Philosophical Problems Of Classical Film Theory

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Philosophical Problems of Classical Film Theory

Author : Noël Carroll
Publisher :
ISBN 13 : 9780691073217
Total Pages : 268 pages
Book Rating : 4.0/5 (732 download)

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Book Synopsis Philosophical Problems of Classical Film Theory by : Noël Carroll

Download or read book Philosophical Problems of Classical Film Theory written by Noël Carroll and published by . This book was released on 1988 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is an analytical inquiry into classical film theory (that is, film theory before the advent of the semiotics and poststructuralism that began to dominate academic film literature in the 1970s). The author brings his training and experience as both an analytical philosopher and a film scholar to bear on its chief tenets. Using Rudolf Arnheim, Andre Bazin, and V. F. Perkins as representatives of major types of thinking about film, he provides clear and concise overviews of their work and locates their thought against the critical and theoretical currents of their times, the historical development of the cinema, and the prevalent issues in philosophical aesthetics. This closely reasoned book characterizes the structure of classical film theory, attempts to diagnose its shortcomings, and suggests avenues of inquiry for postclassical film theory. In addition, it includes many illuminating discussions of particular films and cinematic techniques. Arnheim and Bazin represent opposing positions on the nature of photographic recording that are so deeply entrenched in our intellectual culture that these arguments seem to return over and over whenever discussion of the photographic arts is broached. Professor Carroll offers a uniquely penetrating appraisal of their work. Perkins, a more contemporary thinker, has not been subjected to any detailed analysis until now.

Film, Theory and Philosophy

Author : Felicity Colman
Publisher : Routledge
ISBN 13 : 1317492439
Total Pages : 596 pages
Book Rating : 4.3/5 (174 download)

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Book Synopsis Film, Theory and Philosophy by : Felicity Colman

Download or read book Film, Theory and Philosophy written by Felicity Colman and published by Routledge. This book was released on 2014-12-05 with total page 596 pages. Available in PDF, EPUB and Kindle. Book excerpt: Philosophy, and in particular continental philosophy, has provided a conceptual underpinning for cinema since its beginnings, especially in the development of cinematic aesthetics. In its turn, film has rethought the abstractions of space and time and the categories of sex and gender and has created new concepts which illuminate phenomenology, metaphysics and epistemology. "Film and Philosophy" brings together leading scholars to provide a detailed overview of the key thinkers who have shaped the field of film philosophy. The thinkers include continental and 'post-continental' philosophers, analytic philosophers, film-makers, film reviewers, sociologists, and cultural theorists.The essays reveal how philosophy can be applied to film analysis and how film can be used to illustrate philosophical problems. But more importantly, the essays explore how film has shaped what philosophy thinks and how philosophy has lead to a reappraisal of film. The book will prove an invaluable reference and guide to readers interested in a deeper understanding of the issues and insights presented by film philosophy." Film and Philosophy" includes essays on: Hugo Munsterberg, Vilem Flusser, Siegfried Kracauer, Theodor Adorno, Antonin Artaud, Henri Bergson, Maurice Merleau-Ponty, Emmanuel Levinas, Andre Bazin, Roland Barthes, Serge Daney, Jean-Luc Godard, Stanley Cavell, Jean-Luc Nancy, Jacques Derrida, Gilles Deleuze, Sarah Kofman, Paul Virilio, Jean Baudrillard, Jean-Francois Lyotard, Fredric Jameson, Felix Guattari, Raymond Bellour, Christian Metz, Julia Kristeva, Laura Mulvey, Homi Bhabha, Slavoj Zizek, Stephen Heath, Alain Badiou, Jacques Ranciere, Leo Bersani, Giorgio Agamben, and Michel Chion.

The Film Cultures Reader

Author : Graeme Turner
Publisher : Psychology Press
ISBN 13 : 0415252814
Total Pages : 550 pages
Book Rating : 4.4/5 (152 download)

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Book Synopsis The Film Cultures Reader by : Graeme Turner

Download or read book The Film Cultures Reader written by Graeme Turner and published by Psychology Press. This book was released on 2002 with total page 550 pages. Available in PDF, EPUB and Kindle. Book excerpt: This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon.

Post-Theory

Author : David Bordwell
Publisher : University of Wisconsin Pres
ISBN 13 : 0299149439
Total Pages : 584 pages
Book Rating : 4.2/5 (991 download)

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Book Synopsis Post-Theory by : David Bordwell

Download or read book Post-Theory written by David Bordwell and published by University of Wisconsin Pres. This book was released on 2012-11 with total page 584 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the 1970s, the academic study of film has been dominated by Structuralist Marxism, varieties of cultural theory, and the psychoanalytic ideas of Freud and Lacan. With Post-Theory, David Bordwell and Noel Carroll have opened the floor to other voices challenging the prevailing practices of film scholarship. Addressing topics as diverse as film scores, national film industries, and audience response. Post-Theory offers fresh directions for understanding film.

Film as Philosophy

Author : Bernd Herzogenrath
Publisher : U of Minnesota Press
ISBN 13 : 1452953449
Total Pages : 450 pages
Book Rating : 4.4/5 (529 download)

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Book Synopsis Film as Philosophy by : Bernd Herzogenrath

Download or read book Film as Philosophy written by Bernd Herzogenrath and published by U of Minnesota Press. This book was released on 2017-03-21 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film and philosophy have much in common, and books have been written on film and philosophy. But can films be, or do, philosophy? Can they “think”? Film as Philosophy is the first book to explore this fascinating question historically, thematically, and methodically. Bringing together leading scholars from universities across the globe, Film as Philosophy presents major new research that leads film studies and philosophy into a productive dialogue. It provides a uniquely sweeping, historical overview of the confluence of film and philosophy for more than a century, considering films from Jean Renoir, Lars von Trier, Jørgen Leth, David Lynch, Michael Haneke, and others; the written works of filmmakers who also theorized on the medium, including Sergei Eisenstein and Jean Epstein; and others who have written on cinema, including Hugo Münsterberg, Béla Balázs, André Bazin, Henri Bergson, Gilles Deleuze, Stanley Cavell, Alain Badiou, Jacques Rancière, and many more. Representing a major step toward establishing a media philosophy that puts the status, role, and function of film into a new perspective, Film as Philosophy removes representational techniques from the center of inquiry, replacing these with the medium’s ability to “think.” Hence it accords film with “agency,” and the dialogue between it and philosophy (and even neuroscience) is negotiated anew. Contributors: Nicole Brenez, U of Paris 3–Sorbonne; Elisabeth Bronfen, U of Zurich; Noël Carroll, CUNY; Tom Conley, Harvard U; Angela Dalle Vacche, Georgia Institute of Technology; Gregory Flaxman, U of North Carolina, Chapel Hill; Alex Ling, Western Sydney U; Adrian Martin, Monash U; John Ó Maoilearca, Kingston U, London; Robert Sinnerbrink, Macquarie U, Sydney; Murray Smith, U of Kent, Canterbury; Julia Vassilieva, Monash U, Melbourne; Christophe Wall-Romana, U of Minnesota; and Thomas E. Wartenberg, Mount Holyoke College.

The Routledge Encyclopedia of Film Theory

Author : Edward Branigan
Publisher : Routledge
ISBN 13 : 1136472622
Total Pages : 767 pages
Book Rating : 4.1/5 (364 download)

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Book Synopsis The Routledge Encyclopedia of Film Theory by : Edward Branigan

