Shostakovich Reconsidered

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Publisher :
ISBN 13 :
Total Pages : 796 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Shostakovich Reconsidered by : Allan Benedict Ho

Download or read book Shostakovich Reconsidered written by Allan Benedict Ho and published by . This book was released on 1998 with total page 796 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Shostakovich Reconsidered Allan Ho and Dmitry Feofanov systematically address all of the accusations levelled at Testimony and Solomon Volkov, Shostakovich's amanuensis, amassing an enormous amount of material about Shostakovich and his position in Soviet society and burying forever the picture of Shostakovich as a willing participant in the communist charade.

Shostakovich

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Publisher :
ISBN 13 : 9780195182514
Total Pages : 494 pages
Book Rating : 4.1/5 (825 download)

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Book Synopsis Shostakovich by : Laurel E. Fay

Download or read book Shostakovich written by Laurel E. Fay and published by . This book was released on 2000 with total page 494 pages. Available in PDF, EPUB and Kindle. Book excerpt: For this biography the author has used many primary documents; Shostakovich's many letters, concert programmes, newspaper articles and diaries of his contemporaries. Showing his life as an example of the paradoxes of living as an artist in Russia.

A Shostakovich Casebook

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Publisher : Indiana University Press
ISBN 13 : 025305625X
Total Pages : 407 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis A Shostakovich Casebook by : Malcolm Hamrick Brown

Download or read book A Shostakovich Casebook written by Malcolm Hamrick Brown and published by Indiana University Press. This book was released on 2020-06-30 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of writings analyzing the controversial 1979 posthumous memoirs of the great Russian composer at their significance. In 1979, the alleged memoirs of legendary composer Dmitry Shostakovich (1906–1975) were published as Testimony: The Memoirs of Dmitry Shostakovich As Related to and Edited by Solomon Volkov. Since its appearance, however, Testimony has been the focus of controversy in Shostakovich studies as doubts were raised concerning its authenticity and the role of its editor, Volkov, in creating the book. A Shostakovich Casebook presents twenty-five essays, interviews, newspaper articles, and reviews—many newly available since the collapse of the Soviet Union—that review the “case” of Shostakovich. In addition to authoritatively reassessing Testimony’s genesis and reception, the authors in this book address issues of political influence on musical creativity and the role of the artist within a totalitarian society. Internationally known contributors include Richard Taruskin, Laurel E. Fay, and Irina Antonovna Shostakovich, the composer’s widow. This volume combines a balanced reconsideration of the Testimony controversy with an examination of what the controversy signifies for all music historians, performers, and thoughtful listeners. Praise for A Shostakovich Casebook “A major event . . . This Casebook is not only about Volkov’s Testimony, it is about music old and new in the 20th century, about the cultural legacy of one of that century’s most extravagant social experiments, and what we have to learn from them, not only what they ought to learn from us.” —Caryl Emerson, Princeton University

The Shostakovich Wars

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Author :
Publisher : Ho and Feofanov
ISBN 13 :
Total Pages : 326 pages
Book Rating : 4./5 ( download)

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Book Synopsis The Shostakovich Wars by :

Download or read book The Shostakovich Wars written by and published by Ho and Feofanov. This book was released on with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich

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Author :
Publisher : Routledge
ISBN 13 : 1351571354
Total Pages : 148 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich by : Sarah Reichardt

Download or read book Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich written by Sarah Reichardt and published by Routledge. This book was released on 2017-07-05 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the publication of Solomon Volkov's disputed memoirs of Dmitri Shostakovich, the composer and his music has been subject to heated debate concerning how the musical meaning of his works can be understood in relationship to the composer's life within the Soviet State. While much ink has been spilled, very little work has attempted to define how Shostakovich's music has remained so arresting not only to those within the Soviet culture, but also to Western audiences - even though such audiences are often largely ignorant of the compositional context or even the biography of the composer. This book offers a useful corrective: setting aside biographically grounded and traditional analytical modes of explication, Reichardt uncovers and explores the musical ambiguities of four of the composer‘s middle string quartets, especially those ambiguities located in moments of rupture within the musical structure. The music is constantly collapsing, reversing, inverting and denying its own structural imperatives. Reichardt argues that such confrontation of the musical language with itself, though perhaps interpretable as Shostakovich's own unique version of double-speak, also poignantly articulates the fractured state of a more general form of modern subjectivity. Reichardt employs the framework of Lacanian psychoanalysis to offer a cogent explanation of this connection between disruptive musical process and modern subjectivity. The ruptures of Shostakovich's music become symptoms of the pathologies at the core of modern subjectivity. These symptoms, in turn, relate to the Lacanian concept of the real, which is the empty kernel around which the modern subject constructs reality. This framework proves invaluable in developing a powerful, original hermeneutic understanding of the music. Read through the lens of the real, the riddles written into the quartets reveal the arbitrary and contingent state of the musical subject's constructed reality, reflecting pathologies ende

