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Author : Theodore W. Hatlen
Publisher : Prentice Hall
ISBN 13 :
Total Pages : 390 pages
Book Rating : 4.:/5 (321 download)
Download or read book Orientation to the Theatre [sic] written by Theodore W. Hatlen and published by Prentice Hall. This book was released on 1981 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Theodore W. Hatlen
Publisher : Prentice Hall
ISBN 13 :
Total Pages : 424 pages
Book Rating : 4.3/5 (9 download)
Download or read book Orientation to the Theater written by Theodore W. Hatlen and published by Prentice Hall. This book was released on 1987 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: A widely-used, highly acclaimed, and fully illustrated introduction to all aspects of the theatre.
Author : Theodore W. Hatlen
Publisher :
ISBN 13 : 9780136421320
Total Pages : 55 pages
Book Rating : 4.4/5 (213 download)
Download or read book Orientation to the Theatre written by Theodore W. Hatlen and published by . This book was released on 1981 with total page 55 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Theodore W. Hatlen
Publisher :
ISBN 13 : 9780136421580
Total Pages : 0 pages
Book Rating : 4.4/5 (215 download)
Download or read book Orientation to the Theater written by Theodore W. Hatlen and published by . This book was released on 1987 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Simon Shepherd
Publisher : Bloomsbury Publishing
ISBN 13 : 1350316474
Total Pages : 388 pages
Book Rating : 4.3/5 (53 download)
Download or read book Direction written by Simon Shepherd and published by Bloomsbury Publishing. This book was released on 2012-12-17 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is directing an art? Do directors need to be trained? What do directors actually do? These questions and more are answered in this accessibly written survey of the art of theatre direction. Its broad scope ranges across the theatres of both America and Europe, looking at practices from Stanislavski up to the present day.
Author : Melissa James Gibson
Publisher : Dramatists Play Service Inc
ISBN 13 : 9780822218722
Total Pages : 140 pages
Book Rating : 4.2/5 (187 download)
Download or read book Sic written by Melissa James Gibson and published by Dramatists Play Service Inc. This book was released on 2004 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: In adjacent apartments that resemble nothing so much as broom closets with windows, the three young, ambitious neighbors of Melissa James Gibson's "[sic]" come together to discuss, flirt, argue, share their dreams, and plan their futures with unequal degrees of deep hopefulness and abject despair, all the while pushing the limits of their friendship to the max and demonstrating that language can be both an instrument of intimacy and a weapon of defense. Theo is a composer trying to create a heroic theme for an amusement park ride called the Thrill-o-Rama; Babette is a writer who is trying to finish--or even start--a book theorizing that temper tantrums are the major motivating force behind historical events; and Frank is a would-be auctioneer, preparing for his future career by constantly practicing such tongue twisters as "Sally sought some seeds to sow but sadly soon it snowed." By exploring these questing lives in language that alternates between exhilarating structural inventiveness and loony comedy, poignant soul-searching and incisive analysis of the life that may actually exist beyond one's four walls, Melissa James Gibson has created a unique play that is as witty and wise as it is stylistically groundbreaking and unexpected.
Author :
Publisher : Hal Leonard
ISBN 13 : 1705103928
Total Pages : 189 pages
Book Rating : 4.7/5 (51 download)
Download or read book Six: The Musical - Vocal Selections written by and published by Hal Leonard. This book was released on 2020-06-01 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Vocal Selections). Six has received rave reviews around the world for its modern take on the stories of the six wives of Henry VIII and it's finally opening on Broadway! From Tudor queens to pop princesses, the six wives take the mic to remix five hundred years of historical heartbreak into an exuberant celebration of 21st century girl power! Songs include: All You Wanna Do * Don't Lose Ur Head * Ex-Wives * Get Down * Haus of Holbein * Heart of Stone * I Don't Need Your Love * No Way * Six.
