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Solo For Piano By John Cage Second Realization Part 2
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Book Synopsis Solo for Piano by John Cage, Second Realization, Part 2 by : David Tudor
Download or read book Solo for Piano by John Cage, Second Realization, Part 2 written by David Tudor and published by A-R Editions, Inc.. This book was released on 2020-01-01 with total page 101 pages. Available in PDF, EPUB and Kindle. Book excerpt: When I think of music, I think of you and vice-versa, John Cage told David Tudor in the summer of 1951. Looking back years later, Cage said that every work he composed in the ensuing two decades was composed for Tudoreven if it was not written for the piano, Tudors nominal instrument. The collaboration of Cage and Tudor reached an apex in the Solo for Piano from Cages Concert for Piano and Orchestra (195758). None of Cages previous works had employed more than a single type of notation. In contrast, the Solo for Piano consists of eighty-four notational types, ranging from standard line-and-staff notation to extravagant musical graphics. The notational complexity of the Solo for Piano led Tudor to write outor realizea performance score, from which he played at the premiere of the Concert for Piano and Orchestra in May 1958. The next spring, when Cage requested music to complement his ninety-minute lecture Indeterminacy, Tudor created a second realization, for which he devised a new temporal structure to implement Cages notations. This edition of Tudors second realization of the Solo for Piano presents Tudors performance score in the spatial-temporal layout of its proportional notation. An introductory essay discusses the early collaborations of Cage and Tudor, as well as the genesis, creative process, and performance history of the Solo for Piano. The critical commentary examines each of Tudors methods of realization; which notations from Cages score Tudor selected and why; how Tudor interpreted Cages often ambiguous performance instructions; how Tudor distributed the resulting sounds temporally; and the ways in which Tudors realization fulfills, transcends, and sometimes contravenes the instructions of Cages score.
Book Synopsis Solo for Piano by John Cage, Second Realization, Part 1 by : David Tudor
Download or read book Solo for Piano by John Cage, Second Realization, Part 1 written by David Tudor and published by A-R Editions, Inc.. This book was released on 2020-01-01 with total page 403 pages. Available in PDF, EPUB and Kindle. Book excerpt: When I think of music, I think of you and vice-versa, John Cage told David Tudor in the summer of 1951. Looking back years later, Cage said that every work he composed in the ensuing two decades was composed for Tudoreven if it was not written for the piano, Tudors nominal instrument. The collaboration of Cage and Tudor reached an apex in the Solo for Piano from Cages Concert for Piano and Orchestra (195758). None of Cages previous works had employed more than a single type of notation. In contrast, the Solo for Piano consists of eighty-four notational types, ranging from standard line-and-staff notation to extravagant musical graphics. The notational complexity of the Solo for Piano led Tudor to write outor realizea performance score, from which he played at the premiere of the Concert for Piano and Orchestra in May 1958. The next spring, when Cage requested music to complement his ninety-minute lecture Indeterminacy, Tudor created a second realization, for which he devised a new temporal structure to implement Cages notations. This edition of Tudors second realization of the Solo for Piano presents Tudors performance score in the spatial-temporal layout of its proportional notation. An introductory essay discusses the early collaborations of Cage and Tudor, as well as the genesis, creative process, and performance history of the Solo for Piano. The critical commentary examines each of Tudors methods of realization; which notations from Cages score Tudor selected and why; how Tudor interpreted Cages often ambiguous performance instructions; how Tudor distributed the resulting sounds temporally; and the ways in which Tudors realization fulfills, transcends, and sometimes contravenes the instructions of Cages score.
Book Synopsis Reminded by the Instruments by : You Nakai
Download or read book Reminded by the Instruments written by You Nakai and published by Oxford University Press. This book was released on 2021-03-09 with total page 769 pages. Available in PDF, EPUB and Kindle. Book excerpt: David Tudor is remembered today in two guises: as an extraordinary pianist of post-war avant-garde music who worked closely with composers like John Cage and Karlheinz Stockhausen and as a founding figure of live-electronic music. His early realization of indeterminate graphic scores and his later performances using homemade modular instruments both inspired a whole generation of musicians. But his reticence, his unorthodox approaches, and the diversity of his creative output which began with the organ and ended with visual art have kept Tudor a puzzle. Illustrated with more than 300 images of diagrams, schematics, and photographs of Tudor's instruments, Reminded by the Instruments sets out to solve the puzzle of David Tudor by applying Tudor's own methods for approaching the materials of others to the vast archive of materials that he himself left behind. You Nakai deftly patches together instruments, electronic circuits, sketches, diagrams, recordings, letters, receipts, customs declaration forms, and testimonies like modular pieces of a giant puzzle to reveal the long-hidden nature of Tudor's creative process. Rejecting the established narrative of Tudor as a performer-turned-composer, this book presents a lively portrait of an artist whose activity always merged both of these roles. In reading Tudor's electronic devices as musicological 'texts' and examining his idiosyncratic use of electronic circuits, Nakai undermines discourses on sound and illuminates our understanding of the instruments behind the sounds in post-war experimental music.
