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Shostakovich Studies 2
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Book Synopsis Shostakovich Studies 2 by : Pauline Fairclough
Download or read book Shostakovich Studies 2 written by Pauline Fairclough and published by Cambridge University Press. This book was released on 2010-11-11 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of authoritative and up-to-date scholarship on one of the twentieth century's most important and enigmatic composers.
Book Synopsis Shostakovich Studies 2 by : Pauline Fairclough
Download or read book Shostakovich Studies 2 written by Pauline Fairclough and published by Cambridge University Press. This book was released on 2017-02-02 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: When Shostakovich Studies was published in 1995, archival research in the ex-Soviet Union was only just beginning. Since that time, research carried out in the Shostakovich Family Archive, founded by the composer's widow Irina Antonovna Shostakovich in 1975, and the Glinka Museum of Musical Culture has significantly raised the level of international Shostakovich studies. At the same time, scholarly understanding of Soviet society and culture has developed significantly since 1991, and this has also led to a more nuanced appreciation of Shostakovich's public and professional identity. Shostakovich Studies 2 reflects these changes, focusing on documentary research, manuscript sources, film studies and musical analysis informed by literary criticism and performance. Contributions in this volume include chapters on Orango, Shostakovich's diary, behind-the-scenes events following Pravda's criticisms of Shostakovich in 1936 and a new memoir of Shostakovich by the Soviet poet Evgeniy Dolmatovsky, as well as analytical studies from a range of perspectives.
Book Synopsis Shostakovich Studies by : David Fanning
Download or read book Shostakovich Studies written by David Fanning and published by Cambridge University Press. This book was released on 2006-11-02 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: These eleven essays lay a foundation for a proper understanding of Shostakovich's musical language and provide new insights into issues surrounding his composition.
Book Synopsis A Shostakovich Casebook by : Malcolm Hamrick Brown
Download or read book A Shostakovich Casebook written by Malcolm Hamrick Brown and published by Indiana University Press. This book was released on 2020-06-30 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of writings analyzing the controversial 1979 posthumous memoirs of the great Russian composer at their significance. In 1979, the alleged memoirs of legendary composer Dmitry Shostakovich (1906–1975) were published as Testimony: The Memoirs of Dmitry Shostakovich As Related to and Edited by Solomon Volkov. Since its appearance, however, Testimony has been the focus of controversy in Shostakovich studies as doubts were raised concerning its authenticity and the role of its editor, Volkov, in creating the book. A Shostakovich Casebook presents twenty-five essays, interviews, newspaper articles, and reviews—many newly available since the collapse of the Soviet Union—that review the “case” of Shostakovich. In addition to authoritatively reassessing Testimony’s genesis and reception, the authors in this book address issues of political influence on musical creativity and the role of the artist within a totalitarian society. Internationally known contributors include Richard Taruskin, Laurel E. Fay, and Irina Antonovna Shostakovich, the composer’s widow. This volume combines a balanced reconsideration of the Testimony controversy with an examination of what the controversy signifies for all music historians, performers, and thoughtful listeners. Praise for A Shostakovich Casebook “A major event . . . This Casebook is not only about Volkov’s Testimony, it is about music old and new in the 20th century, about the cultural legacy of one of that century’s most extravagant social experiments, and what we have to learn from them, not only what they ought to learn from us.” —Caryl Emerson, Princeton University
Book Synopsis Dmitry Shostakovich by : Pauline Fairclough
Download or read book Dmitry Shostakovich written by Pauline Fairclough and published by Reaktion Books. This book was released on 2019-09-15 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dmitry Shostakovich was one of the most successful composers of the twentieth century—a musician who adapted as no other to the unique pressures of his age. By turns vilified and feted by Stalin during the Great Purge, Shostakovich twice came close to succumbing to the whirlwind of political repression of his times and remained under political surveillance all his life, despite the many privileges and awards heaped upon him in old age. Through it all, Shostakovich showed a remarkable ability to work with, rather than against, prevailing ideological demands, and it was this quality that ensured both his survival and his musical posterity. Pauline Fairclough’s absorbing new biography offers a vivid portrait of Shostakovich. Featuring quotations from previously unpublished letters as well as rarely seen photographs, Fairclough’s book provides fresh insight into the music and life of a composer whose legacy, above all, was to have written some of the greatest and most cherished music of the last century.
Book Synopsis Symphony for the City of the Dead by : M.T. Anderson
Download or read book Symphony for the City of the Dead written by M.T. Anderson and published by Candlewick Press. This book was released on 2017-02-07 with total page 465 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published: Somerville, Massachusetts: Candlewick Press, 2015.
Book Synopsis Composing for the Red Screen by : Kevin Bartig
Download or read book Composing for the Red Screen written by Kevin Bartig and published by . This book was released on 2013-05-02 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Drawing on newly available sources, Composing for the Red Screen examines - for the first time - the full extent of this prodigious cinematic career.
Book Synopsis Twentieth- and Twenty-First-Century Song Cycles by : Gordon Sly
Download or read book Twentieth- and Twenty-First-Century Song Cycles written by Gordon Sly and published by Routledge. This book was released on 2020-11-23 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Twentieth- and Twenty-First-Century Song Cycles: Analytical Pathways Toward Performance presents analyses of fourteen song cycles composed after the turn of the twentieth century, with a focus on offering ways into the musical and poetic structure of each cycle to performers, scholars, and students alike. Ranging from familiar works of twentieth-century music by composers such as Schoenberg, Britten, Poulenc, and Shostakovich to lesser-known works by Van Wyk, Sviridov, Wheeler, and Sánchez, this collection of essays captures the diversity of the song cycle repertoire in contemporary classical music. The contributors bring their own analytical perspectives and methods, considering musical structures, the composers' selection of texts, how poetic narratives are expressed, and historical context. Informed by music history, music theory, and performance, Twentieth- and Twenty-First-Century Song Cycles offers an essential guide into the contemporary art-music song cycle for performers, scholars, students, and anyone seeking to understand this unique genre.
Book Synopsis A Soviet Credo: Shostakovich's Fourth Symphony by : Pauline Fairclough
Download or read book A Soviet Credo: Shostakovich's Fourth Symphony written by Pauline Fairclough and published by Routledge. This book was released on 2017-07-05 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: Composed in 1935-36 and intended to be his artistic 'credo', Shostakovich's Fourth Symphony was not performed publicly until 1961. Here, Dr Pauline Fairclough tackles head-on one of the most significant and least understood of Shostakovich's major works. She argues that the Fourth Symphony was radically different from its Soviet contemporaries in terms of its structure, dramaturgy, tone and even language, and therefore challenged the norms of Soviet symphonism at a crucial stage of its development. With the backing of prominent musicologists such as Ivan Sollertinsky, the composer could realistically have expected the premiere to have taken place, and may even have intended the symphony to be a model for a new kind of 'democratic' Soviet symphonism. Fairclough meticulously examines the score to inform a discussion of tonal and thematic processes, allusion, paraphrase and reference to musical types, or intonations. Such analysis is set deeply in the context of Soviet musical culture during the period 1932-36, involving Shostakovich's contemporaries Shebalin, Myaskovsky, Kabalevsky and Popov. A new method of analysis is also advanced here, where a range of Soviet and Western analytical methods are informed by the theoretical work of Shostakovich's contemporaries Viktor Shklovsky, Boris Tomashevsky, Mikhail Bakhtin and Ivan Sollertinsky, together with Theodor Adorno's late study of Mahler. In this way, the book will significantly increase an understanding of the symphony and its context.
Book Synopsis Twentieth-Century Music and Politics by : Pauline Fairclough
Download or read book Twentieth-Century Music and Politics written by Pauline Fairclough and published by Routledge. This book was released on 2016-02-17 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: When considering the role music played in the major totalitarian regimes of the century it is music's usefulness as propaganda that leaps first to mind. But as a number of the chapters in this volume demonstrate, there is a complex relationship both between art music and politicised mass culture, and between entertainment and propaganda. Nationality, self/other, power and ideology are the dominant themes of this book, whilst key topics include: music in totalitarian regimes; music as propaganda; music and national identity; émigré communities and composers; music's role in shaping identities of 'self' and 'other' and music as both resistance to and instrument of oppression. Taking the contributions together it becomes clear that shared experiences such as war, dictatorship, colonialism, exile and emigration produced different, yet clearly inter-related musical consequences.
Book Synopsis Dimensions of Energy in Shostakovich's Symphonies by : Michael Rofe
Download or read book Dimensions of Energy in Shostakovich's Symphonies written by Michael Rofe and published by Routledge. This book was released on 2016-04-22 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shostakovich's music is often described as being dynamic, energetic. But what is meant by 'energy' in music? After setting out a broad conceptual framework for approaching this question, Michael Rofe proposes various potential sources of the perceived energy in Shostakovich's symphonies, describing also the historical significance of energeticist thought in Soviet Russia during the composer's formative years. The book is in two parts. In Part I, examples are drawn from across the symphonies in order to demonstrate energy streams within various musical dimensions. Three broad approaches are adopted: first, the theories of Boleslav Yavorsky are used to consider melodic-harmonic motion; second, Boris Asafiev's work, with its echoes of Ernst Kurth, is used to describe form as a dynamic process; and third, proportional analysis reveals numerous symmetries and golden sections within local and large-scale temporal structures. In Part II, the multi-dimensionality of musical energy is considered through case studies of individual movements from the symphonies. This in turn gives rise to broader contextualised perspectives on Shostakovich's work. The book ends with a detailed examination of why a piece of music might contain golden sections.
