Opera After 1900

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Opera and the City

Author : Andrea Goldman
Publisher : Stanford University Press
ISBN 13 : 0804782628
Total Pages : 387 pages
Book Rating : 4.8/5 (47 download)

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Book Synopsis Opera and the City by : Andrea Goldman

Download or read book Opera and the City written by Andrea Goldman and published by Stanford University Press. This book was released on 2013-12-10 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: In late imperial China, opera transmitted ideas across the social hierarchy about the self, family, society, and politics. Beijing attracted a diverse array of opera genres and audiences and, by extension, served as a hub for the diffusion of cultural values. It is in this context that historian Andrea S. Goldman harnesses opera as a lens through which to examine urban cultural history. Her meticulous yet playful account takes up the multiplicity of opera types that proliferated at the time, exploring them as contested sites through which the Qing court and commercial playhouses negotiated influence and control over the social and moral order. Opera performance blurred lines between public and private life, and offered a stage on which to act out gender and class transgressions. This work illuminates how the state and various urban constituencies manipulated opera to their own ends, and sheds light on empire-wide transformations underway at the time.

Early 20th Century Opera Singers

Author : Nicholas E. Limansky
Publisher : YBK Publishers
ISBN 13 : 9781936411436
Total Pages : 298 pages
Book Rating : 4.4/5 (114 download)

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Book Synopsis Early 20th Century Opera Singers by : Nicholas E. Limansky

Download or read book Early 20th Century Opera Singers written by Nicholas E. Limansky and published by YBK Publishers. This book was released on 2016-04 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historical recordings by opera singers have proven since 1900 to offer much reward to the singer, student, listener, and collector alike. In the first book of this kind to appear in decades, Nicholas Limansky explains why critical listening is important and describes the merits of analyzing and comparing the recordings of previous generations of singers with those of the present. He also recounts how markedly record collecting has changed through the decades-especially in large cities like New York-mainly due to technological advance. He not only treats collecting 78 rpm disks, but LPs and CDs as well. Expired copyright now enables many of these early recordings to easily be acquired and collected, enabling the broad-scale comparison of style, technique, and vocal quality among the famous performers of earlier eras. The author points out what to look for among these differences in style, technique, and ability-both good and bad. (On occasion, the most famous are not the best ) With emphasis on today's student and collector, Limansky provides information about where, how, and on what labels given recordings can be found. He discusses printed resources that offer the interested even more information. Beginners and veterans alike will find much of interest in this far-ranging book. Nicholas Limansky studied voice at Peabody Conservatory in Baltimore and has a performance degree from the University of West Virginia. He has sung with major professional choral groups in New York City that include The Bach Aria Group, Musica Sacra, New York Choral Artists (NY Philharmonic), Opera Orchestra of New York, The Netherlands Ballet, and Alvin Ailey (Revelations, Rainbow). He has written performance reviews for the Italian publication, "Rassegna Melodrammatic," and reviewed new vocal releases of historical singers for "Opera News, The Record Collector, Classical Singer, " and "Opera Quarterly." He lectures at the New York Vocal Record Collectors Society and is a member of its board of directors.

Opera after 1900

Author : Margaret Notley
Publisher : Routledge
ISBN 13 : 1351555782
Total Pages : 534 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Opera after 1900 by : Margaret Notley

Download or read book Opera after 1900 written by Margaret Notley and published by Routledge. This book was released on 2017-07-05 with total page 534 pages. Available in PDF, EPUB and Kindle. Book excerpt: The articles reprinted in this volume treat operas as opera and from some sort of critical angle; none of the articles uses methodology appropriate for another kind of musical work. Additional criteria used in selecting the articles were that they should not have been reprinted widely before and that taken together they should cover an extended array of significant operas and critical questions about them. Trends in Anglophone scholarship on post-1900 opera then determined the structure of the volume. The anthologized articles are organized according to the place of origin of the opera discussed in each of them; the introduction, however, follows a thematic approach. Themes considered in the introduction include questions of genre and reception; perspectives on librettos and librettists; words, lyricism, and roles of the orchestra; and modernism and other political contexts.

The Cambridge Companion to Operetta

Author : Anastasia Belina
Publisher : Cambridge University Press
ISBN 13 : 1107182166
Total Pages : 347 pages
Book Rating : 4.1/5 (71 download)

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Book Synopsis The Cambridge Companion to Operetta by : Anastasia Belina

Download or read book The Cambridge Companion to Operetta written by Anastasia Belina and published by Cambridge University Press. This book was released on 2020 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of essays revealing how operetta spread across borders and became popular on the musical stages of the world.

A History of Opera

Author : Carolyn Abbate
Publisher : W. W. Norton & Company
ISBN 13 : 0393089533
Total Pages : 648 pages
Book Rating : 4.3/5 (93 download)

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Book Synopsis A History of Opera by : Carolyn Abbate

Download or read book A History of Opera written by Carolyn Abbate and published by W. W. Norton & Company. This book was released on 2015-09-08 with total page 648 pages. Available in PDF, EPUB and Kindle. Book excerpt: “The best single volume ever written on the subject, such is its range, authority, and readability.”—Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.

Richard Strauss's Salome

Author : Burton D. Fisher
Publisher : Opera Journeys Publishing
ISBN 13 : 0977145514
Total Pages : 96 pages
Book Rating : 4.9/5 (771 download)

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Book Synopsis Richard Strauss's Salome by : Burton D. Fisher

Download or read book Richard Strauss's Salome written by Burton D. Fisher and published by Opera Journeys Publishing. This book was released on 2005 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive guide to Richard Strauss's SALOME, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto with German/English side-by side, and over 25 music highlight examples.

Music and Narrative Since 1900

Author : Michael L. Klein
Publisher : Indiana University Press
ISBN 13 : 0253006449
Total Pages : 445 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Music and Narrative Since 1900 by : Michael L. Klein

Download or read book Music and Narrative Since 1900 written by Michael L. Klein and published by Indiana University Press. This book was released on 2013 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive volume offers a wide-ranging perspective on the stories that art music has told since the start of the 20th century. Contributors challenge the broadly held opinion that the loss of tonality in some music after 1900 also meant the loss of narrative in that music. To the contrary, the editors and essayists in this book demonstrate how experiments in approaching narrative in other media, such as fiction and cinema, suggested fresh possibilities for musical narrative, which composers were quick to exploit. The new conceptions of time, narrative voice, plot, and character that accompanied these experiments also had a significant impact on contemporary music. The repertoire explored in the collection ranges across a wide variety of genres and includes composers from Charles Ives and the Pet Shop Boys to Thomas Adès and Dmitri Shostakovich.

The Barber of Seville

Author :
Publisher :
ISBN 13 : 9789991418575
Total Pages : 159 pages
Book Rating : 4.4/5 (185 download)

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Book Synopsis The Barber of Seville by :

Download or read book The Barber of Seville written by and published by . This book was released on 1985 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Curating Opera

Author : Stephen Mould
Publisher : Routledge
ISBN 13 : 1000338606
Total Pages : 178 pages
Book Rating : 4.0/5 (3 download)

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Book Synopsis Curating Opera by : Stephen Mould

Download or read book Curating Opera written by Stephen Mould and published by Routledge. This book was released on 2021-02-09 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: Curation as a concept and a catchword in modern parlance has, over recent decades, become deeply ingrained in modern culture. The purpose of this study is to explore the curatorial forces at work within the modern opera house and to examine the functionaries and processes that guide them. In turn, comparisons are made with the workings of the traditional art museum, where artworks are studied, preserved, restored, displayed and contextualised – processes which are also present in the opera house. Curatorial roles in each institution are identified and described, and the role of the celebrity art curator is compared with that of the modern stage director, who has acquired previously undreamt-of licence to interrogate operatic works, overlaying them with new concepts and levels of meaning in order to reinvent and redefine the operatic repertoire for contemporary needs. A point of coalescence between the opera house and the art museum is identified, with the transformation, towards the end of the nineteenth century, of the opera house into the operatic museum. Curatorial practices in the opera house are examined, and further communalities and synergies in the way that ‘works’ are defined in each institution are explored. This study also considers the so-called ‘birth’ of opera around the start of the seventeenth century, with reference to the near-contemporary rise of the modern art museum, outlining operatic practice and performance history over the last 400 years in order to identify the curatorial practices that have historically been employed in the maintenance and development of the repertoire. This examination of the forces of curation within the modern opera house will highlight aspects of authenticity, authorial intent, preservation, restoration and historically informed performance practice.