Contemplating Shostakovich: Life, Music and Film

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Author :
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1409472027
Total Pages : 475 pages
Book Rating : 4.4/5 (94 download)

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Book Synopsis Contemplating Shostakovich: Life, Music and Film by : Mr Alexander Ivashkin

Download or read book Contemplating Shostakovich: Life, Music and Film written by Mr Alexander Ivashkin and published by Ashgate Publishing, Ltd.. This book was released on 2013-01-28 with total page 475 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemplating Shostakovich marks an important new stage in the understanding of Shostakovich and his working environment. Each chapter covers aspects of the composer's output in the context of his life and cultural milieu. The contributions uncover 'outside' stimuli behind Shostakovich's works, allowing the reader to perceive the motivations behind his artistic choices; at the same time, the nature of those choices offers insights into the workings of the larger world – cultural, social, political – that he inhabited. Thus his often ostensibly quirky choices are revealed as responses – by turns sentimental, moving, sardonic and angry – to the particular conditions, with all their absurdities and contradictions, that he had to negotiate. Here we see the composer emerging from the role of tortured loner of older narratives into that of the gregarious and engaged member of his society that, for better and worse, characterized the everyday reality of his life. This invaluable collection offers remarkable new insight, in both depth and range, into the nature of Shostakovich's working circumstances and of his response to them. The collection contains the seeds for a wide range of new directions in the study of Shostakovich's works and the larger contexts of their creation and reception.

Shostakovich and His World

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Publisher : Princeton University Press
ISBN 13 : 0691232199
Total Pages : 428 pages
Book Rating : 4.6/5 (912 download)

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Book Synopsis Shostakovich and His World by : Laurel E. Fay

Download or read book Shostakovich and His World written by Laurel E. Fay and published by Princeton University Press. This book was released on 2021-06-08 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations--historical, cultural, and political--that forged them. The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionnaire reveal much about his formative tastes in the arts and the way he experienced the creative process. His previously unknown letters to Stalin shed new light on Shostakovich's position within the Soviet artistic elite. The essays delve into neglected aspects of Shostakovich's formidable legacy. Simon Morrison provides an in-depth examination of the choreography, costumes, décor, and music of his ballet The Bolt and Gerard McBurney of the musical references, parodies, and quotations in his operetta Moscow, Cheryomushki. David Fanning looks at Shostakovich's activities as a pedagogue and the mark they left on his students' and his own music. Peter J. Schmelz explores the composer's late-period adoption of twelve-tone writing in the context of the distinctively "Soviet" practice of serialism. Other contributors include Caryl Emerson, Christopher H. Gibbs, Levon Hakobian, Leonid Maximenkov, and Rosa Sadykhova. In a provocative concluding essay, Leon Botstein reflects on the different ways listeners approach the music of Shostakovich.

Testimony

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Publisher :
ISBN 13 : 9780571227921
Total Pages : 238 pages
Book Rating : 4.2/5 (279 download)

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Book Synopsis Testimony by : Dmitriĭ Dmitrievich Shostakovich

Download or read book Testimony written by Dmitriĭ Dmitrievich Shostakovich and published by . This book was released on 2005-07-01 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: With the composer's consent, the manuscript was smuggled out of Soviet Russia - but Shostakovich, fearing reprisals, stipulated that the book should not appear until after his death. Ever since its publication in 1979 it has been the subject of controversy, some suggesting that Volkov invented parts of it, but most affirming that it revealed a profoundly ambivalent Shostakovich which the world had never seen before - his life at once triumphant and tragic. Either way, it remains indispensable to an understanding of Shostakovich's life and work. Testimony is intense and fiercely ironic, both plain-spoken and outspoken.

Dimensions of Energy in Shostakovich's Symphonies

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Publisher : Routledge
ISBN 13 : 131715052X
Total Pages : 293 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Dimensions of Energy in Shostakovich's Symphonies by : Michael Rofe

Download or read book Dimensions of Energy in Shostakovich's Symphonies written by Michael Rofe and published by Routledge. This book was released on 2016-04-22 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shostakovich's music is often described as being dynamic, energetic. But what is meant by 'energy' in music? After setting out a broad conceptual framework for approaching this question, Michael Rofe proposes various potential sources of the perceived energy in Shostakovich's symphonies, describing also the historical significance of energeticist thought in Soviet Russia during the composer's formative years. The book is in two parts. In Part I, examples are drawn from across the symphonies in order to demonstrate energy streams within various musical dimensions. Three broad approaches are adopted: first, the theories of Boleslav Yavorsky are used to consider melodic-harmonic motion; second, Boris Asafiev's work, with its echoes of Ernst Kurth, is used to describe form as a dynamic process; and third, proportional analysis reveals numerous symmetries and golden sections within local and large-scale temporal structures. In Part II, the multi-dimensionality of musical energy is considered through case studies of individual movements from the symphonies. This in turn gives rise to broader contextualised perspectives on Shostakovich's work. The book ends with a detailed examination of why a piece of music might contain golden sections.

