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Screen Adaptations Shakespeares Hamlet
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Book Synopsis Screen Adaptations: Shakespeare’s Hamlet by : Samuel Crowl
Download or read book Screen Adaptations: Shakespeare’s Hamlet written by Samuel Crowl and published by A&C Black. This book was released on 2014-01-30 with total page 173 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hamlet is the most often produced play in the western literary canon, and a fertile global source for film adaptation. Samuel Crowl, a noted scholar of Shakespeare on film, unpacks the process of adapting from text to screen through concentrating on two sharply contrasting film versions of Hamlet by Laurence Olivier (1948) and Kenneth Branagh (1996). The films' socio-political contexts are explored, and the importance of their screenplay, film score, setting, cinematography and editing examined. Offering an analysis of two of the most important figures in the history of film adaptations of Shakespeare, this study seeks to understand a variety of cinematic approaches to translating Shakespeare's “words, words, words” into film's particular grammar and rhetoric
Book Synopsis Screen Adaptations: Shakespeare's Hamlet by : Samuel Crowl
Download or read book Screen Adaptations: Shakespeare's Hamlet written by Samuel Crowl and published by A&C Black. This book was released on 2014-03-27 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hamlet is the most often produced play in the western literary canon, and a fertile global source for film adaptation. Samuel Crowl, a noted scholar of Shakespeare on film, unpacks the process of adapting from text to screen through concentrating on two sharply contrasting film versions of Hamlet by Laurence Olivier (1948) and Kenneth Branagh (1996). The films' socio-political contexts are explored, and the importance of their screenplay, film score, setting, cinematography and editing examined. Offering an analysis of two of the most important figures in the history of film adaptations of Shakespeare, this study seeks to understand a variety of cinematic approaches to translating Shakespeare's “words, words, words” into film's particular grammar and rhetoric
Book Synopsis Shakespeare's Hamlet by : Samuel Crowl
Download or read book Shakespeare's Hamlet written by Samuel Crowl and published by . This book was released on 2014 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Hamlet is Shakespeare's signature work, the most often produced play in the western literary canon, and a fertile global source for film adaptation. This study seeks to understand a variety of cinematic approaches to translating Shakespeare's 'words, words, words' into film's particular grammar and rhetoric. Samuel Crowl, a noted scholar of Shakespeare on film, focuses on the importance of the screenplay, film score, setting, cinematography and editing as the director and his team find their unique way of adapting Shakespeare from text to screen.
Book Synopsis 100 Shakespeare Films by : Daniel Rosenthal
Download or read book 100 Shakespeare Films written by Daniel Rosenthal and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 477 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Oscar-winning British classics to Hollywood musicals and Westerns, from Soviet epics to Bollywood thrillers, Shakespeare has inspired an almost infinite variety of films. Directors as diverse as Orson Welles, Akira Kurosawa, Franco Zeffirelli, Kenneth Branagh, Baz Luhrmann and Julie Taymor have transferred Shakespeare's plays from stage to screen with unforgettable results. Spanning a century of cinema, from a silent short of 'The Tempest' (1907) to Kenneth Branagh's 'As You Like It' (2006), Daniel Rosenthal's up-to-date selection takes in the most important, inventive and unusual Shakespeare films ever made. Half are British and American productions that retain Shakespeare's language, including key works such as Olivier's 'Henry V' and 'Hamlet', Welles' 'Othello' and 'Chimes at Midnight', Branagh's 'Henry V' and 'Hamlet', Luhrmann's 'Romeo + Juliet' and Taymor's 'Titus'. Alongside these original-text films are more than 30 genre adaptations: titles that aim for a wider audience by using modernized dialogue and settings and customizing Shakespeare's plots and characters, transforming 'Macbeth' into a pistol-packing gangster ('Joe Macbeth' and 'Maqbool') or reimagining 'Othello' as a jazz musician ('All Night Long'). There are Shakesepeare-based Westerns ('Broken Lance', 'King of Texas'), musicals ('West Side Story', 'Kiss Me Kate'), high-school comedies ('10 Things I Hate About You', 'She's the Man'), even a sci-fi adventure ('Forbidden Planet'). There are also films dominated by the performance of a Shakespearean play ('In the Bleak Midwinter', 'Shakespeare in Love'). Rosenthal emphasises the global nature of Shakespearean cinema, with entries on more than 20 foreign-language titles, including Kurosawa's 'Throne of Blood and Ran', Grigori Kozintsev's 'Russian Hamlet' and 'King Lear', and little-known features from as far afield as 'Madagascar' and 'Venezuela', some never released in Britain or the US. He considers the films' production and box-office history and examines the film-makers' key interpretive decisions in comparison to their Shakespearean sources, focusing on cinematography, landscape, music, performance, production design, textual alterations and omissions. As cinema plays an increasingly important role in the study of Shakespeare at schools and universities, this is a wide-ranging, entertaining and accessible guide for Shakespeare teachers, students and enthusiasts.
Book Synopsis Screen Adaptations: Jane Austen's Pride and Prejudice by : Deborah Cartmell
Download or read book Screen Adaptations: Jane Austen's Pride and Prejudice written by Deborah Cartmell and published by A&C Black. This book was released on 2010-09-25 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt: An in-depth study of the relationship between Jane Austen's Pride and Prejudice and its various screen versions.
Book Synopsis The Oxford Handbook of Shakespearean Tragedy by : Michael Neill
Download or read book The Oxford Handbook of Shakespearean Tragedy written by Michael Neill and published by Oxford University Press. This book was released on 2016-08-18 with total page 993 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Shakespearean Tragedy presents fifty-four essays by a range of scholars from all parts of the world. Together these essays offer readers a fresh and comprehensive understanding of Shakespeare tragedies as both works of literature and as performance texts written by a playwright who was himself an experienced actor. The opening section explores ways in which later generations of critics have shaped our idea of 'Shakespearean' tragedy, and addresses questions of genre by examining the playwright's inheritance from the classical and medieval past. The second section is devoted to current textual issues, while the third offers new critical readings of each of the tragedies. This is set beside a group of essays that deal with performance history, with screen productions, and with versions devised for the operatic stage, as well as with twentieth and twenty-first century re-workings of Shakespearean tragedy. The book's final section expands readers' awareness of Shakespeare's global reach, tracing histories of criticism and performance across Europe, the Americas, Australasia, the Middle East, Africa, India, and East Asia.
Book Synopsis The Cambridge Companion to Shakespeare on Film by : Russell Jackson
Download or read book The Cambridge Companion to Shakespeare on Film written by Russell Jackson and published by Cambridge University Press. This book was released on 2007-03-29 with total page 12 pages. Available in PDF, EPUB and Kindle. Book excerpt: This companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. The emphasis is on feature films for cinema with strong coverage Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet.
Book Synopsis "Spirit of Health" or "Goblin Damn’d"? The Representation of the Ghost’s Ambiguity in Two Hamlet Film Adaptations by : Larissa Fick
Download or read book "Spirit of Health" or "Goblin Damn’d"? The Representation of the Ghost’s Ambiguity in Two Hamlet Film Adaptations written by Larissa Fick and published by GRIN Verlag. This book was released on 2015-03-11 with total page 23 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2014 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Bayreuth, language: English, abstract: Over the years, various scholarly interpretations of the Ghost in Hamlet were established. They lie between extremes: some consider the Ghost an evil spirit whose call for revenge should have been ignored , and others stick with the opposite opinion that the Ghost is truly the spirit of Hamlet’s father returned from purgatory because that is what the Ghost himself states. Many Hamlet scholars argued for the one and the other side, and convincing arguments for both points of view exist. However, the actual question is not if the Ghost is good or evil, but what William Shakespeare aimed at with the integration of a character so difficult to capture. As Constanze Pleinen detected correctly in "Das Übernatürliche bei Shakespeare", the Ghost’s ambiguity explains the perseverative popularity of the play; if it could be definitely clarified that the Ghost is either a good or evil spirit, a lot of tension would be lost for the audience and reader. To prove that this thesis is also applicable on film adaptations of Hamlet is the aim of this term paper. Therefore, I chose two screen adaptations of Hamlet and examined how the Ghost is represented in each of them. My thesis is that in neither adaptation the Ghost is clearly marked as good spirit or evil demon, but the ambiguity between those two options is maintained in both adaptations; the directors play with this equivocality to retain the tension of the audience. In order to prove my thesis, at first the significance of the Ghost and its ambiguity in Hamlet will be explained. It will be shown that Shakespeare did not embed a Ghost in Hamlet to simply entertain the audience, but that the Ghost is a central character of the play. In the subsequent chapter I will take a close look at the Hamlet adaptations of Olivier and Branagh. Primarily, an overview of each film by itself will be provided, then the representation of the Ghost will be described and afterwards analysed with regard to the Ghost’s ambiguity. By linking my own observations to those of other literary scholars, I will hopefully be able to prove my thesis in the conclusion of this paper.
Book Synopsis Apocalyptic Shakespeare by : Melissa Croteau
Download or read book Apocalyptic Shakespeare written by Melissa Croteau and published by McFarland. This book was released on 2014-01-10 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays examines the ways in which recent Shakespeare films portray anxieties about an impending global wasteland, technological alienation, spiritual destruction, and the effects of globalization. Films covered include Titus, William Shakespeare's Romeo & Juliet, Almereyda's Hamlet, Revengers Tragedy, Twelfth Night, The Passion of the Christ, Radford's The Merchant of Venice, The Lion King, and Godard's King Lear, among others that directly adapt or reference Shakespeare. Essays chart the apocalyptic mise-en-scenes, disorienting imagery, and topsy-turvy plots of these films, using apocalypse as a theoretical and thematic lens.
Book Synopsis Olivier and Beyond: Film Adaptations of Shakespeare's Hamlet by : Marc Lance Lusk
Download or read book Olivier and Beyond: Film Adaptations of Shakespeare's Hamlet written by Marc Lance Lusk and published by . This book was released on 2023 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Adaptations of Shakespeare's plays have a long and wide-ranging history. For over four hundred years, there have been many theatrical versions that have, more or less, followed the written "text" of the play using various venues, settings, and casts. Beyond the stage, there are novelizations and children's stories, paintings and photographic tableaux, radio plays, and symphonies and operas all inspired by Shakespeare's works. More to the point of this dissertation, filmmakers are especially fascinated with the works of Shakespeare. As long as there have been movies, there have been Shakespearean--loose, traditional, or far from traditional--film adaptations all over the world. Even television has been no stranger to Shakespeare with its filmed stage productions, adapted films versions, themed episodes, or entire seasons based on the plays. Scholarship treats just about every example mentioned above; however, I am interested in how filmed adaptations of Shakespeare's plays, beginning with Laurence Olivier's 1948 version of Hamlet, exhibit a unique tension in the ways they mix innovation with preservation that can exert influence over subsequent versions and affect our understanding and enjoyment of the play. In other words, this dissertation investigates how adaptations of Shakespeare's plays both embrace and resist alteration of their "original" source, in this case Olivier foundational Hamlet film--seeking sometimes to change the material yet wanting to return to or preserve some authentic founding "text" just as often. This dissertation argues that filmed adaptations of Shakespeare's plays demonstrate the tension between tradition and innovation specifically because film as a medium asks different questions of the plays. For example, film emphasizes a type of "realism" that is different from theatrical illusion while also often elevating technological spectacle over language. Furthermore, film's conventional running times also affect the plays' structure, sometimes causing substantial cuts to the text. I contend that we can find similar traditional versus modern tension in most adaptations of Shakespeare's plays; however, his most filmed play, Hamlet, Prince of Denmark will be the exclusive focus of my dissertation.
Book Synopsis Cinematic Shakespeare by : Michael A. Anderegg
Download or read book Cinematic Shakespeare written by Michael A. Anderegg and published by Rowman & Littlefield. This book was released on 2004 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Michael Anderegg investigates how Shakespeare films constitute an exciting & ever-changing film genre. He looks closely at films by Olivier, Welles, & Branagh, as well as postmodern Shakespeares & multiple adaptations over the years of 'Romeo and Juliet'.
Book Synopsis Shakespeare, The Movie by : Lynda E. Boose
Download or read book Shakespeare, The Movie written by Lynda E. Boose and published by Routledge. This book was released on 2005-06-28 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare, The Movie brings together an impressive line-up of contributors to consider how Shakespeare has been adapted on film, TV, and video, and explores the impact of this popularization on the canonical status of Shakespeare. Taking a fresh look at the Bard an his place in the movies, Shakespeare, The Movie includes a selection of what is presently available in filmic format to the Shakespeare student or scholar, ranging across BBC television productions, filmed theatre productions, and full screen adaptations by Kenneth Branagh and Franco Zeffirelli. Films discussed include: * Amy Heckerling's Clueless * Gus van Sant's My Own Private Idaho * Branagh's Henry V * Baz Luhrman's William Shakespeare's Romeo and Juliet * John McTiernan's Last Action Hero * Peter Greenaway's Prospero's Books * Zeffirelli's Hamlet.
Book Synopsis Shakespeare, Madness, and Music by : Kendra Preston Leonard
Download or read book Shakespeare, Madness, and Music written by Kendra Preston Leonard and published by Scarecrow Press. This book was released on 2009-07-09 with total page 165 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare's three political tragedies_Hamlet, Macbeth, and King Lear_have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and expectation, political unrest, and, ultimately, truth, as excavated by characters so afflicted. Music has long been associated with madness, and was often used as an audible symptom of a victim's disassociation from their surroundings and societal rules, as well as their loss of self-control. In Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations, Kendra Preston Leonard examines the use of music in Hamlet, Macbeth, and King Lear. Whether discussing contemporary source materials, such as songs, verses, or rhymes specified by Shakespeare in his plays, or music composed specifically for a film and original to the director's or composer's interpretations, Leonard shows how the changing social and scholarly attitudes towards the plays, their characters, and the conditions that fall under the general catch-all of 'madness' have led to a wide range of musical accompaniments, signifiers, and incarnations of the afflictions displayed by Shakespeare's characters. Focusing on the most widely distributed and viewed adaptations of these plays for the cinema, each chapter presents the musical treatment of individual Shakespearean characters afflicted with or feigning madness: Hamlet, Ophelia, Lady Macbeth, King Lear, and Edgar. The book offers analysis and interpretation of the music used to underscore, belie, or otherwise inform or invoke the characters' states of mind, providing a fascinating indication of culture and society, as well as the thoughts and ideas of individual directors, composers, and actors. A bibliography, index, and appendix listing Shakespeare's film adaptations help complete this fascinating volume.
Book Synopsis Shakespeare and World Cinema by : Mark Thornton Burnett
Download or read book Shakespeare and World Cinema written by Mark Thornton Burnett and published by Cambridge University Press. This book was released on 2013 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the significance of Shakespeare in contemporary world cinema for the first time. Mark Thornton Burnett draws on a wealth of examples from Africa, the Arctic, Brazil, China, France, India, Malaysia, Mexico, Singapore, Tibet, Venezuela, Yemen and elsewhere.
Book Synopsis Shakespeare on screen : Macbeth by : Sarah HATCHUEL
Download or read book Shakespeare on screen : Macbeth written by Sarah HATCHUEL and published by Presses universitaires de Rouen et du Havre. This book was released on 2013-12-20 with total page 1084 pages. Available in PDF, EPUB and Kindle. Book excerpt: This addition to the Shakespeare on Screen series reveals the remarkable presence of Macbeth in the global Shakespearean screenscape. What is it about Macbeth that is capable of extending beyond Scottish contexts and speaking globally, locally and “glocally”? Does the extensive adaptive reframing ofMacbeth suggest the paradoxical irrelevance of the original play? After examining the evident topic of the supernatural elements—the witches and the ghost—in the films, the essays move from a revisitation of the well-known American screen versions, to an analysis of more recent Anglophone productions and to world cinema (Asia, France, South Africa, India, Japan, etc.). Questions of lineage and progeny are broached, then extended into the wider issues of gender. Finally, ballet remediations, filmic appropriations, citations and mises-en-abyme of Macbeth are examined, and the book ends with an analysis of a Macbeth script that never reached the screen. Ce nouvel ouvrage de la série « Shakespeare à l’écran » révèle la présence remarquable de Macbeth dans le paysage filmique shakespearien à l’échelle mondiale. Comment expliquer qu’une pièce dont l’intrigue est ancrée dans une nation, l’Écosse, ait pu être absorbée par des cultures aussi diverses ? Les multiples adaptations de Macbeth suggèrent-elles, de manière paradoxale, une moindre pertinence de la pièce originelle ? Après avoir exploré la représentation des éléments surnaturels (les sorcières et le fantôme), le volume revisite les films américains « canoniques », les productions anglophones plus récentes et les versions d’autres aires culturelles (Asie, France, Afrique du Sud, Inde, Japon, etc.) Les questions de lignée et de descendance sont abordées, puis prolongées dans des articles sur la représentation du genre. Les versions dansées, les appropriations, les citations et les mises en abyme de Macbeth sont ensuite analysées, et ce parcours mène à un étrange objet – un scénario non filmé.
Book Synopsis Kozintsev's Shakespeare Films by : Tiffany Ann Conroy Moore
Download or read book Kozintsev's Shakespeare Films written by Tiffany Ann Conroy Moore and published by McFarland. This book was released on 2012-11-08 with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a study of Grigory Kozintsev's two cinematic Shakespeare adaptations, Hamlet (Gamlet, 1964), and King Lear (Korol Lir, 1970). The films are considered in relation to the historical, artistic and cultural contexts in which they appear, and in relation to the contributions of Dmitri Shostakovich, who wrote the films' scores; and Boris Pasternak, whose translations Kozintsev used. The films are analyzed respective to their place in the translation and performance history of Hamlet and King Lear from their first appearances in Tsarist Russian arts and letters. In particular, this study is concerned with the ways in which these plays have been used as a means to critique the government and the country's problems in an age in which official censorship was commonplace. Kozintsev's films (as well as his theatrical productions of Hamlet and Lear) continue along this trajectory of protest by providing a vehicle for him and his collaborators to address the oppression, violence and corruption of Soviet society. It was just this sort of covert political protest that finally effected the dissolution and fall of the USSR.
Book Synopsis New Wave Shakespeare on Screen by : Thomas Cartelli
Download or read book New Wave Shakespeare on Screen written by Thomas Cartelli and published by Polity. This book was released on 2007 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: The past several years have witnessed a group of experiments in 'staging' Shakespeare on film. This book introduces and applies the analytic techniques and language that are required to make sense of this wave. It maps a vocabulary for interpreting Shakespeare film; addresses script-to-screen questions about authority and performativity; and more.
