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Race Records And The American Recording Industry 1919 1945
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Download or read book Record Cultures written by Kyle Barnett and published by University of Michigan Press. This book was released on 2021-07-26 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tracing the cultural, technological, and economic shifts that shaped the transformation of the recording industry
Download or read book A&R Pioneers written by Brian Ward and published by Vanderbilt University Press. This book was released on 2018-06-26 with total page 533 pages. Available in PDF, EPUB and Kindle. Book excerpt: Association for Recorded Sound Collections Certificate of Merit for the Best Historical Research in Recorded Roots or World Music, 2019 A&R Pioneers offers the first comprehensive account of the diverse group of men and women who pioneered artists-and-repertoire (A&R) work in the early US recording industry. In the process, they helped create much of what we now think of as American roots music. Resourceful, innovative, and, at times, shockingly unscrupulous, they scouted and signed many of the singers and musicians who came to define American roots music between the two world wars. They also shaped the repertoires and musical styles of their discoveries, supervised recording sessions, and then devised marketing campaigns to sell the resulting records. By World War II, they had helped redefine the canons of American popular music and established the basic structure and practices of the modern recording industry. Moreover, though their musical interests, talents, and sensibilities varied enormously, these A&R pioneers created the template for the job that would subsequently become known as "record producer." Without Ralph Peer, Art Satherley, Frank Walker, Polk C. Brockman, Eli Oberstein, Don Law, Lester Melrose, J. Mayo Williams, John Hammond, Helen Oakley Dance, and a whole army of lesser known but often hugely influential A&R representatives, the music of Bessie Smith and Bob Wills, of the Carter Family and Count Basie, of Robert Johnson and Jimmie Rodgers may never have found its way onto commercial records and into the heart of America's musical heritage. This is their story.
Book Synopsis Gennett Records and Starr Piano by : Charlie B. Dahan
Download or read book Gennett Records and Starr Piano written by Charlie B. Dahan and published by Arcadia Publishing. This book was released on 2016-09-05 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Starr Piano Company, based in Richmond, Indiana, quickly became one of the largest piano manufacturers in the United States during the 19th century. In 1915, the Starr Piano Company opened a recording division, Gennett Records, that led to a dynamic change in the music industry and American culture. Gennett embraced the vastly under-recorded genres of jazz, blues, and country music in the 1920s. They recorded artists who were groundbreakers and innovators in both popular and vernacular music, including Louis Armstrong, Charley Patton, Gene Autry, Hoagy Carmichael, Blind Lemon Jefferson, Uncle Dave Macon, and Jelly Roll Morton, often for the first time. The company, like many others, suffered a steep decline in the sale of their pianos and records due to the Great Depression, but the music recorded at Gennett continues to reach new generations and influence musicians as they discover it on reissues and streaming media services.
Book Synopsis A Blues Bibliography by : Robert Ford
Download or read book A Blues Bibliography written by Robert Ford and published by Routledge. This book was released on 2019-07-24 with total page 905 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a sequel to Robert Ford's comprehensive reference work A Blues Bibliography, the second edition of which was published in 2007. Bringing Ford's bibliography of resources up to date, this volume covers works published since 2005, complementing the first volume by extending coverage through twelve years of new publications. As in the previous volume, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations, and lyric transcriptions and musical analysis. With extensive listings of print and online articles in scholarly and trade journals, books, and recordings, this bibliography offers the most thorough resource for all researchers studying the blues.
Book Synopsis The Structure of American Industry by : James Brock
Download or read book The Structure of American Industry written by James Brock and published by Waveland Press. This book was released on 2013-03-20 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: Americans continually cross paths with major industries that comprise the U.S. economy. These industries face and raise challenging issues that in turn generate important economic questions: How are individual industries organized and structured? What share of their market do they represent? What are the major public policy issues they affect? What are the economic consequences of addressing them? A single text examining every industry would provide a disjointed, haphazard analysis. The case-study approach taken in The Structure of American Industry avoids such shortcomings. The expert author of each case studyfourteen in allpresents a comprehensive and coherent analysis of a specific industry. The holistic, in-depth treatment sparks lively interest, does not succumb to theoretical abstractions, and offers practical answers to economic questions.