Download or read book The Routledge Encyclopedia of Film Theory written by Edward Branigan and published by Routledge. This book was released on 2013-12-04 with total page 767 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Encyclopedia of Film Theory is an international reference work representing the essential ideas and concepts at the centre of film theory from the beginning of the twentieth century, to the beginning of the twenty-first. When first encountering film theory, students are often confronted with a dense, interlocking set of texts full of arcane terminology, inexact formulations, sliding definitions, and abstract generalities. The Routledge Encyclopedia of Film Theory challenges these first impressions by aiming to make film theory accessible and open to new readers. Edward Branigan and Warren Buckland have commissioned over 50 scholars from around the globe to address the difficult formulations and propositions in each theory by reducing these difficult formulations to straightforward propositions. The result is a highly accessible volume that clearly defines, and analyzes step by step, many of the fundamental concepts in film theory, ranging from familiar concepts such as ‘Apparatus’, ‘Gaze’, ‘Genre’, and ‘Identification’, to less well-known and understood, but equally important concepts, such as Alain Badiou’s ‘Inaesthetics’, Gilles Deleuze’s ‘Time-Image’, and Jean-Luc Nancy’s ‘Evidence’. The Routledge Encyclopedia of Film Theory is an ideal reference book for undergraduates of film studies, as well as graduate students new to the discipline.

Film, Theory and Philosophy

Author : Felicity Colman
Publisher : Routledge
ISBN 13 : 1317492447
Total Pages : 417 pages
Book Rating : 4.3/5 (174 download)

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Book Synopsis Film, Theory and Philosophy by : Felicity Colman

Download or read book Film, Theory and Philosophy written by Felicity Colman and published by Routledge. This book was released on 2014-12-05 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: Philosophy, and in particular continental philosophy, has provided a conceptual underpinning for cinema since its beginnings, especially in the development of cinematic aesthetics. In its turn, film has rethought the abstractions of space and time and the categories of sex and gender and has created new concepts which illuminate phenomenology, metaphysics and epistemology. "Film and Philosophy" brings together leading scholars to provide a detailed overview of the key thinkers who have shaped the field of film philosophy. The thinkers include continental and 'post-continental' philosophers, analytic philosophers, film-makers, film reviewers, sociologists, and cultural theorists.The essays reveal how philosophy can be applied to film analysis and how film can be used to illustrate philosophical problems. But more importantly, the essays explore how film has shaped what philosophy thinks and how philosophy has lead to a reappraisal of film. The book will prove an invaluable reference and guide to readers interested in a deeper understanding of the issues and insights presented by film philosophy." Film and Philosophy" includes essays on: Hugo Munsterberg, Vilem Flusser, Siegfried Kracauer, Theodor Adorno, Antonin Artaud, Henri Bergson, Maurice Merleau-Ponty, Emmanuel Levinas, Andre Bazin, Roland Barthes, Serge Daney, Jean-Luc Godard, Stanley Cavell, Jean-Luc Nancy, Jacques Derrida, Gilles Deleuze, Sarah Kofman, Paul Virilio, Jean Baudrillard, Jean-Francois Lyotard, Fredric Jameson, Felix Guattari, Raymond Bellour, Christian Metz, Julia Kristeva, Laura Mulvey, Homi Bhabha, Slavoj Zizek, Stephen Heath, Alain Badiou, Jacques Ranciere, Leo Bersani, Giorgio Agamben, and Michel Chion.

The Oxford Handbook of Film Theory

Author : Kyle Stevens
Publisher : Oxford University Press
ISBN 13 : 0190873922
Total Pages : 713 pages
Book Rating : 4.1/5 (98 download)

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Book Synopsis The Oxford Handbook of Film Theory by : Kyle Stevens

Download or read book The Oxford Handbook of Film Theory written by Kyle Stevens and published by Oxford University Press. This book was released on 2022 with total page 713 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite changes in the media landscape, film remains a vital force in contemporary culture, as do our ideas of what "a movie" or "the cinematic" are. Indeed, we might say that the category of film now only exists in theory. Whereas film-theoretical discussion at the turn of the 21st century was preoccupied, understandably, by digital technology's permeation of virtually all aspects of the film object, this volume moves the conversation away from a focus on film's materiality towards timely questions concerning the ethics, politics, and even aesthetics of thinking about the medium of cinema. To put it another way, this collection narrows in on the subject of film, not with a nostalgic sensibility, but with the recognition that what constitutes a film is historically contingent, in dialogue with the vicissitudes of entertainment, art, and empire. The volume is divided into six sections: Meta-Theory; Film Theory's Project of Emancipation; Apparatus and Perception; Audiovisuality; How Close is Close Reading?; and The Turn to Experience.

Postanalytic and Metacontinental

Author : Jack Reynolds
Publisher : A&C Black
ISBN 13 : 0826424414
Total Pages : 267 pages
Book Rating : 4.8/5 (264 download)

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Book Synopsis Postanalytic and Metacontinental by : Jack Reynolds

Download or read book Postanalytic and Metacontinental written by Jack Reynolds and published by A&C Black. This book was released on 2010-06-03 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Aesthetics

Author : David Goldblatt
Publisher : Routledge
ISBN 13 : 1315303655
Total Pages : 1159 pages
Book Rating : 4.3/5 (153 download)

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Book Synopsis Aesthetics by : David Goldblatt

Download or read book Aesthetics written by David Goldblatt and published by Routledge. This book was released on 2017-09-01 with total page 1159 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aesthetics: A Reader in Philosophy of the Arts, fourth edition, contains a selection of ninety-six readings organized by individual art forms as well as a final section of readings in philosophical aesthetics that cover multiple art forms. Sections include topics that are familiar to students such as painting, photography and movies, architecture, music, literature, and performance, as well as contemporary subjects such as mass art, popular arts, the aesthetics of the everyday, and the natural environment. Essays are drawn from both the analytic and continental traditions, and multiple others that bridge this divide between these traditions. Throughout, readings are brief, accessible for undergraduates, and conceptually focused, allowing instructors many different syllabi possibilities using only this single volume. Key Additions to the Fourth Edition The fourth edition is expanded to include a total of ninety-six essays with nineteen new essays (nine of them written exclusively for this volume), updated organization into new sections, revised introductions to each section, an increased emphasis on contemporary topics, such as stand-up comedy, the architecture of museums, interactivity and video games, the ethics of sexiness, trans/gendered beauty, the aesthetics of junkyards and street art, pornography, and the inclusion of more diverse philosophical voices. Nevertheless, this edition does not neglect classic writers in the traditional aesthetics: Plato, Aristotle, Hume, Kant, Hegel, Heidegger, Collingwood, Bell, and writers of similar status in aesthetics. The philosophers writing new chapters exclusively for this fourth edition are: • Sondra Bacharach on street art • Aili Bresnahan on appreciating dance • Hina Jamelle on digital architecture • Jason Leddington on magic • Sheila Lintott on stand-up comedy • Yuriko Saito on everyday aesthetics • Larry Shiner on art spectacle museums in the twenty-first century • Peg Brand Weiser on how beauty matters • Edward Winters on the feeling of being at home in vernacular architecture, as in such urban places as bars.

Comedy/Cinema/Theory

Author : Andrew Horton
Publisher : Univ of California Press
ISBN 13 : 0520910257
Total Pages : 262 pages
Book Rating : 4.5/5 (29 download)

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Book Synopsis Comedy/Cinema/Theory by : Andrew Horton

Download or read book Comedy/Cinema/Theory written by Andrew Horton and published by Univ of California Press. This book was released on 2023-09-01 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: The nature of comedy has interested many thinkers, from Plato to Freud, but film comedy has not received much theoretical attention in recent years. The essays in Comedy/Cinema/Theory use a range of critical and theoretical approaches to explore this curious and fascinating subject. The result is a stimulating, informative book for anyone interested in film, humor, and the art of bringing the two together. Comedy remains a central human preoccupation, despite the vagaries in form that it has assumed over the centuries in different media. In his introduction, Horton surveys the history of the study of comedy, from Aristophanes to the present, and he also offers a perspective on other related comic forms: printed fiction, comic books, TV sitcoms, jokes and gags. Some essays in the collection focus on general issues concerning comedy and cinema. In lively (and often humorous) prose, such scholars as Lucy Fischer, Noel Carroll, Peter Lehman, and Brian Henderson employ feminist, post-Freudian, neo-Marxist, and Bakhtinian methodologies. The remaining essays bring theoretical considerations to bear on specific works and comic filmmakers. Peter Brunette, William Paul, Scott Bukatman, Dana Polan, Charles Eidsvik, Ruth Perlmutter, Stephen Mamber, and Andrew Horton provide different perspectives for analyzing The Three Stooges, Chaplin, Jerry Lewis, Woody Allen, Dusan Makavejev, and Alfred Hitchcock's sole comedy, Mr. and Mrs. Smith, as well as the peculiar genre of cynical humor from Eastern Europe. As editor Horton notes, an over-arching theory of film comedy does not emanate from these essays. Yet the diversity and originality of the contributions reflect vital and growing interest in the subject, and both students of film and general moviegoers will relish the results.

The Routledge Companion to Philosophy and Film

Author : Paisley Livingston
Publisher : Routledge
ISBN 13 : 1135982740
Total Pages : 868 pages
Book Rating : 4.1/5 (359 download)

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Book Synopsis The Routledge Companion to Philosophy and Film by : Paisley Livingston

Download or read book The Routledge Companion to Philosophy and Film written by Paisley Livingston and published by Routledge. This book was released on 2008-10-27 with total page 868 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to Philosophy and Film is the first comprehensive volume to explore the main themes, topics, thinkers and issues in philosophy and film. The Companion features sixty specially commissioned chapters from international scholars and is divided into four clear parts: • issues and concepts • authors and trends • genres • film as philosophy. Part one is a comprehensive section examining key concepts, including chapters on acting, censorship, character, depiction, ethics, genre, interpretation, narrative, reception and spectatorship and style. Part two covers authors and scholars of film and significant theories Part three examines genres such as documentary, experimental cinema, horror, comedy and tragedy. Part four includes chapters on key directors such as Tarkovsky, Bergman and Terrence Malick and on particular films including Memento. Each chapter includes a section of annotated further reading and is cross-referenced to related entries. The Routledge Companion to Philosophy and Film is essential reading for anyone interested in philosophy of film, aesthetics and film and cinema studies.

Defining Cinema

Author : Peter Lehman
Publisher : Rutgers University Press
ISBN 13 : 9780813523026
Total Pages : 230 pages
Book Rating : 4.5/5 (23 download)

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Book Synopsis Defining Cinema by : Peter Lehman

Download or read book Defining Cinema written by Peter Lehman and published by Rutgers University Press. This book was released on 1997 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: On film studies

Arnheim for Film and Media Studies

Author : Scott Higgins
Publisher : Routledge
ISBN 13 : 1135966923
Total Pages : 595 pages
Book Rating : 4.1/5 (359 download)

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Book Synopsis Arnheim for Film and Media Studies by : Scott Higgins

Download or read book Arnheim for Film and Media Studies written by Scott Higgins and published by Routledge. This book was released on 2010-10-18 with total page 595 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rudolf Arnheim (1904-2007) was a pioneering figure in film studies, best known for his landmark book on silent cinema Film as Art. He ultimately became more famous as a scholar in the fields of art and art history, largely abandoning his theoretical work on cinema. However, his later aesthetic theories on form, perception and emotion should play an important role in contemporary film and media studies. In this enlightening new volume in the AFI Film Readers series, an international group of leading scholars revisits Arnheim’s legacy for film and media studies. In fourteen essays, the contributors bring Arnheim’s later work on the visual arts to bear on film and media, while also reassessing the implications of his film theory to help refine our grasp of Film as Art and related texts. The contributors discuss a broad range topics including Arnheim’s film writings in relation to modernism, his antipathy to sound as well as color in film, the formation of his early ideas on film against the social and political backdrop of the day, the wider uses of his methodology, and the implications of his work for digital media. This is essential reading for any film and media student or scholar seeking to understand the meaning and contemporary impact of Arnheim’s foundational work in film theory and aesthetics.