Book Synopsis Music behind the Iron Curtain by : Daniel Elphick
Download or read book Music behind the Iron Curtain written by Daniel Elphick and published by Cambridge University Press. This book was released on 2019-10-03 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: Complements the ongoing revival of Mieczyslaw Weinberg's music and explains its unique blend of Polish and Soviet Russian influences.
Book Synopsis Film Music in the Sound Era by : Jonathan Rhodes Lee
Download or read book Film Music in the Sound Era written by Jonathan Rhodes Lee and published by Routledge. This book was released on 2020-03-10 with total page 1096 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.
Download or read book Benjamin Britten written by Lucy Walker and published by Boydell & Brewer. This book was released on 2009 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: An essay collection which examines Britten's juvenilia, influences such as Shostakovich and Verdi, his opera Owen Wingrave and a libretto written by Australian novelist Patrick White with the hope of a future collaboration.
Book Synopsis "Irony, Satire, Parody and the Grotesque in the Music of Shostakovich " by : Esti Sheinberg
Download or read book "Irony, Satire, Parody and the Grotesque in the Music of Shostakovich " written by Esti Sheinberg and published by Routledge. This book was released on 2017-07-05 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: The music of Shostakovich has been at the centre of interest of both the general public and dedicated scholars throughout the last twenty years. Most of the relevant literature, however, is of a biographical nature. The focus of this book is musical irony. It offers new methodologies for the semiotic analysis of music, and inspects the ironical messages in Shostakovich?s music independently of political and biographical bias. Its approach to music is interdisciplinary, comparing musical devices with the artistic principles and literary analyses of satire, irony, parody and the grotesque. Each one of these is firstly inspected and defined as a separate subject, independent of music. The results of these inspections are subsequently applied to music, firstly music in general and then more specifically to the music of Shostakovich. The composer?s cultural and historical milieux are taken into account and, where relevant, inspected and analysed separately before their application to the music.
Book Synopsis MUSIC and CAPITALISM by : Sabby Sagall
Download or read book MUSIC and CAPITALISM written by Sabby Sagall and published by Springer Nature. This book was released on 2021-10-06 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book argues that the need for music, and the ability to produce and enjoy it, is an essential element in human nature. Every society in history has produced some characteristic style of music. Music, like the other arts, tells us truths about the world through its impact on our emotional life. There is a structural correspondence between society and music. The emergence of 'modern art music' and its stylistic changes since the rise of capitalist social relations reflect the development of capitalist society since the decline of European feudalism. The leading composers of the different eras expressed in music the aspirations of the dominant or aspiring social classes. Changes in musical style not only reflect but in turn help to shape changes in society. This book analyses the stylistic changes in music from the emergence of ‘tonality’ in the late seventeenth century until the Second World War.
Book Synopsis Transnational Encounters by : Alejandro L. Madrid
Download or read book Transnational Encounters written by Alejandro L. Madrid and published by Oxford University Press. This book was released on 2011-09-29 with total page 425 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through the study of a large variety of musical practices from the U.S.-Mexico border, Transnational Encounters seeks to provide a new perspective on the complex character of this geographic area. By focusing not only on norteña, banda or conjunto musics (the most stereotypical musical traditions among Hispanics in the area) but also engaging a number of musical practices that have often been neglected in the study of this border's history and culture (indigenous musics, African American musical traditions, pop musics), the authors provide a glance into the diversity of ethnic groups that have encountered each other throughout the area's history. Against common misconceptions about the U.S.-Mexico border as a predominant Mexican area, this book argues that it is diversity and not homogeneity which characterizes it. From a wide variety of disciplinary and multidisciplinary enunciations, these essays explore the transnational connections that inform these musical cultures while keeping an eye on their powerful local significance, in an attempt to redefine notions like "border," "nation," "migration," "diaspora," etc. Looking at music and its performative power through the looking glass of cultural criticism allows this book to contribute to larger intellectual concerns and help redefine the field of U.S.-Mexico border studies beyond the North/South and American/Mexican dichotomies. Furthermore, the essays in this book problematize some of the widespread misconceptions about U.S.-Mexico border history and culture in the current debate about immigration.