Intimate Voices: Shostakovich to the avant-garde. Dmitri Shostakovich : the string quartets

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Publisher : University Rochester Press
ISBN 13 : 1580463223
Total Pages : 368 pages
Book Rating : 4.5/5 (84 download)

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Book Synopsis Intimate Voices: Shostakovich to the avant-garde. Dmitri Shostakovich : the string quartets by : David Clampitt

Download or read book Intimate Voices: Shostakovich to the avant-garde. Dmitri Shostakovich : the string quartets written by David Clampitt and published by University Rochester Press. This book was released on 2009 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Leading authorities explore, in direct and accessible language, chamber-music masterpieces by twenty-one prominent composers since 1900.

The Jewish Experience in Classical Music

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443858722
Total Pages : 135 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis The Jewish Experience in Classical Music by : Alexander Tentser

Download or read book The Jewish Experience in Classical Music written by Alexander Tentser and published by Cambridge Scholars Publishing. This book was released on 2014-03-26 with total page 135 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shostakovich and Asia – this unique combination of two highly dissimilar composers allows us to explore the breadth of influence of traditional Jewish culture on Western classical music in the 20th century and beyond. These two composers speak in different musical languages and have very different personalities. Shostakovich, a 20th century Russian composer living under totalitarian Soviet rule, and Asia, a contemporary Jewish-American composer, are nevertheless connected through time by the common thread of Jewish music. The first part of this book deals with Shostakovich and his incorporation of traditional Jewish elements in his music. In recent times there has been a great deal of controversy concerning Shostakovich’s “dissident” outlook and his critical attitude towards the Soviet regime. The contributors to this volume, however, have chosen to focus on the more humane qualities of Shostakovich’s personality, his honesty and courage, which enabled him in difficult times to express through his works Jewish torment and suffering under both the Soviet and Nazi regimes. The second part of this book is dedicated to the music of Daniel Asia and to his philosophical and religious identification with Judaism. Of particular importance is the composer’s opening article, a valuable testament to the religious and aesthetic beliefs that inspired him to create his most significant symphonic work, the Fifth Symphony, Of Songs and Psalms.

The Early Film Music of Dmitry Shostakovich

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Publisher : Oxford University Press
ISBN 13 : 0199315167
Total Pages : 273 pages
Book Rating : 4.1/5 (993 download)

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Book Synopsis The Early Film Music of Dmitry Shostakovich by : Joan Titus

Download or read book The Early Film Music of Dmitry Shostakovich written by Joan Titus and published by Oxford University Press. This book was released on 2016-02-15 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the late 1920s, Dmitry Shostakovich emerged as one of the first Soviet film composers. With his first score for the silent film New Babylon (1928-29) and the many sound scores that followed, he was situated to observe and participate in the changing politics of the film industry and negotiate the role of the film composer. In The Early Film Music of Dmitry Shostakovich, author Joan Titus examines the relationship between musical narration, audience, filmmaker, and composer in six of Shostakovich's early film scores, from 1928 through 1936. Titus engages with the construct of Soviet intelligibility, the filmmaking and scoring processes, and the cultural politics of scoring Soviet film music, asking how listeners hear and see Shostakovich. The discussions of the scores are enriched by the composer's own writing on film music, along with archival materials and recently discovered musical manuscripts that illuminate the collaborative processes of the film teams, studios, and composer. The Early Film Music of Dmitry Shostakovich commingles film/media studies, musicology, and Russian studies , and is sure to be of interest to a wide audience including those in music studies, film/media scholars, and Slavicists.

A Soviet Credo: Shostakovich's Fourth Symphony

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Author :
Publisher : Routledge
ISBN 13 : 1351577956
Total Pages : 283 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis A Soviet Credo: Shostakovich's Fourth Symphony by : Pauline Fairclough

Download or read book A Soviet Credo: Shostakovich's Fourth Symphony written by Pauline Fairclough and published by Routledge. This book was released on 2017-07-05 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: Composed in 1935-36 and intended to be his artistic 'credo', Shostakovich's Fourth Symphony was not performed publicly until 1961. Here, Dr Pauline Fairclough tackles head-on one of the most significant and least understood of Shostakovich's major works. She argues that the Fourth Symphony was radically different from its Soviet contemporaries in terms of its structure, dramaturgy, tone and even language, and therefore challenged the norms of Soviet symphonism at a crucial stage of its development. With the backing of prominent musicologists such as Ivan Sollertinsky, the composer could realistically have expected the premiere to have taken place, and may even have intended the symphony to be a model for a new kind of 'democratic' Soviet symphonism. Fairclough meticulously examines the score to inform a discussion of tonal and thematic processes, allusion, paraphrase and reference to musical types, or intonations. Such analysis is set deeply in the context of Soviet musical culture during the period 1932-36, involving Shostakovich's contemporaries Shebalin, Myaskovsky, Kabalevsky and Popov. A new method of analysis is also advanced here, where a range of Soviet and Western analytical methods are informed by the theoretical work of Shostakovich's contemporaries Viktor Shklovsky, Boris Tomashevsky, Mikhail Bakhtin and Ivan Sollertinsky, together with Theodor Adorno's late study of Mahler. In this way, the book will significantly increase an understanding of the symphony and its context.