Book Synopsis Recorded Music in American Life by : William Howland Kenney
Download or read book Recorded Music in American Life written by William Howland Kenney and published by Oxford University Press. This book was released on 1999-07-08 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: Have records, compact discs, and other sound reproduction equipment merely provided American listeners with pleasant diversions, or have more important historical and cultural influences flowed through them? Do recording machines simply capture what's already out there, or is the music somehow transformed in the dual process of documentation and dissemination? How would our lives be different without these machines? Such are the questions that arise when we stop taking for granted the phenomenon of recorded music and the phonograph itself. Now comes an in-depth cultural history of the phonograph in the United States from 1890 to 1945. William Howland Kenney offers a full account of what he calls "the 78 r.p.m. era"--from the formative early decades in which the giants of the record industry reigned supreme in the absence of radio, to the postwar proliferation of independent labels, disk jockeys, and changes in popular taste and opinion. By examining the interplay between recorded music and the key social, political, and economic forces in America during the phonograph's rise and fall as the dominant medium of popular recorded sound, he addresses such vital issues as the place of multiculturalism in the phonograph's history, the roles of women as record-player listeners and performers, the belated commercial legitimacy of rhythm-and-blues recordings, the "hit record" phenomenon in the wake of the Great Depression, the origins of the rock-and-roll revolution, and the shifting place of popular recorded music in America's personal and cultural memories. Throughout the book, Kenney argues that the phonograph and the recording industry served neither to impose a preference for high culture nor a degraded popular taste, but rather expressed a diverse set of sensibilities in which various sorts of people found a new kind of pleasure. To this end, Recorded Music in American Life effectively illustrates how recorded music provided the focus for active recorded sound cultures, in which listeners shared what they heard, and expressed crucial dimensions of their private lives, by way of their involvement with records and record-players. Students and scholars of American music, culture, commerce, and history--as well as fans and collectors interested in this phase of our rich artistic past--will find a great deal of thorough research and fresh scholarship to enjoy in these pages.
Book Synopsis Music in Black American Life, 1600-1945 by :
Download or read book Music in Black American Life, 1600-1945 written by and published by University of Illinois Press. This book was released on 2022-08-23 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: This first volume of Music in Black American Life collects research and analysis that originally appeared in the journals American Music and the Black Music Research Journal, and in the University of Illinois Press's acclaimed book series Music in American Life. In these selections, experts from a cross-section of disciplines engage with fundamental issues in ways that changed our perceptions of Black music. The topics includes the culturally and musically complex Black music-making of colonial America; string bands and other lesser-known genres practiced by Black artists; the jubilee industry and its audiences; and innovators in jazz, blues, and Black gospel. Eclectic and essential, Music in Black American Life, 1600–1945 offers specialists and students alike a gateway to the history and impact of Black music in the United States. Contributors: R. Reid Badger, Rae Linda Brown, Samuel A. Floyd Jr., Sandra Jean Graham, Jeffrey Magee, Robert M. Marovich, Harriet Ottenheimer, Eileen Southern, Katrina Dyonne Thompson, Stephen Wade, and Charles Wolfe
Book Synopsis Voices of Black Folk by : Terri Brinegar
Download or read book Voices of Black Folk written by Terri Brinegar and published by Univ. Press of Mississippi. This book was released on 2022-04-19 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the late 1920s, Reverend A. W. Nix (1880–1949), an African American Baptist minister born in Texas, made fifty-four commercial recordings of his sermons on phonographs in Chicago. On these recordings, Nix presented vocal traditions and styles long associated with the southern, rural Black church as he preached about self-help, racial uplift, thrift, and Christian values. As southerners like Nix fled into cities in the North to escape the rampant racism in the South, they contested whether or not African American vocal styles of singing and preaching that had emerged during the slavery era were appropriate for uplifting the race. Specific vocal characteristics, like those on Nix’s recordings, were linked to the image of the “Old Negro” by many African American leaders who favored adopting Europeanized vocal characteristics and musical repertoires into African American churches in order to uplift the modern “New Negro” citizen. Through interviews with family members, musical analyses of the sounds on Nix’s recordings, and examination of historical documents and relevant scholarship, Terri Brinegar argues that the development of the phonograph in the 1920s afforded preachers like Nix the opportunity to present traditional Black vocal styles of the southern Black church as modern Black voices. These vocal styles also influenced musical styles. The “moaning voice” used by Nix and other ministers was a direct connection to the “blues moan” employed by many blues singers including Blind Willie, Blind Lemon, and Ma Rainey. Both Reverend A. W. Nix and his brother, W. M. Nix, were an influence on the “Father of Gospel Music,” Thomas A. Dorsey. The success of Nix’s recorded sermons demonstrates the enduring values African Americans placed on traditional vocal practices.
Book Synopsis The Structure of American Industry by : Walter Adams
Download or read book The Structure of American Industry written by Walter Adams and published by Prentice Hall. This book was released on 2005 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: This widely used industry casebook offers the leading ";real-world"; survey of contemporary American industries. Providing a sound new treatment of the role of public policy in a free enterprise economy, the book illustrates the broadest possible range of American market structures through a series of carefully chosen and well-developed case studies of specific industries, all written by leading authorities in their field. Featured industries include accounting/auditing, agriculture, petroleum, automobiles, cigarettes, beer, commercial banking, music recording, health care; airlines; telecommunications; and college sports. For individuals interested in industrial organization, public policy toward business, trade regulation, and regulation of industry.
Book Synopsis American Popular Music by : Glenn Appell
Download or read book American Popular Music written by Glenn Appell and published by Schirmer Books. This book was released on 2006 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: Appell (jazz studies, Diablo Valley College) and Hemphill (graduate studies, research, and development, San Francisco State University) offer a textbook for popular music, humanities, or cultural studies courses, organized by the musical influences of particular cultural groups--African American, European American, Latin, Native American and Asian--rather than a strict chronological approach. This is followed by a section tracing modern jazz to hip hop. They survey a broad range of styles, from minstrelsy, blues, hymns, and wind bands to Chicano music, Afro-Caribbean music, bebop, acid jazz, girl groups, folk-rock, the British invasion, R&B, and rock.
Book Synopsis The Invention and Reinvention of Big Bill Broonzy by : Kevin D. Greene
Download or read book The Invention and Reinvention of Big Bill Broonzy written by Kevin D. Greene and published by UNC Press Books. This book was released on 2018-09-28 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the course of his long career, legendary bluesman William "Big Bill" Broonzy (1893–1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the North, to its eventual international acclaim. Along the way, Broonzy adopted an evolving personal and professional identity, tailoring his self-presentation to the demands of the place and time. His remarkable professional fluidity mirrored the range of expectations from his audiences, whose ideas about race, national belonging, identity, and the blues were refracted through Broonzy as if through a prism. Kevin D. Greene argues that Broonzy's popular success testifies to his ability to navigate the cultural expectations of his different audiences. However, this constant reinvention came at a personal and professional cost. Using Broonzy's multifaceted career, Greene situates blues performance at the center of understanding African American self-presentation and racial identity in the first half of the twentieth century. Through Broonzy's life and times, Greene assesses major themes and events in African American history, including the Great Migration, urbanization, and black expatriate encounters with European culture consumers. Drawing on a range of historical source materials as well as oral histories and personal archives held by Broonzy's son, Greene perceptively interrogates how notions of race, gender, and audience reception continue to shape concepts of folk culture and musical authenticity.
Download or read book Meatpackers written by Rick Halpern and published by NYU Press. This book was released on 1999-03 with total page 179 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Here is a piece of history not found in conventional textbooks. If ever there were a book our young needed, it is Meatpackers-it reveals an epoch in which trade unions fought and won whatever rights working people possess today. With these rights constantly imperiled, this book is mandatory reading." --Studs Terkel "The stories are dramatically and richly told, and they offer insights no scholarly study can quite adequately provide." --Peter Rachleff, Journal of American History Available for the first time in paperback, Meatpackers provides an important window into race and racism in the American workplace. In their own words, male and female packinghouse workers in the Midwest-mostly African-American-talk of their experiences on the shop floor and picket lines. They tell of their fight between the 1930s and 1960s for economic advancement and racial equality. In cities like Chicago, Kansas City, Omaha, Fort Worth, and Waterloo, Iowa, meatpackers built a union that would defend their interests as workers-and fight for their civil rights.
Book Synopsis A Humorous Account of America's Past: 1898 to 1945 by : Richard T. Stanley
Download or read book A Humorous Account of America's Past: 1898 to 1945 written by Richard T. Stanley and published by iUniverse. This book was released on 2010-09-02 with total page 397 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1898, the United States became an empire by accident due to our splendid little war against Spain. At the beginning of the 20th Century, the most famous men in America were not athletes or politicians; they were inventors and businessmen like Bell, Edison, Morgan, and Rockefeller. Teddy Roosevelt built the Panama Canal, launched the Great White Fleet, and became a Bull Moose. Woodrow Wilson was reelected in 1916 because He Kept Us Out of War! World War I began as a family feud between three European cousins named Georgie, Willie, and Nicky. The War to end all wars set the stage for World War II. Americas first female President was Edith Wilson, and our first Black President was possibly Warren Harding. Aside from Babe Ruth, Charles Lindbergh, Al Capone, Sigmund Freud, Emily Post, or Sinclair Lewis novels and Hollywoods movies, Calvin Coolidge personified the Roaring Twenties. Following the Stock Market Crash, FDRs New Deal and his fireside chats helped up survive Hoovervilles, but it took World War II to end the Great Depression. What happened between Pearl Harbor and the Atomic Bomb? Read my book.
Book Synopsis American Popular Culture by : Arthur Frank Wertheim
Download or read book American Popular Culture written by Arthur Frank Wertheim and published by . This book was released on 1984 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book America, History and Life written by and published by . This book was released on 2007 with total page 656 pages. Available in PDF, EPUB and Kindle. Book excerpt: Article abstracts and citations of reviews and dissertations covering the United States and Canada.
Book Synopsis Becoming Mexican American by : George J. Sanchez
Download or read book Becoming Mexican American written by George J. Sanchez and published by Oxford University Press. This book was released on 1995-03-23 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt: Twentieth-century Los Angeles has been the locus of one of the most profound and complex interactions between variant cultures in American history. Yet this study is among the first to examine the relationship between ethnicity and identity among the largest immigrant group to that city. By focusing on Mexican immigrants to Los Angeles from 1900 to 1945, George J. Sánchez explores the process by which temporary sojourners altered their orientation to that of permanent residents, thereby laying the foundation for a new Mexican-American culture. Analyzing not only formal programs aimed at these newcomers by the United States and Mexico, but also the world created by these immigrants through family networks, religious practice, musical entertainment, and work and consumption patterns, Sánchez uncovers the creative ways Mexicans adapted their culture to life in the United States. When a formal repatriation campaign pushed thousands to return to Mexico, those remaining in Los Angeles launched new campaigns to gain civil rights as ethnic Americans through labor unions and New Deal politics. The immigrant generation, therefore, laid the groundwork for the emerging Mexican-American identity of their children.
Book Synopsis The Jazz Revolution by : Kathy J. Ogren
Download or read book The Jazz Revolution written by Kathy J. Ogren and published by Oxford University Press. This book was released on 1992-06-04 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Born of African rhythms, the spiritual "call and response," and other American musical traditions, jazz was by the 1920s the dominant influence on this country's popular music. Writers of the Harlem Renaissance (Langston Hughes, Claude McKay, Zora Neale Hurston) and the "Lost Generation" (Malcolm Cowley, F. Scott Fitzgerald, and Gertrude Stein), along with many other Americans celebrated it--both as an expression of black culture and as a symbol of rebellion against American society. But an equal number railed against it. Whites were shocked by its raw emotion and sexuality, and blacks considered it "devil's music" and criticized it for casting a negative light on the black community. In this illuminating work, Kathy Ogren places this controversy in the social and cultural context of 1920s America and sheds new light on jazz's impact on the nation as she traces its dissemination from the honky-tonks of New Orleans, New York, and Chicago, to the clubs and cabarets of such places as Kansas City and Los Angeles, and further to the airwaves. Ogren argues that certain characteristics of jazz, notably the participatory nature of the music, its unusual rhythms and emphasis, gave it a special resonance for a society undergoing rapid change. Those who resisted the changes criticized the new music; those who accepted them embraced jazz. In the words of conductor Leopold Stowkowski, "Jazz [had] come to stay because it [was] an expression of the times, of the breathless, energetic, superactive times in which we [were] living, it [was] useless to fight against it." Numerous other factors contributed to the growth of jazz as a popular music during the 1920s. The closing of the Storyville section of New Orleans in 1917 was a signal to many jazz greats to move north and west in search of new homes for their music. Ogren follows them to such places as Chicago, New York, and San Francisco, and, using the musicians' own words as often as possible, tells of their experiences in the clubs and cabarets. Prohibition, ushered in by the Volstead Act of 1919, sent people out in droves to gang-controlled speak-easies, many of which provided jazz entertainment. And the 1920s economic boom, which made music readily available through radio and the phonograph record, created an even larger audience for the new music. But Ogren maintains that jazz itself, through its syncopated beat, improvisation, and blue tonalities, spoke to millions. Based on print media, secondary sources, biographies and autobiographies, and making extensive use of oral histories, The Jazz Revolution offers provocative insights into both early jazz and American culture.
