Opera As Institution

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Opera as Institution

Author : Cristina Scuderi
Publisher : LIT Verlag Münster
ISBN 13 : 3643911491
Total Pages : 216 pages
Book Rating : 4.6/5 (439 download)

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Book Synopsis Opera as Institution by : Cristina Scuderi

Download or read book Opera as Institution written by Cristina Scuderi and published by LIT Verlag Münster. This book was released on 2020-02-18 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together ten essays focusing on the diversity of operatic institutions, their protagonists, and historical fortunes in Europe from 1730 to 1917. Its aim is not to understand operatic institutions as locally distinct and isolated organizations, but rather to perceive them as a part of a historically fluctuating, transnational network: a network that was shaped among other things by individual professionals and groups in the opera business (and beyond), as well as by specific socio-cultural and political surroundings. The volume offers new perspectives on a wide range of topics, including networks of cultural exchange, singers as agents in shaping institutional structures, and the influence of socio-cultural, diplomatic, and political factors on operatic production across international borders.

Black Opera

Author : Naomi Andre
Publisher : University of Illinois Press
ISBN 13 : 0252050614
Total Pages : 386 pages
Book Rating : 4.2/5 (52 download)

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Book Synopsis Black Opera by : Naomi Andre

Download or read book Black Opera written by Naomi Andre and published by University of Illinois Press. This book was released on 2018-05-04 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: From classic films like Carmen Jones to contemporary works like The Diary of Sally Hemings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to explore this music's resonance with today's listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate. Viewing opera as a fertile site for critical inquiry, political activism, and social change, Black Opera lays the foundation for innovative new approaches to applied scholarship.

OPERA AS INSTITUTION

Author : INGEBORG ZECHNER (EDS.) CRISTINA SCUDERI
Publisher :
ISBN 13 : 9783643961495
Total Pages : pages
Book Rating : 4.9/5 (614 download)

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Book Synopsis OPERA AS INSTITUTION by : INGEBORG ZECHNER (EDS.) CRISTINA SCUDERI

Download or read book OPERA AS INSTITUTION written by INGEBORG ZECHNER (EDS.) CRISTINA SCUDERI and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Opera and Society in Italy and France from Monteverdi to Bourdieu

Author : Victoria Johnson
Publisher : Cambridge University Press
ISBN 13 : 1139464051
Total Pages : 32 pages
Book Rating : 4.1/5 (394 download)

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Book Synopsis Opera and Society in Italy and France from Monteverdi to Bourdieu by : Victoria Johnson

Download or read book Opera and Society in Italy and France from Monteverdi to Bourdieu written by Victoria Johnson and published by Cambridge University Press. This book was released on 2007-05-03 with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited volume brings together academic specialists writing on the multi-media operatic form from a range of disciplines: comparative literature, history, sociology, and philosophy. The presence in the volume's title of Pierre Bourdieu, the leading cultural sociologist of the late twentieth century, signals the editors' intention to synthesise advances in social science with advances in musicological and other scholarship on opera. Through a focus on opera in Italy and France, the contributors to the volume draw on their respective disciplines both to expand our knowledge of opera's history and to demonstrate the kinds of contributions that stand to be made by different disciplines to the study of opera. The volume is divided into three sections, each of which is preceded by a concise and informative introduction explaining how the chapters in that section contribute to our understanding of opera.

Modernism and Opera

Author : Richard Begam
Publisher : JHU Press
ISBN 13 : 1421420627
Total Pages : 391 pages
Book Rating : 4.4/5 (214 download)

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Book Synopsis Modernism and Opera by : Richard Begam

Download or read book Modernism and Opera written by Richard Begam and published by JHU Press. This book was released on 2016-11 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z

Operatic Geographies

Author : Suzanne Aspden
Publisher : University of Chicago Press
ISBN 13 : 022659601X
Total Pages : 328 pages
Book Rating : 4.2/5 (265 download)

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Book Synopsis Operatic Geographies by : Suzanne Aspden

Download or read book Operatic Geographies written by Suzanne Aspden and published by University of Chicago Press. This book was released on 2019-04-22 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since its origin, opera has been identified with the performance and negotiation of power. Once theaters specifically for opera were established, that connection was expressed in the design and situation of the buildings themselves, as much as through the content of operatic works. Yet the importance of the opera house’s physical situation, and the ways in which opera and the opera house have shaped each other, have seldom been treated as topics worthy of examination. Operatic Geographies invites us to reconsider the opera house’s spatial production. Looking at opera through the lens of cultural geography, this anthology rethinks the opera house’s landscape, not as a static backdrop, but as an expression of territoriality. The essays in this anthology consider moments across the history of the genre, and across a range of geographical contexts—from the urban to the suburban to the rural, and from the “Old” world to the “New.” One of the book’s most novel approaches is to consider interactions between opera and its environments—that is, both in the domain of the traditional opera house and in less visible, more peripheral spaces, from girls’ schools in late seventeenth-century England, to the temporary arrangements of touring operatic troupes in nineteenth-century Calcutta, to rural, open-air theaters in early twentieth-century France. The essays throughout Operatic Geographies powerfully illustrate how opera’s spatial production informs the historical development of its social, cultural, and political functions.

Opera and the City

Author : Andrea Goldman
Publisher : Stanford University Press
ISBN 13 : 0804782628
Total Pages : 387 pages
Book Rating : 4.8/5 (47 download)

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Book Synopsis Opera and the City by : Andrea Goldman

Download or read book Opera and the City written by Andrea Goldman and published by Stanford University Press. This book was released on 2013-12-10 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: In late imperial China, opera transmitted ideas across the social hierarchy about the self, family, society, and politics. Beijing attracted a diverse array of opera genres and audiences and, by extension, served as a hub for the diffusion of cultural values. It is in this context that historian Andrea S. Goldman harnesses opera as a lens through which to examine urban cultural history. Her meticulous yet playful account takes up the multiplicity of opera types that proliferated at the time, exploring them as contested sites through which the Qing court and commercial playhouses negotiated influence and control over the social and moral order. Opera performance blurred lines between public and private life, and offered a stage on which to act out gender and class transgressions. This work illuminates how the state and various urban constituencies manipulated opera to their own ends, and sheds light on empire-wide transformations underway at the time.

Guide to Operatic Music Suitable for Performances in Or by Religious Institutions

Author : Central Opera Service (New York, N.Y.)
Publisher :
ISBN 13 :
Total Pages : 14 pages
Book Rating : 4.:/5 (82 download)

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Book Synopsis Guide to Operatic Music Suitable for Performances in Or by Religious Institutions by : Central Opera Service (New York, N.Y.)

Download or read book Guide to Operatic Music Suitable for Performances in Or by Religious Institutions written by Central Opera Service (New York, N.Y.) and published by . This book was released on 1972* with total page 14 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Divas and Scholars

Author : Philip Gossett
Publisher : University of Chicago Press
ISBN 13 : 0226304884
Total Pages : 699 pages
Book Rating : 4.2/5 (263 download)

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Book Synopsis Divas and Scholars by : Philip Gossett

Download or read book Divas and Scholars written by Philip Gossett and published by University of Chicago Press. This book was released on 2008-09-15 with total page 699 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the 2007 Otto Kinkeldey Award from the American Musicological Society and the 2007 Deems Taylor Award from the American Society of Composers, Authors, and Publishers. Divas and Scholars is a dazzling and beguiling account of how opera comes to the stage, filled with Philip Gossett’s personal experiences of triumphant—and even failed—performances and suffused with his towering and tonic passion for music. Writing as a fan, a musician, and a scholar, Gossett, the world's leading authority on the performance of Italian opera, brings colorfully to life the problems, and occasionally the scandals, that attend the production of some of our most favorite operas. Gossett begins by tracing the social history of nineteenth-century Italian theaters in order to explain the nature of the musical scores from which performers have long worked. He then illuminates the often hidden but crucial negotiations opera scholars and opera conductors and performers: What does it mean to talk about performing from a critical edition? How does one determine what music to perform when multiple versions of an opera exist? What are the implications of omitting passages from an opera in a performance? In addition to vexing questions such as these, Gossett also tackles issues of ornamentation and transposition in vocal style, the matters of translation and adaptation, and even aspects of stage direction and set design. Throughout this extensive and passionate work, Gossett enlivens his history with reports from his own experiences with major opera companies at venues ranging from the Metropolitan and Santa Fe operas to the Rossini Opera Festival at Pesaro. The result is a book that will enthrall both aficionados of Italian opera and newcomers seeking a reliable introduction to it—in all its incomparable grandeur and timeless allure.

Opera As Hypermedium

Author : Tereza Havelková
Publisher : Oxford University Press, USA
ISBN 13 : 0190091266
Total Pages : 205 pages
Book Rating : 4.1/5 (9 download)

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Book Synopsis Opera As Hypermedium by : Tereza Havelková

Download or read book Opera As Hypermedium written by Tereza Havelková and published by Oxford University Press, USA. This book was released on 2021 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book deals with contemporary relationships between opera and the media. It is concerned with both, the use of media on stage, and opera on screen. Drawing on the concept of hypermediacy from media studies, it situates opera within the larger context of contemporary media practices, and particularly those that play up the multiplicity, awareness and enjoyment of media. The discussion is driven by the underlying question of what politics of representation and perception opera performs within this context. This entails approaching operas as audiovisual events (rather than works or texts) and paying attention to what they do by visual means, along with the operatic music and singing. The book concentrates on events that foreground their use of media and technology, drawing attention to opera's inherently hypermedial aspects. It works with the recognition that such events nevertheless engender powerful effects of immediacy, which are not contingent on illusionism or the seeming transparency of the medium. It analyzes how effects like presence, liveness and immersion are produced, contesting some critical claims attached to them. It also sheds light on how these effects, often perceived as visceral or material in nature, are related to the production of meaning in opera. The discussion pertains to contemporary pieces such as Louis Andriessen and Peter Greenaway's Rosa and Writing to Vermeer, as well as productions of the canonical repertory such as Wagner's Ring Cycle by Robert Lepage at the Met and La Fura dels Baus in Valencia"--

Access, Diversity, Equity and Inclusion in Cultural Organizations

Author : Antonio C. Cuyler
Publisher : Routledge
ISBN 13 : 042999611X
Total Pages : 132 pages
Book Rating : 4.4/5 (299 download)

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Book Synopsis Access, Diversity, Equity and Inclusion in Cultural Organizations by : Antonio C. Cuyler

Download or read book Access, Diversity, Equity and Inclusion in Cultural Organizations written by Antonio C. Cuyler and published by Routledge. This book was released on 2020-09-30 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analyzing the lack of diversity among opera executives, this book examines the careers of executive opera managers of color in the U.S. By interrogating the impact of race on arts managers’ careers, the author contemplates how opera might attract and retain more racially diverse arts managers to ensure its future. With a focus on the U.S., research is contextualized via qualitative data to explore, enhance, and institutionalize access, diversity, equity, and inclusion (ADEI) in the opera industry. In a revealing series of expert-conducted interviews, the author poses illuminating questions, such as: what if an inability to recruit and retain diverse executives is the primary source of opera’s challenges? if more racially diverse opera executives existed, would the art form persist in struggling to find its place in contemporary society? from where will the next generation of diverse opera managers emerge? As the magnitude of the global diversity problem grows within the creative and cultural industries, this book serves as a guide for Arts Management practitioners and students who may view their class, different ability, ethnicity, gender, race, or sexual orientation as a liability in their pursuit of executive careers.

Opera and Sovereignty

Author : Martha Feldman
Publisher : University of Chicago Press
ISBN 13 : 0226044548
Total Pages : 574 pages
Book Rating : 4.2/5 (26 download)

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Book Synopsis Opera and Sovereignty by : Martha Feldman

Download or read book Opera and Sovereignty written by Martha Feldman and published by University of Chicago Press. This book was released on 2010-10-05 with total page 574 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performed throughout Europe during the 1700s, Italian heroic opera, or opera seria, was the century’s most significant musical art form, profoundly engaging such figures as Handel, Haydn, and Mozart. Opera and Sovereignty is the first book to address this genre as cultural history, arguing that eighteenth-century opera seria must be understood in light of the period’s social and political upheavals. Taking an anthropological approach to European music that’s as bold as it is unusual, Martha Feldman traces Italian opera’s shift from a mythical assertion of sovereignty, with its festive forms and rituals, to a dramatic vehicle that increasingly questioned absolute ideals. She situates these transformations against the backdrop of eighteenth-century Italian culture to show how opera seria both reflected and affected the struggles of rulers to maintain sovereignty in the face of a growing public sphere. In so doing, Feldman explains why the form had such great international success and how audience experiences of the period differed from ours today. Ambitiously interdisciplinary, Opera and Sovereignty will appeal not only to scholars of music and anthropology, but also to those interested in theater, dance, and the history of the Enlightenment.

Phantasmagoria

Author : David T Evans
Publisher : Routledge
ISBN 13 : 0429757689
Total Pages : 341 pages
Book Rating : 4.4/5 (297 download)

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Book Synopsis Phantasmagoria by : David T Evans

Download or read book Phantasmagoria written by David T Evans and published by Routledge. This book was released on 2018-11-09 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1999, this original and entertaining sociological study takes a comprehensive and critical view of opera as unique cultural artefact as loss making ‘industry’, as institution with a ‘museum’ culture, and as consumed commodity of rare distinction and elaborate ritual. Specific chapters deal with opera within the contexts of musicological analysis, auratic art and fetishized taste: opera as business and as ‘museum’: singers’ opera: producers’ opera and audiences’ opera. There is also a chapter on ‘opera’: popular, commercialised fragments of opera outside the opera house, consumed by and through all manner of reproduced means: CD, video, Three Tenors concerts: film and TV soundtracks: advertising jingles etc. Despite the supposed popularisation and successful commercial exploitation of ‘opera’ during the past decade or so, this study concludes that opera remains an art-form, institution and ritual of relative inaccessibility and exclusiveness. The commercial interest in and profitability of ‘opera’ do not translate into new ‘popular’ audiences in the opera house. The increased dependency of opera companies on corporate funding in the face of retreating government subsidies may have brought a new ‘elite’ audience into the expensive seats, pandered to by the introduction of surtitles etc., but the traditional ‘elite’ has succeeded in closing down entry to opera in other select venues where opera continues to confirm and maintain their select identity and prestige of their life-style.

Opera as Anthropology

Author : Vlado Kotnik
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443814229
Total Pages : 380 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis Opera as Anthropology by : Vlado Kotnik

Download or read book Opera as Anthropology written by Vlado Kotnik and published by Cambridge Scholars Publishing. This book was released on 2016-09-23 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book contemplates the relationship between opera and anthropology. It rests on the following central arguments: on the one hand, opera is quite a new and “exotic” topic for anthropologists, while, on the other, anthropology is still perceived as an unusual approach to opera. Both initial arguments are indicative of the current situation of the relationship between anthropological discipline and opera research. The book introduces the work of anthropologists and ethnographers whose personal and professional affinity for opera has been explicated in their academic and biographical accounts. Anthropological, ethnological, ethnographic, and semiotic accounts of opera by Claude Lévi-Strauss, Michel Leiris, William O. Beeman, Denis Laborde, Paul Atkinson, and Philippe-Joseph Salazar establish that opera can be a pertinent object of anthropological interest, ethnographic investigation, cultural analysis, and historical reflection. By touching on opera not merely as a musical, aesthetic, or artistic category, but as a social, cultural, historical, and transnational phenomenon that, over the last four centuries, has significantly influenced and reflected the identity of Western culture and society, this monograph suggests that opera and anthropology no longer need be alien to one another.

The Cambridge Companion to Grand Opera

Author : David Charlton
Publisher : Cambridge University Press
ISBN 13 : 9780521646833
Total Pages : 524 pages
Book Rating : 4.6/5 (468 download)

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Book Synopsis The Cambridge Companion to Grand Opera by : David Charlton

Download or read book The Cambridge Companion to Grand Opera written by David Charlton and published by Cambridge University Press. This book was released on 2003-09-04 with total page 524 pages. Available in PDF, EPUB and Kindle. Book excerpt: Table of contents

The Oxford Handbook of Opera

Author : Helen M. Greenwald
Publisher : Oxford Handbooks
ISBN 13 : 0195335538
Total Pages : 1217 pages
Book Rating : 4.1/5 (953 download)

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Book Synopsis The Oxford Handbook of Opera by : Helen M. Greenwald

Download or read book The Oxford Handbook of Opera written by Helen M. Greenwald and published by Oxford Handbooks. This book was released on 2014 with total page 1217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fifty of the world's most respected scholars cast opera as a fluid entity that continuously reinvents itself in a reflection of its patrons, audience, and creators.

The Business of Opera

Author : Anastasia Belina-Johnson
Publisher : Routledge
ISBN 13 : 1317039556
Total Pages : 235 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis The Business of Opera by : Anastasia Belina-Johnson

Download or read book The Business of Opera written by Anastasia Belina-Johnson and published by Routledge. This book was released on 2016-03-23 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: The study of the business of opera has taken on new importance in the present harsh economic climate for the arts. This book presents research that sheds new light on a range of aspects concerning marketing, audience development, promotion, arts administration and economic issues that beset professionals working in the opera world. The editors' aim has been to assemble a coherent collection of essays that engage with a single theme (business), but differ in topic and critical perspective. The collection is distinguished by its concern with the business of opera here and now in a globalized market. This includes newly commissioned operas, sponsorship, state funding, and production and marketing of historic operas in the twenty-first century.