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Opera Seria And The Evolution Of Classical Style 1755 1772
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Book Synopsis Opera Seria and the Evolution of Classical Style, 1755-1772 by : Eric Weimer
Download or read book Opera Seria and the Evolution of Classical Style, 1755-1772 written by Eric Weimer and published by . This book was released on 1984 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Revision of thesis (doctoral)--University of Chicago, 1982.
Download or read book Classical Style written by Charles Rosen and published by W. W. Norton & Company. This book was released on 1998-01-06 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a detailed analysis of the musical styles and forms developed by Mozart, Haydn, and Beethoven.
Book Synopsis A Short History of Opera by : Donald Jay Grout
Download or read book A Short History of Opera written by Donald Jay Grout and published by Columbia University Press. This book was released on 2003 with total page 1049 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day."--Jacket.
Book Synopsis The Cambridge Companion to Eighteenth-Century Opera by : Anthony R. DelDonna
Download or read book The Cambridge Companion to Eighteenth-Century Opera written by Anthony R. DelDonna and published by Cambridge University Press. This book was released on 2009-06-25 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.
Book Synopsis Haydn, Mozart, and the Viennese School, 1740-1780 by : Daniel Heartz
Download or read book Haydn, Mozart, and the Viennese School, 1740-1780 written by Daniel Heartz and published by W. W. Norton & Company. This book was released on 1995 with total page 844 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historians have long tried to place the music of Haydn and Mozart in the lineage of German Lutheran music. In this book, Daniel Heartz shows that the first Viennese school grew from a Catholic inheritance in Italian music and from local tradition, with an admixture of French currents. The generation of composers led by Haydn no longer trained in Italy. By the time young Mozart joined the ranks of the Viennese school, its accomplishments towered above all others of the time. The author's approach can be compared to viewing a majestic mountain range in its totality: the highest peaks take on even greater majesty when seen in their natural context of foothills and lesser peaks. This is how Haydn and Mozart were viewed by their contemporaries, whose world of perception Heartz recreates, using, among other things, the visual art of the period. His focus is on music as a part of cultural history at a particular time and place. Stylistic terms and a priori periods matter less to him than the common denominators of geography, culture, and political history. Book jacket.
Book Synopsis Music in the Seventeenth and Eighteenth Centuries by : Richard Taruskin
Download or read book Music in the Seventeenth and Eighteenth Centuries written by Richard Taruskin and published by Oxford University Press. This book was released on 2006-08-14 with total page 832 pages. Available in PDF, EPUB and Kindle. Book excerpt: The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Seventeenth and Eighteenth Centuries , the second volume Richard Taruskin's monumental history, illuminates the explosion of musical creativity that occurred in the seventeenth and eighteenth centuries. Examining a wealth of topics, Taruskin looks at the elegant masques and consort music of Jacobean England, the Italian concerto style of Corelli and Vivaldi, and the progression from Baroque to Rococo to romantic style. Perhaps most important, he offers a fascinating account of the giants of this period: Bach, Handel, Mozart, Haydn, and Beethoven. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.
Book Synopsis Oxford History of Western Music by : Richard Taruskin
Download or read book Oxford History of Western Music written by Richard Taruskin and published by Oxford University Press. This book was released on 2009-07-27 with total page 3856 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford History of Western Music is a magisterial survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time. This text illuminates, through a representative sampling of masterworks, those themes, styles, and currents that give shape and direction to each musical age. Taking a critical perspective, this text sets the details of music, the chronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. Written by an authoritative, opinionated, and controversial figure in musicology, The Oxford History of Western Music provides a critical aesthetic position with respect to individual works, a context in which each composition may be evaluated and remembered. Taruskin combines an emphasis on structure and form with a discussion of relevant theoretical concepts in each age, to illustrate how the music itself works, and how contemporaries heard and understood it. It also describes how the c
Book Synopsis Antonio Salieri and Viennese Opera by : John A. Rice
Download or read book Antonio Salieri and Viennese Opera written by John A. Rice and published by University of Chicago Press. This book was released on 1998 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description
Book Synopsis The Clarinet in the Classical Period by : Albert R. Rice
Download or read book The Clarinet in the Classical Period written by Albert R. Rice and published by Oxford University Press. This book was released on 2008-01-15 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive study of the clarinet in use through the classical period, 1760 to 1830, a period of intensive musical experimentation. The book provides a detailed review and analysis of construction, design, materials, and makers of clarinets. Rice also explores how clarinet construction and performance practice developed in tandem with the musical styles of the period.
Book Synopsis Bach Perspectives, Volume 14 by : Paul Corneilson
Download or read book Bach Perspectives, Volume 14 written by Paul Corneilson and published by University of Illinois Press. This book was released on 2022-11-22 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today, the names Bach and Mozart are mostly associated with Johann Sebastian Bach and Wolfgang Amadeus Mozart. But this volume of Bach Perspectives offers essays on the lesser-known musical figures who share those illustrious names alongside new research on the legendary composers themselves. Topics include the keyboard transcriptions of J. S. Bach and Johann Gottfried Walther; J. S. Bach and W. A. Mozart's freelance work; the sonatas of C. P. E. Bach and Leopold Mozart; the early musical training given J. C. Bach by his father and half-brother; the surprising musical similarities between J. C. Bach and W. A. Mozart; and the latest documentary research on Mozart’s 1789 visit to the Thomasschule in Leipzig. An official publication of the American Bach Society, Bach Perspectives, Volume 14 draws on a variety of approaches and a broad range of subject matter in presenting a new wave of innovative classical musical scholarship. Contributors: Eleanor Selfridge-Field, Yoel Greenberg, Noelle M. Heber, Michael Maul, Stephen Roe, and David Schulenberg
Book Synopsis A Short History of Opera by : Donald Jay Grout
Download or read book A Short History of Opera written by Donald Jay Grout and published by . This book was released on 1947 with total page 734 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Operas of Leonardo Vinci, Napoletano by : Kurt Sven Markstrom
Download or read book The Operas of Leonardo Vinci, Napoletano written by Kurt Sven Markstrom and published by Pendragon Press. This book was released on 2007 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vinci produced a string of operas during a brief career of little more than a decade. He died mysteriously. He was hailed by connoisseurs of the later 18th century as one of the originators of the classical style.
Book Synopsis Opera in the Age of Rousseau by : David Charlton
Download or read book Opera in the Age of Rousseau written by David Charlton and published by Cambridge University Press. This book was released on 2012-10-25 with total page 437 pages. Available in PDF, EPUB and Kindle. Book excerpt: A wide-ranging account of opera on stage and in society in the age of Rousseau, from Rameau to Gluck.
Book Synopsis Opera and the Politics of Tragedy by : Katharina Clausius
Download or read book Opera and the Politics of Tragedy written by Katharina Clausius and published by Boydell & Brewer. This book was released on 2023 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: A curated collection of Enlightenment operas, paintings, and literary works that were all marked by the "Telemacomania" scandal, a furious cultural frenzy with dangerous political stakes. Imaginatively structured as a guided tour, Opera and the Politics of Tragedy captures the tumultuous impact of the so-called Telemacomania crisis through its key artifacts: literary pamphlets, spoken dramas, paintings, engravings, and opera librettos (drammi per musica). Prominently featured in the gallery are two operas with direct ties to this aesthetic and political war: Mozart and Cigna-Santi's Mitridate (1770) and Mozart and Varesco's Idomeneo (1781). Reading and listening across the Enlightenment's cultural spaces (its new public museums, its first encyclopedias, and its ever-controversial operatic theater), this book showcases the Enlightenment's disorderly historical revisionism alongside its progressive politics to expose the fertile creativity that can emerge out of the ambiguous space between what is "ancient" and what is "modern."
Book Synopsis Opera and Sovereignty by : Martha Feldman
Download or read book Opera and Sovereignty written by Martha Feldman and published by University of Chicago Press. This book was released on 2010-10-05 with total page 574 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performed throughout Europe during the 1700s, Italian heroic opera, or opera seria, was the century’s most significant musical art form, profoundly engaging such figures as Handel, Haydn, and Mozart. Opera and Sovereignty is the first book to address this genre as cultural history, arguing that eighteenth-century opera seria must be understood in light of the period’s social and political upheavals. Taking an anthropological approach to European music that’s as bold as it is unusual, Martha Feldman traces Italian opera’s shift from a mythical assertion of sovereignty, with its festive forms and rituals, to a dramatic vehicle that increasingly questioned absolute ideals. She situates these transformations against the backdrop of eighteenth-century Italian culture to show how opera seria both reflected and affected the struggles of rulers to maintain sovereignty in the face of a growing public sphere. In so doing, Feldman explains why the form had such great international success and how audience experiences of the period differed from ours today. Ambitiously interdisciplinary, Opera and Sovereignty will appeal not only to scholars of music and anthropology, but also to those interested in theater, dance, and the history of the Enlightenment.
Book Synopsis The Classical Era by : Professor Neal Zaslaw
Download or read book The Classical Era written by Professor Neal Zaslaw and published by Springer. This book was released on 2016-07-14 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the series examining the development of music in specific places during particular times, this book looks at the classical period, in Europe and America, from Vienna and Salzburg to the Iberian courts and Philadelphia.
Book Synopsis The Solfeggio Tradition by : Nicholas Baragwanath
Download or read book The Solfeggio Tradition written by Nicholas Baragwanath and published by Oxford University Press. This book was released on 2020-10-02 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did castrati manage to amaze their eighteenth-century audiences by singing the same aria several times in completely different ways? And how could composers of the time write operas in a matter of days? The secret lies in the solfeggio tradition, a music education method that was fundamental to the training of European musicians between 1680 and 1830 a time during which professional musicians belonged to the working class. As disadvantaged children in orphanages learned the musical craft through solfeggio lessons, many were lifted from poverty, and the most successful were propelled to extraordinary heights of fame and fortune. In this first book on the solfeggio tradition, author Nicholas Baragwanath draws on over a thousand manuscript sources to reconstruct how professionals became skilled performers and composers who could invent and modify melodies at will. By introducing some of the simplest exercises in scales, leaps, and cadences that apprentices would have encountered, this book allows readers to retrace the steps of solfeggio training and learn to generate melody by 'speaking' it like an eighteenth-century musician. As it takes readers on a fascinating journey through the fundamentals of music education in the eighteenth century, this book uncovers a forgotten art of melody that revolutionizes our understanding of the history of music pedagogy.