Author : Lisa A. Freeman
Publisher : University of Pennsylvania Press
ISBN 13 : 0812201949
Total Pages : 307 pages
Book Rating : 4.8/5 (122 download)
Download or read book Character's Theater written by Lisa A. Freeman and published by University of Pennsylvania Press. This book was released on 2013-05-07 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: If the whole world acted the player, how did the player act the world? In Character's Theater, Lisa A. Freeman uses this question to test recent critical discussion of eighteenth-century literature and culture. Much current work, she observes, focuses on the concept of theatricality as both the governing metaphor of social life and a primary filter of psychic perception. Hume's "theater of the mind," Adam Smith's "impartial spectator," and Diderot's "tableaux" are all invoked by theorists to describe a process whereby the private individual comes to internalize theatrical logic and apprehend the self as other. To them theatricality is a critical mechanism of modern subjectivity but one that needs to be concealed if the subject's stability is to be maintained. Finding that much of this discussion about the "Age of the Spectator" has been conducted without reference to the play texts or actual theatrical practice, Freeman turns to drama and discovers a dynamic model of identity based on eighteenth-century conceptualizations of character. In contrast to the novel, which cultivated psychological tensions between private interiority and public show, dramatic characters in the eighteenth century experienced no private thoughts. The theater of the eighteenth century was not a theater of absorption but rather a theater of interaction, where what was monitored was not the depth of character, as in the novel, but the arc of a genre over the course of a series of discontinuous acts. In a genre-by-genre analysis of plays about plays, tragedy, comedies of manners, humours, and intrigue, and sentimental comedy, Freeman offers an interpretive account of eighteenth-century drama and its cultural work and demonstrates that by deploying an alternative model of identity, theater marked a site of resistance to the rise of the subject and to the ideological conformity enforced through that identity formation.
Author : Gabrielle Cody
Publisher : Routledge
ISBN 13 : 1136348646
Total Pages : 396 pages
Book Rating : 4.1/5 (363 download)
Download or read book Re: Direction written by Gabrielle Cody and published by Routledge. This book was released on 2013-09-13 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: Re: Direction is an extraordinary resource for practitioners and students on directing. It provides a collection of ground-breaking interviews, primary sources and essays on 20th century directing theories and practices around the world. Helpfully organized into four key areas of the subject, the book explores: * theories of directing * the boundaries of the director's role * the limits of categorization * the history of the theatre and performance art. Exceptionally useful and thought-provoking introductory essays by editors Schneider and Cody guide you through the wealth of materials included here. Re: Direction is the kind of book anyone interested in theatre history should own, and which will prove an indispensable toolkit for a lifetime of study.
Author : Clifford Ashby
Publisher : University of Iowa Press
ISBN 13 : 158729463X
Total Pages : 217 pages
Book Rating : 4.5/5 (872 download)
Download or read book Classical Greek Theatre written by Clifford Ashby and published by University of Iowa Press. This book was released on 1999 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Many dogmas regarding Greek theatre were established by researchers who lacked experience in the mounting of theatrical productions. In his wide-ranging and provocative study, Clifford Ashby, a theatre historian trained in the practical processes of play production as well as the methods of historical research, takes advantage of his understanding of technical elements to approach his ancient subject from a new perspective. In doing so he challenges many long-held views. Archaeological and written sources relating to Greek classical theatre are diverse, scattered, and disconnected. Ashby's own (and memorable) fieldwork led him to more than one hundred theatre sites in Greece, southern Italy, Sicily, and Albania and as far into modern Turkey as Hellenic civilization had penetrated. From this extensive research, he draws a number of novel revisionist conclusions on the nature of classical theatre architecture and production. The original orchestra shape, for example, was a rectangle or trapezoid rather than a circle. The altar sat along the edge of the orchestra, not at its middle. The scene house was originally designed for a performance event that did not use an up center door. The crane and ekkyklema were simple devices, while the periaktoi probably did not exist before the Renaissance. Greek theatres were not built with attention to Vitruvius' injunction against a southern orientation and were probably sun-sited on the basis of seasonal touring. The Greeks arrived at the theatre around mid-morning, not in the cold light of dawn. Only the three-actor rule emerges from this eclectic examination somewhat intact, but with the division of roles reconsidered upon the basis of the actors' performance needs. Ashby also proposes methods that can be employed in future studies of Greek theatre. Final chapters examine the three-actor production of Ion, how one should not approach theatre history, and a shining example of how one should. Ashby's lengthy hands-on training and his knowledge of theatre history provide a broad understanding of the ways that theatre has operated through the ages as well as an ability to extrapolate from production techniques of other times and places.
Author :
Publisher :
ISBN 13 :
Total Pages : 1032 pages
Book Rating : 4.3/5 (91 download)
Download or read book National Union Catalog written by and published by . This book was released on 1983 with total page 1032 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes entries for maps and atlases.
Author : Philip Butterworth
Publisher : Taylor & Francis
ISBN 13 : 1000610691
Total Pages : 421 pages
Book Rating : 4.0/5 (6 download)
Download or read book Functions of Medieval English Stage Directions written by Philip Butterworth and published by Taylor & Francis. This book was released on 2022-07-29 with total page 421 pages. Available in PDF, EPUB and Kindle. Book excerpt: When we speak of theatre, we think we know what a stage direction is: we tend to think of it as an authorial requirement, devised to be complementary to the spoken text and directed at those who put on a play as to what, when, where, how or why a moment, action or its staging should be completed. This is the general understanding to condition a theatrical convention known as the 'stage direction'. As such, we recognise that the stage direction is directed towards actors, directors, designers, and any others who have a part to play in the practical realisation of the play. And perhaps we think that this has always been the case. However, the term 'stage direction' is not a medieval one, nor does an English medieval equivalent term exist to codify the functions contained in extraneous manuscript notes, requirements, directions or records. The medieval English stage direction does not generally function in this way: it mainly exists as an observed record of earlier performance. There are examples of other functions, but even they are not directed at players or those involved in creating performance. More than 2000 stage directions from 40 or so plays and cycles have been included in the catalogue of the volume, and over 400 of those have been selected for analysis throughout the work. The purpose of this research is to examine the theatrical functions of medieval English stage directions as records of earlier performance. Examples of such functions are largely taken from outdoor scriptural plays. This book will be of great interest to students and scholars in theatre, medieval history and literature.
Author : Gillian Woods
Publisher : Bloomsbury Publishing
ISBN 13 : 1474257488
Total Pages : 369 pages
Book Rating : 4.4/5 (742 download)
Download or read book Stage Directions and Shakespearean Theatre written by Gillian Woods and published by Bloomsbury Publishing. This book was released on 2017-12-14 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: What do 'stage directions' do in early modern drama? Who or what are they directing: action on the stage, or imagination via the page? Is the label 'stage direction' helpful or misleading? Do these 'directions' provide evidence of Renaissance playhouse practice? What happens when we put them at the centre of literary close readings of early modern plays? Stage Directions and Shakespearean Theatre investigates these problems through innovative research by a range of international experts. This collection of essays examines the creative possibilities of stage directions and and their implications for actors and audiences, readers and editors, historians and contemporary critics. Looking at the different ways stage directions make meaning, this volume provides new insights into a range of Renaissance plays.
Author : Donald McNamara
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443814903
Total Pages : 290 pages
Book Rating : 4.4/5 (438 download)
Download or read book Which Direction Ireland? Proceedings of the 2006 ACIS Mid-Atlantic Regional Conference written by Donald McNamara and published by Cambridge Scholars Publishing. This book was released on 2009-10-02 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ireland is going changes so rapidly and so dramatically that it has left many people, both in Ireland and abroad, wondering where it is headed next, as well as leaving some people wondering where it actually came from. Which direction Ireland? probes a variety of currents and concepts at play in Ireland, examining geographical, historical, social, political, and literary changes that have taken place in both Ireland and Irish-America. It offers cogent insight into those changes and and well-founded projections about the future. While examining the question, Which Direction Ireland? provides encouragement for those who want to make the journey with enthusiasm as well as curiosity.
Author : Nadine Meisner
Publisher : Oxford University Press
ISBN 13 : 0190659319
Total Pages : 352 pages
Book Rating : 4.1/5 (96 download)
Download or read book Marius Petipa written by Nadine Meisner and published by Oxford University Press. This book was released on 2019-05-01 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most important ballet choreographers of all time, Marius Petipa (1818 - 1910) created works that are now mainstays of the ballet repertoire. Every day, in cities around the world, performances of Swan Lake and The Sleeping Beauty draw large audiences to theatres and inspire new generations of dancers, as does The Nutcracker during the winter holidays. These are his best-known works, but others - Don Quixote, La Bayadère - have also become popular, even canonical components of the classical repertoire, and together they have shaped the defining style of twentieth-century ballet. The first biography in English of this monumental figure of ballet history, Marius Petipa: The Emperor's Ballet Master covers the choreographer's life and work in full within the context of remarkable historical and political surroundings. Over the course of ten well-researched chapters, Nadine Meisner explores Marius Petipa's life and legacy: the artist's arrival in Russia from his native France, the socio-political tensions and revolution he experienced, his popularity on the Russian imperial stage, his collaborations with other choreographers and composers (most famously Tchaikovsky), and the conditions under which he worked, in close proximity to the imperial court. Meisner presents a thrilling and exhaustive narrative not only of Petipa's life but of the cultural development of ballet across the 19th and early 20th centuries. The book also extends beyond Petipa's narrative with insightful analyses of the evolution of ballet technique, theatre genres, and the rise of male dancers. Richly illustrated with archival photographs, this book unearths original material from Petipa's 63 years in Russia, much of it never published in English before. As Meisner demonstrates, the choreographer laid the foundations for Soviet ballet and for Diaghilev's Ballets Russes, the expatriate company which exercised such an enormous influence on ballet in the West, including the Royal Ballet and Balanchine's New York City Ballet. After Petipa, Western ballet would never be the same.
Author : David Hammerbeck
Publisher : Routledge
ISBN 13 : 1000468747
Total Pages : 288 pages
Book Rating : 4.0/5 (4 download)
Download or read book French Theatre, Orientalism, and the Representation of India, 1770-1865 written by David Hammerbeck and published by Routledge. This book was released on 2021-11-30 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the French theatricalization of India from 1770 to 1865 and how a range of plays not only represented India to the French viewing public but also staged issues within French culture including colonialism, imperialism, race, gender, and national politics. Through examining these texts and available performance history, and incorporating historical texts and cultural theory, David Hammerback analyses these works to illustrate a complex of cultural representations: some contested Orientalism, some participated in Western colonialist discourses, while some can be placed somewhere between these two markers of ideology in Western culture and the arts. He also assesses the works which participated in shaping the theatrical face of Western hegemony, ones directly participating in Orientalism as delineated by Edward Said and others. This book will be of great interest to students and scholars in theatre, French literature, history and cultural studies.
Author : Richard Rowland
Publisher : Routledge
ISBN 13 : 1351879162
Total Pages : 384 pages
Book Rating : 4.3/5 (518 download)
Download or read book Thomas Heywood's Theatre, 1599–1639 written by Richard Rowland and published by Routledge. This book was released on 2016-12-05 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this major reassessment of his subject, Richard Rowland restores Thomas Heywood-playwright, miscellanist and translator-to his rightful place in early modern theatre history. Rowland contextualizes and historicizes this important contemporary of Shakespeare, locating him on the geographic and cultural map of London through the business Heywood conducts in his writing. Arguing that Heywood's theatrical output deserves the same attention and study that has been directed towards Shakespeare, Jonson, and more recently Middleton, this book looks at three periods of Heywood's creativity: the end of the Elizabethan era and the beginning of the Jacobean, the mid 1620s, and the mid to late 1630s. By locating the works of those years precisely in the political and cultural conflicts to which they respond, Rowland initiates a major reassessment of the remarkable achievements of this playwright. Rowland also pays attention to Heywood in performance, seeing this writer as a jobbing playwright working in an industry that depended on making writing work. Finally, the author explores how Heywood participated in the civic life of London in his writings beyond the playhouse. Here Rowland examines pamphlets, translations, and the sequence of lord mayor's pageants that Heywood produced as the political crisis deepened. Offering close readings of Heywood that establish the range, quality and theatrical significance of the writing, Thomas Heywood's Theatre, 1599-1639 fits a fascinating piece into the emerging picture of the 'complete' early modern English theatre.
