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Polyphonic Music Of The Fourteenth Century The Roman De Fauvel The Works Of Philippe De Vitry French Cycles Of The Ordinarium Missae
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Book Synopsis Polyphonic music of the fourteenth century: The Roman de Fauvel ; The works of Philippe de Vitry ; French cycles of the Ordinarium Missae by : Leo Schrade
Download or read book Polyphonic music of the fourteenth century: The Roman de Fauvel ; The works of Philippe de Vitry ; French cycles of the Ordinarium Missae written by Leo Schrade and published by . This book was released on 1956 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Polyphonic Music of the Fourteenth Century, Edited by Leo Schrade. Volume I [: the Roman de Fauvel, the Works of Philippe de Vitry, French Cycles of the Ordinarium Missae - Commentary Notés]. by : Leo Schrade
Download or read book Polyphonic Music of the Fourteenth Century, Edited by Leo Schrade. Volume I [: the Roman de Fauvel, the Works of Philippe de Vitry, French Cycles of the Ordinarium Missae - Commentary Notés]. written by Leo Schrade and published by . This book was released on 1956 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Polyphonic Music of the Fourteenth Century by : Leo Schrade
Download or read book Polyphonic Music of the Fourteenth Century written by Leo Schrade and published by . This book was released on 1956 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Roman de Fauvel ; The works of Philippe de Vitry ; French cycles of the Ordinarium Missae by : Leo Schrade
Download or read book The Roman de Fauvel ; The works of Philippe de Vitry ; French cycles of the Ordinarium Missae written by Leo Schrade and published by Monaco : Editions de l'oiseau-lyre. This book was released on 1956 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: The remaining works of Philippe consist of one French part-song and 8 motets.
Book Synopsis Medieval Music-Making and the Roman de Fauvel by : Emma Dillon
Download or read book Medieval Music-Making and the Roman de Fauvel written by Emma Dillon and published by Cambridge University Press. This book was released on 2002-10-07 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description
Book Synopsis Polyphonic Music of the Fourteenth Century by : Leo Schrade
Download or read book Polyphonic Music of the Fourteenth Century written by Leo Schrade and published by . This book was released on 1956 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Roman de Fauvel by : Leo Schrade
Download or read book The Roman de Fauvel written by Leo Schrade and published by . This book was released on 1956 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Discovering Medieval Song by : Mark Everist
Download or read book Discovering Medieval Song written by Mark Everist and published by Cambridge University Press. This book was released on 2018-05-31 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Conductus repertory is the body of monophonic and polyphonic non-liturgical Latin song that dominated European culture from the middle of the twelfth century to the beginning of the fourteenth. In this book, Mark Everist demonstrates how the poetry and music interact, explores how musical structures are created, and discusses the geographical and temporal reach of the genre, including its significance for performance today. The volume studies what medieval society thought of the Conductus, its function in medieval society - whether paraliturgical or in other contexts - and how it fitted into patristic and secular Latin cultures. The Conductus emerges as a genre of great poetic and musical sophistication that brought the skills of poets and musicians into alignment. This book provides an all-encompassing view of an important but unexplored repertory of medieval music, engaging with both poetry and music even-handedly to present new and up-to-date perspectives on the genre.
Book Synopsis Early Music History: Volume 22 by : Iain Fenlon
Download or read book Early Music History: Volume 22 written by Iain Fenlon and published by Cambridge University Press. This book was released on 2003-10-16 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 22 include: O Quelle Armonye: dialogue singing in late Renaissance France; Ars Subtilior and the patronage of French princes; Laboring in the midst of wolves: reading a group of Fauvel motets; Watermarks and musicology: the genesis of Johannes Wiser's collection.
Book Synopsis Polyphonic Music of the Fourteenth Century by : Leo Schrade
Download or read book Polyphonic Music of the Fourteenth Century written by Leo Schrade and published by . This book was released on 1956 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music and Instruments of the Middle Ages by : Tess Knighton
Download or read book Music and Instruments of the Middle Ages written by Tess Knighton and published by Boydell & Brewer. This book was released on 2020 with total page 511 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays on important topics in early music.
