Practica Musica

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Musica Practica

Author : Michael Chanan
Publisher : Verso
ISBN 13 : 9781859840054
Total Pages : 324 pages
Book Rating : 4.8/5 (4 download)

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Book Synopsis Musica Practica by : Michael Chanan

Download or read book Musica Practica written by Michael Chanan and published by Verso. This book was released on 1994-10-17 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musica Practica is a historical investigation into the social practice of Western music which advances an alternative approach to that of established musicology. Citing evidence from Barthes, Nietzsche, Bakhtin, Max Weber and Schoenberg, Michael Chanan explores the communal roots of the musical tradition and the effects of notation on creative and performing practice. He appraises the psychological wellsprings of music using the insights of linguistics, semiotics and psychoanalysis. Tracing the growth of musical printing and the creation of a market for the printed score, he examines the transformation of patronage with the demise of the ancien régime, and draws on little-known texts by Marx to analyze the formation of the musical economy in the nineteenth century. Chanan sketches out an unwritten history of musical instruments as technology, from Tutankhamen’s trumpets to the piano, the ancient Greek water organ to the digital synthesizer. The book concludes with reflections on the rise of modernism and the dissolution of the European tradition in a sea of postmodernism and “world music.” Musica Practica assumes no specialist knowledge of music beyond an ordinary familiarity with common terms and an average acquaintance with the music of different styles and periods. It is a fascinating commentary on the soundtrack of daily life in the metropolis of the late twentieth century.

Teaching Music with Technology

Author : Thomas E. Rudolph
Publisher : GIA Publications
ISBN 13 : 9781579993139
Total Pages : 480 pages
Book Rating : 4.9/5 (931 download)

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Book Synopsis Teaching Music with Technology by : Thomas E. Rudolph

Download or read book Teaching Music with Technology written by Thomas E. Rudolph and published by GIA Publications. This book was released on 2004 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text covers topics from MIDI and electronic keyboards to the Internet and the copyright law to most recent developments in hardware, software, and pedagogy. The accompanying CD-ROM provides end-of-chapter questions, activities and projects, lesson plans, web activities, demo programs and much more.

Heinrich Schenker

Author :
Publisher : Pendragon Press
ISBN 13 : 9780918728999
Total Pages : 572 pages
Book Rating : 4.7/5 (289 download)

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Book Synopsis Heinrich Schenker by :

Download or read book Heinrich Schenker written by and published by Pendragon Press. This book was released on 1978 with total page 572 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.

Readings in the History of Music in Performance

Author : Carol MacClintock
Publisher : Indiana University Press
ISBN 13 : 9780253144959
Total Pages : 456 pages
Book Rating : 4.1/5 (449 download)

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Book Synopsis Readings in the History of Music in Performance by : Carol MacClintock

Download or read book Readings in the History of Music in Performance written by Carol MacClintock and published by Indiana University Press. This book was released on 1979 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: ..". extremely useful... In MacClintock's selections, even when the source is primarily theoretical, she chooses passages that give a lively insight into actual music-making."A -- Continuo Readings on the performance of Western music from the late middle ages to the early nineteenth century describe the accepted conventions and actual practices of former times.

Windows on Music

Author : Jeffrey Evans
Publisher :
ISBN 13 : 9780929444031
Total Pages : 220 pages
Book Rating : 4.4/5 (44 download)

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Book Synopsis Windows on Music by : Jeffrey Evans

Download or read book Windows on Music written by Jeffrey Evans and published by . This book was released on 1989 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Composers at Work

Author : Jessie Ann Owens
Publisher : Oxford University Press
ISBN 13 : 0195351665
Total Pages : 368 pages
Book Rating : 4.1/5 (953 download)

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Book Synopsis Composers at Work by : Jessie Ann Owens