Book Synopsis Writings through John Cage's Music, Poetry, and Art by : David W. Bernstein
Download or read book Writings through John Cage's Music, Poetry, and Art written by David W. Bernstein and published by University of Chicago Press. This book was released on 2010-06-15 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume looks at the creative work of the great avant-gardist John Cage from an exciting interdisciplinary perspective, exploring his activities as a composer, performer, thinker, and artist. The essays in this collection grew out of a pivotal gathering during which a spectrum of participants including composers, music scholars, and visual artists, literary critics, poets, and filmmakers convened to examine Cage's extraordinary artistic legacy. Beginning with David Bernstein's introductory essay on the reception of Cage's music, the volume addresses topics ranging from Cage's reluctance to discuss his homosexuality, to his work as a performer and musician, and his forward-looking, provocative experimentation with electronic and other media. Several of the essays draw upon previously unseen sketches and other source materials. Also included are transcripts of lively panel discussions among some of Cage's former colleagues. Taken together, this collection is a much-needed contribution to the study of one of the most significant American artists of the twentieth century.
Book Synopsis Early Published Blues and Proto-Blues (1850–1915) by : Peter C. Muir
Download or read book Early Published Blues and Proto-Blues (1850–1915) written by Peter C. Muir and published by A-R Editions, Inc.. This book was released on with total page 567 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is a critical edition of early blues-related sheet music, including forty-three known blues songs and instrumental compositions from the first four years of the blues industry, 1912–15, and twenty-four pre-1912 proto-blues; that is, published works stylistically related to the emerging blues style (for instance, using a twelve-bar blues sequence) from 1850–1912. The purpose of the edition is to present in systematic form, and for the first time, the rise of popular blues culture. Up until 1920, sheet music was the dominant medium of blues dissemination. The first blues recordings did not appear until 1914, two years after the appearance of sheet music; furthermore, almost all the recordings of blues that did appear before 1920 were of pre-existent published compositions. This situation only changed with the rise of the race record industry in the 1920s when the identity of blues became increasingly linked to recordings. For this earliest period of blues history, the documentation offered by sheet music is crucial. A majority of this music has not been reissued since its original publication, while some has never been published at all, and exists only as copyright deposits in the Library of Congress. As a body of work, it is little known to historians and musicians despite its importance to the understanding of the evolution of blues and popular music.
Book Synopsis John Cage and David Tudor by : Martin Iddon
Download or read book John Cage and David Tudor written by Martin Iddon and published by Cambridge University Press. This book was released on 2013-03-07 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Martin Iddon discusses one of the twentieth century's most provocative musical collaborations: between composer John Cage and pianist David Tudor.
Book Synopsis Appalachian Spring by : Aaron Copland
Download or read book Appalachian Spring written by Aaron Copland and published by A-R Editions, Inc.. This book was released on 2019-12-31 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: Appalachian Spring is perhaps the most popular work by Aaron Copland (19001990). Composed as a ballet for the renowned choreographer Martha Graham (18941991), it was the result of a close collaboration between Copland and Graham, and the music quickly took on a life of its own. However, the best known versions of the score, those most frequently recorded and heard in concert, differ in form and musical content from the original ballet, which was scored for a chamber ensemble of thirteen instruments and premiered by the Martha Graham Dance Company at the Library of Congress on 30 October 1944. This edition presents the first completed engraving of the original version of Appalachian Spring, providing musicians and scholars access to the score as it has been performed for more than 75 years by the Graham Company. On each page of the score, the editors have included stills from the 1958 film of the ballet, with Graham dancing the lead role, in order to highlight the connection between music and dance. An introductory essay explores the creation of the work, the musical structure, the origins of and differences among multiple versions of the score, and the continued significance and influence of Coplands music. The critical commentary draws on manuscript and published sources, as well as Graham Company performance practice, to illuminate editorial decisions. The edition also includes appendices that present a comparison of historical tempi, markings from the Graham tradition for augmenting the orchestration, and a selected discography of different versions of the score.
Book Synopsis An American Singing Heritage by : Norm Cohen
Download or read book An American Singing Heritage written by Norm Cohen and published by A-R Editions, Inc.. This book was released on 2021-12-20 with total page 597 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edition brings together representative transcriptions of folk songs and ballads in the British-Irish-American oral tradition that have enjoyed widespread familiarity throughout twentieth-century America. Within are the one hundred folk songs that most frequently occurred in a methodical survey of Roud’s Folk Song Index, catalogues of commercial early country (or "hillbilly") recordings, and relevant archival collections. The editors selected sources for transcriptions in a broad range of singing styles and representing many regions of the United States. The selections attempt to avoid the biases of previous collections and provide a fresh group of examples, many heretofore unseen in print. The sources for the transcriptions are recordings of traditional musicians from the 1920s through the early 1940s drawn from (1) commercial recordings of "hillbilly" musicians, and (2) field recordings in the collection of the Library of Congress’s Archive of American Folk Song, now part of the Archive of Folk Culture. Each transcription is accompanied by a brief contextualizing essay discussing the song’s history and influence, recording and performance information (whenever available), and an examination of the tune. The edition begins with a substantive essay about the history of folk song recordings and folk song scholarship, and the nature of traditional vocal music in the United States.