The Rest Is Noise

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Publisher : Macmillan
ISBN 13 : 0374249393
Total Pages : 729 pages
Book Rating : 4.3/5 (742 download)

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Book Synopsis The Rest Is Noise by : Alex Ross

Download or read book The Rest Is Noise written by Alex Ross and published by Macmillan. This book was released on 2007-10-16 with total page 729 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ross, music critic for "The New Yorker," journeys from Vienna before the First World War to New York in the 1970s and 80s. The result is not so much a history of 20th-century music as it is a history of the 20th century through its music.

Music of the Soviet Era: 1917-1991

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Publisher : Routledge
ISBN 13 : 1317091868
Total Pages : 613 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis Music of the Soviet Era: 1917-1991 by : Levon Hakobian

Download or read book Music of the Soviet Era: 1917-1991 written by Levon Hakobian and published by Routledge. This book was released on 2016-11-25 with total page 613 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is a comprehensive and detailed survey of music and musical life of the entire Soviet era, from 1917 to 1991, which takes into account the extensive body of scholarly literature in Russian and other major European languages. In this considerably updated and revised edition of his 1998 publication, Hakobian traces the strikingly dramatic development of the music created by outstanding and less well-known, ‘modernist’ and ‘conservative’, ‘nationalist’ and ‘cosmopolitan’ composers of the Soviet era. The book’s three parts explore, respectively, the musical trends of the 1920s, music and musical life under Stalin, and the so-called ’Bronze Age’ of Soviet music after Stalin’s death. Music of the Soviet Era: 1917–1991 considers the privileged position of music in the USSR in comparison to the written and visual arts. Through his examination of the history of the arts in the Soviet state, Hakobian’s work celebrates the human spirit’s wonderful capacity to derive advantage even from the most inauspicious conditions.

Music for the Revolution

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Publisher : Penn State Press
ISBN 13 : 0271046198
Total Pages : 350 pages
Book Rating : 4.2/5 (71 download)

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Book Synopsis Music for the Revolution by : Amy Nelson

Download or read book Music for the Revolution written by Amy Nelson and published by Penn State Press. This book was released on 2010-02-24 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mention twentieth-century Russian music, and the names of three &"giants&"&—Igor Stravinsky, Sergei Prokofiev, and Dmitrii Shostakovich&—immediately come to mind. Yet during the turbulent decade following the Bolshevik Revolution, Stravinsky and Prokofiev lived abroad and Shostakovich was just finishing his conservatory training. While the fame of these great musicians is widely recognized, little is known about the creative challenges and political struggles that engrossed musicians in Soviet Russia during the crucial years after 1917. Music for the Revolution examines musicians&’ responses to Soviet power and reveals the conditions under which a distinctively Soviet musical culture emerged in the early thirties. Given the dramatic repression of intellectual freedom and creativity in Stalinist Russia, the twenties often seem to be merely a prelude to Totalitarianism in artistic life. Yet this was the decade in which the creative intelligentsia defined its relationship with the Soviet regime and the aesthetic foundations for socialist realism were laid down. In their efforts to deal with the political challenges of the Revolution, musicians grappled with an array of issues affecting musical education, professional identity, and the administration of musical life, as well as the embrace of certain creative platforms and the rejection of others. Nelson shows how debates about these issues unfolded in the context of broader concerns about artistic modernism and elitism, as well as the more expansive goals and censorial authority of Soviet authorities. Music for the Revolution shows how the musical community helped shape the musical culture of Stalinism and extends the interpretive frameworks of Soviet culture presented in recent scholarship to an area of artistic creativity often overlooked by historians. It should be broadly important to those interested in Soviet history, the cultural roots of Stalinism, Russian and Soviet music, and the place of music and the arts in revolutionary change.

On Russian Music

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Author :
Publisher : Univ of California Press
ISBN 13 : 0520268067
Total Pages : 416 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis On Russian Music by : Richard Taruskin

Download or read book On Russian Music written by Richard Taruskin and published by Univ of California Press. This book was released on 2009 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume gathers 36 essays by one of the leading scholars in the study of Russian music. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment.