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Russian Music And Nationalism
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Book Synopsis Russian Music and Nationalism by : Marina Frolova-Walker
Download or read book Russian Music and Nationalism written by Marina Frolova-Walker and published by . This book was released on 2007 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenging what is widely regarded as the distinguishing feature of Russian music--its ineffable "Russianness"--Marina Frolova-Walker examines the history of Russian music from the premiere of Glinka's opera A Life for the Tsar in 1836 to the death of Stalin in 1953, the years in which musical nationalism was encouraged and endorsed by the Russian state and its Soviet successor. The author identifies and discusses two central myths that dominated Russian culture during this period--that art revealed the Russian soul, and that this nationalist artistic tradition was founded by Glinka and Pushkin. The author also offers a critical account of how the imperatives of nationalist thought affected individual composers. In this way Frolova-Walker provides a new perspective on the brilliant creativity, innovation, and eventual stagnation within the tradition of Russian nationalist music.
Book Synopsis Russian Music and Nationalism by : Marina Frolova-Walker
Download or read book Russian Music and Nationalism written by Marina Frolova-Walker and published by . This book was released on 2007 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenging what is widely regarded as the distinguishing feature of Russian music--its ineffable "Russianness"--Marina Frolova-Walker examines the history of Russian music from the premiere of Glinka's opera A Life for the Tsar in 1836 to the death of Stalin in 1953, the years in which musical nationalism was encouraged and endorsed by the Russian state and its Soviet successor. The author identifies and discusses two central myths that dominated Russian culture during this period--that art revealed the Russian soul, and that this nationalist artistic tradition was founded by Glinka and Pushkin. The author also offers a critical account of how the imperatives of nationalist thought affected individual composers. In this way Frolova-Walker provides a new perspective on the brilliant creativity, innovation, and eventual stagnation within the tradition of Russian nationalist music.
Book Synopsis On Russian Music by : Richard Taruskin
Download or read book On Russian Music written by Richard Taruskin and published by Univ of California Press. This book was released on 2009 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume gathers 36 essays by one of the leading scholars in the study of Russian music. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment.
Book Synopsis Russian Nationalism Since 1856 by : Astrid S. Tuminez
Download or read book Russian Nationalism Since 1856 written by Astrid S. Tuminez and published by Rowman & Littlefield. This book was released on 2000 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: This thoughtful book describes the range of nationalist ideas that have taken root in Russia since 1856. Drawing on a wide range of archival documents and unparalleled interview material from the post-Soviet period, Tuminez analyzes two cases_Russian panslavism in 1856-1878 and great power nationalism in 1905-1914_when aggressive nationalist ideas clearly influenced Russian foreign policy and contributed to decisions to go to war. Yet not all forms of nationalism have been malevolent, and the author assesses competing nationalist ideologies in the post-Soviet period to clarify the conditions under which a particularly belligerent nationalism could flourish and influence Russian international behavior.
Book Synopsis Musical Constructions of Nationalism by : Harry White
Download or read book Musical Constructions of Nationalism written by Harry White and published by Cork University Press. This book was released on 2001 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: An innovative collection of essays applying a "new musicology" approach to the relationship between nationalist ideologies and the development of European music.
Book Synopsis Russia Before and After Crimea by : Pal Kolsto
Download or read book Russia Before and After Crimea written by Pal Kolsto and published by Edinburgh University Press. This book was released on 2017-12-04 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Russia's annexation of Crimea in 2014 brought East - West relations to a low. But, by selling the annexation in starkly nationalist terms to grassroots nationalists, Putin's popularity reached record heights. This volume examines the interactions and tensions between state and societal nationalisms before and after the annexation.
