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Reform Cinema In Iran
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Book Synopsis Reform Cinema in Iran by : Blake Atwood
Download or read book Reform Cinema in Iran written by Blake Atwood and published by Columbia University Press. This book was released on 2016-11-08 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is nearly impossible to separate contemporary Iranian cinema from the Islamic revolution that transformed film production in the country in the late 1970s. As the aims of the revolution shifted and hardened once Khomeini took power and as an eight-year war with Iraq dragged on, Iranian filmmakers confronted new restrictions. In the 1990s, however, the Reformist Movement, led by Mohammad Khatami, and the film industry, developed an unlikely partnership that moved audiences away from revolutionary ideas and toward a discourse of reform. In Reform Cinema in Iran, Blake Atwood examines how new industrial and aesthetic practices created a distinct cultural and political style in Iranian film between 1989 and 2007. Atwood analyzes a range of popular, art, and documentary films. He provides new readings of internationally recognized films such as Abbas Kiarostami's Taste of Cherry (1997) and Mohsen Makhmalbaf's Time for Love (1990), as well as those by Rakhshan Bani, Masud Kiami, and other key Iranian directors. At the same time, he also considers how filmmakers and the film industry were affected by larger political and religious trends that took shape during Mohammad Khatami's presidency (1997-2005). Atwood analyzes political speeches, religious sermons, and newspaper editorials and pays close attention to technological developments, particularly the rise of video, to determine their role in democratizing filmmaking and realizing the goals of political reform. He concludes with a look at the legacy of reform cinema, including films produced under Mahmoud Ahmadinejad, whose neoconservative discourse rejected the policies of reform that preceded him.
Download or read book Iranian Cinema written by Hamid Reza Sadr and published by Bloomsbury Publishing. This book was released on 2006-09-29 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recent, post-revolutionary Iranian cinema has of course gained the attention of international audiences who have been struck by its powerful, poetic and often explicitly political explorations. Yet mainstream, pre-revolutionary Iranian cinema, with a history stretching back to the early twentieth century, has been perceived in the main as lacking in artistic merit and, crucially, as apolitical in content. This highly readable history of Iran as revealed through the full breadth of its cinema re-reads the films themselves to tell the full story of shifting political, economic and social situations. Sadr argues that embedded within even the seemingly least noteworthy of mainstream Iranian films, we find themes and characterisations which reveal the political contexts of their time and which express the ideological underpinnings of a society. Beginning with the introduction of cinema to Iran through the Iranian monarchy, the book covers the broad spectrum of Iran's cinema, offering vivid descriptions of all key films. "Iranian Cinema" looks at recurring themes and tropes, such as the rural versus the 'corrupt' city and, recently, the preponderance of images of childhood, and asks what these have revealed about Iranian society. The author brings the story up to date explaining Iranian filmmaking after the events of September 11, from Mohsen Makhmalbaf's astonishing Kandahar to Saddiq Barmak's angry work Osama, to explore this most recent and breathtaking revival in Iranian cinema.
Book Synopsis Iranian Cinema in a Global Context by : Peter Decherney
Download or read book Iranian Cinema in a Global Context written by Peter Decherney and published by Routledge. This book was released on 2014-09-15 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: Iranian films have been the subject of much critical and scholarly attention over the past several decades, and Iranian filmmakers are mainstays of international film festivals. Yet most of the attention has been focused on a small segment of Iranian film production: auteurist art cinema. Iranian Cinema in a Global Context, on the other hand, takes account of the wide range of Iranian cinema, from popular youth films to low budget underground films. The volume also reassesses the global circulation of Iranian art cinema, looking at its reception at international festivals, in university curricula, and at the Academy Awards. A final theme of the volume explores the intersection between politics and film, with essays on post-Khatami reform influences, representations of ineffective drug policies, and the representation of Jewish characters in Iranian film. Taken together, the essays in this volume present a new definition of the field of Iranian film studies, one that engages global media flows, transmedia interaction, and a heterogeneous Iranian national cinema.
Book Synopsis The Politics of Iranian Cinema by : Saeed Zeydabadi-Nejad
Download or read book The Politics of Iranian Cinema written by Saeed Zeydabadi-Nejad and published by Routledge. This book was released on 2009-12-04 with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt: Iran has undergone considerable social and political upheaval since the revolution and this has been reflected in its cinema. Focusing on the practices of regulation, production and reception of films in Iran, this book explores the politics of Iranian cinema in its post-revolutionary context.
Book Synopsis Representing the Unpresentable by : Negar Mottahedah
Download or read book Representing the Unpresentable written by Negar Mottahedah and published by Syracuse University Press. This book was released on 2008-02-26 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this pioneering book, Negar Mottahedeh explores the central issues of vision and visibility in Iranian culture. She focuses on historical and literary texts to understand the use of visual culture and performance traditions in the production of the contemporary nation. Tracing the historical mediation and dissemination of ideas for national reform in the modern period of Iran, the book examines the various discourses that have constituted the image of the unpresentable “Babi” as the figure of Iran’s Other. In her exploration of gender and Iranian cinema, the author powerfully argues that this unpresentable image continues to haunt contemporary Iranian cinema’s representations of the nation. As cinema began to displace other forms of representation in Iran, Islamic culture attempted to keep the motion picture industry free from what it perceived to be the taint of foreign values and intervention. With insight and detail, Mottahedeh looks at the revealing ways in which contemporary Iranian cinema has dealt with representing an unpresentable national modernity articulated through traversals in time and space. These deeply national tropes of traversal shaped the image of the “Babi,” against which nineteenth-century Iran produced its own modernity. This highly original work, signaling a paradigmatic shift in Iranian studies and gender studies, will be an invaluable resource for scholars in cultural, Iranian, or film studies.
Download or read book Whisper Tapes written by Negar Mottahedeh and published by Stanford University Press. This book was released on 2019-02-05 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Lyrical, intelligent, and passionately written, Whisper Tapes reignites a long dormant conversation about the urgency of global feminism.” —Shilyh Warren, University of Texas at Dallas Kate Millett was already an icon of American feminism when she went to Iran in 1979. She arrived just weeks after the Iranian Revolution, to join Iranian women in marking International Women's Day. Intended as a day of celebration, the event turned into a week of protests. Millett, armed with film equipment and a cassette deck to record everything around her, found herself in the middle of demonstrations for women’s rights and against the mandatory veil. Listening to the revolutionary soundscape of Millett's audio tapes, Negar Mottahedeh offers a new interpretive guide to Revolutionary Iran, its slogans, habits, and women’s movement—a movement that, many claim, Millett never came to understand. Published with the fortieth anniversary of the Iranian Revolution and the women's protests that followed on its heels, Whisper Tapes re-introduces Millett's historic visit to Iran and lays out the nature of her encounter with the Iranian women's movement. “In offering a deeply contingent history, Negar Mottahedeh beautifully shows Kate Millett's simultaneous closeness to and distance from the events surrounding her.” —Behrooz Ghamari-Tabrizi, Princeton University “Lyrical in style and poetic in meaning, Whisper Tapes challenges readers to adopt an intersectional view of Iranian feminist movements while adding layers and dimensionality to Millett’s preexisting literature.” ––Aisha Jitan, The Middle East Journal “Mottahedeh's illuminating study complements Millett's work and offers a more nuanced reading of a historic moment.” —Lucy Popescu, Times Literary Supplement
Book Synopsis Popular Iranian Cinema before the Revolution by : Pedram Partovi
Download or read book Popular Iranian Cinema before the Revolution written by Pedram Partovi and published by Taylor & Francis. This book was released on 2017-07-14 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Critics and academics have generally dismissed the commercial productions of the late Pahlavi era, best known for their songs and melodramatic plots, as shallow, derivative ‘entertainment’. Instead, they have concentrated on the more recent internationally acclaimed art films, claiming that these constitute Iranian ‘national' cinema, despite few Iranians having seen them. Film discourse, and even fan talk, have long attempted to marginalize the mainstream releases of the 1960s and 1970s with the moniker filmfarsi, ironically asserting that such popular favorites were culturally inauthentic. This book challenges the idea that filmfarsi is detached from the past and present of Iranians. Far from being escapist Hollywood fare merely translated into Persian, it claims that the better films of this supposed genre must be taken as both a subject of, and source for, modern Iranian history. It argues that they have an appeal that relies on their ability to rearticulate traditional courtly and religious ideas and forms to problematize in unexpectedly complex and sophisticated ways the modernist agenda that secular nationalist elites wished to impose on their viewers. Taken seriously, these films raise questions about standard treatments of Iran's modern history. By writing popular films into Iranian history, this book advocates both a fresh approach to the study of Iranian cinema, as well as a rethinking of the modernity/tradition binary that has organized the historiography of the recent past. It will appeal to those interested in Iranian cinema, Iranian history and culture, and, more broadly, readers dissatisfied with a dichotomous approach to modernity.
Book Synopsis A Social History of Iranian Cinema, Volume 1 by : Hamid Naficy
Download or read book A Social History of Iranian Cinema, Volume 1 written by Hamid Naficy and published by Duke University Press. This book was released on 2011-09-16 with total page 458 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVSocial history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena. The first volume focuses on silent era cinema and the transition to sound./div
Book Synopsis A Social History of Iranian Cinema, Volume 4 by : Hamid Naficy
Download or read book A Social History of Iranian Cinema, Volume 4 written by Hamid Naficy and published by Duke University Press. This book was released on 2011 with total page 666 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the fourth and final volume of A History of Iranian Cinema, Hamid Naficy looks at the extraordinary efflorescence in Iranian film and other visual media since the Islamic Revolution.
Book Synopsis Iranian Cosmopolitanism by : Golbarg Rekabtalaei
Download or read book Iranian Cosmopolitanism written by Golbarg Rekabtalaei and published by Cambridge University Press. This book was released on 2019-01-17 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique look at how cinema shaped the cosmopolitan society in Tehran through cultural exchanges between Iran and the world.
Book Synopsis A Social History of Iranian Cinema, Volume 2 by : Hamid Naficy
Download or read book A Social History of Iranian Cinema, Volume 2 written by Hamid Naficy and published by Duke University Press. This book was released on 2011-09-16 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt: Social history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena.
Download or read book Iran written by Hamid Dabashi and published by . This book was released on 2007 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: A deeply informed political and cultural narrative of a country thrust into the international spotlight Praised by leading academics in the field as "extraordinary," "a brilliant analysis," "fresh, provocative and iconoclastic," Iran: A People Interrupted has distinguished itself as a major work that has single-handedly effected a revolution in the field of Iranian studies. In this provocative and unprecedented book, Hamid Dabashi--the internationally renowned cultural critic and scholar of Iranian history and Islamic culture--traces the story of Iran over the past two centuries with unparalleled analysis of the key events, cultural trends, and political developments leading up to the collapse of the reform movement and the emergence of the combative presidency of Mahmoud Ahmadinejad. Written in the author's characteristically lively and combative prose, Iran combines "delightful vignettes" (Publishers Weekly) from Dabashi's Iranian childhood and sharp, insightful readings of its contemporary history. In an era of escalating tensions in the Middle East, his defiant moral voice and eloquent account of a national struggle for freedom and democracy against the overwhelming backdrop of U.S. military hegemony fills a crucial gap in our understanding of this country.
Book Synopsis Revolutionary Iran by : Michael Axworthy
Download or read book Revolutionary Iran written by Michael Axworthy and published by Oxford University Press, USA. This book was released on 2013 with total page 536 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Revolutionary Iran, Michael Axworthy offers a richly textured and authoritative history of Iran from the 1979 revolution to the present.
Book Synopsis Carceral Fantasies by : Alison Griffiths
Download or read book Carceral Fantasies written by Alison Griffiths and published by Columbia University Press. This book was released on 2016-08-23 with total page 467 pages. Available in PDF, EPUB and Kindle. Book excerpt: A groundbreaking contribution to the study of nontheatrical film exhibition, Carceral Fantasies tells the little-known story of how cinema found a home in the U.S. penitentiary system and how the prison emerged as a setting and narrative trope in modern cinema. Focusing on films shown in prisons before 1935, Alison Griffiths explores the unique experience of viewing cinema while incarcerated and the complex cultural roots of cinematic renderings of prison life. Griffiths considers a diverse mix of cinematic genres, from early actualities and reenactments of notorious executions to reformist exposés of the 1920s. She connects an early fascination with cinematic images of punishment and execution, especially electrocutions, to the attractions of the nineteenth-century carnival electrical wonder show and Phantasmagoria (a ghost show using magic lantern projections and special effects). Griffiths draws upon convict writing, prison annual reports, and the popular press obsession with prison-house cinema to document the integration of film into existing reformist and educational activities and film's psychic extension of flights of fancy undertaken by inmates in their cells. Combining penal history with visual and film studies and theories surrounding media's sensual effects, Carceral Fantasies illuminates how filmic representations of the penal system enacted ideas about modernity, gender, the body, and the public, shaping both the social experience of cinema and the public's understanding of the modern prison.
Book Synopsis Reconstructed Lives by : Haleh Esfandiari
Download or read book Reconstructed Lives written by Haleh Esfandiari and published by Woodrow Wilson Center Press. This book was released on 1997-07 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Iranian women tell in their own words what the revolution attempted and how they responded. The Islamic revolution of 1979 transformed all areas of Iranian life. For women, the consequences were extensive and profound, as the state set out to reverse legal and social rights women had won and to dictate many aspects of women's lives, including what they could study and how they must dress and relate to men. Reconstructed Lives presents Iranian women telling in their own words what the revolution attempted and how they responded. Through a series of interviews with professional and working women in Iran—doctors, lawyers, writers, professors, secretaries, businesswomen—Haleh Esfandiari gathers dramatic accounts of what has happened to their lives as women in an Islamic society. She and her informants describe the strategies by which women try to and sometimes succeed in subverting the state's agenda. Esfandiari also provides historical background on the women's movement in Iran. She finds evidence in Iran's experience that even women from "traditional" and working classes do not easily surrender rights or access they have gained to education, career opportunities, and a public role.
Download or read book Days of God written by James Buchan and published by Simon and Schuster. This book was released on 2013-10-15 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Originally published in Great Britain in 2012 by John Murray Publishers"--Title page verso.
Book Synopsis The Military in Post-Revolutionary Iran by : Hesam Forozan
Download or read book The Military in Post-Revolutionary Iran written by Hesam Forozan and published by Routledge. This book was released on 2015-10-14 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Iran's Revolutionary Guard Corps, also known as the 'Sepah', has wielded considerable and increasing power in Iran in recent decades. Established in 1979 by Ayatollah Khomeini as a paramilitary organisation charged with protecting the nascent Islamic regime and countering the untrustworthy Imperial army (or 'Artesh'), the Sepah has evolved into one of the most powerful political, ideological, military and economic players in Iran over recent years. The Sepah is entrusted with a diverse set of indoctrination apparatus, training programmes and system welfare provisions intended to broaden support for the regime. Although established as a paramilitary organisation, the Sepah developed to have its own ministry, complex bureaucracy and diversified functions, alongside its own network and personnel. This book provides a comprehensive overview of the Sepah and its role. It examines the position of the Sepah in Iranian state and society, explores the nature of the Sepah's involvement in politics, and discusses the impact of the Sepah's political rise on Iran's economy and foreign policy. Contemporary Iran can only be fully understood by an awareness of the ongoing in-fighting among regime factions and increasing popular demands for social change – knowing about the Sepah is central to all this.