Book Synopsis Polyphony in Medieval Paris by : Catherine A. Bradley
Download or read book Polyphony in Medieval Paris written by Catherine A. Bradley and published by Cambridge University Press. This book was released on 2018-08-09 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: Polyphony associated with the Parisian cathedral of Notre Dame marks a historical turning point in medieval music. Yet a lack of analytical or theoretical systems has discouraged close study of twelfth- and thirteenth-century musical objects, despite the fact that such creations represent the beginnings of musical composition as we know it. Is musical analysis possible for such medieval repertoires? Catherine A. Bradley demonstrates that it is, presenting new methodologies to illuminate processes of musical and poetic creation, from monophonic plainchant and vernacular French songs, to polyphonic organa, clausulae, and motets in both Latin and French. This book engages with questions of text-music relationships, liturgy, and the development of notational technologies, exploring concepts of authorship and originality as well as practices of quotation and musical reworking.
Book Synopsis Early Music History: Volume 12 by : Iain Fenlon
Download or read book Early Music History: Volume 12 written by Iain Fenlon and published by Cambridge University Press. This book was released on 1994-02-24 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes contributions on European knowledge of Arabic texts referring to music and the motets of Philippe de Vitry and the fourteenth-century renaissance
Book Synopsis The Motet in the Late Middle Ages by : Margaret Bent
Download or read book The Motet in the Late Middle Ages written by Margaret Bent and published by Oxford University Press. This book was released on 2023-11-03 with total page 777 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique capacity of measured polyphony is to give precisely fixed places not only to musical notes, but also to individual words in relation to them and each other. The Motet in the Late Middle Ages offers innovative approaches to the equal partnership of music and texts in motets of the fourteenth century and beyond, showcasing the imaginative opportunities afforded by this literal kind of intertextuality, and yielding a very different narrative from the common complaint that different simultaneous texts make motets incomprehensible. As leading musicologist Margaret Bent asserts, they simply require a different approach to preparation and listening. In this book, Bent examines the words and music of motets from many different angles: foundational verbal quotations and pre-existent chant excerpts and their contexts, citations both of words and music from other compositions, function, dating, structure, theory, and number symbolism. Individual studies of these original creations tease out a range of strategies, ingenuity, playfulness, striking juxtapositions, and even subversion. Half of the thirty-two chapters consist of new material; the other half are substantially revised and updated versions of previously published articles and chapters, organized into seven Parts. With new analyses of text and music together, new datings, new attributions, and new hypotheses about origins and interrelationships, Bent uncovers little-explored dimensions, provides a window into the craft and thought processes of medieval composers, and opens up many directions for future work.
Book Synopsis A Performer's Guide to Medieval Music by : Ross W. Duffin
Download or read book A Performer's Guide to Medieval Music written by Ross W. Duffin and published by Indiana University Press. This book was released on 2000 with total page 618 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.
Book Synopsis Music and Culture in the Middle Ages and Beyond by : Benjamin Brand
Download or read book Music and Culture in the Middle Ages and Beyond written by Benjamin Brand and published by Cambridge University Press. This book was released on 2016-10-27 with total page 379 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this volume offer diverse, innovative approaches to medieval music and culture.
Book Synopsis Upper-Voice Structures and Compositional Process in the Ars Nova Motet by : Anna Zayaruznaya
Download or read book Upper-Voice Structures and Compositional Process in the Ars Nova Motet written by Anna Zayaruznaya and published by Routledge. This book was released on 2018-05-11 with total page 155 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the motets of Philippe de Vitry, Guillaume de Machaut, and their contemporaries, tenors have often been characterized as the primary shaping forces, prior in conception as well as in construction to the upper voices. Tenors are shaped by the interaction of talea and color, medieval terms now used to refer to the independent repetition of rhythms and pitches, respectively. The presence in the upper voices of the periodically repeating rhythmic patterns, often referred to as "isorhythm," has been characterized as an amplification of tenor structure. But a fresh look at the medieval treatises suggests a revised analytical vocabulary: for many fourteenth- and fifteenth-century writers, both color and talea involved rhythmic repetition, the latter in the upper voices specifically. And attention to upper-voice taleae independently of tenor structures brings renewed emphasis to the significant portion of the repertory in which upper voices evince formal schemes that differ from those in the tenors. These structures in turn suggest a revision of the presumed compositional process for motets, implying that in some cases upper-voice text and forms may have preceded the selection and organization of tenors. Such revisions have implications for hermeneutic endeavors, since not only the forms of motet voices but the meanings of their texts change, depending on whether analysis proceeds from the tenor up, or from the top down. Where the presumed compositional and structural primacy afforded to tenors has encouraged a strand of interpretation that reads the upper-voice poetry as conforming to, and amplifying, the tenor text snippets and their liturgical contexts, a "bottom-down" view casts tenors in a supporting role and reveals the poetic impulse of the upper voices as the organizing principle of motets.
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