Download or read book Composers at Work written by Jessie Ann Owens and published by Oxford University Press. This book was released on 1998-11-19 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did Renaissance composers write their music? In this revolutionary look at a subject that has fascinated scholars for years, musicologist Jessie Ann Owens offers new and striking evidence that contrary to accepted theory, sixteenth-century composers did not use scores to compose--even to write complex vocal polyphony. Drawing on sources that include contemporary theoretical treatises, documents and letters, iconographical evidence, actual fragments of composing slates, and numerous sketches, drafts, and corrected autograph manuscripts, Owens carefully reconstructs the step-by-step process by which composers between 1450 and 1600 composed their music. The manuscript evidence--autographs of more than thirty composers--shows the stages of work on a wide variety of music--instrumental and vocal, sacred and secular--from across most of Renaissance Europe. Her research demonstrates that instead of working in full score, Renaissance composers fashioned the music in parts, often working with brief segments, according to a linear conception. The importance of this discovery on editorial interpretation and on performance cannot be overstated. The book opens with a broad picture of what has been known about Renaissance composition. From there, Owens examines the teaching of composition and the ways in which musicians and composers both read and wrote music. She also considers evidence for composition that occurred independent of writing, such as composing "in the mind" or composing with instruments. In chapters on the manuscript evidence, she establishes a typology both of the sources themselves and of their contents (sketches, drafts, fair copies). She concludes with case studies detailing the working methods of Francesco Corteccia, Henricus Isaac, Cipriano de Rore, and Giovanni Pierluigi da Palestrina. This book will change the way we analyze and understand early music. Clear, provocative, and painstakingly researched, Composers at Work: The Craft of Musical Composition 1450-1600 makes essential reading for scholars of Renaissance music as well as those working in related fields such as sketch studies and music theory.

The Renaissance Reform of Medieval Music Theory

Author : Stefano Mengozzi
Publisher : Cambridge University Press
ISBN 13 : 0521884152
Total Pages : 305 pages
Book Rating : 4.5/5 (218 download)

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Book Synopsis The Renaissance Reform of Medieval Music Theory by : Stefano Mengozzi

Download or read book The Renaissance Reform of Medieval Music Theory written by Stefano Mengozzi and published by Cambridge University Press. This book was released on 2010-02-11 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: A detailed study of the sight-singing method introduced by the 11th-century monk Guido of Arezzo, in its intellectual context.

Companion to Baroque Music

Author : Julie Anne Sadie
Publisher : Univ of California Press
ISBN 13 : 9780520214149
Total Pages : 596 pages
Book Rating : 4.2/5 (141 download)

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Book Synopsis Companion to Baroque Music by : Julie Anne Sadie

Download or read book Companion to Baroque Music written by Julie Anne Sadie and published by Univ of California Press. This book was released on 1998-01-01 with total page 596 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era. The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era.

Practica Musicae

Author : Franchinus Gaffurius
Publisher :
ISBN 13 :
Total Pages : 258 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Practica Musicae by : Franchinus Gaffurius

Download or read book Practica Musicae written by Franchinus Gaffurius and published by . This book was released on 1968 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Sounds and Sights of Performance in Early Music

Author : Maureen Epp
Publisher : Routledge
ISBN 13 : 1351540467
Total Pages : 310 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis The Sounds and Sights of Performance in Early Music by : Maureen Epp

Download or read book The Sounds and Sights of Performance in Early Music written by Maureen Epp and published by Routledge. This book was released on 2017-07-05 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: The experience of music performance is always far more than the sum of its sounds, and evidence for playing and singing techniques is not only inscribed in music notation but can also be found in many other types of primary source materials. This volume of essays presents a cross-section of new research on performance issues in music of the Middle Ages and Renaissance. The subject is approached from a broad perspective, drawing on areas such as dance history, art history, music iconography and performance traditions from beyond Western Europe. In doing so, the volume continues some of the many lines of inquiry pursued by its dedicatee, Timothy J. McGee, over a lifetime of scholarship devoted to practical questions of playing and singing early music. Expanding the bases of inquiry to include various social, political, historical or aesthetic backgrounds both broadens our knowledge of the issues pertinent to early music performance and informs our understanding of other cultural activities within which music played an important role. The book is divided into two parts: 'Viewing the Evidence' in which visually based information is used to address particular questions of music performance; and 'Reconsidering Contexts' in which diplomatic, commercial and cultural connections to specific repertories or compositions are considered in detail. This book will be of value not only to specialists in early music but to all scholars of the Middle Ages and Renaissance whose interests intersect with the visual, aural and social aspects of music performance.