Book Synopsis The Oxford Handbook of Music Performance, Volume 1 by : Gary McPherson
Download or read book The Oxford Handbook of Music Performance, Volume 1 written by Gary McPherson and published by Oxford University Press. This book was released on 2022-01-18 with total page 737 pages. Available in PDF, EPUB and Kindle. Book excerpt: The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
Book Synopsis Leap Before You Look by : Helen Anne Molesworth
Download or read book Leap Before You Look written by Helen Anne Molesworth and published by Yale University Press. This book was released on 2015-01-01 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: La exposición refleja la historia del Black Mountain College (BMC), fundado en 1933 en Carolina del Norte y concebido como universidad experimental que situaba al arte en el centro de una educación liberal que pretendía educar mejor a los ciudadanos para participar en la sociedad democrática. La educación era interdisciplinaria y concedía gran importancia al debate, la investigación y la experimentación, dedicando la misma atención a las artes visuales –pintura, escultura, dibujo- que a las llamadas artes aplicadas –tejidos, cerámica, orfebrería, así como a la arquitectura, la poesía, la música y la danza.
Book Synopsis John Cage's Concert for Piano and Orchestra by : Martin Iddon
Download or read book John Cage's Concert for Piano and Orchestra written by Martin Iddon and published by . This book was released on 2020 with total page 481 pages. Available in PDF, EPUB and Kindle. Book excerpt: Looking at one of the twentieth century's most notorious musical masterpieces, John Cage's Concert for Piano and Orchestra examines Cage's compositional process, its infamous performance history, and its influence on philosophical ideas of what music actually is.
Book Synopsis The Musician as Philosopher by : Michael Gallope
Download or read book The Musician as Philosopher written by Michael Gallope and published by University of Chicago Press. This book was released on 2024-03-15 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: An insightful look at how avant-garde musicians of the postwar period in New York explored the philosophical dimensions of music’s ineffability. The Musician as Philosopher explores the philosophical thought of avant-garde musicians in postwar New York: David Tudor, Ornette Coleman, the Velvet Underground, Alice Coltrane, Patti Smith, and Richard Hell. It contends that these musicians—all of whom are understudied and none of whom are traditionally taken to be composers—not only challenged the rules by which music is written and practiced but also confounded and reconfigured gendered and racialized expectations for what critics took to be legitimate forms of musical sound. From a broad historical perspective, their arresting music electrified a widely recognized social tendency of the 1960s: a simultaneous affirmation and crisis of the modern self.
Book Synopsis Reminded by the Instruments by : You Nakai
Download or read book Reminded by the Instruments written by You Nakai and published by Oxford University Press. This book was released on 2021 with total page 769 pages. Available in PDF, EPUB and Kindle. Book excerpt: David Tudor is remembered today as an extraordinary pianist of post-war avant-garde music who worked closely with composers like John Cage and Karlheinz Stockhausen and as a founding figure of live-electronic music. His bold reinterpretation of Cage's Variations II and his idiosyncratic performances using homemade modular instruments inspired a whole generation of musicians. But his reticence, his unorthodox approaches, and the diversity of his creative output-which began with the organ and ended with visual art-have kept Tudor a puzzle. Reminded by the Instruments sets out to solve the puzzle of David Tudor by applying Tudor's own methods for approaching the materials of others to the vast archive of materials that he himself left behind. Author You Nakai deftly patches together instruments, electronic circuits, sketches, diagrams, recordings, letters, receipts, customs declaration forms, and testimonies like modular pieces of a giant puzzle to reveal a new perspective on Tudor's creative process. Rejecting the established narrative of Tudor as a performer-turned-composer, this book presents a lively portrait of an artist whose work always merged both of these roles. In reading Tudor's electronic devices as musicological 'texts' and examining his dissection of electronic circuits, Nakai transcends discourses on sound and illuminates our understanding of the instruments behind the sounds in post-war experimental music.
Book Synopsis Catalog of Sound Recordings by : Sibley Music Library
Download or read book Catalog of Sound Recordings written by Sibley Music Library and published by . This book was released on 1977 with total page 696 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Classical Music by : Alexander J. Morin
Download or read book Classical Music written by Alexander J. Morin and published by Hal Leonard Corporation. This book was released on 2002 with total page 1220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Encompassing more than five hundred classical composers past and present, this listener's guide to classical music discusses the best recordings of symphonies, operas, choral pieces, chamber music, and more by the world's leading composers as performed by a variety of outstanding musicians and conductors, and includes essays on the classical repertory, composers, instruments, and more. Original.
Book Synopsis Catalog of Copyright Entries by : Library of Congress. Copyright Office
Download or read book Catalog of Copyright Entries written by Library of Congress. Copyright Office and published by . This book was released on 1967 with total page 1412 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music, Books on Music, and Sound Recordings by : Library of Congress
Download or read book Music, Books on Music, and Sound Recordings written by Library of Congress and published by . This book was released on 1983 with total page 528 pages. Available in PDF, EPUB and Kindle. Book excerpt:
