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Shakespeare Theory And Performance
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Book Synopsis Shakespeare, Theory, and Performance by : James C. Bulman
Download or read book Shakespeare, Theory, and Performance written by James C. Bulman and published by Psychology Press. This book was released on 1996 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Book Synopsis Shakespeare and Feminist Performance by : Sarah Werner
Download or read book Shakespeare and Feminist Performance written by Sarah Werner and published by Routledge. This book was released on 2005-07-08 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: How do performances of Shakespeare change the meanings of the plays? In this controversial new book, Sarah Werner argues that the text of a Shakespeare play is only one of the many factors that give a performance its meaning. By focusing on The Royal Shakespeare Company, Werner demonstrates how actor training, company management and gender politics fundamentally affect both how a production is created and the interpretations it can suggest. Werner concentrates particularly on: The influential training methods of Cicely Berry and Patsy Rodenburg The history of the RSC Women's Group Gale Edwards' production of The Taming of the Shrew She reveals that no performance of Shakespeare is able to bring the plays to life or to realise the playwright's intentions without shaping them to mirror our own assumptions. By examining the ideological implications of performance practices, this book will help all interested in Shakespeare's plays to explore what it means to study them in performance.
Book Synopsis Shakespeare and Social Theory by : BRADD. SHORE
Download or read book Shakespeare and Social Theory written by BRADD. SHORE and published by Routledge. This book was released on 2021-08-23 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a bridge between Shakespeare Studies and classical social theory, opening up readings of Shakespeare to a new audience outside of literary studies and the humanities. Shakespeare has long been known as a 'great thinker' and this book reads his plays through the lens of an anthropologist, revealing new connections between Shakespeare's plays and the lives we now lead. Close readings of a selection of frequently studied plays - Hamlet, The Winter's Tale, Romeo and Juliet, A Midsummer Night's Dream, Julius Caesar and King Lear - engage with the plays in detail while connecting them with some of the biggest questions we all ask ourselves, about love, friendship, ritual, language, human interactions and the world around us. The plays are examined through various social theories including performance theory, cognitive theory, semiotics, exchange theory and structuralism. The book concludes with a consideration of how "the new astronomy" of his day and developments in optics changed the very idea of "perspective," and shaped Shakespeare's approach to embedding social theory in his dramatic texts. This accessible and engaging book will appeal to those approaching Shakespeare from outside literary studies, but will also be valuable to literature students approaching Shakespeare for the first time, or looking for a new angle on the plays.
Book Synopsis Shakespeare, Theory and Performance by : James C. Bulman
Download or read book Shakespeare, Theory and Performance written by James C. Bulman and published by Routledge. This book was released on 2003-09-02 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare, Theory and Performance is a groundbreaking collection of seminal essays which apply the abstract theory of Shakespearean criticism to the practicalities of performance. Bringing together the key names from both realms, the collection reflects a wide range of sources and influences, from traditional literary, performance and historical criticism to modern cultural theory. Together they raise questions about the place of performance criticism in modern and often competing debates of cultural materialism, new historicism, feminism and deconstruction. An exciting and fascinating volume, it will be important reading for students and scholars of literary and theatre studies alike.
Book Synopsis Shakespeare’s Things by : Brett Gamboa
Download or read book Shakespeare’s Things written by Brett Gamboa and published by Routledge. This book was released on 2019-11-19 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Floating daggers, enchanted handkerchiefs, supernatural storms, and moving statues have tantalized Shakespeare’s readers and audiences for centuries. The essays in Shakespeare’s Things: Shakespearean Theatre and the Non-Human World in History, Theory, and Performance renew attention to non-human influence and agency in the plays, exploring how Shakespeare anticipates new materialist thought, thing theory, and object studies while presenting accounts of intention, action, and expression that we have not yet noticed or named. By focusing on the things that populate the plays—from commodities to props, corpses to relics—they find that canonical Shakespeare, inventor of the human, gives way to a lesser-known figure, a chronicler of the ceaseless collaboration among persons, language, the stage, the object world, audiences, the weather, the earth, and the heavens.
Book Synopsis Shakespeare and the Question of Theory by : Geoffrey H. Hartman
Download or read book Shakespeare and the Question of Theory written by Geoffrey H. Hartman and published by Routledge. This book was released on 2004-06-01 with total page 589 pages. Available in PDF, EPUB and Kindle. Book excerpt: The theoretical ferment which has affected literary studies over the last decade has called into question traditional ways of thinking about, classifying and interpreting texts. Shakespeare has been not just the focus of a variety of divergent critical movements within recent years, but also increasingly the locus of emerging debates within, and with, theory itself. This collection of essays, written by distinguished and powerful critics in the fields of literary theory and Shakespeare studies, is intended both for those interested in Shakespeare and for those interested more generally in the emerging debates within contemporary criticism and theory.