Sor Juana/Música

Author : Pamela H. Long
Publisher : Peter Lang
ISBN 13 : 9781433102691
Total Pages : 158 pages
Book Rating : 4.1/5 (26 download)

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Book Synopsis Sor Juana/Música by : Pamela H. Long

Download or read book Sor Juana/Música written by Pamela H. Long and published by Peter Lang. This book was released on 2009 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt: In her lost treatise on music which she titled El caracol, Sor Juana Inés de la Cruz addressed the image of the spiral as a metaphor for musical harmony, an image which she distilled in one of her romances. Singing in the choir of the Templo de San Jerónimo, Sor Juana and the other nuns of her convent were raising the tone of their musica humana to be in accord with the music of the heavenly choirs, which the nuns were imitating in their singing. Octavio Paz theorizes a «triple interés» in music in Sor Juana's works: «práctico, teórico, filósofico». Numerous poems allude to the theoretical and philosophical problems of music, resulting in many levels of metaphor and metonym concerning music, especially in the loas and villancicos. Not only does Sor Juana's work address the metaphysical aspects of music, the musica speculative so popular in the sixteenth and seventeenth centuries, but it broaches important questions on the practical applications of new theories of musical harmony: the musica practica. A talented poet, playwright, scientist, and mathematician, Sor Juana also explored musical instruments and theory. Sor Juana/Música investigates the musical aspects of Sor Juana's literary achievements, exploring the dense metaphorical interplay of musical and literary images, and places her works within the musicological ambience of her time. With its interdisciplinary approach, Sor Juana/Música contributes not only to the understanding of Sor Juana's literary works, but also to the degree that literature underpins the other arts as it illuminates the musicological times in which she lived.

Music Performance Encounters

Author : John Koslovsky
Publisher : Taylor & Francis
ISBN 13 : 1000994708
Total Pages : 255 pages
Book Rating : 4.0/5 (9 download)

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Book Synopsis Music Performance Encounters by : John Koslovsky

Download or read book Music Performance Encounters written by John Koslovsky and published by Taylor & Francis. This book was released on 2023-11-29 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why do most musical performers and musical researchers continue to inhabit divergent epistemic spaces? To what extent is the act of musical performance coextensive with the act of doing musical research, and vice versa? At what point in the research process can a performative act transform into a scholarly one, and a scholarly act into a performative one? These, and other related questions, form the central focus of this book, with each chapter offering a fresh perspective on a particular topic in music performance studies: improvisational traditions, historical performance practices, analysis and performance, sports psychology, cross-cultural musical interactions, and institutional challenges. This book is aimed at music researchers, teachers, students, and practising musicians interested in the intersection of academic and performance research; as such, it seeks to bridge the divide between the research of university-trained musicologists, scholars from other fields who focus on music, and the growing community of musical artist-researchers. Material in this book is supported by performance outcomes offered by the contributors on a separate YouTube channel and on the Routledge online portal.

The The Theoretical-Practical Elements of Music, Parts III and IV

Author : Francesco Galeazzi
Publisher : University of Illinois Press
ISBN 13 : 0252037081
Total Pages : 434 pages
Book Rating : 4.2/5 (52 download)

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Book Synopsis The The Theoretical-Practical Elements of Music, Parts III and IV by : Francesco Galeazzi

Download or read book The The Theoretical-Practical Elements of Music, Parts III and IV written by Francesco Galeazzi and published by University of Illinois Press. This book was released on 2012-06-21 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: A virtuoso violinist, conductor, composer, and a professor of mathematics and botany, Francesco Galeazzi (1758–1819) firmly believed that musical education should be clear, demonstrable, and practical. In 1791 and 1796, he published the two volumes of his Elementi teorico-practici di musica, a treatise that demonstrated both his thorough grounding in the work of earlier theorists and his own approach to musical study. The first volume gave precise instructions on the violin and how to play it; the second demonstrated his command of other instruments and genres and provided comprehensive introductions to music theory, music history, and music aesthetics. The treatise also addresses the nature of compositional process and eighteenth-century concerns about natural and acquired talent and creativity. This volume offers an unprecedented English translation of the second volume of Elementi teorico-practici di musica, with annotations and commentary. The translation is introduced with a study of Galeazzi's life and milieu, the genesis and sources for the Elementi, and its reception through the present day.

Musica Practica

Author : Bartolomeo Ramos de Pareja
Publisher : American Institute of Musicology Hanssler Verlag
ISBN 13 :
Total Pages : 188 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Musica Practica by : Bartolomeo Ramos de Pareja

Download or read book Musica Practica written by Bartolomeo Ramos de Pareja and published by American Institute of Musicology Hanssler Verlag. This book was released on 1993 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Humanism and the Reform of Sacred Music in Early Modern England

Author : Hyun-Ah Kim
Publisher : Routledge
ISBN 13 : 1317119592
Total Pages : 272 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Humanism and the Reform of Sacred Music in Early Modern England by : Hyun-Ah Kim

Download or read book Humanism and the Reform of Sacred Music in Early Modern England written by Hyun-Ah Kim and published by Routledge. This book was released on 2016-05-13 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: John Merbecke (c.1505-c.1585) is most famous as the composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first Concordance of the whole English Bible (1550) and of the first English encyclopaedia of biblical and theological studies, A Booke of Notes and Common Places (1581). By situating Merbecke and his work within a broader intellectual and religio-cultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a re-thinking of the prevailing interpretative framework of Reformation musical history. On the basis of the new contextual study of Merbecke, this book seeks to re-interpret his work, particularly BCPN, in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christian-musical orator', demonstrating that BCPN is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through re-evaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.

The Science and Art of Renaissance Music

Author : James Haar
Publisher : Princeton University Press
ISBN 13 : 1400864712
Total Pages : 408 pages
Book Rating : 4.4/5 (8 download)

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Book Synopsis The Science and Art of Renaissance Music by : James Haar

Download or read book The Science and Art of Renaissance Music written by James Haar and published by Princeton University Press. This book was released on 2014-07-14 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: As a distinguished scholar of Renaissance music, James Haar has had an abiding influence on how musicology is undertaken, owing in great measure to a substantial body of articles published over the past three decades. Collected here for the first time are representative pieces from those years, covering diverse themes of continuing interest to him and his readers: music in Renaissance culture, problems of theory as well as the Italian madrigal in the sixteenth century, the figures of Antonfrancesco Doni and Giovanthomaso Cimello, and the nineteenth century's views of early music. In this collection, the same subject is seen from several angles, and thus gives a rich context for further exploration. Haar was one of the first to recognize the value of cultural study. His work also reminds us that the close study of the music itself is equally important. The articles contained in this book show the author's conviction that a good way to address large problems is to begin by focusing on small ones. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Language of the Modes

Author : Frans Wiering
Publisher : Routledge
ISBN 13 : 1135683417
Total Pages : 338 pages
Book Rating : 4.1/5 (356 download)

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Book Synopsis The Language of the Modes by : Frans Wiering

Download or read book The Language of the Modes written by Frans Wiering and published by Routledge. This book was released on 2013-10-11 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Language of the Modes provides a study of modes in early music through eight essays, each dealing with a different aspects of modality. The volume codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. For many music students and listeners, the "language of the modes" is a deep mystery, accustomed as we are to centuries of modern harmony. Wiering demystifies the modal world, showing how composers and performers were able to use this structure to create compelling and beautiful works. This book will be an invaluable source to scholars of early music and music theory. in early music through eight essays, each dealing with a different aspects of modality. It codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. This book will be an invaluable source to scholars of early music.