Book Synopsis Defining Russia Musically by : Richard Taruskin
Download or read book Defining Russia Musically written by Richard Taruskin and published by Princeton University Press. This book was released on 2000-09-25 with total page 600 pages. Available in PDF, EPUB and Kindle. Book excerpt: with an air of alterity--sensed, exploited, bemoaned, reveled in, traded on, and defended against both from within and from without." The author's goal is to explore this assumption of otherness in an all-encompassing work that re-creates the cultural contexts of the folksong anthologies of the 1700s, the operas, symphonies, and ballets of the 1800s, the modernist masterpieces of the 1900s, and the hugely fraught but ambiguous products of the Soviet period. Taruskin begins by showing how enlightened aristocrats, reactionary romantics, and the theorists and victims of totalitarianism have variously fashioned their vision of Russian society in musical terms. He then examines how Russia as a whole shaped its identity in contrast to an "East" during the age of its imperialist expansion, and in contrast to two different musical "Wests," Germany and Italy, during the formative years of its national consciousness.
Book Synopsis Intellectuals and Apparatchiks by : Kevin O'Connor
Download or read book Intellectuals and Apparatchiks written by Kevin O'Connor and published by Lexington Books. This book was released on 2008-08 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the origins and activities of an alliance of conservative Communist Party authorities and Russian nationalists during the late Soviet era. Specifically, it examines how and to what extent hitherto orthodox Communists sought political allies in the Russian nationalist movement in order to garner support for halting the reform program and saving the Soviet state from collapse.
Book Synopsis Russian Music at Home and Abroad by : Richard Taruskin
Download or read book Russian Music at Home and Abroad written by Richard Taruskin and published by Univ of California Press. This book was released on 2016-09-06 with total page 556 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new collection views Russian music through the Greek triad ofÊÒthe Good, the True, and the BeautifulÓ to investigateÊhow the idea of "nation" embeds itself in the public discourse about music and other arts with results at times invigorating, at times corrupting. In our divided, postÐCold War, and now postÐ9/11 world, Russian music, formerly a quiet corner on the margins of musicology, has become a site of noisy contention. Richard Taruskin assesses the political and cultural stakes that attach to it in the era of Pussy Riot and renewed international tensions, before turning to individual cases from the nineteenth century to the present. Much ofÊthe volume is devoted to the resolutely cosmopolitan but inveterately Russian Igor Stravinsky, one of the major forces in the music of the twentieth century and subject of particular interest to composers and music theorists all over the world. Taruskin here revisits him for the first time since the 1990s, when everything changed for Russia and its cultural products. Other essays are devoted to the cultural and social policies of the Soviet Union and their effect on the music produced there as those policies swung away from Communist internationalism to traditional Russian nationalism; to the musicians of the Russian postrevolutionary diaspora; andÊto the tension between the compelling artistic quality of works such as StravinskyÕs Sacre du Printemps or ProkofieffÕs Zdravitsa and the antihumanistic or totalitarian messages they convey. Russian Music at Home and Abroad addresses these concerns in a personal and critical way, characteristically demonstrating TaruskinÕs authority and ability toÊbring living history out of the shadows.
Download or read book Performing Russia written by Laura Olson and published by Routledge. This book was released on 2004-07-31 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines folk music and dance revival movements in Russia showing how folk 'tradition' in Russia is an artificial cultural construct, which is periodically reinvented.
Book Synopsis The Rise and Fall of Belarusian Nationalism, 1906–1931 by : Per Anders Rudling
Download or read book The Rise and Fall of Belarusian Nationalism, 1906–1931 written by Per Anders Rudling and published by University of Pittsburgh Press. This book was released on 2015-02-27 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modern Belarusian nationalism emerged in the early twentieth century during a dramatic period that included a mass exodus, multiple occupations, seven years of warfare, and the partition of the Belarusian lands. In this original history, Per Anders Rudling traces the evolution of modern Belarusian nationalism from its origins in late imperial Russia to the early 1930s. The revolution of 1905 opened a window of opportunity, and debates swirled around definitions of ethnic, racial, or cultural belonging. By March of 1918, a small group of nationalists had declared the formation of a Belarusian People's Republic (BNR), with territories based on ethnographic claims. Less than a year later, the Soviets claimed roughly the same area for a Belarusian Soviet Socialist Republic (BSSR). Belarusian statehood was declared no less than six times between 1918 and 1920. In 1921, the treaty of Riga officially divided the Belarusian lands between Poland and the Soviet Union. Polish authorities subjected Western Belarus to policies of assimilation, alienating much of the population. At the same time, the Soviet establishment of Belarusian-language cultural and educational institutions in Eastern Belarus stimulated national activism in Western Belarus. Sporadic partisan warfare against Polish authorities occurred until the mid-1920s, with Lithuanian and Soviet support. On both sides of the border, Belarusian activists engaged in a process of mythmaking and national mobilization. By 1926, Belarusian political activism had peaked, but then waned when coups d'etats brought authoritarian rule to Poland and Lithuania. The year 1927 saw a crackdown on the Western Belarusian national movement, and in Eastern Belarus, Stalin's consolidation of power led to a brutal transformation of society and the uprooting of Belarusian national communists. As a small group of elites, Belarusian nationalists had been dependent on German, Lithuanian, Polish, and Soviet sponsors since 1915. The geopolitical rivalry provided opportunities, but also liabilities. After 1926, maneuvering this complex and progressively hostile landscape became difficult. Support from Kaunas and Moscow for the Western Belarusian nationalists attracted the interest of the Polish authorities, and the increasingly autonomous republican institutions in Minsk became a concern for the central government in the Kremlin. As Rudling shows, Belarus was a historic battleground that served as a political tool, borderland, and buffer zone between greater powers. Nationalism arrived late, was limited to a relatively small elite, and was suppressed in its early stages. The tumultuous process, however, established the idea of Belarusian statehood, left behind a modern foundation myth, and bequeathed the institutional framework of a proto-state, all of which resurfaced as building blocks for national consolidation when Belarus gained independence in 1991.
Book Synopsis Nietzsche's Orphans by : Rebecca Mitchell
Download or read book Nietzsche's Orphans written by Rebecca Mitchell and published by Yale University Press. This book was released on 2016-01-05 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: A prevailing belief among Russia’s cultural elite in the early twentieth century was that the music of composers such as Sergei Rachmaninoff, Aleksandr Scriabin, and Nikolai Medtner could forge a shared identity for the Russian people across social and economic divides. In this illuminating study of competing artistic and ideological visions at the close of Russia’s “Silver Age,” author Rebecca Mitchell interweaves cultural history, music, and philosophy to explore how “Nietzsche’s orphans” strove to find in music a means to overcome the disunity of modern life in the final tumultuous years before World War I and the Communist Revolution.
Download or read book Children of Rus' written by Faith Hillis and published by Cornell University Press. This book was released on 2013-11-27 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Children of Rus', Faith Hillis recovers an all but forgotten chapter in the history of the tsarist empire and its southwestern borderlands. The right bank, or west side, of the Dnieper River—which today is located at the heart of the independent state of Ukraine—was one of the Russian empire’s last territorial acquisitions, annexed only in the late eighteenth century. Yet over the course of the long nineteenth century, this newly acquired region nearly a thousand miles from Moscow and St. Petersburg generated a powerful Russian nationalist movement. Claiming to restore the ancient customs of the East Slavs, the southwest’s Russian nationalists sought to empower the ordinary Orthodox residents of the borderlands and to diminish the influence of their non-Orthodox minorities.Right-bank Ukraine would seem unlikely terrain to nourish a Russian nationalist imagination. It was among the empire’s most diverse corners, with few of its residents speaking Russian as their native language or identifying with the culture of the Great Russian interior. Nevertheless, as Hillis shows, by the late nineteenth century, Russian nationalists had established a strong foothold in the southwest’s culture and educated society; in the first decade of the twentieth, they secured a leading role in local mass politics. By 1910, with help from sympathetic officials in St. Petersburg, right-bank activists expanded their sights beyond the borderlands, hoping to spread their nationalizing agenda across the empire.Exploring why and how the empire’s southwestern borderlands produced its most organized and politically successful Russian nationalist movement, Hillis puts forth a bold new interpretation of state-society relations under tsarism as she reconstructs the role that a peripheral region played in attempting to define the essential characteristics of the Russian people and their state.
Book Synopsis Classics for the Masses by : Pauline Fairclough
Download or read book Classics for the Masses written by Pauline Fairclough and published by Yale University Press. This book was released on 2016-05-28 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musicologist Pauline Fairclough explores the evolving role of music in shaping the cultural identity of the Soviet Union in a revelatory work that counters certain hitherto accepted views of an unbending, unchanging state policy of repression, censorship, and dissonance that existed in all areas of Soviet artistic endeavor. Newly opened archives from the Leninist and Stalinist eras have shed new light on Soviet concert life, demonstrating how the music of the past was used to help mold and deliver cultural policy, how “undesirable” repertoire was weeded out during the 1920s, and how Russian and non-Russian composers such as Mozart, Tchaikovsky, Wagner, Bach, and Rachmaninov were “canonized” during different, distinct periods in Stalinist culture. Fairclough’s fascinating study of the ever-shifting Soviet musical-political landscape identifies 1937 as the start of a cultural Cold War, rather than occurring post-World War Two, as is often maintained, while documenting the efforts of musicians and bureaucrats during this period to keep musical channels open between Russia and the West.
Book Synopsis Stalin's Music Prize by : Marina Frolova-Walker
Download or read book Stalin's Music Prize written by Marina Frolova-Walker and published by Yale University Press. This book was released on 2016-01-01 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: Marina Frolova-Walker's fascinating history takes a new look at musical life in Stalin's Soviet Union. The author focuses on the musicians and composers who received Stalin Prizes, awarded annually to artists whose work was thought to represent the best in Soviet culture. This revealing study sheds new light on the Communist leader's personal tastes, the lives and careers of those honored, including multiple-recipients Prokofiev and Shostakovich, and the elusive artistic concept of "Socialist Realism," offering the most comprehensive examination to date of the relationship between music and the Soviet state from 1940 through 1954.
Book Synopsis Russian Nationalism and the Russian-Ukrainian War by : Taras Kuzio
Download or read book Russian Nationalism and the Russian-Ukrainian War written by Taras Kuzio and published by Routledge. This book was released on 2022-01-26 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first to provide an in-depth understanding of the 2014 crisis, Russia’s annexation of Crimea and Europe’s de facto war between Russia and Ukraine. The book provides a historical and contemporary understanding behind President Vladimir Putin Russia’s obsession with Ukraine and why Western opprobrium and sanctions have not deterred Russian military aggression. The volume provides a wealth of detail about the inability of Russia, from the time of the Tsarist Empire, throughout the era of the Union of Soviet Socialist Republics (USSR), and since the dissolution of the latter in 1991, to accept Ukraine as an independent country and Ukrainians as a people distinct and separate from Russians. The book highlights the sources of this lack of acceptance in aspects of Russian national identity. In the Soviet period, Russians principally identified themselves not with the Russian Soviet Federative Republic, but rather with the USSR as a whole. Attempts in the 1990s to forge a post-imperial Russian civic identity grounded in the newly independent Russian Federation were unpopular, and notions of a far larger Russian ‘imagined community’ came to the fore. A post-Soviet integration of Tsarist Russian great power nationalism and White Russian émigré chauvinism had already transformed and hardened Russian denial of the existence of Ukraine and Ukrainians as a people, even prior to the 2014 crises in Crimea and the Donbas. Bringing an end to both the Russian occupation of Crimea and to the broader Russian–Ukrainian conflict can be expected to meet obstacles not only from the Russian de facto President-for-life, Vladimir Putin, but also from how Russia perceives its national identity.
Book Synopsis A History of Russian Music by : Francis Maes
Download or read book A History of Russian Music written by Francis Maes and published by Univ of California Press. This book was released on 2006-02-20 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduces the general public to the scholarly debate that has revolutionized Russian music history over the past two decades. Summarizes the new view of Russian music and provides an overview of the relationships between artistic movements and political ideas.