Book Synopsis Shakespeare and the Force of Modern Performance by : William B. Worthen
Download or read book Shakespeare and the Force of Modern Performance written by William B. Worthen and published by Cambridge University Press. This book was released on 2003-01-30 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book analyses how Shakespeare is recreated in historical performance.
Book Synopsis Shakespeare and the Authority of Performance by : William B. Worthen
Download or read book Shakespeare and the Authority of Performance written by William B. Worthen and published by Cambridge University Press. This book was released on 1997-09-25 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: How the idea of Shakespearean authority is still invested in the activities of directing, acting, and scholarship.
Book Synopsis Imaginary Performances in Shakespeare by : Aureliu Manea
Download or read book Imaginary Performances in Shakespeare written by Aureliu Manea and published by Routledge. This book was released on 2020-04-21 with total page 151 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Imaginary Performances in Shakespeare, visionary modernist theatre director Aureliu Manea analyses the theatrical possibilities of Shakespeare. Through nineteen Shakespeare plays, Manea sketches the intellectual parameters, the visual languages, and the emotional worlds of imagined stage interpretations of each; these nineteen short essays are appended by his essay ‘Confessions,’ an autobiographical meditation on the nature of theatre and the role of the director. This captivating book which will be attractive to anyone interested in Shakespeare and modern theatre.
Book Synopsis Shakespeare and Literary Theory by : Jonathan Gil Harris
Download or read book Shakespeare and Literary Theory written by Jonathan Gil Harris and published by OUP Oxford. This book was released on 2010-08-19 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: OXFORD SHAKESPEARE TOPICS General Editors: Peter Holland and Stanley Wells Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. How is it that the British literary critic Terry Eagleton can say that 'it is difficult to read Shakespeare without feeling that he was almost certainly familiar with the writings of Hegel, Marx, Nietzsche, Freud, Wittgenstein and Derrida', or that the Slovenian psychoanalytic theorist Slavoj Žižek can observe that 'Shakespeare without doubt had read Lacan'? Shakespeare and Literary Theory argues that literary theory is less an external set of ideas anachronistically imposed on Shakespeare's texts than a mode - or several modes - of critical reflection inspired by, and emerging from, his writing. These modes together constitute what we might call 'Shakespearian theory': theory that is not just about Shakespeare but also derives its energy from Shakespeare. To name just a few examples: Karl Marx was an avid reader of Shakespeare and used Timon of Athens to illustrate aspects of his economic theory; psychoanalytic theorists from Sigmund Freud to Jacques Lacan have explained some of their most axiomatic positions with reference to Hamlet; Michel Foucault's early theoretical writing on dreams and madness returns repeatedly to Macbeth; Jacques Derrida's deconstructive philosophy is articulated in dialogue with Shakespeare's plays, including Romeo and Juliet; French feminism's best-known essay is Hélène Cixous's meditation on Antony and Cleopatra; certain strands of queer theory derive their impetus from Eve Kosofsky Sedgwick's reading of the Sonnets; Gilles Deleuze alights on Richard III as an exemplary instance of his theory of the war machine; and postcolonial theory owes a large debt to Aimé Césaire's revision of The Tempest. By reading what theoretical movements from formalism and structuralism to cultural materialism and actor-network theory have had to say about and in concert with Shakespeare, we can begin to get a sense of how much the DNA of contemporary literary theory contains a startling abundance of chromosomes - concepts, preoccupations, ways of using language - that are of Shakespearian provenance.
Book Synopsis Shakespeare, Theory and Performance by : James C. Bulman
Download or read book Shakespeare, Theory and Performance written by James C. Bulman and published by Routledge. This book was released on 2003-09-02 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare, Theory and Performance is a groundbreaking collection of seminal essays which apply the abstract theory of Shakespearean criticism to the practicalities of performance. Bringing together the key names from both realms, the collection reflects a wide range of sources and influences, from traditional literary, performance and historical criticism to modern cultural theory. Together they raise questions about the place of performance criticism in modern and often competing debates of cultural materialism, new historicism, feminism and deconstruction. An exciting and fascinating volume, it will be important reading for students and scholars of literary and theatre studies alike.
Book Synopsis Gender and Performance in Shakespeare's Problem Comedies by : David F. McCandless
Download or read book Gender and Performance in Shakespeare's Problem Comedies written by David F. McCandless and published by Indiana University Press. This book was released on 1997-12-22 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This is exactly the kind of work, with its synthesis of theory, close reading, and deconstructive performance criticism that many of us in the profession have been looking for." -- Joel B. Altman, University of California, Berkeley "McCandless's book represents an inventive and illuminating account that not only produces a theoretically activated text but also explores a range of options for staging it, turning theoretical into theatrical meanings." -- Barbara Hodgdon, Drake University "The writing is clear, snappy, wonderfully informed with a vivid and experienced theatrical imagination... a book that taught me a good deal about the problem comedies, especially from the vantage point of performance, though the insights into performance are fully and incisively integrated with, and they richly illuminate, formal, thematic, and psychological vantage points on the play." -- Richard P. Wheeler, University of Illinois Composed at a critical moment in English history, All's Well That Ends Well, Measure for Measure, and Troilus and Cressida -- Shakespeare's problem plays -- dramatize a crisis in the sex-gender system. They register a male dread of emasculation and engulfment, a fear of female authority and sexuality. In these plays males identify desire for a female as dangerous and unmanly, females contend and confound traditional femininity. David McCandless's book is a unique and invigorating example of performance criticism that illuminates these difficult, sometimes-overlooked tragicomedies. It is an original and timely contribution to Shakespearean theater scholarship.
Book Synopsis Acting from Shakespeare's First Folio by : Don Weingust
Download or read book Acting from Shakespeare's First Folio written by Don Weingust and published by Routledge. This book was released on 2006-09-27 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: æOriginalÆ Shakespearean theatrical architecture, texts and performance methodologies have become subjects of great popular, professional and academic theatrical interest. Acting from Shakespeare's First Folio: Theory, Text & Performance examines a.
Book Synopsis Shakespeare Re-dressed by : James C. Bulman
Download or read book Shakespeare Re-dressed written by James C. Bulman and published by Associated University Presse. This book was released on 2008 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This collection covers a wide range of Shakespeare productions, from Granville Barker and Poel's experiments with cross-gender casting to recent performances by Cheek by Jowl, the National Theatre, and the new Globe; from early twentieth-century performances by women's companies in England and Japan to contemporary stagings by the Los Angeles Women's Shakespeare Company; from Mabou Mines' controversial Lear in New York to a more subtly transgressive Tempest by the Georgia Shakespeare Festival." "These essays are comprehensive in their consideration of cross-gender-cast Shakespeare as it evolved over the past century. Theoretically informed yet grounded in the particularity of individual performances, they forge new connections between performance studies and gender theory and broach issues vital to anyone interested in Shakespeare."--BOOK JACKET.
Book Synopsis O'Neill's Shakespeare by : Normand Berlin
Download or read book O'Neill's Shakespeare written by Normand Berlin and published by University of Michigan Press. This book was released on 1994 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reveals unexplored links between Shakespeare's plays and the work of Eugene O'Neill
Book Synopsis Shakespeare and Complexity Theory by : Claire Hansen
Download or read book Shakespeare and Complexity Theory written by Claire Hansen and published by Routledge. This book was released on 2017-06-27 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this new monograph, Claire Hansen demonstrates how Shakespeare can be understood as a complex system, and how complexity theory can provide compelling and original readings of Shakespeare’s plays. The book utilises complexity theory to illuminate early modern theatrical practice, Shakespeare pedagogy, and the phenomenon of the Shakespeare ‘myth’. The monograph re-evaluates Shakespeare, his plays, early modern theatre, and modern classrooms as complex systems, illustrating how the lens of complexity offers an enlightening new perspective on diverse areas of Shakespeare scholarship. The book’s interdisciplinary approach enriches our understanding of Shakespeare and lays the foundation for complexity theory in Shakespeare studies and the humanities more broadly.
Book Synopsis Shakespeare, Trauma and Contemporary Performance by : Catherine Silverstone
Download or read book Shakespeare, Trauma and Contemporary Performance written by Catherine Silverstone and published by Routledge. This book was released on 2012-02-06 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare, Trauma and Contemporary Performance examines how contemporary performances of Shakespeare’s texts on stage and screen engage with violent events and histories. The book attempts to account for – but not to rationalize – the ongoing and pernicious effects of various forms of violence as they have emerged in selected contemporary performances of Shakespeare’s texts, especially as that violence relates to apartheid, colonization, racism, homophobia and war. Through a series of wide-ranging case studies, which are informed by debates in Shakespeare, trauma and performance studies and developed from extensive archival research, the book examines how performances and their documentary traces work variously to memorialize, remember and witness violent events and histories. In the process, Silverstone considers the ethical and political implications of attempts to represent trauma in performance, especially in relation to performing, spectatorship and community formation. Ranging from the mainstream to the fringe, key performances discussed include Gregory Doran’s Titus Andronicus (1995) for Johannesburg’s Market Theatre; Don C. Selwyn’s New Zealand-made film, The Maori Merchant of Venice (2001); Philip Osment’s appropriation of The Tempest in This Island’s Mine for London’s Gay Sweatshop (1988); and Nicholas Hytner’s Henry V (2003) for the National Theatre in London.