Opera Anecdotes

Author : Ethan Mordden
Publisher : Oxford University Press, USA
ISBN 13 : 9780195056617
Total Pages : 284 pages
Book Rating : 4.0/5 (566 download)

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Book Synopsis Opera Anecdotes by : Ethan Mordden

Download or read book Opera Anecdotes written by Ethan Mordden and published by Oxford University Press, USA. This book was released on 1988 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: From backstage squabbles and box-office chicanery to the gallantry and glory of creation, this book of stories unveils a delightful panorama of opera lore. "An opera lover's handbook that should always be near at hand".--Schuyler G. Chapin, Columbia University.

Opera, a History of the Impossible Genre

Author : Jeffrey Langford
Publisher : Taylor & Francis
ISBN 13 : 1040127568
Total Pages : 188 pages
Book Rating : 4.0/5 (41 download)

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Book Synopsis Opera, a History of the Impossible Genre by : Jeffrey Langford

Download or read book Opera, a History of the Impossible Genre written by Jeffrey Langford and published by Taylor & Francis. This book was released on 2024-10-01 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera, a History of the Impossible Genre offers an accessible and chronological survey of opera. Beginning in the 16th century, each chapter hones its focus on a representative opera and composer, and provides discussion on historical and political context. With further reading lists, key term definitions, and composer biographies to support learning, this book covers the fundamental elements of the genre, including: subject matter, musical structure, aria and ensemble forms, singing styles, orchestra, and the structure of the libretto. The book will also help readers develop an appreciation of opera as a form of musical entertainment, which, despite seemingly insurmountable financial, philosophical, and artistic hurdles, has overcome the “impossible” to become one of the most popular and thrilling types of music heard on stage today. Opera, a History of the Impossible Genre is an approachable undergraduate textbook for students of opera and survey courses.

A New Chronology of Venetian Opera and Related Genres, 1660-1760

Author : Eleanor Selfridge-Field
Publisher : Stanford University Press
ISBN 13 : 9780804744379
Total Pages : 794 pages
Book Rating : 4.7/5 (443 download)

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Book Synopsis A New Chronology of Venetian Opera and Related Genres, 1660-1760 by : Eleanor Selfridge-Field

Download or read book A New Chronology of Venetian Opera and Related Genres, 1660-1760 written by Eleanor Selfridge-Field and published by Stanford University Press. This book was released on 2007 with total page 794 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1637 to the middle of the eighteenth century, Venice was the world center for operatic activity. No exact chronology of the Venetian stage during this period has previously existed in any language. This reference work, the culmination of two decades of research throughout Europe, provides a secure ordering of 800 operas and 650 related works from the period 1660 to 1760. Derived from thousands of manuscript news-sheets and other unpublished materials, the Chronology provides a wealth of new information on about 1500 works. Each entry in this production-based survey provides not only perfunctory reference information but also a synopsis of the text, eyewitness accounts, and pointers to surviving musical scores. What emerges, in addition to secure dates, is a profusion of new information about events, personalities, patronage, and the response of opera to changing political and social dynamics. Appendixes and supplements provide basic information in Venetian history for music, drama, and theater scholars who are not specialists in Italian studies.

Italian Opera in Global and Transnational Perspective

Author : Axel Körner
Publisher : Cambridge University Press
ISBN 13 : 1108843867
Total Pages : 341 pages
Book Rating : 4.1/5 (88 download)

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Book Synopsis Italian Opera in Global and Transnational Perspective by : Axel Körner

Download or read book Italian Opera in Global and Transnational Perspective written by Axel Körner and published by Cambridge University Press. This book was released on 2022-03-24 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianit...) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies.

Opera's Second Death

Author : Slavoj Zizek
Publisher : Routledge
ISBN 13 : 113520778X
Total Pages : 247 pages
Book Rating : 4.1/5 (352 download)

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Book Synopsis Opera's Second Death by : Slavoj Zizek

Download or read book Opera's Second Death written by Slavoj Zizek and published by Routledge. This book was released on 2013-10-18 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera's Second Death is a passionate exploration of opera - the genre, its masterpieces, and the nature of death. Using a dazzling array of tools, Slavoj Zizek and coauthor Mladen Dolar explore the strange compulsions that overpower characters in Mozart and Wagner, as well as our own desires to die and to go to the opera.

Grand Opera Outside Paris

Author : Jens Hesselager
Publisher : Routledge
ISBN 13 : 1315466430
Total Pages : 267 pages
Book Rating : 4.3/5 (154 download)

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Book Synopsis Grand Opera Outside Paris by : Jens Hesselager

Download or read book Grand Opera Outside Paris written by Jens Hesselager and published by Routledge. This book was released on 2017-12-14 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nineteenth-century French grand opera was a musical and cultural phenomenon with an important and widespread transnational presence in Europe. Primary attention in the major studies of the genre has so far been on the Parisian context for which the majority of the works were originally written. In contrast, this volume takes account of a larger geographical and historical context, bringing the Europe-wide impact of the genre into focus. The book presents case studies including analyses of grand opera in small-town Germany and Switzerland; grand operas adapted for Scandinavian capitals, a cockney audience in London, and a court audience in Weimar; and Portuguese and Russian grand operas after the French model. Its overarching aim is to reveal how grand operas were used – performed, transformed, enjoyed and criticised, emulated and parodied – and how they became part of musical, cultural and political life in various European settings. The picture that emerges is complex and diversified, yet it also testifies to the interrelated processes of cultural and political change as bourgeois audiences, at varying paces and with local variations, increased their influence, and as discourses on language, nation and nationalism influenced public debates in powerful ways.

The Oxford Handbook of Opera

Author : Helen M. Greenwald
Publisher : Oxford University Press
ISBN 13 : 0199714843
Total Pages : 1217 pages
Book Rating : 4.1/5 (997 download)

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Book Synopsis The Oxford Handbook of Opera by : Helen M. Greenwald

Download or read book The Oxford Handbook of Opera written by Helen M. Greenwald and published by Oxford University Press. This book was released on 2014-10-03 with total page 1217 pages. Available in PDF, EPUB and Kindle. Book excerpt: What IS opera? Contributors to The Oxford Handbook of Opera respond to this deceptively simple question with a rich and compelling exploration of opera's adaption to changing artistic and political currents. Fifty of the world's most respected scholars cast opera as a fluid entity that continuously reinvents itself in a reflection of its patrons, audience, and creators. The synergy of power, performance, and identity recurs thematically throughout the volume's major topics: Words, Music, and Meaning; Performance and Production; Opera and Society; and Transmission and Reception. Individual essays engage with repertoire from Monteverdi, Mozart, and Meyerbeer to Strauss, Henze, and Adams in studies of composition, national identity, transmission, reception, sources, media, iconography, humanism, the art of collecting, theory, analysis, commerce, singers, directors, criticism, editions, politics, staging, race, and gender. The title of the penultimate section, Opera on the Edge, suggests the uncertainty of opera's future: is opera headed toward catastrophe or have social and musical developments of the last hundred years stimulated something new and exciting, and, well, operatic? In an epilogue to the volume, a contemporary opera composer speaks candidly about opera composition today. The Oxford Handbook of Opera is an essential companion to scholars, educators, advanced students, performers, and knowledgeable listeners: those who simply love opera.

The Cambridge Companion to Twentieth-Century Opera

Author : Mervyn Cooke
Publisher : Cambridge University Press
ISBN 13 : 9780521780094
Total Pages : 430 pages
Book Rating : 4.7/5 (8 download)

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Book Synopsis The Cambridge Companion to Twentieth-Century Opera by : Mervyn Cooke

Download or read book The Cambridge Companion to Twentieth-Century Opera written by Mervyn Cooke and published by Cambridge University Press. This book was released on 2005-12-08 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially commissioned essays written by a distinguished team of academics, critics and practitioners. Beginning with a discussion of the century's vital inheritance from late-romantic operatic traditions in Germany and Italy, the text embraces fresh investigations into various aspects of the genre in the modern age, with a comprehensive coverage of the work of individual composers from Debussy and Schoenberg to John Adams and Harrison Birtwistle. Traditional stylistic categorizations (including symbolism, expressionism, neo-classicism and minimalism) are reassessed from new critical perspectives, and the distinctive operatic traditions of Continental and Eastern Europe, Russia and the Soviet Union, the United Kingdom and United States are subjected to fresh scrutiny. The volume includes essays devoted to avant-garde music theatre, operettas and musicals, filmed opera, and ends with a discussion of the position of the genre in today's cultural marketplace.