Film Theory: The Basics

Author : Kevin McDonald
Publisher : Routledge
ISBN 13 : 1000579484
Total Pages : 201 pages
Book Rating : 4.0/5 (5 download)

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Book Synopsis Film Theory: The Basics by : Kevin McDonald

Download or read book Film Theory: The Basics written by Kevin McDonald and published by Routledge. This book was released on 2022-05-11 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fully updated and expanded throughout, this second edition of Film Theory: The Basics provides an accessible introduction to the key theorists, concepts, and debates that have shaped the study of moving images. The book examines film theory from its emergence in the early twentieth century to its study in the present day, and explores why film has drawn special attention as a medium, as a form of representation, and as a focal point in the rise of modern visual culture. It also emphasizes how film theory has developed as a historically contingent discourse, one that has evolved and changed in conjunction with different social, political, and intellectual factors. This second edition offers a detailed account of new theoretical directions at the forefront of film studies in the twenty-first century, and draws additional attention to how theory engages with today’s most pressing questions about digital technologies, the environment, and racial justice. Complete with questions for discussion and a glossary of both key terms and key theorists, this book in an invaluable resource for those new to film theory and for anyone else interested in the history and significance of critical thinking in relation to the moving image.

Film theory

Author : Robert Lapsley
Publisher : Manchester University Press
ISBN 13 : 1526185857
Total Pages : 334 pages
Book Rating : 4.5/5 (261 download)

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Book Synopsis Film theory by : Robert Lapsley

Download or read book Film theory written by Robert Lapsley and published by Manchester University Press. This book was released on 2024-07-30 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film theory: an introduction offers a highly readable account of film theory and is an indispensable resource for students. The discussion ranges from the late 1960s to the present, a period in which a number of conceptual strands, notably politics, semiotics and psychoanalysis were woven together in an ambitious synthesis. In this book, the authors chart the construction of this synthesis and its subsequent fragmentation, and clearly explain the various intellectual currents which have contributed to it. Divided into two parts, the first covers the conceptual background of film theory, dealing with historical materialism, semiotics and psychoanalysis, whilst in the second the authors concentrate on particular topics such as authorship, narrative, realism, the avant-garde and postmodernism. For this new edition, the authors have added a new foreword, a fully updated and expanded bibliography, and a 60-page Retrospect outlining developments within film theory since the book’s original publication in 1988. This Retrospect identifies a number of broad readings of Theory, each with a different perspective on the main content of the book. As such, it provides a new and original mapping of the ‘post-theory’ moment in this complex and often fractured terrain. Accessible and authoritative, this book is essential reading for students of film theory, or indeed anyone seeking a deeper understanding of modern cinema.

Film Theory

Author : Thomas Elsaesser
Publisher : Routledge
ISBN 13 : 1317581148
Total Pages : 290 pages
Book Rating : 4.3/5 (175 download)

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Book Synopsis Film Theory by : Thomas Elsaesser

Download or read book Film Theory written by Thomas Elsaesser and published by Routledge. This book was released on 2015-03-12 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the relationship between cinema and spectator? This is the key question for film theory, and one that Thomas Elsaesser and Malte Hagener put at the center of their insightful and engaging book, now revised from its popular first edition. Every kind of cinema (and every film theory) first imagines an ideal spectator, and then maps certain dynamic interactions between the screen and the spectator’s mind, body and senses. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from its beginnings to the present—from neo-realist and modernist theories to psychoanalytic, ‘apparatus,’ phenomenological and cognitivist theories, and including recent cross-overs with philosophy and neurology. This new and updated edition of Film Theory: An Introduction through the Senses has been extensively revised and rewritten throughout, incorporating discussion of contemporary films like Her and Gravity, and including a greatly expanded final chapter, which brings film theory fully into the digital age.