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Sanskrit Theory Of Drama And Dramaturgy
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Book Synopsis Sanskrit Theory of Drama and Dramaturgy by : Trimbak Govind Mainkar
Download or read book Sanskrit Theory of Drama and Dramaturgy written by Trimbak Govind Mainkar and published by . This book was released on 1985 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Sanskrit Drama in Performance by : Rachel Van M. Baumer
Download or read book Sanskrit Drama in Performance written by Rachel Van M. Baumer and published by Motilal Banarsidass Publ.. This book was released on 1993 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: FOR SALE IN SOUTH ASIA ONLY
Book Synopsis The Sanskrit Theatre and Stagecraft by : E. W. Marasinghe
Download or read book The Sanskrit Theatre and Stagecraft written by E. W. Marasinghe and published by . This book was released on 1989 with total page 602 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Sanskrit Drama: Its Origin and Decline by : Shekhar
Download or read book Sanskrit Drama: Its Origin and Decline written by Shekhar and published by BRILL. This book was released on 1960-12 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis World Encyclopedia of Contemporary Theatre by : Irving Brown (Consulting Bibliographer)
Download or read book World Encyclopedia of Contemporary Theatre written by Irving Brown (Consulting Bibliographer) and published by Routledge. This book was released on 2013-10-11 with total page 546 pages. Available in PDF, EPUB and Kindle. Book excerpt: An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.
Book Synopsis The Poetics of Aristotle by : Aristotle
Download or read book The Poetics of Aristotle written by Aristotle and published by Createspace Independent Publishing Platform. This book was released on 2017-03-07 with total page 82 pages. Available in PDF, EPUB and Kindle. Book excerpt: In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."
Book Synopsis An Annotated Bibliography of the Alaṃkāraśāstra by : Timothy Cahill
Download or read book An Annotated Bibliography of the Alaṃkāraśāstra written by Timothy Cahill and published by BRILL. This book was released on 2021-10-01 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume contains the most comprehensive collection of scholarly sources on Indian poetics and aesthetics (the Alaṃkāraśāstra ever published in ancient India. Entries are divided into three sections and a detailed index is provided. Reference to primary sources from several languages range from about the 5th to the 19th centuries. Secondary sources in two dozen languages are divided into two sections, viz., books and articles. These begin in the mid-19th century and continue to the present. Annotations are usually brief and descriptive.
Book Synopsis Authority, Anxiety, and Canon by : Laurie L. Patton
Download or read book Authority, Anxiety, and Canon written by Laurie L. Patton and published by SUNY Press. This book was released on 1994-01-01 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Authority, Anxiety, and Canon elucidates a principle fundamental to Hinduism's self-understanding--the Veda--while at the same time examining the methodological issues of the role of canon in religious tradition. Spanning the early periods of Indian religious history up to the twentieth century, the book combines theoretical sophistication and detailed scholarship to produce one of the first comprehensive works on Vedic interpretation since Louis Renou's Le Destin Du Veda.
Book Synopsis The Oxford Companion to Indian Theatre by : Ananda Lal
Download or read book The Oxford Companion to Indian Theatre written by Ananda Lal and published by Oxford University Press, USA. This book was released on 2004 with total page 592 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Encyclopedic Volume Is The First Of Its Kind In Any Language Covering All Of Indian Theatre. Lavishly Illustrated, With Some Rare Photographs From Archival Collections.
Book Synopsis Theatric Aspects of Sanskrit Drama by : Govind Keshav Bhat
Download or read book Theatric Aspects of Sanskrit Drama written by Govind Keshav Bhat and published by . This book was released on 1983 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: On Sanskrit dramaturgy and histrionics, with special reference to Bharata Muni's Nāṭyaśastra.
Book Synopsis Essays in Interpretation by : S.Viswanathan
Download or read book Essays in Interpretation written by S.Viswanathan and published by Sarup & Sons. This book was released on 2007 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Poetic Plays of Sri Aurobindo by : Bimal Narayan Thakur
Download or read book Poetic Plays of Sri Aurobindo written by Bimal Narayan Thakur and published by Northern Book Centre. This book was released on 2004 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sri Aurobindo was the reveler of the Life Divine and prophet of the great epic Savitri. Both the unsurpassed titles bear divine messages but for those who could read them. But his stage-worthy plays teach his philosophical ideas through entertainments. Perhaps he wrote the plays to teach integral philosophy of life to all beings. Present work entitled Poetic Plays of Sri Aurobindo is an exhaustive study of his five blank verse drama maintaining the essential elements of drama and dramaturgy from Oriental to Occidental. In his plays, we could enjoy the dramatic art of Shakespeare and Shaw, Bhasa and Kalidasa. Sri Aurobindo was the deliverer of the whole human life and hence, this book enlightens - - how to deliberate one's own self along with the all. - how to bring hormony in individual, social, national and universal life. - how to attain Universal brotherhood by revealing oneness with all other beings. - how to build children's characters, so that, they can live a manly life, reveal universal friendship and enjoy a life divine on earth.
Book Synopsis Studies in Sanskrit Dramatic Criticism by : Trimbak Govind Mainkar
Download or read book Studies in Sanskrit Dramatic Criticism written by Trimbak Govind Mainkar and published by Delhi : Motilal Banarsidass. This book was released on 1971 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Theatre: A Very Short Introduction by : Marvin Carlson
Download or read book Theatre: A Very Short Introduction written by Marvin Carlson and published by OUP Oxford. This book was released on 2014-10-23 with total page 153 pages. Available in PDF, EPUB and Kindle. Book excerpt: From before history was recorded to the present day, theatre has been a major artistic form around the world. From puppetry to mimes and street theatre, this complex art has utilized all other art forms such as dance, literature, music, painting, sculpture, and architecture. Every aspect of human activity and human culture can be, and has been, incorporated into the creation of theatre. In this Very Short Introduction Marvin Carlson takes us through Ancient Greece and Rome, to Medieval Japan and Europe, to America and beyond, and looks at how the various forms of theatre have been interpreted and enjoyed. Exploring the role that theatre artists play — from the actor and director to the designer and puppet-master, as well as the audience — this is an engaging exploration of what theatre has meant, and still means, to people of all ages at all times. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Book Synopsis Sanskrit Play Production in Ancient India by : Tarla Mehta
Download or read book Sanskrit Play Production in Ancient India written by Tarla Mehta and published by Motilal Banarsidass Publ.. This book was released on 1995 with total page 494 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sanskrit Play Production in Ancient India moves through three levels of understanding: (1) What the components of the traditional Natya Production are as described in Natyasastra and other ancient Indian dramaturgical works; how they are interrelated and how they are employed in the staging of Rasa-oriented sanskrit plays?Probing deep into the immense reaches of time to India`s archaic past the author pieces together a fascinatingly intricate design of play production down to the units and subunits of expression and executive.
Book Synopsis Madly after the Muses by : Alexander Riddiford
Download or read book Madly after the Muses written by Alexander Riddiford and published by OUP Oxford. This book was released on 2013-03-14 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: Madly after the Muses examines the use of Graeco-Roman samplings in the Bengali works of Michael Madhusudan Datta (1824-1873), the nineteenth-century poet and playwright. His oeuvre, which includes a Bengali play dramatizing a Hindu version of the Judgement of Paris, a retelling of the Sanskrit Ramayana using various Vergilian and Homeric tropes, a Hindu response to Ovid's Heroides, and a Bengali prose version of the first half of Homer's Iliad, utilize the Greek and Roman classics in a surprising and subversive way. Though steeped in contemporary British literary culture, Madhusudan's Bengali works bypassed the literary trends of his British contemporaries and, most strikingly, used the Western classics to defy the hegemonic elite culture of the Hindu pundits. He treated traditional Hindu material with innovations inspired by the literature of the Graeco-Roman world, and provided an Orientalist Indo-European reading of the ancient cultures of India and Europe. By subverting contemporary British constructions of what constituted 'classical', he also highlighted counter-currents within the Western classical discourse. In this volume, Riddiford introduces new texts and contexts to the fields of classical reception and postcolonial scholarship, and includes appendices with translated excerpts from Bengali works not previously translated into English. He also examines the Bengali poet's classical education, drawing on new material from various archives to show that he was given a rigorous British-style classical education, offering a surprising early chapter in the story of the dissemination and reception of the Graeco-Roman classics in India.
Book Synopsis Performance and Performativity in Contemporary Indian Fiction in English by : Maria-Sabina Draga Alexandru
Download or read book Performance and Performativity in Contemporary Indian Fiction in English written by Maria-Sabina Draga Alexandru and published by Hotei Publishing. This book was released on 2015-02-04 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book starts with a consideration of a 1997 issue of the New Yorker that celebrated fifty years of Indian independence, and goes on to explore the development of a pattern of performance and performativity in contemporary Indian fiction in English (Salman Rushdie, Arundhati Roy and Vikram Chandra). Such fiction, which constructs identity through performative acts, is built around a nomadic understanding of the self and implies an evolution of narrative language towards performativity whereby the text itself becomes nomadic. A comparison with theatrical performance (Peter Brook’s Mahabharata and Girish Karnad’s ‘theatre of roots’) serves to support the argument that in both theatre and fiction the concepts of performance and performativity transform classical Indian mythic poetics. In the mythic symbiosis of performance and storytelling in Indian tradition within a cyclical pattern of estrangement from and return to the motherland and/or its traditions, myth becomes a liberating space of consciousness, where rigid categories and boundaries are transcended.