drama from the period by considering the page designs of plays by Shakespeare and others printed between the end of the fifteenth century and the beginning of the eighteenth century. It argues that typography, broadly conceived, was used creatively by printers, publishers, playwrights, and other agents of the book trade to make the effects of theatricality—from the most basic (textually articulating a change in speaker) to the more complex (registering the kinesis of bodies on stage)—intelligible on the page. The coalescence of these experiments into a uniquely dramatic typography that was constantly responsive to performance effects made it possible for 'plays' to be marketed, collected, and read in the sixteenth and seventeenth centuries as a print genre distinct from all other genres of imaginative writing. It has been said, 'If a play is a book, it is not a play.' Typographies of Performance in Early Modern England shows that 'play' and 'book' were, in fact, mutually constitutive: it was the very bookishness of plays printed in early modern England that allowed them to be recognized by their earliest readers as plays in the first place.
